Fuji a good start for simplification of photography?

SONY makes finding a combo much, much harder, SONY lenses mixed with ZEISS, the new 25mm plus the 85mm quite a combo to drool over, right?? But messy as when it comes to making selections beyond the 25 and the 85 ZEISS.
I really don't understand your complaints? Anything in FE means it will suit any A7 cameras.

What's so hard about that?
The Fuji I thought was just right, a few lenses to chose from, some primes, some zooms, but not this incredible SONY mess of F lenses, A lenses and EF lenses ... plus adapters ...
Sony A7 series use the same E mount as their APS-C line. FE lens means 'full frame E mount'.

"A" mount is their DSLR mount.

EF is Canon mount.

See? Is it really that hard to figure all that out?
 
Deed,

1. Figure out what YOU want to shot and the 35mm equiv FOVs and DoF range required for that task. Ask others about what lens to have in YOUR bag is a bad idea. Likely they don't have the same shooting interests and needs as you do. Figure your own needs first

2. Make sure the lens and camera combination you pick is best for that task. Often times you will find one camera system is not best for all FOV and tasks. No one camera is best for everything.

3 shot both JPEG and raw. If using Fuji Try to customize your 7 picture presets so you do not find yourself needing the raw. The goal is to reduce amount of time in post.

However. Most importantly. composition and lighting is more important than specific gear Spend more time envisioning and planning the shot than screwing around with finding the best gear. The best gear on earth won't give you any keeper if your composition and lighting stinks.
I started photography in 1971 and have done lab work in the 70s, had a variety of cameras, started with a Zeiss Icon, then Pentax, the the F3 with 2 lenses only (that I thought was a fabulous time, but the world so it seems to be, just got bigger...).

So I have some ideas with regards to lenses etc.

I know that lighting and composition is more important than gear, but you need at least SOME gear to get to composing anything.

I thought that the Fuji system might be a good start for somebody new to photography because it is less messy than SONY (the SONY guys of course think it's easy enough...) and you have a clear set of standard but high quality primes and now even some fast(er) zooms.

And I only shoot RAW. Capture One Pro 8.

Deed
 
Fuji a good start for simplification of photography?
Nope. It's not about the gear.

A Fuji camera is as good and as bad a start as any other brand camera. The gear is irrelevant, it's about your mindset. Your focus and your goal.
For all those who think that Fuji isn't "ready" yet ...

Here is a link to Steve Johnson's website, some fantastic shots there.

http://www.sjphoto.com/

Deed
I'm sure his photos look great, but the thing is, if he's any good, as he no doubt is, his photos would look great taken (made) with any brand gear.

It's more about whether your photography is a gear-oriented or a goal-oriented endeavour. If your core motivation for photography is mostly gear-oriented, you're bound to hit the proverbial wall of numbness at some point, and you'll end up starting online discussions like this one.

It's perfectly okay to take a break from photography and gear at times. It's fine to to take time to figure out why are you doing whatever you're doing in the first place.

When you've found a better focus and a clear goal, the gear becomes less relevant and in many cases keeping things simple comes naturally. None of us are likely to pick the right gear for the rest of our lives, anyway.

Take a break. Find another hobby. Ignore gearheads and gear forums. Pick any camera that feels right for you, and then instead of obsessing about it go out with it to see the light of day.
I take photos in a studio, models that want to be famous in the not-so-distant future. I enjoy that work immensely, the work is a break! And I take photos when I travel.

The X-T1 with any of the primes mounted feel "right", in particular the 23 and the 56 ...

And don't buy your argument that gear is not important for the final outcome. It seems fashionable to think that true musicians can play Bach on a $55.00 WALMART guitar.

In reality, great gear facilitates your trade.

Always does!

Deed
 
I think I found a whiff of the underlying idea in the primes I use but was wondering whether Fuji is a particularly good start for condensed quality without getting messy.......

Maybe not great for the industry which thrives on the wants, rather than the needs of people, if you "minimised" your gear.
My problem has been the limited options. The system is so new, there is one option in a focal length to choose from and even more limiting is there may be only one focal length lens optimized for the type of photography you are interested in. For me it's portraits and the only choice is the 56mm f1.2. If you don't like the look created by that lens, well that's too bad.

I agree that it's easy to end up with a zillion options but it's also nice to be able to choose between multiple versions of the same focal length to find "the look" you are after. You can simplify your photography using any system, just be careful about what you pick to use and keep.

For example, after must trial and error, buying and selling lenses, I have ended up with very specific lenses that have a look that fits my vision. I went through three fast 85mm lenses before I found the right one with the look I was after.

