45"x30" print from the dp2Q

Meuh

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I got a shot I did with the dp2q printed to 45x30". I'm pretty impressed with the level of detail and while it's not a fine art print up close its much better than a print I did of that size from my k5.

I'm sure the results could be better if someone was better at printing files than me, I just sent a jpg off to photobox for this one.

f82530986aa94c5a8bbf0507f57892ed.jpg
 
That is one thing I have always loved about Sigma cameras - the ability to print large prints and to do the file justice.

As for the DP2Q I might have to reassess the camera, I still think the camera is overpriced at £899 when I think SPP isn't yet making the most of the files but there seems to more and more people getting some great work out of the camera. I was hoping for a faster camera, with better high ISO capabilities whilst still keeping the distant details intact like the Merrill, sadly I think some of those details are lost in some instances but I think I might just have to get used to the fact that the Quattro and the Merrill are just different beasts. There is some definite improvement in the quality of the images coming out of the DP2Q user base as more and more people are getting acquainted with the camera.

Justascot
 
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Nice picture! I used to print to 50x70cm from the original DP1 without great results. I thus expect the quattro files to print even larger than what you did with good results. MM, maybe I should just give it a try :)

--
Bob van Ooik
V-studio
----------------------------------------------
http://vstudio-fotografie.de/
http://www.x3magazine.com/
http://www.flickr.com/photos/bobnl/
without?

you mean "with" ???
ah... sh*t... proofreading is an art too :)

Of course I meant with! Can't edit the post anymore :(

--
Bob van Ooik
V-studio
----------------------------------------------
http://vstudio-fotografie.de/
http://www.x3magazine.com/
http://www.flickr.com/photos/bobnl/
 
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At some point the increased resolution of the Quattro will enable it to overtake the Merrill in detail, all things equal. I am not sure of the size. Yes I know it is only x% more resolution but there is a difference at ultra-large sizes. Perhaps 20x30. I know at 32x48 the Quattro will look sharper as I compared the two. The Quattro had better color including more appealing skies which showed even more at that size. The Merrill can do great 32x48's as I have seen a dozen or so of them. And color will not always be an issue. And one comparison does not a camera make or break.

I saw a 20x30 inch crop of a 60x90 inch (5x7.5 ft) blow-up of a Quattro portrait. It was nothing short of spectacular.

R
 
Cool shot. It's good to see people printing really large. I like what you did with the image, showing the detail in the shoe. Thanks for posting this.

:)
 
That is one thing I have always loved about Sigma cameras - the ability to print large prints and to do the file justice.

As for the DP2Q I might have to reassess the camera, I still think the camera is overpriced at £899 when I think SPP isn't yet making the most of the files but there seems to more and more people getting some great work out of the camera. I was hoping for a faster camera, with better high ISO capabilities whilst still keeping the distant details intact like the Merrill, sadly I think some of those details are lost in some instances but I think I might just have to get used to the fact that the Quattro and the Merrill are just different beasts. There is some definite improvement in the quality of the images coming out of the DP2Q user base as more and more people are getting acquainted with the camera.

Justascot
It is a great camera, I was able to make it do strange things to the image like showing the highlight pixels, and highlight pixels giving shot bands of bright colors when using overexposure correction but I feel these are things that will be fixed in future versions of spp.


The IQ is amazing, I don't have a dp2m to compare it with but I do have a dp3m and I agree they are both different.


The Merrils have more film like grain where as the Quattro has a sort of digital grid texture that is prone to adding little vertical spikes (again something that can be fixed with updates I think).
The Merril has more microcontrast and seems to res

olve finer textures in the distance (especially in greens) but the Quattro has more resolution.
Overall they both felt very similar to use, I liked the body of the dp3m more especially the lens focus ring and the fact I can fit my dp3m and my gf1 with 20mm into a small bag that the dp2q won't even go into.


The Quattro has a much better screen though and the color banding in low light that the dp3m shows when framing a shot is gone, the camera is nice to hold and the metal control dials just feel awesome but I hate the plastic focus ring on the lens as the grooved part is very small and recessed so you really grip smooth plastic.


I have quite a few images taken with it, including a portrait of my wife (when she had no make up on) and even she liked it, if I had shot that with the merril id have got a slap in the jaw (due to how it renders :P)


I was thinking of writing a little article about my experience with it so far full of images.
This particular image was shot on location with strobes using the cameras leaf shutter to sync flash at 1/800 :D
 
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That is one thing I have always loved about Sigma cameras - the ability to print large prints and to do the file justice.

As for the DP2Q I might have to reassess the camera, I still think the camera is overpriced at £899 when I think SPP isn't yet making the most of the files but there seems to more and more people getting some great work out of the camera. I was hoping for a faster camera, with better high ISO capabilities whilst still keeping the distant details intact like the Merrill, sadly I think some of those details are lost in some instances but I think I might just have to get used to the fact that the Quattro and the Merrill are just different beasts. There is some definite improvement in the quality of the images coming out of the DP2Q user base as more and more people are getting acquainted with the camera.

Justascot
It is a great camera, I was able to make it do strange things to the image like showing the highlight pixels, and highlight pixels giving shot bands of bright colors when using overexposure correction but I feel these are things that will be fixed in future versions of spp.

The IQ is amazing, I don't have a dp2m to compare it with but I do have a dp3m and I agree they are both different.

