Why Nikon won't make a conventional D300 successor (economics)

For example, in your first response, you said, "And? You mean the other forums are populated by not-gear-heads?" I never said this particular forum was populated by gearheads. I said, "website catering to gearheads." As you can see, your response made little sense. The same is true for each and every response. They had little to do with what they were responding to.

Another example. You replied with "And? You know there is also a 28-300? Designed for FX?" for some strange reason. Did your mind somehow suggest to yourself that I was saying that novice FX users don't upgrade kit lenses to super ratio zooms? Not only did I not make such a suggestion, I didn't even insinuate such a thing.

As I said at the start, this is why I do not like responding to this back and forth, line by line, out of context type of discussions one sees adolescents participating in on game forums. They are each just attempting to "out point" each other and score an argument "win," I suppose. So please, if you want to reply and get a reasonable answer back, read and understand what was said first, then put together a coherent reply addressing all your concerns. This isn't a battle. It's just too tedious to respond to meaningless out of context word bites.

I apologize if I'm sounding arrogant or mean spirited. I truly am not. I'm just trying to explain why I can't do this line by line discussion method and to set your expectations for the future. :-)

Have a great evening. :-)
You know, your first entry in this thread was a paragraph by paragraph reply to the OP. In his post he seemed willing to pay the price for a decent body, but you countered out of the blue that DX is not cheaper ...

And when someone laments the existence of a decent DX body, you seem to consider that DX is destined to the dump of history, and any FX is infinitely better. Do you remember the Diana?

How other than line by line can we "reach" you?
JC, I wouldn't mind the line by line approach so much if you stayed in context and the actual reply fit what was being replied to. Sometimes, one must reply separately to completely different subjects, but when you break down a paragraph which is a construct involving one subject, it's totally out of context. Did you see the examples above? Your replies are out in left field.

If by "reach me" you mean to intimidate into some verbal battle, that's fairly impossible as I have no desire for such a thing. I try to think of forums like a cozy bar or pub where everyone gives their opinions and we listen and either agree or disagree. It's even ok to shoot down the other's ideas if and only if it's done in a somewhat friendly manner. Again, it's not a war where everyone is trying to out-point the others. Oh, and no, I don't remember Diana.

Do I consider DX to be in the dump of history? Yes, in a way. For reasonably full sized DSLR models, I see very little point in going with a half frame sized sensor. Even when considering putting a few more extra pixels on the target, the high pixel count of the newer FX sensors mitigate this desire while all the advantages of FX still apply.

For example, when birding, DX might indeed allow more pixels on the bird for cropping later, but birds tend to be more active in early morning or late afternoon when the better light gathering advantages of FX come into play. This is why big glass on big sensors still remain the realm of serious birding. It's also why something like the new P900 is not used. It puts a crap load of pixels on the tiniest of sensors, but fails for shooting moving birds in challenging light most of the time. Before you jump the gun, I'm not comparing the P900 to an APS-C DSLR, just discussing the merits of a larger sensor over pixel density.

Does DX give us any size advantage. Maybe, but Sony uses a full sized sensor in a compact and the D610 is essentially the same size as a D7200. More importantly, this forum is dedicated to the few people who want to use the DX sized sensor in a large full sized DSLR, so any discussion about saving size and weight seems a bit moot. I'm not sure why any discussion about size and weight advantages for DX could seriously be on the table in this forum when the main point of this forum is to shoehorn a small sensor into a D810 body.

Also, when looking at high quality glass offerings which are dedicated to DX, I see very little size and weight advantage in the least, except in the consumer kit type lenses which I'd assume to not be desired for a D400 level body. I see very little in the way of acceptable glass, native to DX, available and even less so which might be considered reasonably smaller than similar FX glass.

In the past, the arguments for a pro grade DX offering has been build quality and buffer size. Nikon has addressed the latter, so we're down to build quality alone anymore. I have no argument for or against this. I just wonder at the need and think it's more a "want." The truly professional lines which are built to take the abuse of heavy field use are FX and likely to remain that way for all the right reasons. This applies to sports and wildlife photography as well. If one is on a budget, the D7200 is a pretty tough camera with good sealing and a solid build.

