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I don't disagree, but the k3 is beyond the budget. I want a good body with a respectable kit lens, then buy a really nice prime in a couple months. Maybe a bit backwards than most folks, but I'd rather invest in nice, fast glass on the front end of switching. I've got a new baby and house renovations going on, so my budget is limited.I would recommend K 3. It is the best in class. It is a photography machine.
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pentaxian .
You mention a new baby - if you have any plans of bouncing an external flash using PTTL make sure the body you choose doesn't have the flash metering bug of the K5 cameras (I bought a K5 to shoot my first born and this "feature" drove me up the wall). Not sure if it carried over to the other models or not but I'd think a quick search would tell you. Some users were OK with manual or non-TTL auto modes, personally I wasn't. I mention this because if you're anything like me (or any new dad with a nice camera and a new baby) you'll be taking countless photos indoors, probably often in less than ideal lighting.I don't disagree, but the k3 is beyond the budget. I want a good body with a respectable kit lens, then buy a really nice prime in a couple months. Maybe a bit backwards than most folks, but I'd rather invest in nice, fast glass on the front end of switching. I've got a new baby and house renovations going on, so my budget is limited.I would recommend K 3. It is the best in class. It is a photography machine.
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pentaxian .
The K-3 has better auto-focus than the K-5 IIs, with 27 AF points for improved tracking, three f/2.8 sensitive center points, and resolution that will approach the Sigma Foveon. The OP wants to shoot weddings, so he'll need a flash, and a grip is nice to have. This deal would be a great start, just add an 18-55 WR and DA 50mm: http://www.adorama.com/IPXK3KE.html
The K3 autofocus will be better is extremely low light, and probably a bit faster in most situations. On paper the K50 may not be at the top, but it's certainly not at the bottom. In actual use, I don't notice a difference between the K3 and K50, though I'm sure there is. Once autofocus gets to a certain speed and accuracy, 20% faster and a bit more accurate is not as easily noticed unless you're really trying to feel it. When shooting a wedding, my mind is so intent on what I'm shooting, I don't even notice the autofocus and that's a good thing. Any camera that has this particular 16 MP sensor is going to give you some really good photos. They're right there with the best that can be produced by an asp-c sensor. The K50 is loaded with features. The K3 has even more (many that I never use).That's what I was hoping to hear.I just shot a wedding with a K3 and K50 as a 2nd camera. No one would be able to tell which image was taken with what camera. They are all very good.
If you're shooting a wedding, you certainly will choose to shoot it in Raw, so skin tones are not relevant. Make them what you want.
For the price they are currently going for, nothing on the market comes close to the K50. With the right lenses you'll be fine.
The k50 is not a top shelf camera, but I feel like it is going to be a nice upgrade from what I currently have in a lot of ways.
Do you feel like the k50 has a confident, consistent AF performance?
Exactly, Raw files have to be adjusted and some of the adjustments are made in batch to every photo. It's not an issue and is in fact, a process that has to be done when you decide to shoot Raw, which every wedding photographer should be doing.If you're shooting Raw, you're already going to be adjusting levels. How is this an issue?
The K50 will have smaller raw files. Is the SD14 a 10MP or 15MP foveon? With the SD2M (15MP foveon) it seems as though the raw files were about 45 megabytes and Tiffs 120 mbyte. The 14bit PEFS from the K5 series (24 mbyte) or K3 are about 36 megabytes. And the K50 files might even be smaller but someone else must verify that. Between ISO 250 & 1600 your Pentax raw files will have much lower chroma noise. I found foveon raws to require special NR software above ISO 400 and unusable for the most part by ISO 1600. I've probably taken about 10000 shots with the foveon sensor. Some were mighty good but the modern bayer sensor can do as well with care.Hello all. I used to do a lot of shooting with a Sigma SD14. The IQ of the camera was great, and I loved how it had the feel of handling an old film SLR. I had a 1.4 prime that captured some beautiful images. However, the autofocus on the camera was crap, it had a terribly slow buffer, and while some shots were honestly amazing the camera was never consistent in performance. I got married a couple years ago and let my photo hobby drop to the side for awhile. Now I want back in, and am considering a K50.
From what I read, the autofocus of the Pentax will keep me happy. For those who have a K50 or K30, how do skin tones turn out for you? I have home studio gear and like to do some portrait work for family and friends. I also do an occasional wedding for family/friends on a budget. I know the K50 isn't a pro level camera, but with some good glass, how do you think it honestly performs for portrait work?
I shot entirely in RAW with the Sigma. Anything worth noting regarding RAW files from the Pentax?
Thanks for any input.