D810 / Adobe LR 5.6 posterization issue

There is something "majorly" wrong with your Venice NEF. I downloaded it and opened it in the final production version of ACR 8.6 released today. So far so good. I confirmed your findings regarding the supplied Adobe camera profiles.

Now this is what I just did. In ACR I decided to see what an ACR "Auto WB" would look like. OMG... it set the WB to 2850K, Tint +30. What???

Is there anything you can share about what might be amiss in this photo?
 
is it visible in your print was the question? and why I say there can be a problem with monitor, because it is a common problem as I described it earlier with conversion and reproduction in a monitor, speciell in a even surfaces as a sky
Sorry, I don't understand that - perhaps we're at cross purposes here.

Yes, it's visible in the print and on the monitor, as I said. I'm not using the monitor profile as my working space (I'm using LR, so that means the working space is ProPhoto RGB, and I've also used Photoshop to print, again with ProPhoto RGB as working space). In the path from application working space to print, the monitor profile is not involved. So the posterisation effect I'm seeing can't be a monitor profile issue, surely. It has to be something in Lightroom - either the Camera... profiles or some other issue with Lightroom that occurs only when the Camera... profiles are used. Or some issue with the raw images that are only manifested when using the Camera... profiles.

Or do you have some other ideas for the cause?

--
Simon
so what kind of print profile do you use, and are you letting Photoshop doing the conversion from Prophoto and to your print profile ( and hopefully not the printer handling the conversion).

and to clarify, I have also got posterization issue from my d800, but none can be seen in a print, only at monitor level and which can be solved with conversion as i described earlier

--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
 
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has no problem so ever with your photo and on my monitor
I'm really curious which photo do you mean? Clearly there is horrible posterization in the topmost photo of hands.

It has nothing to do with monitor, but it is the result of bad ACR "camera" profiles for the D810.

Mind you that I've seen no such effects even with the most contrasty profiles for A7R.
I see it too. Makes me question how bad his monitor can be if he's unable to see it.
well I have a really bad monitor, new Eizo prepress and have been working with color flow since the first scanners came, probably before you even heard about digital pictures, as I said before, the problems is not unknown, and often miss march between profiles

,--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
 
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is it visible in your print was the question? and why I say there can be a problem with monitor, because it is a common problem as I described it earlier with conversion and reproduction in a monitor, speciell in a even surfaces as a sky
Sorry, I don't understand that - perhaps we're at cross purposes here.

Yes, it's visible in the print and on the monitor, as I said. I'm not using the monitor profile as my working space (I'm using LR, so that means the working space is ProPhoto RGB, and I've also used Photoshop to print, again with ProPhoto RGB as working space). In the path from application working space to print, the monitor profile is not involved. So the posterisation effect I'm seeing can't be a monitor profile issue, surely. It has to be something in Lightroom - either the Camera... profiles or some other issue with Lightroom that occurs only when the Camera... profiles are used. Or some issue with the raw images that are only manifested when using the Camera... profiles.

Or do you have some other ideas for the cause?
 
has no problem so ever with your photo and on my monitor
I'm really curious which photo do you mean? Clearly there is horrible posterization in the topmost photo of hands.

It has nothing to do with monitor, but it is the result of bad ACR "camera" profiles for the D810.

Mind you that I've seen no such effects even with the most contrasty profiles for A7R.
I see it too. Makes me question how bad his monitor can be if he's unable to see it.
well I have a really bad monitor, new Eizo prepress and have been working with color flow since the first scanners came, probably before you even heard about digital pictures, as I said before, the problems is not unknown, and often miss march between profiles
I fully agree with that, but I don't think it's the problem here.
 
Oh come on. I think you're alone with your views here, as about everyone else do recognise where the problem is!

I try to be as clear as possible:

Sometimes with certain photos a slight banding effect visible on Photoshop will indeed diminish after conversion from working space like 16-bit AdobeRGB to output space like 8-bit sRGB.

In the case of the ACR 8.6 and D810, this does is not the case! It is the choice of camera profile that is the root of the problem! It doesn't go away after converting to final output color space if that is you ment!

If it was problem with monitor profiles or bad monitor, then this should be visible with other camera's raw files too when using more contrasty camera profiles. This is not the case. It is just some D810 NEF files with smooth gradients used together with certain ACR camera profiles (which are broken).
nope, now you are out and bicycling as we say in Sweden, it is a choice of 16bit, profile, working space and the conversion between above and the monitor profile and the results you se at the monitor
 
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is it visible in your print was the question? and why I say there can be a problem with monitor, because it is a common problem as I described it earlier with conversion and reproduction in a monitor, speciell in a even surfaces as a sky
Sorry, I don't understand that - perhaps we're at cross purposes here.

Yes, it's visible in the print and on the monitor, as I said. I'm not using the monitor profile as my working space (I'm using LR, so that means the working space is ProPhoto RGB, and I've also used Photoshop to print, again with ProPhoto RGB as working space). In the path from application working space to print, the monitor profile is not involved. So the posterisation effect I'm seeing can't be a monitor profile issue, surely. It has to be something in Lightroom - either the Camera... profiles or some other issue with Lightroom that occurs only when the Camera... profiles are used. Or some issue with the raw images that are only manifested when using the Camera... profiles.

Or do you have some other ideas for the cause?
 
Oh come on. I think you're alone with your views here, as about everyone else do recognise where the problem is!

I try to be as clear as possible:

Sometimes with certain photos a slight banding effect visible on Photoshop will indeed diminish after conversion from working space like 16-bit AdobeRGB to output space like 8-bit sRGB.

In the case of the ACR 8.6 and D810, this does is not the case! It is the choice of camera profile that is the root of the problem! It doesn't go away after converting to final output color space if that is you ment!

If it was problem with monitor profiles or bad monitor, then this should be visible with other camera's raw files too when using more contrasty camera profiles. This is not the case. It is just some D810 NEF files with smooth gradients used together with certain ACR camera profiles (which are broken).
nope, now you are out and bicycling as we say in Sweden, it is a choice of 16bit, profile, working space and the conversion between above and the monitor profile and the results you se at the monitor
show me what you mean
 
Here we have 2 conversions with the same D800 NEF, The first is with D800 camera standard, the second with D810 camera standard (altered for use with the D800).



D800 Camera Standard
D800 Camera Standard



D810 Camera Standard
D810 Camera Standard
 
has no problem so ever with your photo and on my monitor
I'm really curious which photo do you mean? Clearly there is horrible posterization in the topmost photo of hands.

It has nothing to do with monitor, but it is the result of bad ACR "camera" profiles for the D810.

Mind you that I've seen no such effects even with the most contrasty profiles for A7R.
I see it too. Makes me question how bad his monitor can be if he's unable to see it.
well I have a really bad monitor, new Eizo prepress and have been working with color flow since the first scanners came, probably before you even heard about digital pictures, as I said before, the problems is not unknown, and often miss march between profiles
I fully agree with that, but I don't think it's the problem here.
 
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has no problem so ever with your photo and on my monitor
I'm really curious which photo do you mean? Clearly there is horrible posterization in the topmost photo of hands.

It has nothing to do with monitor, but it is the result of bad ACR "camera" profiles for the D810.

Mind you that I've seen no such effects even with the most contrasty profiles for A7R.
I see it too. Makes me question how bad his monitor can be if he's unable to see it.
well I have a really bad monitor, new Eizo prepress and have been working with color flow since the first scanners came, probably before you even heard about digital pictures, as I said before, the problems is not unknown, and often miss march between profiles

,--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
As a Swede myself you are showing how hard headed we can be.
 
show me what you mean
I think the photos by the OP are enough to demonstrate this. If you understood what many were saying to you in the first place anyway.

However, it happens on many D810 images fe. with smooth gradients on out of focus areas. Just select the Camera Standard or Camera Vivid in ACR 8.6

This posterization or banding won't go after conversion from 16-bit to 8-bit sRGB. No need to mess with printing to show this especially if intented output format is a digital file.
 
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is it visible in your print was the question? and why I say there can be a problem with monitor, because it is a common problem as I described it earlier with conversion and reproduction in a monitor, speciell in a even surfaces as a sky
Sorry, I don't understand that - perhaps we're at cross purposes here.

Yes, it's visible in the print and on the monitor, as I said. I'm not using the monitor profile as my working space (I'm using LR, so that means the working space is ProPhoto RGB, and I've also used Photoshop to print, again with ProPhoto RGB as working space). In the path from application working space to print, the monitor profile is not involved. So the posterisation effect I'm seeing can't be a monitor profile issue, surely. It has to be something in Lightroom - either the Camera... profiles or some other issue with Lightroom that occurs only when the Camera... profiles are used. Or some issue with the raw images that are only manifested when using the Camera... profiles.

Or do you have some other ideas for the cause?
 
I don't follow that at all.

This issue occurs identically with different monitor profiles and different printer profiles - but only with these D810 images and only when using the Adobe D810 Camera... profiles.

It would be a huge coincidence to be an issue with both monitor profiles and printer profiles, but to happen with many different monitor and printer profiles, but only with these specific camera profiles!

I take your point that this sort of issue can occur, no argument at all about that. But I don't think it's the problem here.
I think what he basically means is that after conversion to output color space (digital or print) the banding effects should disappear as color space then matches the intended use instead of wider working space in Photoshop.

Sometimes it really does, yes, but IT IS NOT THE CASE HERE. It will not help with the D810 and these broken profiles!

My custom profile don't show any posterization or banding while in working or output space. Neither does "Adobe Standard" or "Camera Neutral". Also (much lesser) with D800 files or with any of the A7R profiles (even the most contrasty).
 
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Robin Casady said:
digital ed said:
Simon Garrett said:
Robin Casady said:
Downloaded it. Don't see any posterization with any Adobe camera profile. Converted with ACR into CS6. Examined at 100% and found no hard posterization transitions or blocks of one tone. The ACR window gives the impression of some subtle posterization with some profiles, but that doesn't survive when opened in CS6.
I agree with that, but with most of the Camera... profiles there is posterisation in Lightroom! If you then edit in Photoshop from LR, the posterisation isn't visible.

--
Simon
For the downloaded NEF I opened in the latest LightRoom set the camera calibration to Camera Standard and then did a Edit In Photoshop CC 2014. The "posterization" is still there and it is not subtle. I tried to follow what you have done.
How about posting an example?

--
Robin Casady
Robin Casady Photography
"Get your facts first, then you can distort them as you please."
—Mark Twain
I opened the original NEF in LightRoom. Applied Camera Standard. No other corrections and the posterization is seen. Then Photo Edit In PhotoShop CC 2014. In Photoshop no corrections. Saved to JPG to be able to upload to DPR. I still see it in the JPG.




NEF to LR to PS to JPG



--
"There is a little of not done yet in all of us."
John Madden, football coach
 
I assume that if this were just a problem of displaying 16-bit image with wide colorspace on a 8-bit display, then the banding should have disappeared after conversion to jpg.

One weird thing I noticed with one of my photos (ISO 7000) showing the problem was that color noise reduction affects the posterization effect somehow too (with these problematic profiles).

If color noise reduction is set to zero, then the banding effect seems to disappear, but if I set it to anything higher then this posterization effect reappers. Weird.

I opened the original NEF in LightRoom. Applied Camera Standard. No other corrections and the posterization is seen. Then Photo Edit In PhotoShop CC 2014. In Photoshop no corrections. Saved to JPG to be able to upload to DPR. I still see it in the JPG.


NEF to LR to PS to JPG

--
"There is a little of not done yet in all of us."
John Madden, football coach
 
did a check with the same raw file and Nikons NXD and the posterization is there as well as in CR

--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
 
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did a check with the same raw file and Nikons NXD and the posterization is there as well as in CR

--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
After reading your comment I also opened up the OP's raw file with Nikon CNX-D and I do not see the posterization. If I open the jpg file I do see it.

--
"There is a little of not done yet in all of us."
John Madden, football coach
I will return, I have just got my d810 and are comparing the new camera with my old d800 and this will also include shooting blue sky etc and compare the different profiles and also a generated ones with www.qpcard.com color card and software

as I said, I can se posterization also in Nikons software in the blue sky up to the left

--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
 
Last edited:
did a check with the same raw file and Nikons NXD and the posterization is there as well as in CR

--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
After reading your comment I also opened up the OP's raw file with Nikon CNX-D and I do not see the posterization. If I open the jpg file I do see it.

--
"There is a little of not done yet in all of us."
John Madden, football coach
I will return, I have just got my d810 and are comparing the new camera with my old d800 and this will also include shooting blue sky etc and compare the different profiles and also a generated ones with www.qpcard.com color card and software

as I said, I can se posterization also in Nikons software in the blue sky up to the left

--
Member of Swedish Photographers Association since 1984
Canon, Hasselblad, Leica, Nikon, Linhoff, Sinar,Zeiss, Phantom 2+
Ernest Hemingway to Irving Penn:?“Your photos are really good. What camera do you use?”?Irving Penn to Ernest Hemingway:?“Your novels are excellent. What typewriter do you use?”
I again, in CNX-D, opened the NEF file I downloaded from the OP's DropBox. I carefully looked at the blue sky at the upper left and do not see posterization. I am not disagreeing that you see it, only that on my system with the OP's NEF file I do not see it.

--
"There is a little of not done yet in all of us."
John Madden, football coach

Member of Digital Ed's Photography Evolution since 1953
 
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