I do like my fuji system but I feel (unless you manually use lenses on an adapter) there aren't enough variety in options for me, to ever give up my nikon system.
 
if you had to pick 2 lenses and a body and live with it, what would that be?
Wouldn't a simple thread answer your question? This is a thread that comes up at least once a month.
Yes it does and clearly shows people's preferences as to what they shoot.

My question was regarding say a new user who wanted to get a "solid" simple tool, whether Fuji would be a good starting point.

Deed
 
Fuji is a good option if you are wanting to simplify your setup because they have the X100T. It's a great camera with excellent IQ and it has a lot of great built in features; the optical rangefinder style viewfinder with the pop up screen, nice EVF, built in ND filter, built in flash, fixed 35mm... It's a nice package and you have the option of just using an X100 and nothing more. On the other hand you can also add an external flash, or use either of the two converter lenses. All of which don't take up too much space. So as long as you're okay with a 28mm, 35mm, and 50mm equivalent lens selection, the X100 is a great option.

When it comes to the other X series cameras, they're not that much different than other brands in terms of features. Every system has it's plus' and minus'.
Sure but the Fuji lineup is kind of very "tidy" as the X-lenses that are on offer will actually fit, no E, FE, A or otherwise ... which might appeal to a newbie who is after some quality gear. Or the one coming from a different system.

Deed
 
There was a thread yesterday regarding the simplification of photographic gear. I found the header interesting, but then I read that the OP had gazillions of lenses, basically covering everything from 16mm to 230mm.

Nothing wrong with that, Nikon and Canon aficionados pride themselves of having all this choice, 100s of lenses to chose from.

However, I thought that the original question regarding simplification deserved a closer look. One of those questions, like, if you had to pick 2 lenses and a body and live with it, what would that be?

I think I found a whiff of the underlying idea in the primes I use but was wondering whether Fuji is a particularly good start for condensed quality without getting messy. Look at SONY where it typically takes some time to figure out whether a certain lens is compatible and exactly what adapter one would chose ...

Maybe not great for the industry which thrives on the wants, rather than the needs of people, if you "minimised" your gear.

I am just going through a book by Steve Johnson, "The Minimalist Photographer" and was thinking that Fuji (as well as Leica maybe) are really fine tools for this approach.

For all those who think that Fuji isn't "ready" yet ...

Here is a link to Steve Johnson's website, some fantastic shots there.

http://www.sjphoto.com/

Deed
I haven't read the entire thread, but I wanted to add that I have been thinking about simplifying my photography, especially the equipment. With an array of multiple lenses and camera bodies in my bag, it is easy for me to keep switching between different camera setups to the point where I am missing out on the photography process.

To answer the question in the original post, for the next month or two, my main camera body will be the Fuji X-T1 and two lenses will be 14mm and 35mm. I am going a step further by shooting in one film simulation (monochrome with a boost in highlights and shadows) and shooting in JPEG only. I feel that the more restrictive my choices are, the more I will be forced to use my thoughts during the image making process.

Good post, Deed.
 
Can't help wondering what Ansel Adams would say if he read this thread today.

Moreover, what he would say if someone took away all his camera equipment and replaced it with an iPhone.
 
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And don't buy your argument that gear is not important for the final outcome.
That's not my argument, so whether you buy it or not is irrelevant.
It seems fashionable to think that true musicians can play Bach on a $55.00 WALMART guitar.
You tell me, I don't really follow fashion. That kind of meme has nothing to do with my comment above, though.
In reality, great gear facilitates your trade.

Always does!
Well, duh. That's a fine job at stating the obvious, but again it has nothing to do with what I said.

Looks like you missed the point of my reply, and looks like I overlooked the actual motive behind the question in your OP, which is all about social, isn't it. A request for community affirmation, kinda like virtual flee plucking from each others' fur. Which is fine, of course. Carry on.

The X-T1 is a nice camera, too. Have fun.
 
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Can't help wondering what Ansel Adams would say if he read this thread today.

Moreover, what he would say if someone took away all his camera equipment and replaced it with an iPhone.
In contrast to you, I don't have this (worshiping??) problem.

He used to carry around 80-100kg of gear when he went on his "tours" and a variety of large to medium format cameras.

He started with a Brownie, like many people have, then went onto 4x5 view cameras and a Pocket Kodak, then he used Zeiss, plus 6.5x8.5 glass plate camera, then Hasselblads and Polaroid as well as what he described as "miniture" (also commonly referred to a Full Frame here...).

So indeed what would he say??

