Is X-trans sensor adequate for landscapes?

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Hi there,

I'm currently a Canon DSLR user, mainly photographing mountaineering/hiking. I got fed up with the bulk of the 17-40L and the DSLR itself and started to look for a smaller solution.

I narrowed down my research to Sony A6000 with the crap kitlens and Fuji X-E2 with firmware 2.00.

My question goes here:

I read all the praising reviews of the Fuji X-trans sensor, and how amazing the kitlens is. But then I stumbled across this page:


He states that Fuji cannot handle small details and the pictures are "painting like". His pictures in his post are indeed intolerably smudged.

Then I started to verify if other sources are the same, and indeed here are sample photoes with the X-E1, and similarly sumdged and painting like:


Then the DPreview photo gallery is similarly bad with the landscapes:


Is this for real guys? I mean the Sony kitlens is worst of the worst and still sharper and has more detail than the Fuji? Can this problem somehow countered?
 
Tirpitz666 wrote:

I tend to be in the camp that "X-landscapes" are very good up to 50% magnification (which is usually more than enough for 90% of viewing/printing needs IMHO), and that higher than that a certain softness of distant details is clearly apparent, no matter what RAW converter one can use (of course with ACR/LR the issue is exacerbated).

Would you consider prints on 13 x 19 sheets, with close inspection, eyes only within that 50% range? New XT-1 owner. Coming from a Canon 40D and G10. my view is if detail is at least equal to those two camera for landscapes, I'm happy. AS I never felt gee 10-14mp was not enough.

If I did my part and nailed everything from the tech side to the composition.

Certainly a 24-36 MP camera all things being equal will produce better landscape prints, but all things are seldom equal!

Besides how far does one want to go with this? Medium and large format digital have 50-100MP

Clearly better than any Sony!

Dave
 
Tirpitz666 wrote:

I tend to be in the camp that "X-landscapes" are very good up to 50% magnification (which is usually more than enough for 90% of viewing/printing needs IMHO), and that higher than that a certain softness of distant details is clearly apparent, no matter what RAW converter one can use (of course with ACR/LR the issue is exacerbated).

Would you consider prints on 13 x 19 sheets, with close inspection, eyes only within that 50% range? New XT-1 owner. Coming from a Canon 40D and G10. my view is if detail is at least equal to those two camera for landscapes, I'm happy. AS I never felt gee 10-14mp was not enough.

If I did my part and nailed everything from the tech side to the composition.

Certainly a 24-36 MP camera all things being equal will produce better landscape prints, but all things are seldom equal!

Besides how far does one want to go with this? Medium and large format digital have 50-100MP

Clearly better than any Sony!

Dave
That'll be no problem at all, I have a 13" by 19" print from a 7.5mp camera (Olympus E-330) which looks absolutely stunning with your nose pressed against the glass. The lens did play a heavy part in that but the all the Fuji lenses I own are excellent anyway.
 
...unless you accept it as an 8mp camera IMHO.
LOL, one of the most absurd things I've read here in quite some time.
So what you're actually saying is that all those people who use high resolution cameras and medium and large formats are wasting their time and should just use an X-T1 instead? I'm thinking that's pretty absurd myself.
I never said that. I simply refuted your assertion that X-cams are best thought of as 8 MP cameras when applied to Landscape. It's an absurd position that cannot be rationally defended.

I agree with you, however, that system choice is very personal and I can certainly see why you prefer a Merrill to a Fuji for landscape. And a pro will have different requirements from an amateur as well. 16 Mpix will not be enough for everyone. But comparing an X-Pro1 to a 8 Mpix camera? Come on. Get real.
 
