Oscar Rico
Senior Member
Absolutely 14-24, end of the story.The best. Regards: Oscar
Last edited:
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Just carry your camera and a lens on your neck the rest in a bag. They don't weight your camera if it is with you. We always wear all our winter jackets with us to save weight and space in the luggage.The only way to make your decision is to hold both in your hands and decide from there. For me the bulbous front element was a put off plus the no filter option. Also I like to travel, the 14-24 is 1000g compared to the 16-35 which is 685g and I am already slightly over my 7kg limit with my carry-on, so the choice was obvious for me.
I guess as great as the 20mm , it won't help the OP if he is lookng for a 14-16mm. myself a 20 1.8G owner but it's no replacement for my 14-24 for sure.Get the 20/1.8. It's much crisper. I bought one when it came out and after trying it out bought a bunch more for my guys.
We are no longer in 2007, there is more than one filter system out there that support the 14-24, and it works GREAT, for example, the Hitech Lucroit system, and few more available out there too, I just happened to like this particular one more than the other I had before.For general use I would go with neither. The 17-35 f2.8 is a more useful lens IMV - the other two are a bit specialist.
14-24 is a great architectural and interiors lens, not bad for landscape but filters are a PITA.
Which one did you have before, and why do you like this better?We are no longer in 2007, there is more than one filter system out there that support the 14-24, and it works GREAT, for example, the Hitech Lucroit system, and few more available out there too, I just happened to like this particular one more than the other I had before.For general use I would go with neither. The 17-35 f2.8 is a more useful lens IMV - the other two are a bit specialist.
14-24 is a great architectural and interiors lens, not bad for landscape but filters are a PITA.
I had the Lee SW150 and Fotdiox Wonder Pana before.Which one did you have before, and why do you like this better?We are no longer in 2007, there is more than one filter system out there that support the 14-24, and it works GREAT, for example, the Hitech Lucroit system, and few more available out there too, I just happened to like this particular one more than the other I had before.For general use I would go with neither. The 17-35 f2.8 is a more useful lens IMV - the other two are a bit specialist.
14-24 is a great architectural and interiors lens, not bad for landscape but filters are a PITA.
Sorry for the late response, but thanks for this hands on experience comment!story..
All those rules are not clear cut, often it depends who you are dealing with. If you look at the carry-on rules of different airlines website, they often say, only one piece or a small camera bag, but you never know if you may be unlucky and happen to encounter someone who is overzealous or who had a bad day.Just carry your camera and a lens on your neck the rest in a bag. They don't weight your camera if it is with you.The only way to make your decision is to hold both in your hands and decide from there. For me the bulbous front element was a put off plus the no filter option. Also I like to travel, the 14-24 is 1000g compared to the 16-35 which is 685g and I am already slightly over my 7kg limit with my carry-on, so the choice was obvious for me.
I do wear a vest just in case I had to put a lens in one pocket, but then travelling is quite stressful on long flights when you are flying economy, you would not want to clog your body up too much.We always wear all our winter jackets with us to save weight and space in the luggage.
When I tried one the other day, I honestly thought that it's some sort of joke With that performance, the lens should have been less than half it's size. The 14-24, on the other hand, is greeted with universal praise - despite its cost and size. For reference, from the same site (before anybody accuses them of Nikon-bashing):"To be honest I am very surprised that such a weak lens was launched on the market at all. The optics specialist, working on it, didn’t manage to correct properly one single optical aberration, apart from the vignetting. Such a weak project should have been rejected as early as the planning stage. The Nikon company not only launched it but also demands 4,000 PLN for it. It’s really no surprise we advise against buying it."
(from their review summary)
One thing to keep in mind: I think it's a common mistake to equate wide-angle with "landscape". Most wide-angle photos that simply attempt to "get it all in" are exceptionally uninteresting. If you wanted one lens to do landscape with, I'd venture that a 24-70 will serve you much better."This lens is a perfect example of a situation in which engineers and designers had more to say than accountants. If we start from an assumption that we don’t have to worry about the price and dimensions too much because a professional will understand that good optics must be expensive and must weigh a bit, we get a device in the style of the Nikkor 14-24 mm. It is perhaps the best wideangle lens we have dealt with so far."
Get an AFS -18-35- half the size half the cost and twice as good !It really is an exceptionally poor lens for the size / cost. I guess Lenstip.com sums it up best, with statements like:
When I tried one the other day, I honestly thought that it's some sort of joke With that performance, the lens should have been less than half it's size. The 14-24, on the other hand, is greeted with universal praise - despite its cost and size. For reference, from the same site (before anybody accuses them of Nikon-bashing):"To be honest I am very surprised that such a weak lens was launched on the market at all. The optics specialist, working on it, didn’t manage to correct properly one single optical aberration, apart from the vignetting. Such a weak project should have been rejected as early as the planning stage. The Nikon company not only launched it but also demands 4,000 PLN for it. It’s really no surprise we advise against buying it."