Deed
 
And don't buy your argument that gear is not important for the final outcome.
That's not my argument, so whether you buy it or not is irrelevant.
It seems fashionable to think that true musicians can play Bach on a $55.00 WALMART guitar.
You tell me, I don't really follow fashion. That kind of meme has nothing to do with my comment above, though.
In reality, great gear facilitates your trade.

Always does!
Well, duh. That's a fine job at stating the obvious, but again it has nothing to do with what I said.

Looks like you missed the point of my reply, and looks like I overlooked the actual motive behind the question in your OP, which is all about social, isn't it. A request for community affirmation, kinda like virtual flee plucking from each others' fur. Which is fine, of course. Carry on.

The X-T1 is a nice camera, too. Have fun.
You went onto this "if he was a good photographer, he could take the photos with any camera"

I responded.

And have no time for social stuff, I am not after affirmation, it was a point to maybe be discussed. If this doesn't bother you, then don't.

Discuss that is.

Deed
 
Simplification is in the mind, and it's different for different folks.

Myself I got an XP1 about two years ago, with an 18-55 only. It's just about all I carry these days, except for a flash and spare batteries, and I take it just about everywhere. I also got an M to FX adapter, so I can use some legacy lenses I have, but this I very rarely do. So far, pretty simple.

However, I come from film (way back), DSLRs and assorted point and shoots. For interiors, which I still do occasionally, I use a Canon 5D2 and some wide glass. For sports I generally use it with a 70-300. For birds and wildlife I have a Sigma 150-500 and a 7D. I still use all these from time to time but only take them when I know I'm going to want them. Not so simple, but not so often.

I've been toying with the idea of something wider for the Fuji, such as the 10-24 or the 16/1.4, or perhaps something longer like the 55-200, but find it hard to convince myself. I can cover these areas with my remaining Canon / Sigma gear, and I rarely find I could do with having this sort of stuff with me when I'm just pottering.

Just my $0.02.
 
You went onto this "if he was a good photographer, he could take the photos with any camera"
That's not what I said. That's just what's written on your straw man. Below is what I actually said:

"I'm sure his photos look great, but the thing is, if he's any good, as he no doubt is, his photos would look great taken (made) with any brand gear."

For starters, that was just one sentence in a longer comment, and second, if you really don't see any difference between 'any gear' and 'any brand gear,' as it seems, this discussion is indeed futile. So let's pretend it never happened and move along.
I responded.
Indeed you did, and it was quite enlightening. Thank you for removing any doubts.
And have no time for social stuff, I am not after affirmation
M'kay.

Enjoy your simplified photography, whichever brand camera you're making it with. Cheers.
 
Simplification is hard … and Fuji was where I initially headed …

A year ago I had extensive investment into four ILC systems; Canon, Micro 4/3, Fuji XF and Leica; in addition to I used a handful of P&S models (including an X100T). An inauspicious legacy that is captured here in my gear list.

The Canon and Micro 4/3 systems weren’t getting any use once I got the Fuji and thus gave way last year to a deeper investment in Fuji XF and Leica.

A recent trip to Europe drove me to simplify further. I barely used the Fuji setup; in fact it often sat in the safe in the hotel room because I didn’t want to carry it all day and there was nothing I was going to need it for that couldn’t be handled with my Sony RX 100 M3.

Other than feeling a little limited by the focal length range, depth of field control possibilities, and it being a little fiddly to change settings for more challenging shots on the Sony it was pretty apparent that my approach to shooting pictures had changed.

So I kept the Leica system, as I used that most for photographic outings and my really creative shooting. And I kept the RX100 M3, as it’s still the best and most complete “take everywhere” option I know of (built-in EVF, flash, selfie-capable screen, fast, useful zoom range, fast enough lens for low-light use).

Then I added a D-Lux 109 for when I want a bit more control, subject isolation, and ease of use over the Sony, and a V-Lux 114 for when I want the biggest range I can get in a reasonably sized package (this would likely have been an RX10 M2 if the screen on that was fully articulated).
 
If I had to pick one, out of all my cameras, for simplicity of operation, I'd take my Samsung EX2F, followed by my Nikon P7000, then Samsung NX200 with 39mm F2.
 
What do you need to photograph? What do you want to photograph? Or pose it as, what kind of photos do you need/want to make? Answer that then think about simplifying.

I practice serial simplicity. The great majority of my photos are with manual focus primes. (If I really need auto focus, I generally use my Zeiss Touit 32/1.8.)

I go out with one or two lenses. They are drawn from a bench of seven or eight in active use. It has been fun to buy a legacy prime, work with it, then retire a lens from the bench.
 

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