...unless you accept it as an 8mp camera IMHO.
LOL, one of the most absurd things I've read here in quite some time.
So what you're actually saying is that all those people who use high resolution cameras and medium and large formats are wasting their time and should just use an X-T1 instead? I'm thinking that's pretty absurd myself.
I never said that. I simply refuted your assertion that X-cams are best thought of as 8 MP cameras when applied to Landscape. It's an absurd position that cannot be rationally defended.
Of course it can, plenty of people will take that view and do, as I said google around and see how many people see it the way I do, there are plenty.
I agree with you, however, that system choice is very personal and I can certainly see why you prefer a Merrill to a Fuji for landscape. And a pro will have different requirements from an amateur as well. 16 Mpix will not be enough for everyone. But comparing an X-Pro1 to a 8 Mpix camera? Come on. Get real.
I didn't compare it to an 8mp camera, I said what you see at 50% makes it much better for landscape detail, in effect if you print you certainly won't want to print at 100% or near it. Many cameras are similar in that respect. The shot you showed had clear detail loss and smearing in parts, even though overall it was ok. As I've clearly stated, some will be happy with that, you clearly are, for me it means reduced print and display sizes. I wouldn't display any shot from my X-T1 at 100%. It's all about your own quality criteria and what you're happy with, many landscape photographers wouldn't be (and clearly aren't) happy with the results from the X-trans sensors. I am, up to a point, as I've said. I repeat, nothing I've said is new or even controversial, plenty of people notice the same as me, it doesn't invalidate the camera, it just means that not everyone will be happy with it for certain things.
 
Is this for real guys?
Yes, when You are to lazy to Think, or when You using the wrong Settings and wrong RAF Converter.
For full Details from the RAW use DCRAW or a other DCRAW based RAF Converter.
 
Hi there,

I'm currently a Canon DSLR user, mainly photographing mountaineering/hiking. I got fed up with the bulk of the 17-40L and the DSLR itself and started to look for a smaller solution.

I narrowed down my research to Sony A6000 with the crap kitlens and Fuji X-E2 with firmware 2.00.

My question goes here:

I read all the praising reviews of the Fuji X-trans sensor, and how amazing the kitlens is. But then I stumbled across this page:

http://www.michalography.com/blog/2...e2-a-landscape-photographers-perspective.html

He states that Fuji cannot handle small details and the pictures are "painting like". His pictures in his post are indeed intolerably smudged.

Then I started to verify if other sources are the same, and indeed here are sample photoes with the X-E1, and similarly sumdged and painting like:

http://www.photozone.de/fuji_x/783-fuji1855f284?start=2

Then the DPreview photo gallery is similarly bad with the landscapes:

http://www.dpreview.com/reviews/fujifilm-x-e2/16

Is this for real guys? I mean the Sony kitlens is worst of the worst and still sharper and has more detail than the Fuji? Can this problem somehow countered?
I took the same shot yesterday with my D800 and 24 f1.4 in 1.5x crop mode (16mpixel) and compared it to the same shot with my friends X-t1 and 23 f1.4 prime (35 equivalent) so we efffectively had the same field of view.

We stopped both lenses down to F10 which is where i normally shoot landscapes and looking at 20x16 prints there is no difference at all between levels of detail so to answer your question yes the X-T1 is very capable of taking landscape shots.
If you stopped the X-T1 down to F10 you actually did it a disservice because you entered into the zone where diffraction starts degrading the image (above F8 for APSC.) F10 is where it just starts becoming a factor for FF.
 
Hi there,

I'm currently a Canon DSLR user, mainly photographing mountaineering/hiking. I got fed up with the bulk of the 17-40L and the DSLR itself and started to look for a smaller solution.

I narrowed down my research to Sony A6000 with the crap kitlens and Fuji X-E2 with firmware 2.00.

My question goes here:

I read all the praising reviews of the Fuji X-trans sensor, and how amazing the kitlens is. But then I stumbled across this page:

http://www.michalography.com/blog/2...e2-a-landscape-photographers-perspective.html

He states that Fuji cannot handle small details and the pictures are "painting like". His pictures in his post are indeed intolerably smudged.

Then I started to verify if other sources are the same, and indeed here are sample photoes with the X-E1, and similarly sumdged and painting like:

http://www.photozone.de/fuji_x/783-fuji1855f284?start=2

Then the DPreview photo gallery is similarly bad with the landscapes:

http://www.dpreview.com/reviews/fujifilm-x-e2/16

Is this for real guys? I mean the Sony kitlens is worst of the worst and still sharper and has more detail than the Fuji? Can this problem somehow countered?
I took the same shot yesterday with my D800 and 24 f1.4 in 1.5x crop mode (16mpixel) and compared it to the same shot with my friends X-t1 and 23 f1.4 prime (35 equivalent) so we efffectively had the same field of view.

