Trevor Carpenter
Forum Pro
or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
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Worry no more, yes it does exist.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
What concerns me to ask the question? The feeling that I have a preference for underexposed shots whereas a lot of people post what to my eyes look over exposed. The difference is minimal and yes I don't mean black and mucky as opposed to blown highlights but something much closer to the middle.Worry no more, yes it does exist.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
The question is, what concerns you to ask that question?
Over-exposure in my terms is when the highlights are irretrievably blown, under-exposure is when the shadows are black and mucky and the white things are grey.
Adjustments in post process help recover some of the mess but cannot fix a truly bad exposure.
For post process work with a calibrated IPS style screen under proper room lighting conditions and you can better see the exposure than many out there peering at images on a smartphone with sunlight glinting off the screen.
Regards.... Guy
I'd go further than that. If for example the recorded value of an 18% grey card differs from 18% then the scene has been under exposed or over exposed. In which case you have either made a mistake or a creative decision.Worry no more, yes it does exist.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
The question is, what concerns you to ask that question?
Over-exposure in my terms is when the highlights are irretrievably blown, under-exposure is when the shadows are black and mucky and the white things are grey.
Adjustments in post process help recover some of the mess but cannot fix a truly bad exposure.
For post process work with a calibrated IPS style screen under proper room lighting conditions and you can better see the exposure than many out there peering at images on a smartphone with sunlight glinting off the screen.
Regards.... Guy
Many of the calibration devices out there only set color but ignore screen brightness levels.Worry no more, yes it does exist.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
The question is, what concerns you to ask that question?
Over-exposure in my terms is when the highlights are irretrievably blown, under-exposure is when the shadows are black and mucky and the white things are grey.
Adjustments in post process help recover some of the mess but cannot fix a truly bad exposure.
For post process work with a calibrated IPS style screen under proper room lighting conditions and you can better see the exposure than many out there peering at images on a smartphone with sunlight glinting off the screen.
Regards.... Guy
One very large and insurmountable problem is that everyone uses different screens to see the images.What concerns me to ask the question? The feeling that I have a preference for underexposed shots whereas a lot of people post what to my eyes look over exposed. The difference is minimal and yes I don't mean black and mucky as opposed to blown highlights but something much closer to the middle.
My Spyder3 thingy does measure screen brightness and room brightness and advises on both, the usual recommended screen brightness may look a bit dull at first but I guess the calibration effort is done more to match what a final print may look like as prints don't actually glow.Many of the calibration devices out there only set color but ignore screen brightness levels.
My xrite device sets both and its not a problem for me but if you want to check exposure screen brightness settings matter a whole lot more than color calibration with or without an IPS screen.
(light meters are calibrated to 12% grey. Or better said, to an ANSI norm that corresponds to that.)I'd go further than that. If for example the recorded value of an 18% grey card differs from 18% then the scene has been under exposed or over exposed.
So true, making certain adjustments on a TN display cab be pretty perilous, specially if it's a large one and you're not dead center. It's kinda sad that display quality of the average $300+ tablet is probably still better than the display quality of the average $700+ laptop.One very large and insurmountable problem is that everyone uses different screens to see the images.What concerns me to ask the question? The feeling that I have a preference for underexposed shots whereas a lot of people post what to my eyes look over exposed. The difference is minimal and yes I don't mean black and mucky as opposed to blown highlights but something much closer to the middle.
Maybe 95% of them are uncalibrated and inferior TN type screens, so we all see something different for the same image presented. Then there's personal tastes of course to add to that.
In my case I use 4 computers, one little netbook here on the family table while I munch breakfast, one i7 notebook on the coffee table while I half watch TV at night, a small notebook in the "study" that handles all the emails (no cloud based email stuff for me), and a desktop with 24 inch calibrated high quality IPS screen where I get to see things properly.
The same image on all of them does look different despite attempts to calibrate them all. The best looking being the Asus IPS screen of course, but the cheap Philips monitor attached to the email notebook is nearly as good. The other two with lesser screens are down in viewing quality.
So in my case when I look at an image it can vary from passably OK to great.
