DualSystemGuy
Leading Member
Total DSLR sales by year before and after the peak in 2012 are pretty much symmetrical. The D300s is indeed a good camera - I still have one - but sold at less than half of the rate of the D300.
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Total DSLR sales by year before and after the peak in 2012 are pretty much symmetrical. The D300s is indeed a good camera - I still have one - but sold at less than half of the rate of the D300.
BRRRRRRRRPPPPPP-BRRRRRRRPPPPPyou are really lucky to handle the holy grail for 3 nights in a row... try to record this time the sound of those 10fps.
second clip, did you notice how the sound dropped at about the 5 second mark? I sure did not find it obnoxious at all, and in quiet mode it is, well, quieter, but not as fast.it sounds great
Here the d500 sounds sweet and quiet
but here it sounds like war...awful.
This is a price point question, not a value question: Nikon are pretty superstitious about one price point, one camera. If you look at the serial numbers of the D600/610/750 the sales are less than half of the 800,000 plus unit sales of the D800/E/D810. Nikon only needs one entry level FX camera; this will likely be the D750 successor and I expect it to move upmarket slightly.
We hear so much about the D300s being a failure - but it sold nearly as well as these three entry level FX cameras combined.
It's pretty simple really. There are several no-brainer reasons people would go for a D500 at $2k over any FX option:This is a price point question, not a value question: Nikon are pretty superstitious about one price point, one camera. If you look at the serial numbers of the D600/610/750 the sales are less than half of the 800,000 plus unit sales of the D800/E/D810. Nikon only needs one entry level FX camera; this will likely be the D750 successor and I expect it to move upmarket slightly.
We hear so much about the D300s being a failure - but it sold nearly as well as these three entry level FX cameras combined.
The 7DIII with the new sensor design that is in the IDXII (on sensor ADC), which largely removes the advantage of Sony / Nikon sensors re noise and base ISO DR, will surely come reasonably soon.This is a price point question, not a value question: Nikon are pretty superstitious about one price point, one camera. If you look at the serial numbers of the D600/610/750 the sales are less than half of the 800,000 plus unit sales of the D800/E/D810. Nikon only needs one entry level FX camera; this will likely be the D750 successor and I expect it to move upmarket slightly.
We hear so much about the D300s being a failure - but it sold nearly as well as these three entry level FX cameras combined.
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Jim
The answer is, they seem to have chosen their price point well; it was reported here by Shun Cheung , who also posts in this forum, that at a launch event he attended last week, "a Nikon rep mentioned that there are some 80K D500 preorders in the U.S. already."This is a price point question, not a value question
I was expecting the same, thought most likely will be a 24MP crop sensor, but well, not a deal breaker that is being a 20MP, I don't prine sport shott, if that's a landscape camera for me then it will be for sure a no go regardless of the price point, but for a sport camera I am totally happy with 20MP.Jim and Dan,
During all the speculation about whether or not a D300 replacement would come, I thought that, if it would come, it would be AT LEAST $2000, and probably more like $2200-2300. I also thought it would be at least 24 MP, although I would've been pretty happy with 18-20 MP, considering some of the other things I wanted to see in the camera, such as frame rate and DR. So, I'm pretty happy with the price at $2000!
With many hundreds of thousands of D300/300s buyers, I would guess that at least a couple (or several) hundred thousand of us (like me) are still using them as our primary camera, never "upgraded," and have been stubbornly waiting for the D400/D500. It doesn't seem too far-fetched to me that a percentage of that large group has pre-ordered a D500, along with a percentage of owners of a few other camera models. Pretty soon, small percentages of big groups start to add up, to some tens of thousands of preorders.The answer is, they seem to have chosen their price point well; it was reported here by Shun Cheung , who also posts in this forum, that at a launch event he attended last week, "a Nikon rep mentioned that there are some 80K D500 preorders in the U.S. already."
Then again, reps say the damnedest things
Then again, reps say the damnedest things.
Because there's no other Canon/Nikon dSLR that can do that fps, buffer and AF for under $5k, Nikon probably could have initially priced it higher and then dropped it over time - but apparently chose to grab market share and build volume at the $2k price point - perhaps in advance of the Canon competition.The answer is, they seem to have chosen their price point well; it was reported here by Shun Cheung , who also posts in this forum, that at a launch event he attended last week, "a Nikon rep mentioned that there are some 80K D500 preorders in the U.S. already."This is a price point question, not a value question
Total DSLR sales by year before and after the peak in 2012 are pretty much symmetrical. The D300s is indeed a good camera - I still have one - but sold at less than half of the rate of the D300.
Total DSLR sales by year before and after the peak in 2012 are pretty much symmetrical. The D300s is indeed a good camera - I still have one - but sold at less than half of the rate of the D300.
Uhhh, you're missing some info if you think the sensor cost delta between DX and FX is negligible. First off, an FX sensor is 2.3x the area of a DX sensor. So, based on pure proportionality to how much silicon it takes, it would be 2.3x higher in cost. Then, factor in that because these are large rectangular blocks trying to fit onto round wafers, there's more waste. Then, factor is that the larger the area of silicon with a given technology, generally the greater a chance of a defect and thus a lower yield. As of a few years ago (I haven't found any more recent articles discussing the topic), it was generally believed that an FX sensor was 3-5x more expensive than a DX sensor.My first Nikon DSLR was the D1x 6MP DX camera and I paid $5500 for it. DX is not the issue as the sensor is a small part of the manufacturing cost. The D500 is comparable to the D810 in build quality and features and my D810 cost me $3300.
The camera whose price I would question is that of the D750 which has the build quality of the $1100 D7200 and the $1400 D610.
Uhhh, you're missing some info if you think the sensor cost delta between DX and FX is negligible. First off, an FX sensor is 2.3x the area of a DX sensor. So, based on pure proportionality to how much silicon it takes, it would be 2.3x higher in cost. Then, factor in that because these are large rectangular blocks trying to fit onto round wafers, there's more waste. Then, factor is that the larger the area of silicon with a given technology, generally the greater a chance of a defect and thus a lower yield. As of a few years ago (I haven't found any more recent articles discussing the topic), it was generally believed that an FX sensor was 3-5x more expensive than a DX sensor.My first Nikon DSLR was the D1x 6MP DX camera and I paid $5500 for it. DX is not the issue as the sensor is a small part of the manufacturing cost. The D500 is comparable to the D810 in build quality and features and my D810 cost me $3300.
The camera whose price I would question is that of the D750 which has the build quality of the $1100 D7200 and the $1400 D610.
Then, a more expensive product probably sells in lower volume and thus has to recoup engineering costs in fewer units so it's often sold at a higher margin.
Since costs like this then get marked up before getting sold to an actual retail customer, that delta might be magnified even more.
Here's one discussion of the topic from several years ago: Is an FX sensor really $1500 more expensive than a DX sensor.