We stopped both lenses down to F10 which is where i normally shoot landscapes and looking at 20x16 prints there is no difference at all between levels of detail so to answer your question yes the X-T1 is very capable of taking landscape shots.
If you stopped the X-T1 down to F10 you actually did it a disservice because you entered into the zone where diffraction starts degrading the image (above F8 for APSC.) F10 is where it just starts becoming a factor for FF.
Yes, i know but it takes a lot bigger print than 20x16 before diffraction actually becomes visible so its a non issue really and then its only a slight drop in contrast which is easily fixed in post these days anyway.

I use fast primes like the 23 fuji and the 24 and 35 F1.4 Nikons at F16 for great sunstars without issue.
 
If you stopped the X-T1 down to F10 you actually did it a disservice because you entered into the zone where diffraction starts degrading the image (above F8 for APSC.) F10 is where it just starts becoming a factor for FF.
Yes, i know but it takes a lot bigger print than 20x16 before diffraction actually becomes visible so its a non issue really and then its only a slight drop in contrast which is easily fixed in post these days anyway.

I use fast primes like the 23 fuji and the 24 and 35 F1.4 Nikons at F16 for great sunstars without issue.
I agree. Diffraction might begin at f8 mathematically, but one can easily use smaller apertures (e.g. f11 on APS-C) without visually degrading the image. If you need a very deep DoF for the scene, then it is better to stop down and suffer a bit of diffraction than it is to leave the aperture open and have parts of your scene out of focus.
 
...unless you accept it as an 8mp camera IMHO.
LOL, one of the most absurd things I've read here in quite some time.
So what you're actually saying is that all those people who use high resolution cameras and medium and large formats are wasting their time and should just use an X-T1 instead? I'm thinking that's pretty absurd myself.
I never said that. I simply refuted your assertion that X-cams are best thought of as 8 MP cameras when applied to Landscape. It's an absurd position that cannot be rationally defended.
Of course it can, plenty of people will take that view and do, as I said google around and see how many people see it the way I do, there are plenty.
I agree with you, however, that system choice is very personal and I can certainly see why you prefer a Merrill to a Fuji for landscape. And a pro will have different requirements from an amateur as well. 16 Mpix will not be enough for everyone. But comparing an X-Pro1 to a 8 Mpix camera? Come on. Get real.
I didn't compare it to an 8mp camera, I said what you see at 50% makes it much better for landscape detail, in effect if you print you certainly won't want to print at 100% or near it. Many cameras are similar in that respect. The shot you showed had clear detail loss and smearing in parts, even though overall it was ok. As I've clearly stated, some will be happy with that, you clearly are, for me it means reduced print and display sizes. I wouldn't display any shot from my X-T1 at 100%. It's all about your own quality criteria and what you're happy with, many landscape photographers wouldn't be (and clearly aren't) happy with the results from the X-trans sensors. I am, up to a point, as I've said. I repeat, nothing I've said is new or even controversial, plenty of people notice the same as me, it doesn't invalidate the camera, it just means that not everyone will be happy with it for certain things.
 
...unless you accept it as an 8mp camera IMHO.
LOL, one of the most absurd things I've read here in quite some time.
So what you're actually saying is that all those people who use high resolution cameras and medium and large formats are wasting their time and should just use an X-T1 instead? I'm thinking that's pretty absurd myself.
I never said that. I simply refuted your assertion that X-cams are best thought of as 8 MP cameras when applied to Landscape. It's an absurd position that cannot be rationally defended.
Of course it can, plenty of people will take that view and do, as I said google around and see how many people see it the way I do, there are plenty.
I agree with you, however, that system choice is very personal and I can certainly see why you prefer a Merrill to a Fuji for landscape. And a pro will have different requirements from an amateur as well. 16 Mpix will not be enough for everyone. But comparing an X-Pro1 to a 8 Mpix camera? Come on. Get real.
I didn't compare it to an 8mp camera, I said what you see at 50% makes it much better for landscape detail, in effect if you print you certainly won't want to print at 100% or near it. Many cameras are similar in that respect. The shot you showed had clear detail loss and smearing in parts, even though overall it was ok. As I've clearly stated, some will be happy with that, you clearly are, for me it means reduced print and display sizes. I wouldn't display any shot from my X-T1 at 100%. It's all about your own quality criteria and what you're happy with, many landscape photographers wouldn't be (and clearly aren't) happy with the results from the X-trans sensors. I am, up to a point, as I've said. I repeat, nothing I've said is new or even controversial, plenty of people notice the same as me, it doesn't invalidate the camera, it just means that not everyone will be happy with it for certain things.
 