Thus for my situation I should reserve any comments on other peoples' work to content and not to exposure. But it's always fun to grab an image and run some quick and easy auto fix on it to see what happens.
Usually as long as there's white that looks white, some blacks that do seem black and mid tones look to be mid then all is OK. Personal preferences may bend those mid tones up or down but it will look wrong if the blacks and whites are not correct.
Have you any examples to show as to what worries you as to what others may think? I promise I'll go look with the calibrated IPS screen to see them properly.
Regards........ Guy
Yeh I`ve never been too keen on the auto settings for silkypics, Lr or anything else they all have a tendency to bleach the whites, take my colorchecker, white should sit somewhere around 90%, auto tone renders this around 100%, not good.My Spyder3 thingy does measure screen brightness and room brightness and advises on both, the usual recommended screen brightness may look a bit dull at first but I guess the calibration effort is done more to match what a final print may look like as prints don't actually glow.Many of the calibration devices out there only set color but ignore screen brightness levels.
My xrite device sets both and its not a problem for me but if you want to check exposure screen brightness settings matter a whole lot more than color calibration with or without an IPS screen.
The best tool that I've found for exposure is the auto exposure adjust in Silkypix where it analyses all pixels and takes white to white and also shows the EV shift done. Many times just a simple +0.2 EV or similar small shift occurs and it suddenly improves the look.
Regards....... Guy
Hello Trevor.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
Thats true. 12 inch 2560x1600 screen thats almost perfectly calibrated on my 700 dollar tablet. 800 dollar laptop has a 720p screen I think. I am using lightroom on the computer and exporting to the tablet for viewing. Crisp!So true, making certain adjustments on a TN display cab be pretty perilous, specially if it's a large one and you're not dead center. It's kinda sad that display quality of the average $300+ tablet is probably still better than the display quality of the average $700+ laptop.One very large and insurmountable problem is that everyone uses different screens to see the images.What concerns me to ask the question? The feeling that I have a preference for underexposed shots whereas a lot of people post what to my eyes look over exposed. The difference is minimal and yes I don't mean black and mucky as opposed to blown highlights but something much closer to the middle.
Maybe 95% of them are uncalibrated and inferior TN type screens, so we all see something different for the same image presented. Then there's personal tastes of course to add to that.
In my case I use 4 computers, one little netbook here on the family table while I munch breakfast, one i7 notebook on the coffee table while I half watch TV at night, a small notebook in the "study" that handles all the emails (no cloud based email stuff for me), and a desktop with 24 inch calibrated high quality IPS screen where I get to see things properly.
The same image on all of them does look different despite attempts to calibrate them all. The best looking being the Asus IPS screen of course, but the cheap Philips monitor attached to the email notebook is nearly as good. The other two with lesser screens are down in viewing quality.
So in my case when I look at an image it can vary from passably OK to great.
Thus for my situation I should reserve any comments on other peoples' work to content and not to exposure. But it's always fun to grab an image and run some quick and easy auto fix on it to see what happens.
Usually as long as there's white that looks white, some blacks that do seem black and mid tones look to be mid then all is OK. Personal preferences may bend those mid tones up or down but it will look wrong if the blacks and whites are not correct.
Have you any examples to show as to what worries you as to what others may think? I promise I'll go look with the calibrated IPS screen to see them properly.
Regards........ Guy
What concerns me to ask the question? The feeling that I have a preference for underexposed shots whereas a lot of people post what to my eyes look over exposed. The difference is minimal and yes I don't mean black and mucky as opposed to blown highlights but something much closer to the middle.Worry no more, yes it does exist.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.
The question is, what concerns you to ask that question?
Over-exposure in my terms is when the highlights are irretrievably blown, under-exposure is when the shadows are black and mucky and the white things are grey.
Adjustments in post process help recover some of the mess but cannot fix a truly bad exposure.
For post process work with a calibrated IPS style screen under proper room lighting conditions and you can better see the exposure than many out there peering at images on a smartphone with sunlight glinting off the screen.
Regards.... Guy
Well, shoot a grey card, then process it so it is exactly the same tone on print or screen as the real grey card.or is it all in the eye of the beholder? Just something that been worrying my brain cells for a little while.