2012 Sony A57 ($150 used on ebay with kit lens) overspecs Sony A68 ($650 at release)?

... I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.
How does your A-mount system have an edge there? You still have to shoot a frame and look at the result to see the effects of flash, don't you... just as you would with any other system?
Turning the flash on, shows the expected exposure.
The camera only shows the expected ambient exposure (if Live View > Setting Effect is turned ON). If Live View > Setting Effect is turned OFF, it shows a 'perfectly exposed' view of the scene just so you can see it better although that might be completely different from the final result. Finally, neither display tells us anything about the end result of the flash exposure, which could be considerably different from both of them.
This helps in situations where the flash is needed to get a proper exposure.
It doesn't help judge the effects of the flash exposure at all. You need to take a shot and review it to see that.
Example, if your settings are for -2ev you will see a dark image on the EVF. If you turn on the flash, it will show you a properly exposed image in the EVF.
Think about what you're saying. If Live View > Setting Effect is OFF, the image you see while composing will be one thing, and if Live View > Setting Effect is ON, the image you see while composing could be another thing... but the final result with the effects of flash included could be something completely different from either of those. The camera cannot preview that for you.
Of course, but seeing some semblance of the expected exposure is still an advantage.
 
... I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.
How does your A-mount system have an edge there? You still have to shoot a frame and look at the result to see the effects of flash, don't you... just as you would with any other system?
Turning the flash on, shows the expected exposure.
The camera only shows the expected ambient exposure (if Live View > Setting Effect is turned ON). If Live View > Setting Effect is turned OFF, it shows a 'perfectly exposed' view of the scene just so you can see it better although that might be completely different from the final result. Finally, neither display tells us anything about the end result of the flash exposure, which could be considerably different from both of them.
This helps in situations where the flash is needed to get a proper exposure.
It doesn't help judge the effects of the flash exposure at all. You need to take a shot and review it to see that.
Example, if your settings are for -2ev you will see a dark image on the EVF. If you turn on the flash, it will show you a properly exposed image in the EVF.
Think about what you're saying. If Live View > Setting Effect is OFF, the image you see while composing will be one thing, and if Live View > Setting Effect is ON, the image you see while composing could be another thing... but the final result with the effects of flash included could be something completely different from either of those. The camera cannot preview that for you.
Of course, but seeing some semblance of the expected exposure is still an advantage.
The point of my comment was that the OP specifically said the system 'allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will...' It cannot do that at all. For that, you have to take a shot and chimp it, as you would with a digital camera from any other company.

Sony's live view system has definite advantages, yes. But studio flash users in particular can make a strong case that the system is actually a disadvantage with certain flash setups (that's more than we need to get into here, though).
 
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A58 and it seems the A68 can't match that they are too cut down and lacking shoving 79 AF points in there and a top LCD won't change anything if the fps is slow and the buffer small
Where did you get the information on the buffer rate? You have repeated this several times now.
Reverse logic if the buffer was large Sony would have included it in the specs in the press release and on their site. They have not which is revealing because if it were any good they would be quite open about it. I would expect a small buffer on this model as the 5fps matches the A58 it's likely to be similar in other areas which it has been (EVF and LCD are the same)

But if I am wrong I stand to be corrected

Prepare to be disappointed
 
A58 and it seems the A68 can't match that they are too cut down and lacking shoving 79 AF points in there and a top LCD won't change anything if the fps is slow and the buffer small
Where did you get the information on the buffer rate? You have repeated this several times now.
Reverse logic if the buffer was large Sony would have included it in the specs in the press release and on their site. They have not which is revealing because if it were any good they would be quite open about it. I would expect a small buffer on this model as the 5fps matches the A58 it's likely to be similar in other areas which it has been (EVF and LCD are the same)

But if I am wrong I stand to be corrected

Prepare to be disappointed
 
A58 and it seems the A68 can't match that they are too cut down and lacking shoving 79 AF points in there and a top LCD won't change anything if the fps is slow and the buffer small
Where did you get the information on the buffer rate? You have repeated this several times now.
Reverse logic if the buffer was large Sony would have included it in the specs in the press release and on their site. They have not which is revealing because if it were any good they would be quite open about it. I would expect a small buffer on this model as the 5fps matches the A58 it's likely to be similar in other areas which it has been (EVF and LCD are the same)

But if I am wrong I stand to be corrected

Prepare to be disappointed
Although we don't know anything about the buffer, it most likely is nothing remarkable. That remains to be seen.

One thing that is mentioned in the specs is that the 8fps frame rate is the 'Tele-Zoom Continuous Advance Priority AE' type, meaning it does not capture the full sensor image, but only a center crop. That added to the related information doesn't bode particularly well for expectations of a deep or fast buffer.
 