I've yet to try another software other than LR, but yes, I agree there is a softer rendering compared to what I've processed with any Canon out of LR.

I shot this night time cityscape with a X-E2: http://www.gigapan.com/gigapans/146795

What I found a bit curious is how the x-trans sensor renders highlights. The corners of the windows are all slightly rounded, even in lower contrast areas. If anyone wouldnt mind doing a comparison with other processors, I can send you a raw.
 
...unless you accept it as an 8mp camera IMHO.
LOL, one of the most absurd things I've read here in quite some time.
So what you're actually saying is that all those people who use high resolution cameras and medium and large formats are wasting their time and should just use an X-T1 instead? I'm thinking that's pretty absurd myself.
I never said that. I simply refuted your assertion that X-cams are best thought of as 8 MP cameras when applied to Landscape. It's an absurd position that cannot be rationally defended.
Of course it can, plenty of people will take that view and do, as I said google around and see how many people see it the way I do, there are plenty.
I agree with you, however, that system choice is very personal and I can certainly see why you prefer a Merrill to a Fuji for landscape. And a pro will have different requirements from an amateur as well. 16 Mpix will not be enough for everyone. But comparing an X-Pro1 to a 8 Mpix camera? Come on. Get real.
I didn't compare it to an 8mp camera, I said what you see at 50% makes it much better for landscape detail, in effect if you print you certainly won't want to print at 100% or near it. Many cameras are similar in that respect. The shot you showed had clear detail loss and smearing in parts, even though overall it was ok. As I've clearly stated, some will be happy with that, you clearly are, for me it means reduced print and display sizes. I wouldn't display any shot from my X-T1 at 100%. It's all about your own quality criteria and what you're happy with, many landscape photographers wouldn't be (and clearly aren't) happy with the results from the X-trans sensors. I am, up to a point, as I've said. I repeat, nothing I've said is new or even controversial, plenty of people notice the same as me, it doesn't invalidate the camera, it just means that not everyone will be happy with it for certain things.
 
Which 16 MP systems do you think offer more detail than an X-trans system? Not trying to be argumentative. Genuinely curious.

--
http://georgehudetzphotography.smugmug.com/
My Flikr stream: http://flic.kr/ps/Ay8ka
With all due respect this is a bit off topic, no? I thought folks shopped for competitive cameras. Sony A6000 is 24MP and US $600. That, and m43, is what I think people shop.

What some fail to realize is the Fuji X-trans is better at low light and high ISO shooting. That is it's strength. That being said, that was some 3 years ago. Fuji hasn't really updated the sensor while other companies have updated theirs.
 
Which 16 MP systems do you think offer more detail than an X-trans system? Not trying to be argumentative. Genuinely curious.

--
http://georgehudetzphotography.smugmug.com/
My Flikr stream: http://flic.kr/ps/Ay8ka
With all due respect this is a bit off topic, no? I thought folks shopped for competitive cameras. Sony A6000 is 24MP and US $600. That, and m43, is what I think people shop.

What some fail to realize is the Fuji X-trans is better at low light and high ISO shooting. That is it's strength. That being said, that was some 3 years ago. Fuji hasn't really updated the sensor while other companies have updated theirs.
Right.. I think that if you want to buy an Apsc camera today, the only manufacturer sticking with the 16mp its Fuji. Pentax-Sony-Nikon-Sigma-Canon-Samsung are all in the 18-24mp range.
 
Last edited:
Which 16 MP systems do you think offer more detail than an X-trans system? Not trying to be argumentative. Genuinely curious.

--
http://georgehudetzphotography.smugmug.com/
My Flikr stream: http://flic.kr/ps/Ay8ka
With all due respect this is a bit off topic, no? I thought folks shopped for competitive cameras. Sony A6000 is 24MP and US $600. That, and m43, is what I think people shop.

What some fail to realize is the Fuji X-trans is better at low light and high ISO shooting. That is it's strength. That being said, that was some 3 years ago. Fuji hasn't really updated the sensor while other companies have updated theirs.
No, it's not off topic. There is an assertion here that X-trans images, as a rule, cannot be viewed at over 50% magnification without revealing IQ problems, and that there are other systems that do not suffer from this. That is independent of pixel count. So I'd like to know what 16 MP systems do not have this problem.

