canon person
Senior Member
When I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c welcome. Thank you.
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When I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c welcome. Thank you.
.. give any comments, let alone critisizm, if we do not see any of your 20D images, and none of your 5D mk III images?When I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c
welcome. Thank you.
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Canon Person
I think I understand perfectly what you are asking.When I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c welcome. Thank you.
not from me you wont ..i have a 40d that i find it hard to get as good images out of it than my 20d and i have yet to see images to better my 5dmk1 a dont like the imagers from the 5dmk11 but the mk111 looks better than the mk11 ..probably in a lab the new cameras have a better IQ... with my 40d i believe the problem is it has a stronger AA filter which means you have to give it more sharpening which puts the noise up so you use noise reduction and end up with an image that looks more "digitel" looking ..somebody better at PP then me may do a better job on the 40d than mei have the same question with my 5D, the original. but mentioning it in these threads, you have good chance of getting stoned to death :-DWhen I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c welcome. Thank you.
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Canon Person
cheerz.
Try PSKISS. They are DNG profiles for lightroom and ACR.When I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c welcome. Thank you.
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Canon Person
When I look back at countless images taken with my 20D, I am amazed as to how great they looked, in comparison to those produced by my 5D3. Anyone else out there with similar thoughts? C/c welcome. Thank you.
Hmm... when people talk about pop they usually mean contrast with maybe a little extra saturation. The more consumer the camera, the more tailored they are for consumer tastes of contrast & colour.I will try to send some jpgs. All of my images were taken in RAW. When I look at the "coloration" for lack of a better word, and especially the 20D images with a viewer, they are outstanding. As I progressed from a 5D to a 5D2, 5D3, and tried a 7D2 recently, they just don't have that "kick @ss" pop to them, like the 20D.
I will try to send some jpgs. All of my images were taken in RAW. When I look at the "coloration" for lack of a better word, and especially the 20D images with a viewer, they are outstanding. As I progressed from a 5D to a 5D2, 5D3, and tried a 7D2 recently, they just don't have that "kick @ss" pop to them, like the 20D. If the 20D had all of the bells and whistles, frame rate, MP, etc. of my 5D3, I can see why people like myself were VERY PLEASED with their work product.
yes but that should only be the case with jpegs out of the camera ...i suppose the sensor could have a bearing on it.. the cheaper/older cameras may have less dynamic range so may seam more contrastyHmm... when people talk about pop they usually mean contrast with maybe a little extra saturation. The more consumer the camera, the more tailored they are for consumer tastes of contrast & colour.I will try to send some jpgs. All of my images were taken in RAW. When I look at the "coloration" for lack of a better word, and especially the 20D images with a viewer, they are outstanding. As I progressed from a 5D to a 5D2, 5D3, and tried a 7D2 recently, they just don't have that "kick @ss" pop to them, like the 20D.
I like the colour & sharpness of the 40D but the noise at iso 400 wasn't so clever.
That is not how it works. The tonal curve is responsible for contrast, and black and white point. The DR is the extra room hidden in RAW, to adjust the tonal curve in conversion and pull up or down black and white points.yes but that should only be the case with jpegs out of the camera ...i suppose the sensor could have a bearing on it.. the cheaper/older cameras may have less dynamic range so may seam more contrastyHmm... when people talk about pop they usually mean contrast with maybe a little extra saturation. The more consumer the camera, the more tailored they are for consumer tastes of contrast & colour.I will try to send some jpgs. All of my images were taken in RAW. When I look at the "coloration" for lack of a better word, and especially the 20D images with a viewer, they are outstanding. As I progressed from a 5D to a 5D2, 5D3, and tried a 7D2 recently, they just don't have that "kick @ss" pop to them, like the 20D.
I like the colour & sharpness of the 40D but the noise at iso 400 wasn't so clever.
hmm well what happens to the tonal curve if one sensor has les DR??? will the white and black points be closer together ???That is not how it works. The tonal curve is responsible for contrast, and black and white point. The DR is the extra room hidden in RAW, to adjust the tonal curve in conversion and pull up or down black and white points.yes but that should only be the case with jpegs out of the camera ...i suppose the sensor could have a bearing on it.. the cheaper/older cameras may have less dynamic range so may seam more contrastyHmm... when people talk about pop they usually mean contrast with maybe a little extra saturation. The more consumer the camera, the more tailored they are for consumer tastes of contrast & colour.I will try to send some jpgs. All of my images were taken in RAW. When I look at the "coloration" for lack of a better word, and especially the 20D images with a viewer, they are outstanding. As I progressed from a 5D to a 5D2, 5D3, and tried a 7D2 recently, they just don't have that "kick @ss" pop to them, like the 20D.
I like the colour & sharpness of the 40D but the noise at iso 400 wasn't so clever.
No. Usually, cameras always have more or less the same tonal curve. More DR just means more hidden DR in RAW.hmm well what happens to the tonal curve if one sensor has les DR??? will the white and black points be closer together ???That is not how it works. The tonal curve is responsible for contrast, and black and white point. The DR is the extra room hidden in RAW, to adjust the tonal curve in conversion and pull up or down black and white points.yes but that should only be the case with jpegs out of the camera ...i suppose the sensor could have a bearing on it.. the cheaper/older cameras may have less dynamic range so may seam more contrastyHmm... when people talk about pop they usually mean contrast with maybe a little extra saturation. The more consumer the camera, the more tailored they are for consumer tastes of contrast & colour.I will try to send some jpgs. All of my images were taken in RAW. When I look at the "coloration" for lack of a better word, and especially the 20D images with a viewer, they are outstanding. As I progressed from a 5D to a 5D2, 5D3, and tried a 7D2 recently, they just don't have that "kick @ss" pop to them, like the 20D.
I like the colour & sharpness of the 40D but the noise at iso 400 wasn't so clever.
its not nostalgia ..but yes a image from a 5dmk1 is pants at asa3200.. its at base iso i was compering and i do like the files from the mk111..but less so from the mk11..i cannot say technically why i prefer the mk1, for want of a better word it just looks less "digitel " and nice ..other cameras i not like are eos 350-500 don't now about the newer ones i not look ..the 10d was not a favorite dont like my 40d did like the old D60 . i do fancy i new body and it will probably be d mk111Nostalgia is powerful stuff. I wonder if you would think the same if you were actually taking those same shots back then with both cameras? Which one would be capturing the better image all things being equal? I'm thinking you'd probably like the 5D3 image quality better at say ISO3200.
I was responding to the OP regarding the 20D and 5DMkIII.its not nostalgia ..but yes a image from a 5dmk1 is pants at asa3200.. its at base iso i was compering and i do like the files from the mk111..but less so from the mk11..i cannot say technically why i prefer the mk1, for want of a better word it just looks less "digitel " and nice ..other cameras i not like are eos 350-500 don't now about the newer ones i not look ..the 10d was not a favorite dont like my 40d did like the old D60 . i do fancy i new body and it will probably be d mk111Nostalgia is powerful stuff. I wonder if you would think the same if you were actually taking those same shots back then with both cameras? Which one would be capturing the better image all things being equal? I'm thinking you'd probably like the 5D3 image quality better at say ISO3200.
They are from the 10D, according to the EXIF. Now, can you show some from the new camera?