Reading this thread about "12 x 14 bit bla bla bla"
I did my own test. Rather underexposing a scene at both
14 and 12 bit, lossy and lossless and iso 100 and iso 800
and I have barely stopped gasping. The setting is in the name:

WB is some strange issue. It is shot with a fixed preset and then picked to get the wall of the lit building "gray" using the marquee sample gray point. I cannot explain why is the WB so off between some shots. Maybe the marquee sampling is actually relative and not absolute?
This is how much I recovered:

I know about the D7100 banding issue, but this is a bit too much to my liking, especially the amount of blue noise increasing towards the bottom of the frame.
Yes, it is pulled up very much, but anyway. The question is, is this the issue of all 24mpx chips or is for example D5300 chip much cleaner in this aspect? Is there a chance that the new D7200 will be a much more tolerant to huge recovering?
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I did my own test. Rather underexposing a scene at both
14 and 12 bit, lossy and lossless and iso 100 and iso 800
and I have barely stopped gasping. The setting is in the name:

WB is some strange issue. It is shot with a fixed preset and then picked to get the wall of the lit building "gray" using the marquee sample gray point. I cannot explain why is the WB so off between some shots. Maybe the marquee sampling is actually relative and not absolute?
This is how much I recovered:

I know about the D7100 banding issue, but this is a bit too much to my liking, especially the amount of blue noise increasing towards the bottom of the frame.
Yes, it is pulled up very much, but anyway. The question is, is this the issue of all 24mpx chips or is for example D5300 chip much cleaner in this aspect? Is there a chance that the new D7200 will be a much more tolerant to huge recovering?