This thread is disingenuous, you cannot find an A57 with kit lens on ebay for $150 at this moment, or in the recent history. And if you could, that camera would have 3 years of use/abuse and no warranty.

The recent sold prices for the A57s with lens are $250-$400 complete with box.
Sorry I made a mistake you are right. I paid $254.95 and here is the sale page:

http://www.ebay.com/itm/121770768382

unfortunately i cannot change the heading of the thread anymore. Does $250 vs $150 make a difference to what I am trying to say?
In a word, yes.
 
There isn't much difference as the A77II exposes a stop more over the A77 if you match the exposures the A77II is "slightly better" but not even half a stop which is a shame. Even DXO said it's not a stops difference lots of reasons to pick an A77II but none of Sony's APS-C models (or FF for that matter) on A mount are great in low light they are all behind rivals
 
So you made it up? Got it.
He didn't really make it up because it's a logical conclusion based on previous models and the price point. I would put the chance of his prediction being correct at 95% at least. Anything else would be unrealistic expectations.
 
So you made it up? Got it.
Like I said if it were big Sony would have plastered it all over the place but they have not. Yes it's a guess but then I suspect it's an accurate one.

We shall know soon enough it might be a bit bigger than the A58 in fact it should be as that was too small I'd love to see a decent 15 shot buffer in raw but I doubt we will get it

Sony can be pretty predictable at times plastic mount again (despite the fact it's hated) low res LCD and EVF it's fairly certain that I'm on target with the buffer
 
There isn't much difference as the A77II exposes a stop more over the A77 if you match the exposures the A77II is "slightly better" but not even half a stop which is a shame. Even DXO said it's not a stops difference lots of reasons to pick an A77II but none of Sony's APS-C models (or FF for that matter) on A mount are great in low light they are all behind rivals
 
... I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.
How does your A-mount system have an edge there? You still have to shoot a frame and look at the result to see the effects of flash, don't you... just as you would with any other system?
Turning the flash on, shows the expected exposure. This helps in situations where the flash is needed to get a proper exposure.

Example, if your settings are for -2ev you will see a dark image on the EVF. If you turn on the flash, it will show you a properly exposed image in the EVF.
I find it MUCH more helpful to use a wireless flash trigger that the camera does not detect and does not cause the EVF/LCD to illuminate so I can simultaneously monitor my exact background exposure before I shoot AND see the exact flash exposure I am using as I shoot, especially shooting in burst and being able to adjust the exposure as needed; we can use two YN-560iis fired remotely on an on-camera bracket, why two? More flash power to bounce off ceilings and burst while bouncing if wanted/needed. Why remote? Why not? No cables, and the ability for multiple cameras on one person or multiple people to use the same flashes by having a trigger on each camera. Plus the bracket is Manfrotto RC2 quick detachable so an assistant can take the bracket and hold the flash if needed, or the bracket can sit in a corner and bounce off the wall, or even be taken apart and each flash placed in a separate spot and easily put back together. My hubby to be also modifies the flashes by adding his own 6000mah NIMH batteries by soldering wires directly to the flash boards. Now the flashes recharge almost instantly and the batteries last for thousands of flashes at high power - extremely affordable, extremely portable, extremely high power/recharge flashes.
 
Which means, IMO, the main practical difference for most users between a57 and a77ii is EVF (can see much more clearly what is in focus) and better autofocus itself. The a57 EVF vs. a99 EVF, a57 is like a toy. Still, you can get amazing pictures with the right lenses and flash power.
A57 EVF is a bit "milky" not as contrasty as the A77 and II but it's usable. It does however have a good rear LCD and the buffer is large for a camera in that class. Those 2 areas are something the A68 can't compete on and in 2015 there should no reason to be using a poor 2.7" EVF with lower res and that can't be articulated like the A57's can. There are plenty of reasons to want the A77II more extensive settings, video, handling, buffer and features but the A57 hit a level where it was "good value" and offered most of the important stuff and a fast fps.

A58 and it seems the A68 can't match that they are too cut down and lacking shoving 79 AF points in there and a top LCD won't change anything if the fps is slow and the buffer small
Even the a99 lacks behind rivals in ISO performance (Though those rivals are now much more expensive). I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.