So, yes, in summary, I think DX was a temporary stopgap used because larger sensors were too expensive to produce in the early days of digital photography. I think it still has its uses in smaller mirrorless and entry DSLR models today. As the price to manufacture FX continues to decline, I think we'll find it in even less expensive DSLR models excepting maybe the very least expensive. For example, I'd love to see FX in D5500 level cameras in the very near future. Later, I see no reason for it not to also be in D3300 entry level cameras. With the sale prices of the D610 sometimes coming in at under $1500, I think it is not as far in the future and one might suggest. Maybe a D500 FX for around $1000-$1200 this or next year. If this comes about, remember where you heard it. I also said I thought Nikon just might make a D400 as a last hurrah for DX. ;-)

Have fun and take care. :-)
 
For example, when birding, DX might indeed allow more pixels on the bird for cropping later, but birds tend to be more active in early morning or late afternoon when the better light gathering advantages of FX come into play. This is why big glass on big sensors still remain the realm of serious birding. It's also why something like the new P900 is not used. It puts a crap load of pixels on the tiniest of sensors, but fails for shooting moving birds in challenging light most of the time. Before you jump the gun, I'm not comparing the P900 to an APS-C DSLR, just discussing the merits of a larger sensor over pixel density.
You seem to be living in your own little bubbel!??

Not everybody wants to, needs to or can afford to get a D4s and a 600f4 for birdng or a D810 and ditto for that matter.

This leaves a market for a more affordable solution, with some compromises in performance.

It is rather irritating after all these years that you and a lot of others cant get your grey matter around this fact.
 
For example, when birding, DX might indeed allow more pixels on the bird for cropping later, but birds tend to be more active in early morning or late afternoon when the better light gathering advantages of FX come into play. This is why big glass on big sensors still remain the realm of serious birding. It's also why something like the new P900 is not used. It puts a crap load of pixels on the tiniest of sensors, but fails for shooting moving birds in challenging light most of the time. Before you jump the gun, I'm not comparing the P900 to an APS-C DSLR, just discussing the merits of a larger sensor over pixel density.
You seem to be living in your own little bubbel!??

Not everybody wants to, needs to or can afford to get a D4s and a 600f4 for birdng or a D810 and ditto for that matter.

This leaves a market for a more affordable solution, with some compromises in performance.

It is rather irritating after all these years that you and a lot of others cant get your grey matter around this fact.
 
For example, in your first response, you said, "And? You mean the other forums are populated by not-gear-heads?" I never said this particular forum was populated by gearheads. I said, "website catering to gearheads." As you can see, your response made little sense. The same is true for each and every response. They had little to do with what they were responding to.

Another example. You replied with "And? You know there is also a 28-300? Designed for FX?" for some strange reason. Did your mind somehow suggest to yourself that I was saying that novice FX users don't upgrade kit lenses to super ratio zooms? Not only did I not make such a suggestion, I didn't even insinuate such a thing.

As I said at the start, this is why I do not like responding to this back and forth, line by line, out of context type of discussions one sees adolescents participating in on game forums. They are each just attempting to "out point" each other and score an argument "win," I suppose. So please, if you want to reply and get a reasonable answer back, read and understand what was said first, then put together a coherent reply addressing all your concerns. This isn't a battle. It's just too tedious to respond to meaningless out of context word bites.

I apologize if I'm sounding arrogant or mean spirited. I truly am not. I'm just trying to explain why I can't do this line by line discussion method and to set your expectations for the future. :-)

Have a great evening. :-)
You know, your first entry in this thread was a paragraph by paragraph reply to the OP. In his post he seemed willing to pay the price for a decent body, but you countered out of the blue that DX is not cheaper ...

And when someone laments the existence of a decent DX body, you seem to consider that DX is destined to the dump of history, and any FX is infinitely better. Do you remember the Diana?

How other than line by line can we "reach" you?
JC, I wouldn't mind the line by line approach so much if you stayed in context and the actual reply fit what was being replied to. Sometimes, one must reply separately to completely different subjects, but when you break down a paragraph which is a construct involving one subject, it's totally out of context. Did you see the examples above? Your replies are out in left field.

If by "reach me" you mean to intimidate into some verbal battle, that's fairly impossible as I have no desire for such a thing. I try to think of forums like a cozy bar or pub where everyone gives their opinions and we listen and either agree or disagree. It's even ok to shoot down the other's ideas if and only if it's done in a somewhat friendly manner. Again, it's not a war where everyone is trying to out-point the others. Oh, and no, I don't remember Diana.

Do I consider DX to be in the dump of history? Yes, in a way. For reasonably full sized DSLR models, I see very little point in going with a half frame sized sensor. Even when considering putting a few more extra pixels on the target, the high pixel count of the newer FX sensors mitigate this desire while all the advantages of FX still apply.

