otus for sony a7 mark 2

Jim,

I'll send you 2 emails, each one attach 1 original files of jpg image, ooc jpg

One file shot iso 800, the new 90mm lens, the other iso 4000, the lens kit 55mm.

Both are hand held, and just shot like casually..no preparation at all..

Look at the color, depth (although one is under exposure), resolution,bokeh

..amazing...
 
Following the same pattern as "dominus", Otus should pluralise in the subjective to "Oti" rather than "Otii".
 
Thanks. That doesn't really do what I'd like. I want to press a button and cycle through the sensitivity choices, not press a button which brings up an menu, press the up or down buttons, then press the center one.

In case its not obvious, I'd rather not look at menus in the field at all.
I don't mean to belabor the point, but I do want to ensure you're aware of this control setting. One may press the (remapped) button and use the front wheel to select one of the 4 peaking settings, all without one's eye leaving the viewfinder. The peaking settings are an overlay display on the left ~15% of the VF. I'm able to accomplish this in ~2 seconds.

There's a few things Sony needs to change in the menu. My complaint is the lack of a button choice to switch between "live view on and off", mandatory for flash.

Perhaps Sony will adapt Android on future models, and allow the user a fully programmable camera.
 
Thanks. That doesn't really do what I'd like. I want to press a button and cycle through the sensitivity choices, not press a button which brings up an menu, press the up or down buttons, then press the center one.

In case its not obvious, I'd rather not look at menus in the field at all.
I don't mean to belabor the point, but I do want to ensure you're aware of this control setting. One may press the (remapped) button and use the front wheel to select one of the 4 peaking settings, all without one's eye leaving the viewfinder. The peaking settings are an overlay display on the left ~15% of the VF. I'm able to accomplish this in ~2 seconds.

There's a few things Sony needs to change in the menu. My complaint is the lack of a button choice to switch between "live view on and off", mandatory for flash.

Perhaps Sony will adapt Android on future models, and allow the user a fully programmable camera.
Graham - I was not aware of this.

Which button can be remapped in this manner????

I too have been frustrated by having the wrong level of peaking.

Guess I have to RTFM again !

--
¡Viva la Resolución!
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On Flickriver chose "Scale to Fit Screen" (upper left) for highest resolution.
 
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Thanks. That doesn't really do what I'd like. I want to press a button and cycle through the sensitivity choices, not press a button which brings up an menu, press the up or down buttons, then press the center one.

In case its not obvious, I'd rather not look at menus in the field at all.
I don't mean to belabor the point, but I do want to ensure you're aware of this control setting. One may press the (remapped) button and use the front wheel to select one of the 4 peaking settings, all without one's eye leaving the viewfinder. The peaking settings are an overlay display on the left ~15% of the VF. I'm able to accomplish this in ~2 seconds.
Agree that it's an improvement over the default settings. I remap C4 on the a7II, hit it with my thumb, then move it up to the four-way switch.

Jim
 
Following the same pattern as "dominus", Otus should pluralise in the subjective to "Oti" rather than "Otii".
Noted, thanks. There's a long history in tech of whimsical plurals. One of my favorites from the 70s is the Digital Equipment VAX line of computers. If you were one of the cognoscenti, you called a group of them "VAXen".

Jim
 
Following the same pattern as "dominus", Otus should pluralise in the subjective to "Oti" rather than "Otii".
And when speaking to one's lens, one should say Ote!
 
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Like others have said they both have their strengths, I bought my APO Sonnar 135/2 in Canon mount. Nikon is more adaptable and can be made to work in Canon too and some people prefer the Aperture ring in lens.

IMO some of the strengths of the Canon mount have not been stated clearly enough in this thread as the electronic connectivity between the lens and body brings a lot to the table

- EXIF for post

- automatic focal length data for IBIS in A7 II. Dump adapted lens require manual focal length selection. Unfortunately the Zeiss lenses do not provide focus distance so regardless of the mount the IBIS remains 3-Axis instead of full 5-Axis

- electronic aperture control makes it possible for user to select either stopped down or wide open focusing (like DSLR AF, the lens is only stopped down for exposure); dump lens is always stopped down focus. The Zeiss lenses do not have any focus shift and with wide open focusing I can nail the focus down much better as the peaking is only showed for narrower area. The sensor also always gets max amount of light ==> best possible EVF quality with least noise, quite nice when shooting in lower light

For tripod shooting with time to work on focus stopped down focusing either will be just fine/great, but for faster paced handheld focusing especially with longer focal lengths and with max magnification where stopped down focus area sometimes tends to looks like everything is in focus the wide open focusing is IMO better. And I have option to focus stopped down too should the conditions benefit from it.
 
Like others have said they both have their strengths, I bought my APO Sonnar 135/2 in Canon mount. Nikon is more adaptable and can be made to work in Canon too and some people prefer the Aperture ring in lens.

IMO some of the strengths of the Canon mount have not been stated clearly enough in this thread as the electronic connectivity between the lens and body brings a lot to the table

- EXIF for post

- automatic focal length data for IBIS in A7 II. Dump adapted lens require manual focal length selection. Unfortunately the Zeiss lenses do not provide focus distance so regardless of the mount the IBIS remains 3-Axis instead of full 5-Axis

- electronic aperture control makes it possible for user to select either stopped down or wide open focusing (like DSLR AF, the lens is only stopped down for exposure); dump lens is always stopped down focus. The Zeiss lenses do not have any focus shift and with wide open focusing I can nail the focus down much better as the peaking is only showed for narrower area. The sensor also always gets max amount of light ==> best possible EVF quality with least noise, quite nice when shooting in lower light

For tripod shooting with time to work on focus stopped down focusing either will be just fine/great, but for faster paced handheld focusing especially with longer focal lengths and with max magnification where stopped down focus area sometimes tends to looks like everything is in focus the wide open focusing is IMO better. And I have option to focus stopped down too should the conditions benefit from it.
All good points, and some things that I didn't know. If I didn't have Nikon bodies as well as Sony ones, I might go for the Canon lenses just to get auto aperture.

Jim
 
Graham - I was not aware of this.

Which button can be remapped in this manner????
Any button has that option (gear menu, page 6). I use the AEL button (lever down from the AF/MF button). One may also assign peaking level to a slot on the FN menu.
 
Like others have said they both have their strengths, I bought my APO Sonnar 135/2 in Canon mount. Nikon is more adaptable and can be made to work in Canon too and some people prefer the Aperture ring in lens.

IMO some of the strengths of the Canon mount have not been stated clearly enough in this thread as the electronic connectivity between the lens and body brings a lot to the table

- EXIF for post

- automatic focal length data for IBIS in A7 II. Dump adapted lens require manual focal length selection. Unfortunately the Zeiss lenses do not provide focus distance so regardless of the mount the IBIS remains 3-Axis instead of full 5-Axis

- electronic aperture control makes it possible for user to select either stopped down or wide open focusing (like DSLR AF, the lens is only stopped down for exposure); dump lens is always stopped down focus. The Zeiss lenses do not have any focus shift and with wide open focusing I can nail the focus down much better as the peaking is only showed for narrower area. The sensor also always gets max amount of light ==> best possible EVF quality with least noise, quite nice when shooting in lower light

For tripod shooting with time to work on focus stopped down focusing either will be just fine/great, but for faster paced handheld focusing especially with longer focal lengths and with max magnification where stopped down focus area sometimes tends to looks like everything is in focus the wide open focusing is IMO better. And I have option to focus stopped down too should the conditions benefit from it.
.... by the internets.

I will go for the ZE though for all the good reasons you outlined.

It will be challenge enough(for me) to hand-hold and MF these big lenses without having to play with the aperture for focus/exposure on top.

EXIF is huge too - on a couple of levels.

Didn't realize the EXIF tied in to the IS system. If the A7r gets it that will be a big plus for the ZE.

Why can't someone make a smart adaptor for F mount?
 
Many thanks for your info Jim,

Now may I expand a bit on the subject of the Otus...

If you have a choice now, would you rather buy the Otus, or.. buy a Pentax 645z, (because if we can buy

Otus, i think we can also buy the Pentax----i know still double the price, but with the Pentax we also get a good lens kit)

What will be your main consideration..IQ or what..
I'm scared of Pentax's US support, and find the lens line to be a bit confused, with modern, expensive lenses, and older, cheaper ones. Tex, if you're reading this, could you provide commentary?
Happy to. The short answer to the first is that U.S. support for the Z is poor at this time. This is strange, given that Ricoh's support for business printers is good. Someone is not getting the memo. Sales support generally for Pentax in the U.S. is poor. Things are backordered for months, sales reps get little support and in at least one case i know of personally no samples. The Hoya damage persists.

