Sanjeev Das
Senior Member
Thanks Jim!
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.


blog.kasson.com
The expression may be more interesting, but it doesn't have that killer vortex-like background of the first image you posted. I'm impressed that you can get this look without diffusers and reflectors.
blog.kasson.com
I agree. It would have been better shot with an 85mm, or stopped-down, a little, on the 135mm. Sometimes my 135mm "cream machine" is a little too smooth.The expression may be more interesting, but it doesn't have that killer vortex-like background of the first image you posted. I'm impressed that you can get this look without diffusers and reflectors.
Jim
--
http://blog.kasson.com
You can't see the Ps moves, and that is the mark of good post work. Congratulations!I agree. It would have been better shot with an 85mm, or stopped-down, a little, on the 135mm. Sometimes my 135mm "cream machine" is a little too smooth.The expression may be more interesting, but it doesn't have that killer vortex-like background of the first image you posted. I'm impressed that you can get this look without diffusers and reflectors.It was shot in the shade. I did a quick "frequency separation" adjustment to her skin in PS to even the tones and then adjusted luminosity on a mask, which makes it look like I used a reflector. I setup my flash gear and never used it.
![]()
blog.kasson.com
A Nikkor-S 50mm 1.4 NAIThese are interesting. I like the kid on the skateboard and the totem head.
What lens were you using?
The totem head was heavily color-edited, if that's the one you're talking about.I'm not sure I am all that fond of the color shift, is the only thing...was that from the lens or the filters?
Actually, the first two have a pretty heavy cyan cast to them, and the third has some, but not as much. The totem head does too, but that could be from PP, since you worked on it. Did you use AWB? Sometimes older lenses play havoc with my AWB settings.A Nikkor-S 50mm 1.4 NAIThese are interesting. I like the kid on the skateboard and the totem head.
What lens were you using?
The totem head was heavily color-edited, if that's the one you're talking aboutI'm not sure I am all that fond of the color shift, is the only thing...was that from the lens or the filters?
I might have used AWB; usually I shoot RAW with the WB set to daylight and then fine-tune the WB manually in post. I need to re-check my settings. My X-Rite camera profile went south on me and I've been shooting with AWB lately. I need to recalibrate it.Actually, the first two have a pretty heavy cyan cast to them, and the third has some, but not as much. The totem head does too, but that could be from PP, since you worked on it. Did you use AWB? Sometimes older lenses play havoc with my AWB settings.A Nikkor-S 50mm 1.4 NAIThese are interesting. I like the kid on the skateboard and the totem head.
What lens were you using?
The totem head was heavily color-edited, if that's the one you're talking aboutI'm not sure I am all that fond of the color shift, is the only thing...was that from the lens or the filters?
-J
Love this one.Taken with the Rokinon 14mm 2.8
![]()
blog.kasson.com
Beautiful! Love the lighting. I'd leave it centered top to bottom, but crop in a tad from the right so that the composition is a little less static.
blog.kasson.com
Put me down as one who loves the so-called "busy bokeh" (I'd call it a kaleidoscopic, swirling background)!The lighting is terrific on this shot. I'm not as fond of the busy bokeh in the background, though. Very nice work.
Ditto. I think it's lovely in that image.Put me down as one who loves the so-called "busy bokeh" (I'd call it a kaleidoscopic, swirling background)!The lighting is terrific on this shot. I'm not as fond of the busy bokeh in the background, though. Very nice work.
Jim