For example, when birding, DX might indeed allow more pixels on the bird for cropping later, but birds tend to be more active in early morning or late afternoon when the better light gathering advantages of FX come into play. This is why big glass on big sensors still remain the realm of serious birding. It's also why something like the new P900 is not used. It puts a crap load of pixels on the tiniest of sensors, but fails for shooting moving birds in challenging light most of the time. Before you jump the gun, I'm not comparing the P900 to an APS-C DSLR, just discussing the merits of a larger sensor over pixel density.

Does DX give us any size advantage. Maybe, but Sony uses a full sized sensor in a compact and the D610 is essentially the same size as a D7200. More importantly, this forum is dedicated to the few people who want to use the DX sized sensor in a large full sized DSLR, so any discussion about saving size and weight seems a bit moot. I'm not sure why any discussion about size and weight advantages for DX could seriously be on the table in this forum when the main point of this forum is to shoehorn a small sensor into a D810 body.

Also, when looking at high quality glass offerings which are dedicated to DX, I see very little size and weight advantage in the least, except in the consumer kit type lenses which I'd assume to not be desired for a D400 level body. I see very little in the way of acceptable glass, native to DX, available and even less so which might be considered reasonably smaller than similar FX glass.

In the past, the arguments for a pro grade DX offering has been build quality and buffer size. Nikon has addressed the latter, so we're down to build quality alone anymore. I have no argument for or against this. I just wonder at the need and think it's more a "want." The truly professional lines which are built to take the abuse of heavy field use are FX and likely to remain that way for all the right reasons. This applies to sports and wildlife photography as well. If one is on a budget, the D7200 is a pretty tough camera with good sealing and a solid build.

So, yes, in summary, I think DX was a temporary stopgap used because larger sensors were too expensive to produce in the early days of digital photography. I think it still has its uses in smaller mirrorless and entry DSLR models today. As the price to manufacture FX continues to decline, I think we'll find it in even less expensive DSLR models excepting maybe the very least expensive. For example, I'd love to see FX in D5500 level cameras in the very near future. Later, I see no reason for it not to also be in D3300 entry level cameras. With the sale prices of the D610 sometimes coming in at under $1500, I think it is not as far in the future and one might suggest. Maybe a D500 FX for around $1000-$1200 this or next year. If this comes about, remember where you heard it. I also said I thought Nikon just might make a D400 as a last hurrah for DX. ;-)

Have fun and take care. :-)

--
Cheers, Craig
Follow me on Twitter @craighardingsr : Equipment in Profile - f/22 Club Member
I reserve the right to make mistakes in reasoning and logic as well as to change my mind anytime I wish. I also ask forbearance with respect to my typos. Please take a look at my gallery here at DPR.
Let me refresh your memory about the Diana Camera. In the old days, the 120 roll-film cameras were more "desirable" than the amateur 35mm film format. For those who wanted to use that format, there were some formidable cameras available. For the adventurous unfortuned masses, there was the Diana. It was recently reborn.



dianaf_large.jpg


Maybe they will have a digital one one day with a "Full Frame" sensor :-)

You can read more about the Diana here and here :

Have a nice day :-)


JC
Some cameras, some lenses, some computers
 
Maybe they will have a digital one one day with a "Full Frame" sensor :-)

You can read more about the Diana here and here :
I thought you were referring to something else. "Full Frame" in a digital vernacular generally is applied to 35mm. Medium Format and Large Format have their names as well but are usually not referred to as full frame. In the film days, half frame referred to cameras who used half of a 35mm frame, similar to what APS-C is today. An example was Olympus's line of excellent half frame Pen cameras. There were quite a few half-frame cameras in the 1960s and 1970s.

http://www.olympus-global.com/en/corc/history/camera/pen/

If they make a medium format camera with the form factor of the current DSLR lots and with decent frame rates, I'd probably end up going in that direction for studio use. Maybe something like the old Pentax 6x7 would be nice. Mostly though, I've retired after many years of photography and only have a small studio and gallery these days, so additional camera purchases are probably out of the question. I have enough gear, some going back to the 1960s and prior.

I was never that much of a fan of medium format film, though I had a Hasselblad 500c for a while. However, I was a fan and still am of large format, though can't use it much because of health reasons. My favorite is an older Deardorff 5x7 with a Nikkor 90 f/8 SW for landscapes. I have a Toyo 4x5 and an old no-name 8x10 in the attic, all three being field cameras. That's all not really relevant on this forum, though. Join here if you're interested.