Which means IMO only the ISO performance of the alpha system holds it back from being single-handedly the best SLR system out there (unless you hate EVFs). If the a99ii could keep up with 5d3 in noise it would be a real game changer. Why would you want to use anything else? Is it just me or did Sony underestimate the the alpha system? Why not pull a Nikon 4d and put a 16 megapixel full frame sensor with OUTSTANDING ISO performance in a alpha body? Make a a99iiS or something? So many versions of the a7 why not a few more of the a99?
Sony could pull the mirror out and AF off the sensor seems they can do this for the E mount bodies and that would bring back the half stop loss making them more competitive. APS-C alpha is usable up to 3200 just about 6400 pushing it a bit it's not the end of the world. A99 was always too pricey for what was on offer it could have made a good entry FF body. A99II might chase lots of pixels but not everyone wants that. Sony really need 2 FF bodies
 
Agreed. $2000 is a much better price than $2800 for the a99 for its relatively poor ISO performance. We find it has only about 1 stop better ISO image quality than the a57. The a57 is great at 1600, usable at 3200 ISO and occasionally at 6400 (recoverably overexpose if possible!). The a99 isn't always great at 3200, is usable at 6400, and ocassionally 12,800.

So a used a57 $350 is one stop short of the $1400 used a99. (But a99 has tons of other features - we plan on buying a new a99 after the first of the year unless we can find a really good quality used one for sale that we trust or if the a99ii comes out we may consider it)
I dont want to set unrealistic expectations of ISO3200. But here is my A99, with 2470z lens at ISO3200. I was also using an adapted F58AM flash and Gary Fong lightsphere.

The preview looks OOF, but its very sharp, when you click into it.

 
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... I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.
How does your A-mount system have an edge there? You still have to shoot a frame and look at the result to see the effects of flash, don't you... just as you would with any other system?
I find it MUCH more helpful to use a wireless flash trigger that the camera does not detect and does not cause the EVF/LCD to illuminate so [1] I can simultaneously monitor my exact background exposure before I shoot AND [2] see the exact flash exposure I am using as I shoot, especially shooting in burst and being able to adjust the exposure as needed; we can use two YN-560iis fired remotely on an on-camera bracket, why two? More flash power to bounce off ceilings and burst while bouncing if wanted/needed. Why remote? Why not? No cables, and the ability for multiple cameras on one person or multiple people to use the same flashes by having a trigger on each camera. Plus the bracket is Manfrotto RC2 quick detachable so an assistant can take the bracket and hold the flash if needed, or the bracket can sit in a corner and bounce off the wall, or even be taken apart and each flash placed in a separate spot and easily put back together. My hubby to be also modifies the flashes by adding his own 6000mah NIMH batteries by soldering wires directly to the flash boards. Now the flashes recharge almost instantly and the batteries last for thousands of flashes at high power - extremely affordable, extremely portable, extremely high power/recharge flashes.
[1] You like the Sony system so you can see the ambient lighting effects before you shoot. Sure, we all like having that option.

[2] You cannot see anything concerning the flash exposure until after you shoot and chimp, and that can be done with every digital camera.
 
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... I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.
How does your A-mount system have an edge there? You still have to shoot a frame and look at the result to see the effects of flash, don't you... just as you would with any other system?
Turning the flash on, shows the expected exposure. This helps in situations where the flash is needed to get a proper exposure.

Example, if your settings are for -2ev you will see a dark image on the EVF. If you turn on the flash, it will show you a properly exposed image in the EVF.
I find it MUCH more helpful to use a wireless flash trigger that the camera does not detect and does not cause the EVF/LCD to illuminate so [1] I can simultaneously monitor my exact background exposure before I shoot AND [2] see the exact flash exposure I am using as I shoot, especially shooting in burst and being able to adjust the exposure as needed; we can use two YN-560iis fired remotely on an on-camera bracket, why two? More flash power to bounce off ceilings and burst while bouncing if wanted/needed. Why remote? Why not? No cables, and the ability for multiple cameras on one person or multiple people to use the same flashes by having a trigger on each camera. Plus the bracket is Manfrotto RC2 quick detachable so an assistant can take the bracket and hold the flash if needed, or the bracket can sit in a corner and bounce off the wall, or even be taken apart and each flash placed in a separate spot and easily put back together. My hubby to be also modifies the flashes by adding his own 6000mah NIMH batteries by soldering wires directly to the flash boards. Now the flashes recharge almost instantly and the batteries last for thousands of flashes at high power - extremely affordable, extremely portable, extremely high power/recharge flashes.
So, in brief...

[1] You like the Sony system so you can see the ambient lighting effects before you shoot. Sure, we all like that.

[2] You cannot see anything concerning the flash exposure until after you shoot and chimp, and that can be done with every digital camera.
I think you are reading it wrong(its possible that I am too), she can see the flash exposure while shooting without taking her eye off the viewfinder(using the auto-review). So she can continue to shoot.

That is a pretty good advantage IMO.
 
