cyrax83
Active member
QVB Sydney
Last edited:
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Very nice shot. No critique, maybe i would have straighten the lines a bit.
The verticals in de sides of the pics are bended. That is common in extreme wideangle. With some editors you can straight them out.
You do it in the Lens Correction panel. But be warned, that with this amount of distortion you will lose a significant portion of your image in straightening. See below, I've left the image uncropped so you can see. I like the distortion you get from UWA lenses - that's part of the appeal of them but you need to understand how it happens and how to control it. In this case it looks like you've tilted the camera upwards, maybe to get more of the the roof in. If you want to minimise the distortion you need the keep the camera straight on as well as level.Hmm I'll have to look into how you do this lighteoomThe verticals in de sides of the pics are bended. That is common in extreme wideangle. With some editors you can straight them out.
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From all the things i have lost, i miss my mind the most



Yes Geoffrey, you just got in before I have!…of the picture and to include more of the floors below and less of the roof. The extreme perspective distortion naturally follows.
As you say, Yaelle, correcting such extreme distortion results in a significant loss of picture which then calls into question the notion of using such a wide lens in the first place.
So, what to do?
Making the clock the horizontal center of the picture is simply not on unless the extreme distortion we see is allowed to remain.
However, it can be the vertical center, i.e. with equal area to each side of it.
I would counsel taking the shot in 4:3 format, with the camera set vertical. Set it all up level, both vertically and horizontally (the built-in level in Panasonic cameras is extremely good; is it the same in Olympuses?) so that both horizontals and verticals in the picture are correct, then crop the top of the picture in PP -- perhaps to a square format -- to remove the excess ceiling.
I suspect that will result in a wider view than if the current picture is cropped after the verticals are corrected in PP.
You are right :-(…of the picture and to include more of the floors below and less of the roof. The extreme perspective distortion naturally follows.
Honestly - I have to disagree. If you aren't going to utilise the distortion on an UWA then don't go to the cost and trouble of buying one, just stitch a small pano and you can get much the same result. The skill is in using the distortion creatively and for impact.As you say, Yaelle, correcting such extreme distortion results in a significant loss of picture which then calls into question the notion of using such a wide lens in the first place.
So, what to do?
Making the clock the horizontal center of the picture is simply not on unless the extreme distortion we see is allowed to remain.
However, it can be the vertical center, i.e. with equal area to each side of it.
I would counsel taking the shot in 4:3 format, with the camera set vertical. Set it all up level, both vertically and horizontally (the built-in level in Panasonic cameras is extremely good; is it the same in Olympuses?) so that both horizontals and verticals in the picture are correct, then crop the top of the picture in PP -- perhaps to a square format -- to remove the excess ceiling.
I suspect that will result in a wider view than if the current picture is cropped after the verticals are corrected in PP.
OK, for those of us from elsewhere - what the heck is QVB? Queen Victoria's Bookcase?
OK, for those of us from elsewhere - what the heck is QVB? Queen Victoria's Bookcase?
OK, non Aussies are allowed to ask.OK, for those of us from elsewhere - what the heck is QVB? Queen Victoria's Bookcase?
I was going to mention that. When the distortion is as extreme and well balanced as you have made it, it becomes a feature of the picture.Thanks for all the comments about the shot! I actually like the perspective distortion on the QVB shot
I tiled the camera down a bit to get a bit more of the floor. If it had been straight on, I would have got alot more ceiling (which wasn't too exciting) and not alot of the bottom
Thanks for the feedback!
Very nice. I like it, bendy lines and all. I think it adds an element of potential movement to the shot.![]()
QVB Sydney