The Merrils have more film like grain where as the Quattro has a sort of digital grid texture that is prone to adding little vertical spikes (again something that can be fixed with updates I think).
The Merril has more microcontrast and seems to res

olve finer textures in the distance (especially in greens) but the Quattro has more resolution.
Overall they both felt very similar to use, I liked the body of the dp3m more especially the lens focus ring and the fact I can fit my dp3m and my gf1 with 20mm into a small bag that the dp2q won't even go into.

The Quattro has a much better screen though and the color banding in low light that the dp3m shows when framing a shot is gone, the camera is nice to hold and the metal control dials just feel awesome but I hate the plastic focus ring on the lens as the grooved part is very small and recessed so you really grip smooth plastic.

I have quite a few images taken with it, including a portrait of my wife (when she had no make up on) and even she liked it, if I had shot that with the merril id have got a slap in the jaw (due to how it renders :P)

I was thinking of writing a little article about my experience with it so far full of images.
This particular image was shot on location with strobes using the cameras leaf shutter to sync flash at 1/800 :D
Yeah I have the DP3m too, and initially i had intended to use it for portraits but it is almost too good at picking up the details. Some details you don't always want to pick up in the human face, but yes I do love the way it picks up the finer details in the distance. Whereas sometimes when I see images from the DP2Q some of those distant details turn to mush, but i'm only looking at other peoples files at this moment in time, i'm not sure whether that's a user issue or a SPP issue. I have a feeling the camera is capable of more than SPP is currently allowing it to show.

That said some of the images that are coming out now I can see myself getting a Q of my own, after I get the DP1m and the 18-35mm lens. Priorities, priorities. By that time SPP might well have caught up.

I would certainly be interested in reading more about your experience with the Q.
 
The DP1Q will have a different lens from the DP1M and should be better in the corners/edges. So I would wait for the Q before you buy the M.
 
It is a great camera, I was able to make it do strange things to the image like showing the highlight pixels, and highlight pixels giving shot bands of bright colors when using overexposure correction but I feel these are things that will be fixed in future versions of spp.
WoW!
Perfect!!
I love this type of outside shoot!!!
Leaf shutter RuLeZ!!!
Strobist best friend :)
I was just thinking how a DP2Q would behave for high speed sync and saw this post... :)

The highlights got weird ?
 
It is a great camera, I was able to make it do strange things to the image like showing the highlight pixels, and highlight pixels giving shot bands of bright colors when using overexposure correction but I feel these are things that will be fixed in future versions of spp.
WoW!
Perfect!!
I love this type of outside shoot!!!
Leaf shutter RuLeZ!!!
Strobist best friend :)
I was just thinking how a DP2Q would behave for high speed sync and saw this post... :)

The highlights got weird ?
The highlights in that shot are fine, but if you have say.. the sun in the frame and a lot of the shot is dark you can see the highlight pixels in the lensflair/shadows and if you have small area's of overexposed color (so much so it turns white) enabling overexposure compensation (which turns on the highlight pixels) can results in area's of strong color that don't match the scene.

The camera and software are still in beta I feel but I already love it, the highlight pixels I'm sure will get better with firmware/software updates and they can already work great to bring back an overexposed sky (they work best for large smooth gradient area's).

As for strobist use its great, my radio trigger only lets me goto about 1/800 without losing too much light from my strobes and at 1/1250 I have to stick the strobes right beside my subject to get any decent light from them. I feel better radio triggers could let me get a higher sync speed without losing as much power as I have done it upto 1/2000 with a hotshoe flash triggered by a flash on camera.

But since say my metz has a flash duration of 1/125 at full power going faster than that will lower its output and it will be the same for all flash's unless you can control the delay (the new cactus triggers?) and use flash's with very short flash duration.
 
The highlights in that shot are fine, but if you have say.. the sun in the frame and a lot of the shot is dark you can see the highlight pixels in the lensflair/shadows and if you have small area's of overexposed color (so much so it turns white) enabling overexposure compensation (which turns on the highlight pixels) can results in area's of strong color that don't match the scene.
The camera and software are still in beta I feel but I already love it, the highlight pixels I'm sure will get better with firmware/software updates and they can already work great to bring back an overexposed sky (they work best for large smooth gradient area's).
Yes, looks like it is beta...
The highlights can be great improved by using highlight recovery algorithms like the ones from RawTherapee.
As for strobist use its great, my radio trigger only lets me goto about 1/800 without losing too much light from my strobes and at 1/1250 I have to stick the strobes right beside my subject to get any decent light from them. I feel better radio triggers could let me get a higher sync speed without losing as much power as I have done it upto 1/2000 with a hotshoe flash triggered by a flash on camera.

But since say my metz has a flash duration of 1/125 at full power going faster than that will lower its output and it will be the same for all flash's unless you can control the delay (the new cactus triggers?) and use flash's with very short flash duration.
I do not have experience, just researching for future use, but looks like 1/1000 is the sweet spot for the x100s + radio triggers, see http://strobist.blogspot.co.uk/2013/05/leaf-shutter-nd-flash-fuji-x100s.html#more
Mark Kitaoka was able to get 1/2000 f4.5 ISO200 with x100s + CyberSync + PCB Einsteins http://www.markkitaoka.com/latest-news/right-tool-right-job better ask the guy more details...
 

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