The answer to the latter isn't so dire. The older lenses are readily available and very modestly priced, although not like last year and the year before! Among the 645 lenses, only the 45 seems to be a dud, and it's not that bad. Several of the older A and FA lenses are terrific. None are as good as the Otus----but then how many lenses are? And in the Otus "line" there are just 2 FL's, and together they'll set you back $8280.00 from B&H today. If they ever come out with more than just factor those prices in. So, with Pentax 645 there's a real line of used lenses available, in manual or AF, primes and zooms, from a 35 (28-ish equiv. FL on the 645 digital sensor) up to 600 (500ish equiv FL), including 2 leaf shutter lenses. But then add to that the 67 lenses, another whole line, and one that has several fine lenses and another LS lens, plus a shift lens. There are several shift or t/s lenses available from 3rd parties. And all these at really modest costs.

On the new lens front, the situation is a bit more odd. The FL is extended down to 25 (21 equiv) in a prime, 28 (23ish equiv) in a zoom. There are only a handful of the new designs designed for digital---and as far as I can tell it's only the new 90 that could be said to be optically better than the best of the older designs. Not clear what the "strategy" is here, but note that the Z has been a lot more popular than expected, and has always been popular in Japan (as in, popular within a niche...)

In the lenses I have used, I have seen nothing to complain about, but only several have I used much due to personal pressures this last year inhibiting my shooting. I won't list all my lenses, but I'll just say I have put together a group of lenses more extensive than I have ever had before with any system, at ridiculously low cost considering what I've got (all used). BTW, I have just started my shooting season in earnest after a brief bit in the fall, and yesterday used the Z, the 45-85 in AF mode, and a Pentax 540fgz flash pre-dawn in 2 degree temps---not even a hiccup, and the Z started on 2 bars battery power. Me, on the other hand---couldn't see a dang thing because my glasses froze over, and my fingers were completely numb---never have my hands been that cold. So, now my only complaint about the Z is that it doesn't have a rubber or leather covering. That metal gets cold! (I lost my nice thin gloves for photo work...)
Also, it's not clear to me that the 645Z, with any currently-available lens, will provide materially better IQ than a D810 and one of the Otii, and the Otii have the potential to be used on lots of bodies, and I'd really rather not embark on a new system at this point. I'm hoping 50+ MP bodies from Nikon and Sony will close the gap to nothing -- or maybe the Otii will be better; it's hard to tell how good they really are on 36 MP cameras.
Well, this also becomes a more complex tale than just the lenses. Clearly the Otus lens tests higher than any other optic we know (that is available for our cameras...). But then there is the Z. If I have to choose between the current FF body options (and I have one, the A7R) and 2 Otus lenses, neither of them in an FL I use much (I'd use the 85 more than the 55, but mostly for repro work...), or a Z and the array of FL options I have with Pentax 645, it's just no contest. And the high iso performance of the Z is startling to say the least. And for me I still think the enlargement edge would go to the Z, or else it would at least equalize things against the Otus. I get the bit about system change/proliferation---it's not ideal. But I already had a jump start on a 645 lens collection from having a 645N. Also, Pentax is easier to move to menu wise---none of the Sony shenanigans (which are getting better). The Z is a straightforward camera.

So, for you antono, I don't see this as being an easy decision. I'd say it really has to do with non-Otus issues, to whit: do you want to be shooting medium format, with its inherently shallower DOF, or FF. It's been an adjustment for me, as I haven't been regularly shooting medium format for a while, and then it was with a fixed lens WA 6x9 rangefinder, always zone-focusing. Get out from WA, and that DOF gets small. I often have to shoot at f16 with the Z, or else slow down quite a bit to check focus, or adapt my vision to allow for some blur in my images, or find subjects that are more"flat". Don't know what kind of shooting you do.
I've got an H1, a H2D-39, and a bunch of Hassy V and H lenses gathering dust, so I'm once-bitten, twice shy.
Jim, you know you could be using those Hassy lenses with a Z, right? ;-}
 
Happy to.
Thanks, Tex.
Well, this also becomes a more complex tale than just the lenses. Clearly the Otus lens tests higher than any other optic we know (that is available for our cameras...). But then there is the Z. If I have to choose between the current FF body options (and I have one, the A7R) and 2 Otus lenses, neither of them in an FL I use much (I'd use the 85 more than the 55, but mostly for repro work...), or a Z and the array of FL options I have with Pentax 645, it's just no contest. And the high iso performance of the Z is startling to say the least. And for me I still think the enlargement edge would go to the Z, or else it would at least equalize things against the Otus. I get the bit about system change/proliferation---it's not ideal. But I already had a jump start on a 645 lens collection from having a 645N. Also, Pentax is easier to move to menu wise---none of the Sony shenanigans (which are getting better). The Z is a straightforward camera.