(from their review summary)
One thing to keep in mind: I think it's a common mistake to equate wide-angle with "landscape". Most wide-angle photos that simply attempt to "get it all in" are exceptionally uninteresting. If you wanted one lens to do landscape with, I'd venture that a 24-70 will serve you much better."This lens is a perfect example of a situation in which engineers and designers had more to say than accountants. If we start from an assumption that we don’t have to worry about the price and dimensions too much because a professional will understand that good optics must be expensive and must weigh a bit, we get a device in the style of the Nikkor 14-24 mm. It is perhaps the best wideangle lens we have dealt with so far."
Since landscapes are usually made on a tripod, and you stop down for maximum DOF, one of my favourites is the manual-focus 28mm f/2.8 AIS. Extremely good at smaller apertures, tiny, hyper-flare-resistant, and built to last a lifetime. No need for a big plastic AF lens for landscape, IMHO.
I want to love my 18-35 AFS -- it's great, lightweight single lens solution to carry in the mountains. BUT... it's slow (hard to capture those pre-dawn shots high on a snowfield), and, worst of all, mine has the worst flare characteristics I've ever seen (so shooting towards the sun during the daytime is out, too). I'm surprised the flare issue is never mentioned.Get an AFS -18-35- half the size half the cost and twice as good !It really is an exceptionally poor lens for the size / cost. I guess Lenstip.com sums it up best, with statements like:
When I tried one the other day, I honestly thought that it's some sort of joke With that performance, the lens should have been less than half it's size. The 14-24, on the other hand, is greeted with universal praise - despite its cost and size. For reference, from the same site (before anybody accuses them of Nikon-bashing):"To be honest I am very surprised that such a weak lens was launched on the market at all. The optics specialist, working on it, didn’t manage to correct properly one single optical aberration, apart from the vignetting. Such a weak project should have been rejected as early as the planning stage. The Nikon company not only launched it but also demands 4,000 PLN for it. It’s really no surprise we advise against buying it."
(from their review summary)
One thing to keep in mind: I think it's a common mistake to equate wide-angle with "landscape". Most wide-angle photos that simply attempt to "get it all in" are exceptionally uninteresting. If you wanted one lens to do landscape with, I'd venture that a 24-70 will serve you much better."This lens is a perfect example of a situation in which engineers and designers had more to say than accountants. If we start from an assumption that we don’t have to worry about the price and dimensions too much because a professional will understand that good optics must be expensive and must weigh a bit, we get a device in the style of the Nikkor 14-24 mm. It is perhaps the best wideangle lens we have dealt with so far."
Since landscapes are usually made on a tripod, and you stop down for maximum DOF, one of my favourites is the manual-focus 28mm f/2.8 AIS. Extremely good at smaller apertures, tiny, hyper-flare-resistant, and built to last a lifetime. No need for a big plastic AF lens for landscape, IMHO.
All lens has flare shooting straight into the sun, as a photographer we must learn how to avoid or minimise it - sometimes I find just move a little, change the angle a little make a lots of different. I was shooting the Athabasca Glacier directly into the sun and massively reflect sunlight and I could see the flare but by angling the lens I was able to minimise it.I want to love my 18-35 AFS -- it's great, lightweight single lens solution to carry in the mountains. BUT... it's slow (hard to capture those pre-dawn shots high on a snowfield), and, worst of all, mine has the worst flare characteristics I've ever seen (so shooting towards the sun during the daytime is out, too). I'm surprised the flare issue is never mentioned.Get an AFS -18-35- half the size half the cost and twice as good !It really is an exceptionally poor lens for the size / cost. I guess Lenstip.com sums it up best, with statements like:
When I tried one the other day, I honestly thought that it's some sort of joke With that performance, the lens should have been less than half it's size. The 14-24, on the other hand, is greeted with universal praise - despite its cost and size. For reference, from the same site (before anybody accuses them of Nikon-bashing):"To be honest I am very surprised that such a weak lens was launched on the market at all. The optics specialist, working on it, didn’t manage to correct properly one single optical aberration, apart from the vignetting. Such a weak project should have been rejected as early as the planning stage. The Nikon company not only launched it but also demands 4,000 PLN for it. It’s really no surprise we advise against buying it."
(from their review summary)
One thing to keep in mind: I think it's a common mistake to equate wide-angle with "landscape". Most wide-angle photos that simply attempt to "get it all in" are exceptionally uninteresting. If you wanted one lens to do landscape with, I'd venture that a 24-70 will serve you much better."This lens is a perfect example of a situation in which engineers and designers had more to say than accountants. If we start from an assumption that we don’t have to worry about the price and dimensions too much because a professional will understand that good optics must be expensive and must weigh a bit, we get a device in the style of the Nikkor 14-24 mm. It is perhaps the best wideangle lens we have dealt with so far."
Since landscapes are usually made on a tripod, and you stop down for maximum DOF, one of my favourites is the manual-focus 28mm f/2.8 AIS. Extremely good at smaller apertures, tiny, hyper-flare-resistant, and built to last a lifetime. No need for a big plastic AF lens for landscape, IMHO.

The series of photos taken at the Athabasca Glacier all have the sun in them, I just edited it out in Lightroom, as you can see there is sun flare at the top of the photo - I just have to go back to my Canadian Rockies catalog to re-export these photos. Technically may be interesting to someone but artistically not much chop !Sorry, but calling bulls**t. Put the sun in your shot and let me know how it works. Compared to the 14-24.