The other question comes from the value of 4K just as a video resolution period. For photo editing and computer work- YES! For video on a screen you are going to be sitting >7' away from....?
I don't know if I am buying the crop thing either. You increase noise and aberrations that much more too. I think all of Sony's zooms have OSS- win win. No need to crop, just zoom and take advantage of your sensor.
Crisp 1080p is eye cuttingly sharp for video viewed normally.... I personally don't see the value of 4K video at the moment.
$1150 hurts too. Between this and the X-Pro 2 manufacturers are really doubling down on the early adopter tax.
For me, it's more about the full sensor readout than 4k. If the camera does 1080p with full readout that's highly beneficial. If it bins 1080p, then just record 4k and downscale later. This will result in a major improvement in 1080p noise performance, even going up against an FF sensor that is disadvantaged by binning.
Right now - A6300 superior for video, A7II superior for stills. Would've been nice not to have to choose.
You can have both.... but it's gonna cost ya ;-) (A7SII, A7RII)
I think Sony's body strategy is wise. Everyone wants a NEX-7 successor, but there's two problems with that. One a pro crop body is worthless without pro crop glass, and that's just not coming. 2.... you look at other pro crop bodies, and for casual shooters the value proposition is off. If I am a general user and not a sports/wildlife pro, what does a 7D2 or NX1 give me that an A7II or 6D don't? Even lens wise, FE outdoes E in some aspects. 24-70/4 is a better buy than the 16-70 IMO for example.
I think if video is a priority and you don't want to go FF you have to go with those Panasonics personally.