Now, I'll go ahead and put the Diana back where it belongs. LOL

Take it easy. :-)
 
Also, note that Fuji produces great pro gear in DX including pro DX lenses
To bad Fuji can't focus to well for action shots.
Neither can Leica ;-)

--
http://www.roberthawara.com
Leica not advertised as being able to auto focus.
Fuji marketing tends to not focus (no pun intended) on "fast action". It's not their target audience, even their lenses don't really support that target audience.

--
http://www.roberthawara.com
 
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Maybe they will have a digital one one day with a "Full Frame" sensor :-)

You can read more about the Diana here and here :
I thought you were referring to something else. "Full Frame" in a digital vernacular generally is applied to 35mm. Medium Format and Large Format have their names as well but are usually not referred to as full frame. In the film days, half frame referred to cameras who used half of a 35mm frame, similar to what APS-C is today. An example was Olympus's line of excellent half frame Pen cameras. There were quite a few half-frame cameras in the 1960s and 1970s.

http://www.olympus-global.com/en/corc/history/camera/pen/

If they make a medium format camera with the form factor of the current DSLR lots and with decent frame rates, I'd probably end up going in that direction for studio use. Maybe something like the old Pentax 6x7 would be nice. Mostly though, I've retired after many years of photography and only have a small studio and gallery these days, so additional camera purchases are probably out of the question. I have enough gear, some going back to the 1960s and prior.

I was never that much of a fan of medium format film, though I had a Hasselblad 500c for a while. However, I was a fan and still am of large format, though can't use it much because of health reasons. My favorite is an older Deardorff 5x7 with a Nikkor 90 f/8 SW for landscapes. I have a Toyo 4x5 and an old no-name 8x10 in the attic, all three being field cameras. That's all not really relevant on this forum, though. Join here if you're interested.

Now, I'll go ahead and put the Diana back where it belongs. LOL

Take it easy. :-)
 
Fair enough!

I would rather trade high some ISO performance against not having to crop in post.

As far as FX is concerned I might very well go to a dual system in the near future depending on how this all pans out, but will likely not be shooting birds with a FX camera.

Carefull with the grey stuff! ;-)
 
Could they be thinking mirrorless as the go forward strategy for DX, with F-mount and lens compatibility?
 
Fair enough!

I would rather trade high some ISO performance against not having to crop in post.
Hey Phil. Sorry it took so long. Was out with the flu bug. Yuck.

One thing I wished to mention though, was that as all birders know, you're often going to have to crop in post quite a bit and pretty severely, regardless on whether you're shooting FX or DX. However, when that crop is something near DX, there is a real advantage for starting with a larger image and more space around the bird to crop.

More often than not, the DX crop of an FX image is not the best crop. Rarely would I choose the exact center. For example, when flying, I'd rather leave more room in front of the bird than anywhere else. On a perched bird, a larger image allows me to crop so I get a better composition if I need it, maybe putting the bird's eyes on the one third indices. This and other things are why I just don't understand anyone ever putting their FX camera into DX crop mode unless to use a DX lens, but that's another matter entirely. I mean, why force the crop in the camera for some strange reason? Not only might I rather have an off center crop, but I might not need the full DX crop or maybe need more than that. The point is you have much more versatility when cropping in post and from that larger FX output to begin with. This also holds true for using an FX body in the first place. :-)
 
Will it be a Pro body ?

Everything Nikon has done in the past few years says if you want Pro quality buy full frame.

That doesn't mean it is the correct strategy, but it is the one Nikon has chosen.
The last pro DX body was the D2x circa 2005. I think it might be the professionals out there who made the decision to consider FX as the preferred choice and for good reason. Nikon makes top of the line cameras of the type most professionals want. Lots of manufacturers, including Nikon, make amateur models for other uses. So yes, if you want a truly professional camera, for some reason, go FX. If you want or need less, there are plenty of choices. :-)
 
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The last pro DX body was the D2x circa 2005.
I thought the last pro body DX was the D300s, maybe DPR should change the name of this forum :)
 
The last pro DX body was the D2x circa 2005.
I thought the last pro body DX was the D300s, maybe DPR should change the name of this forum :)
I say it more tongue in cheek. The truth is, any camera can be a pro body. Many though, consider only the flagship models to be pro. :-)

So where is the forum dedicated to the D1 and D2X? They were discontinued, but then again so is the D300S. Not fair. LOL ;-)
 
as said above - ANY camera used by a person who worries about his/her expenses and profit is a pro camera. A person who worries about light is a photographer.

Tom
 

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