Postprocessing tips dor canon and nikon to get Fuji feel

I absolutely love the Jpegs I get from xt1 and x100t.

Are there any tips on how to get similar results on my canon and Nikon raws by postpoecessing?

I tried the provia lightroom presets but they are nowhere close.

1. Sell your Canikon stuff

2. Buy more Fujifilm

photohp said:

I absolutely love the Jpegs I get from xt1 and x100t.

Are there any tips on how to get similar results on my canon and Nikon raws by postpoecessing?

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Unverified lore is that Fuji pushes reds and greens toward yellow, so try moving yellow-greens toward green and yellow-red (orange or nearby) toward red.

Acrill said:

1. Sell your Canikon stuff

2. Buy more Fujifilm

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Shigetaka Komori, is that you?

The best way to get Fuji results is use Fuji.

I have Fuji, Canon and Pentax, the output all looks the same to me. They are just cameras and just JPGs, nothing special or all equally special, depends if you glass is half empty or half full.

Buy some of the VSCO presets.

The Corrector said:

I have Fuji, Canon and Pentax, the output all looks the same to me. They are just cameras and just JPGs, nothing special or all equally special, depends if you glass is half empty or half full.

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--So you think that a regular Canon JPG looks like a Fuji Classic Chrome JPG? What about B&W Canon vs B&W+G Fuji?
www.darngoodphotos.com

darngooddesign said:

The Corrector said:

I have Fuji, Canon and Pentax, the output all looks the same to me. They are just cameras and just JPGs, nothing special or all equally special, depends if you glass is half empty or half full.

Click to expand...

--So you think that a regular Canon JPG looks like a Fuji Classic Chrome JPG? What about B&W Canon vs B&W+G Fuji?
www.darngoodphotos.com

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I don't want to get embroiled in a discussion about what's better etc etc. What I said is my opinion, I'm happy with that. I don't take monochrome, not since the 60's when I used film.

I was trying to convey a "come on man it's only a picture from a camera" type of vibe

I take images of my family, and Canon, Fuji, Pentax or whatever does it for me - I'm easily pleased.

.

I've been playing with VSCO Film 07 for a couple of days and I also have an X100S (along with my Olympus).

Many of the presets in this pack have a very similar "feel" to Fuji's in-camera simulations, in that they do great things to color and tone but don't look like in-your-face film presets that previous packs have done.

Now, they don't exactly match Fuji's simulations but they look good on their own. For example, I use Agfa Optima preset in situations where Astia would be used on a Fuji Camera.

The Fuji 160S presets can be used where you'd use the Pro Neg Hi/Lo presets.

The Ektachrome 64 looks a lot like Classic Chrome as well.

It's the best way I can get my Olympus and Fuji cameras to get a consistent look.