The only reason I harp on this is that it is completely contrary to my experience. I understand that somebody might choose a higher resolution body for landscape work, but, again, that wasn't the observation - the observation was that X-trans can only deliver on half it's promised resolution, and that other systems don't have that problem. So I ask again - which systems are we talking about?

--
http://georgehudetzphotography.smugmug.com/
My Flikr stream: http://flic.kr/ps/Ay8ka
The person who stated that is just making it up.
 
This a topic which has been discussed many times before , why is that ? Is it because that it is a real issue ? Despite the protests from Fuji supporters that all any user has to do is buy a new converter ( or a new computer ! ) , it is a very real issue for folk who have used Bayer sensors for years.

It is no good blaming the user , it is down to decision made by Fuji & they have to accept the fact that as a result many potential buyers are holding back from buying their cameras. They may well be content with the fact that they have an image as a niche camera company but if they want to move forward & greatly expand their market share they will either have to change their sensor CFA or produce a RAW converter which matches or betters Adobe.

Other options involve more money or learning a new workflow every time Fuji decides to use a new sensor. The alternatives suggested do not have the ease of use that LR has in my & others considered opinion.
 
This a topic which has been discussed many times before , why is that ? Is it because that it is a real issue ? Despite the protests from Fuji supporters that all any user has to do is buy a new converter ( or a new computer ! ) , it is a very real issue for folk who have used Bayer sensors for years.

It is no good blaming the user , it is down to decision made by Fuji & they have to accept the fact that as a result many potential buyers are holding back from buying their cameras. They may well be content with the fact that they have an image as a niche camera company but if they want to move forward & greatly expand their market share they will either have to change their sensor CFA or produce a RAW converter which matches or betters Adobe.

Other options involve more money or learning a new workflow every time Fuji decides to use a new sensor. The alternatives suggested do not have the ease of use that LR has in my & others considered opinion.
I've been using DSLRs with bayer sensors for years but I have recognised that Adobe is not the be and end all of raw processing. As such, I am happy to use C1 with x-trans raws - C1 can import my LR catalogues. I use LR for raws from my m 4/3 and some DSLR I have. I also use Capture One too. Using multiple raw converters is just picking the best tools for the job, I don't stress over it.

But sure, had Fuji worked more closely with Adobe than they would have kept more customers and acquired more new ones. Maybe they will in the future.

I thought though, that this was not yet another thread about the so-called watercolour effect? i thouht this thread was more about landscape resolution, but maybe the two issues are intertwined...
 
...unless you accept it as an 8mp camera IMHO.
LOL, one of the most absurd things I've read here in quite some time.
So what you're actually saying is that all those people who use high resolution cameras and medium and large formats are wasting their time and should just use an X-T1 instead? I'm thinking that's pretty absurd myself.
I never said that. I simply refuted your assertion that X-cams are best thought of as 8 MP cameras when applied to Landscape. It's an absurd position that cannot be rationally defended.
Of course it can, plenty of people will take that view and do, as I said google around and see how many people see it the way I do, there are plenty.
I agree with you, however, that system choice is very personal and I can certainly see why you prefer a Merrill to a Fuji for landscape. And a pro will have different requirements from an amateur as well. 16 Mpix will not be enough for everyone. But comparing an X-Pro1 to a 8 Mpix camera? Come on. Get real.
I didn't compare it to an 8mp camera, I said what you see at 50% makes it much better for landscape detail, in effect if you print you certainly won't want to print at 100% or near it. Many cameras are similar in that respect. The shot you showed had clear detail loss and smearing in parts, even though overall it was ok. As I've clearly stated, some will be happy with that, you clearly are, for me it means reduced print and display sizes. I wouldn't display any shot from my X-T1 at 100%. It's all about your own quality criteria and what you're happy with, many landscape photographers wouldn't be (and clearly aren't) happy with the results from the X-trans sensors. I am, up to a point, as I've said. I repeat, nothing I've said is new or even controversial, plenty of people notice the same as me, it doesn't invalidate the camera, it just means that not everyone will be happy with it for certain things.
 

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