... I love the alpha system because it allows users to see what they are getting as they are getting it-even with manual flash. It demystifies flash if you will, and allows for optimal exposure in any setting without having to guess if the meter system is correct- or even bother learning the meter system if you don't want to.
How does your A-mount system have an edge there? You still have to shoot a frame and look at the result to see the effects of flash, don't you... just as you would with any other system?
Turning the flash on, shows the expected exposure. This helps in situations where the flash is needed to get a proper exposure.

Example, if your settings are for -2ev you will see a dark image on the EVF. If you turn on the flash, it will show you a properly exposed image in the EVF.
I find it MUCH more helpful to use a wireless flash trigger that the camera does not detect and does not cause the EVF/LCD to illuminate so [1] I can simultaneously monitor my exact background exposure before I shoot AND [2] see the exact flash exposure I am using as I shoot, especially shooting in burst and being able to adjust the exposure as needed; we can use two YN-560iis fired remotely on an on-camera bracket, why two? More flash power to bounce off ceilings and burst while bouncing if wanted/needed. Why remote? Why not? No cables, and the ability for multiple cameras on one person or multiple people to use the same flashes by having a trigger on each camera. Plus the bracket is Manfrotto RC2 quick detachable so an assistant can take the bracket and hold the flash if needed, or the bracket can sit in a corner and bounce off the wall, or even be taken apart and each flash placed in a separate spot and easily put back together. My hubby to be also modifies the flashes by adding his own 6000mah NIMH batteries by soldering wires directly to the flash boards. Now the flashes recharge almost instantly and the batteries last for thousands of flashes at high power - extremely affordable, extremely portable, extremely high power/recharge flashes.
So, in brief...

[1] You like the Sony system so you can see the ambient lighting effects before you shoot. Sure, we all like that.

[2] You cannot see anything concerning the flash exposure until after you shoot and chimp, and that can be done with every digital camera.
I think you are reading it wrong(its possible that I am too), she can see the flash exposure while after shooting without taking her eye off the viewfinder (using the auto-review). So she can continue to shoot.
Okay, that finally makes some sense (though it's really after, not while).
That is a pretty good advantage IMO.
I agree... it's much more convenient than shifting your eye between an OVF and a rear LCD.
 
I think you are reading it wrong(its possible that I am too), she can see the flash exposure while after shooting without taking her eye off the viewfinder (using the auto-review). So she can continue to shoot.
Okay, that finally makes some sense (though it's really after, not while).
That is a pretty good advantage IMO.
I agree... it's much more convenient than shifting your eye between an OVF and a rear LCD.
Dont worry, I had it interpreted it wrong earlier too.

I am not trying to nitpick semantics.... but I would consider it while she is shooting, because she is continuing to shoot. Which is the advantage(vs stopping to look at the rear screen).
 
I think having a top LCD while reducing the rear LCD resolution is really stupid. They should have canned the top LCD and used a higher res rear LCD.
 
I think having a top LCD while reducing the rear LCD resolution is really stupid. They should have canned the top LCD and used a higher res rear LCD.
Maybe Sony has a stock-pile of those displays that they want to get rid of. The rear screen might not matter much to sales. I see the Canon T5 is still leading sales, and it also has a 480x360 rear display. Though the rear screen probably doesn't matter much at all on a fixed screen, optical viewfinder camera like the T5. Maybe they are thinking: top LCD panel--just like a D7x00 or T6s!

I am certainly willing to pay a premium for a 720x480 or better display on a mirrorless or SLT camera. It makes sense, but Sony doesn't even use one that good on any of their cameras.
 
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I think having a top LCD while reducing the rear LCD resolution is really stupid. They should have canned the top LCD and used a higher res rear LCD.
Maybe Sony has a stock-pile of those displays that they want to get rid of. The rear screen might not matter much to sales. I see the Canon T5 is still leading sales, and it also has a 480x360 rear display. Though the rear screen probably doesn't matter much at all on a fixed screen, optical viewfinder camera like the T5. Maybe they are thinking: top LCD panel--just like a D7x00 or T6s!

I am certainly willing to pay a premium for a 720x480 or better display on a mirrorless or SLT camera. It makes sense, but Sony doesn't even use one that good on any of their cameras.
Sadly, the A68 just isnt a good match up against its competitors. Look at the T6i. It has a 24mp sensor with 5ps shooting AND a metal mount(at least the face), touch screen, full articulating screen, wifi, nfc for $750, vs the $650 A68's msrp.

Dont get me wrong, I am glad that there is an A68. It has a bigger body, top LCD and the new rear dial gives people a useful 2nd dial for M mode.... but I would rather have seen the A68 be in the smaller A65 body, with Wifi instead of GPS.

I think they may not have done this because I remember reading a Sony exec complain about the A77ii sales, because customers didnt see the difference between the A77 and A77ii. So they may have decided to put the A68 in a new body, and cut costs hard everywhere else.
 

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