So, for you antono, I don't see this as being an easy decision. I'd say it really has to do with non-Otus issues, to whit: do you want to be shooting medium format, with its inherently shallower DOF, or FF. It's been an adjustment for me, as I haven't been regularly shooting medium format for a while, and then it was with a fixed lens WA 6x9 rangefinder, always zone-focusing. Get out from WA, and that DOF gets small. I often have to shoot at f16 with the Z, or else slow down quite a bit to check focus, or adapt my vision to allow for some blur in my images, or find subjects that are more"flat". Don't know what kind of shooting you do.
I've got an H1, a H2D-39, and a bunch of Hassy V and H lenses gathering dust, so I'm once-bitten, twice shy.
Jim, you know you could be using those Hassy lenses with a Z, right? ;-}
Just the V ones, right?

H FFD = 61.63mm, V FFD = 74.9mm, 645 FFD = 70.87 cm.

With the possible exception of the Superacromats, I don't think V lenses would stand a chance with the 645Z sensor. Am I wrong?

Thanks Tex, for the advice. BTW, you might be interested in this 5-way 85mm test I just completed:


Jim
 
Just the V ones, right?

H FFD = 61.63mm, V FFD = 74.9mm, 645 FFD = 70.87 cm.
Yes, it looks that way. A pity, hard to understand why Hassy did that....
With the possible exception of the Superacromats, I don't think V lenses would stand a chance with the 645Z sensor. Am I wrong?
Hmmmm...well, if I had a bunch of V lenses I'd certainly want to see for myself. The older Pentax lenses are working just fine---several are terrific. V lenses are worse than Pentax 435 lenses? I haven't heard that, but there is the crop issue---don't know if you have any "convenient" FL's for that .
Thanks Tex, for the advice. BTW, you might be interested in this 5-way 85mm test I just completed:
I saw it. I've got a Contax G 90 for the A7R, so I feel set there. I am still on the hunt for a 28, and saw your tests on that FL, too. Thank you.Catching up on back posts on your blog.
 
I want to buy otus lenses, which is better :

buy otus for canon and use converter or buy the one for nikon and use converter also..

or is there another better way?

The camera i want to use the otus is sony a7 mark 2

thanks
Hmmm...can't really answer your question, but I started to experiment with the Nikon F-Mount Otus 55mm on the A7MK2 the other day, using a Novoflex adapter. One of the reasons I've bought the Sony was to use some old inherited Leica R-Glass on the A7MK2, and I thought I give it also a shot with the NEX/NIK adapter and Zeiss Glass.

The shooting experience has not quite been as straight forward as I would have liked. Sure - magnification and focus peaking is great, but the focus peaking on "High" seem to highlight too many areas, and the focus magnification for moving subjects is not quite as easy as it sounds. I managed a few keepers, and I will repeat the exercise with the full AF SEL55F18 to contrast and compare. My guess so far is you can safe yourself a lot of "trouble" and some money using the excellent Sony lens.

I've also tested my old Leica 135mm with some more static subjects with OK to Good results, but I think it takes a little training and steady hands to really get good at it. Here is a OOC JPEG, slightly cropped, of the Sony A7MK2, Novoflex NEX/NIK and Otus 55 combo:



Jarif
Jarif
 
I want to buy otus lenses, which is better :

buy otus for canon and use converter or buy the one for nikon and use converter also..

or is there another better way?

The camera i want to use the otus is sony a7 mark 2

thanks
What way do you like the focus ring to turn?
 
Tex,

Thanks for your comments...

i also bought the Z, about april last month..and I agree, moving to medium format is a much satisfactory solution, especially for me who like to pixel peep.

I have the macro 90mm, the 55mm f 2.8, , 150mm f 2.8, zoom 150-300mm, and rhe 28-45mm f 4.5, The level of texture and dynamic range and also the high iso capablities are absooutely amazing.

I am still sometimes think about the otus, becaues i like to collect exceptional lenses.

But to sy the truth, after i purchase Z, i rarely use the A7ii and also the Omd EM1 (although i also have a quite compoete line of lenses for both incl the m43 lenses 35-100 f2 and also 14-35 f2)

Thanks Jim, thanks Tex

Regards

Antono
 
that I'm hardly ever using my A7R these days. It's in backup mode, or when I need better quality than my phone, but still need something a bit small.
 

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