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Lenstip have not very good sample galleries. Check their Sigma A18-35 gallery, I have the lens, it is stunning, but from their photos I would not think so. Maybe they have issues with focussing and they set their cameras to zero or even negative sharpening to which we probably aren't used to.Wow that looks really bad.
BUT the dpreview samples looks extremely sharp, even at 100% f/1.4 on a 36MP sensor. Not sure why two sites have such a big difference.
Probably misfocusing from the lenstip version?
That's it, the sharpening is turned all the way down on all the lenstip samples. : )Lenstip have not very good sample galleries. Check their Sigma A18-35 gallery, I have the lens, it is stunning, but from their photos I would not think so. Maybe they have issues with focussing and they set their cameras to zero or even negative sharpening to which we probably aren't used to.Wow that looks really bad.
BUT the dpreview samples looks extremely sharp, even at 100% f/1.4 on a 36MP sensor. Not sure why two sites have such a big difference.
Probably misfocusing from the lenstip version?
It's not the zero sharpening (that is ok) but the lack of sharpness on images at f1.4 and f2.0.That's it, the sharpening is turned all the way down on all the lenstip samples. : )Lenstip have not very good sample galleries. Check their Sigma A18-35 gallery, I have the lens, it is stunning, but from their photos I would not think so. Maybe they have issues with focussing and they set their cameras to zero or even negative sharpening to which we probably aren't used to.Wow that looks really bad.
BUT the dpreview samples looks extremely sharp, even at 100% f/1.4 on a 36MP sensor. Not sure why two sites have such a big difference.
Probably misfocusing from the lenstip version?
Well, those images are about 4 MB, which means they've been compressed pretty significantly . . . unless they were using a 12 MP camera.Somewhere between pulling the SD card from the camera to posting the image on their web site, some unknown process has reduced the image quality. It could be as simple as incorrectly posting the image on their web site that's causing the sharpness loss on all their images all the time.
I don't think anybody would expect a 24 mm f/1.4 (FF) lens to be great at f/1.4 at the edge of the frame. The Sigma is still the best of the four 24 mm f/1.4 lenses (Canon, Nikon, Samyang & Sigma) if only just compared to the Canon and depending on what you care most about it, one could also call it a draw with the Canon (in regard to IQ, if you add AF maybe the Canon could be called overall to better).The review seems to indicate that the Sigma 24mm 1.4 is an ok performer.
It compares favourably against the Nikon (which I used to own, and regret selling).
The coma result is disappointing for a lens that would be commonly used for low light or night time use. I would have hoped that Sigma would have done more work in this area. Mind you, the review states the Nikon faired worse, which with all honesty, I thought the Nikon was great after dark when I had it.
Lenstip's sample are ALWAYS in cam JPG with the LOWEST possible SHARPENING and CONSTRASTING settings.
If you check out their other sample images, they are ALWAYS soft, even for the best lens they ever tested. This is even more true if the test camera has an AA filter.
Lenstip's sample are ALWAYS in cam JPG with the LOWEST possible SHARPENING and CONSTRASTING settings.
If you check out their other sample images, they are ALWAYS soft, even for the best lens they ever tested. This is even more true if the test camera has an AA filter.
I was probably too charitable with the Canon in my summary. The Canon comes close or roughly equals the Sigma in a number of areas, it is ahead in flare and autofocus. But it is clearly behind the Sigma in vignetting and LoCA and resolution at f/1.4, so calling it a draw optically was probably a bit too much.Hello noirdesir,
I didn't read the review like you.
The Sigma performs where it matters, and that is at F1.4, that's why most people are going to buy this lens.
The Canon catches up (in the centre) at F2, but the edges don't catch up until F2.8: