Olympus EM1 vs Nikon D800 systems

For me, money aside, I have had zero interest in the D800 or any other full frame system DSLR. Been there with 5D Mk ll. Done with the bulk, period. Could not possibly care less about a nano second here, a tad more of this or that. I would think that you on the other hand are not yet over your Nikon.

The M1 stands on its own as the present gold standard for dedicated still shooters wanting a robust full featured and capable m43 camera. As always, the qualifier is 'given the sensor limitations'. Having said that, compare the M1 to full frame models of just a few years back if you want to live with the fact that you have settled for the lowly M1.
 
A long post I know, but I thought it might be useful for some to see how Micro 4/3 compares to full frame, in the eyes of a full frame user of many years. To be honest, the only thing I miss from full frame is currently a fully flaw free wide zoom (7-14)....
There is no such thing as a fully flaw free (ultra)wide zoom from any manufacturer as far as I know.

While you have specifically mentioned you've bought an EM1 at the start of the post, you then seem to be expressing your comments in terms of the whole MFT system. This is often an erroneous thing to do. You might find for example that your opinion of the 7-14 dramatically changes if you were to use it on a Panasonic body.
 
I wouldn't recommend buying it unless you find a real deal, but I also use the larger ZD 7-14 on my EM1 on occasion, I had it from my E3 days. No PF, no ghosting, no blobs
Its a good lens, but its not perfect, there is a little PF and it does flare.

. It is a bit large and heavy, not a lot smaller than the Nikkor 14-24. But, it's rendering is superb - sharp edge to edge. However, they're still a bit pricey on the used market, so waiting for the new Oly 7-14, supposedly a constant F2.8, is probably the wise course.

Another good deal to think about is the ZD 8FE. Good prices can be found on it, I paid $400 for mine. 8FE on a 4/3 sensor isn't the wildly distorted view that 8FE is on FF. If you keep straight lines off of the primary axes, it's a very nice UWA. And, it's fairly small and light.
I don't know why you insist on callling the Oly fisheye 'fairly small and light'. As fisheyes go, its a blobby monster, dwarfing even 35mm FF offerings!!
In general, your observations tend to back up what I've thought: sure, the D800 is better, but not that much better.
In many ways, it is. MUCH better.
 
While you have specifically mentioned you've bought an EM1 at the start of the post, you then seem to be expressing your comments in terms of the whole MFT system. This is often an erroneous thing to do. You might find for example that your opinion of the 7-14 dramatically changes if you were to use it on a Panasonic body.
It's really quite a trivial modification to fit the rear filter holder from the Panasonic 8mm fisheye, allowing one to restore the UV filtration to the level of the Panasonic bodies. At which point the 7-14's greater contrast an much higher build quality makes it quite attractive (even) for users of Olympus bodies.
 
While you have specifically mentioned you've bought an EM1 at the start of the post, you then seem to be expressing your comments in terms of the whole MFT system. This is often an erroneous thing to do. You might find for example that your opinion of the 7-14 dramatically changes if you were to use it on a Panasonic body.
I titled my post about the 'systems' rather than the bodies, but maybe I should have been clearer.

I gave the 7-14 a whirl on a Panasonic body and it did seem to improve dramatically. I didn't think my post implied otherwise? It is a little worrying for Panasonic and Olympus though that one of the great strengths of micro 4/3s is the pooling of lenses and accessories between brands. If they start to diverge and lose compatibility it will weaken their marketability. Panasonic have already stated that their current advanced focus system will only fully work with Panasonic lenses and Olympus lenses will not be fully accommodated.
It's really quite a trivial modification to fit the rear filter holder from the Panasonic 8mm fisheye, allowing one to restore the UV filtration to the level of the Panasonic bodies. At which point the 7-14's greater contrast an much higher build quality makes it quite attractive (even) for users of Olympus bodies.
I looked into this modification once I realised the extent of the problem on the Olympus bodies. It isn't something I felt comfortable doing to a new £900 lens, so I decided to 'fill in' with the 9-18mm and wait for the Olympus 7-14. Of course there is always the chance that the Olympus 7-14 turns out to be a dog, but I doubt it.
 
While you have specifically mentioned you've bought an EM1 at the start of the post, you then seem to be expressing your comments in terms of the whole MFT system. This is often an erroneous thing to do. You might find for example that your opinion of the 7-14 dramatically changes if you were to use it on a Panasonic body.
I titled my post about the 'systems' rather than the bodies, but maybe I should have been clearer.

I gave the 7-14 a whirl on a Panasonic body and it did seem to improve dramatically. I didn't think my post implied otherwise? It is a little worrying for Panasonic and Olympus though that one of the great strengths of micro 4/3s is the pooling of lenses and accessories between brands. If they start to diverge and lose compatibility it will weaken their marketability. Panasonic have already stated that their current advanced focus system will only fully work with Panasonic lenses and Olympus lenses will not be fully accommodated.
It's really quite a trivial modification to fit the rear filter holder from the Panasonic 8mm fisheye, allowing one to restore the UV filtration to the level of the Panasonic bodies. At which point the 7-14's greater contrast an much higher build quality makes it quite attractive (even) for users of Olympus bodies.
I looked into this modification once I realised the extent of the problem on the Olympus bodies. It isn't something I felt comfortable doing to a new £900 lens, so I decided to 'fill in' with the 9-18mm and wait for the Olympus 7-14. Of course there is always the chance that the Olympus 7-14 turns out to be a dog, but I doubt it.
 
For me, money aside, I have had zero interest in the D800 or any other full frame system DSLR. Been there with 5D Mk ll. Done with the bulk, period. Could not possibly care less about a nano second here, a tad more of this or that. I would think that you on the other hand are not yet over your Nikon.

The M1 stands on its own as the present gold standard for dedicated still shooters wanting a robust full featured and capable m43 camera. As always, the qualifier is 'given the sensor limitations'. Having said that, compare the M1 to full frame models of just a few years back if you want to live with the fact that you have settled for the lowly M1.
 
Now, if only Olympus would permit exposure compensation in manual mode [...]
Sorry for potentially stupid question: how exposure compensation is supposed to work in manual mode?

In aperture prio mode, exp.comp. changes shutter. In shutter speed prio mode, it changes aperture. In program mode, it "shifts" the program. But what it supposed to do in manual mode? - when photog has already set all the shooting parameters *manually*?
If you use manual mode with auto ISO it gives you the freedom to choose both the aperture and shutter speed you want to use but lets the camera automatically change ISO over the range you have selected in the Auto ISO menus. This allows manual mode to be used as a sort of 'super' auto mode and gives far more control than P, A or S. It really has become a usable system since quality at high ISO has improved so much.

Allowing you to use exposure compensation in that mode simply allows you to set the exposure darker or lighter than the camera's metered default which is useful for scenes which are not averaged at mid grey.

For example, shooting footballers on a pitch which is part in sunlight and part in shadow, with the team you are following wearing all white. I want to keep a shutter speed of a minimum of about 1/640th second but also want my aperture stopping down 1 stop from maximum to keep image quality as high as possible and give a little bit more depth of field to mask any slight focus misses caused by the fast moving players..

Shutter priority would keep the shutter speed correct, but not let me stop down the aperture.

Aperture priority would allow me to keep the aperture correct but not maintain the required shutter speed.

Manual allows me to fix both aperture and shutter speed, but without using auto ISO I wouldn't be able to react quickly enough to the players moving from shadow to sunlight. Without exposure compensation I wouldn't be able to cater for the fact that the team I'm shooting are wearing all white, with most of the shots ending up slightly underexposed.

Manual with auto ISO and exposure compensation is the way to go!
 
Pentax has the best implementation in the industry.
First in manual mode one can use exp. compensation.
Second, in auto ISO one can bias the sensitivity toward fast or slow shutter speeds (from -2 to +2 in 1 increments, 0 being the default).
Third, in auto ISO one can override the chosen ISO using the dial (front or rear, it's selectable). To go back to auto ISO simply press the green button.
Since the Pentax K10D it's been like this and it was back in 2007!
I still don't understand why no other manufacturers have copied Pentax's ergonomics.
I used Pentax, Nikon, Olympus and Fuji cams and nothing gets even close to Pentax in usability.
My dream system: Fuji lenses and sensor, Olympus body with Pentax ergonomics :-)
 
Thanks for a great comparative review :)

I have been debating moving TO dslr so this sort of puts the cap on that malarkey :)
 
Under the terminology of M by others above, as well as per earlier posting in another thread, I understand Pentax's auto ISO under M would be lack of any exposure compensation and it is simply another sort of automation. It has the same old weakness of totally relying on the in-camera metering and its preset AI.
That's incorrect. I've shot Pentax for several years, my last Pentax camera was the K5.

The Pentax implementation allows for exposure compensation when both aperture and shutter speed are set by the user. Pentax doesn't call this mode M, but TAv. The terminology doesn't matter, it's effectively M with the ability to use exposure compensation.
BTW, in case of A & auto ISO, +/- ev is to adjust S, in S & auto ISO, ev compsensation is to adjust A. Then, under M & auto ISO (if we M43 gets it), what will be adjusted while ev compensation is made? Any corresponding +/- to A or S will no longer mean manual A or S. If it will lead to a corresponding adjustment in ISO, then, why auto ISO in the first place? Finally, if it is the last case, would a hard key/dial to adjust ISO be in equal convenien instead of auto ISO in M?
Here is why exposure compensation is badly needed in M mode.

Say you are shooting birds with the great Olympus 50-200. You're shooting at 200mm f/3.5, but want to make sure to freeze action, so what do you do? You must use M mode where you can set the aperture to f/3.5 and the speed to 1/2000. You can't use A because you then have no control over the shutter speed and conversely you can't use T because you won't control the aperture. What you want here is to get proper exposure at a given aperture and speed combination.

Now, the birds you're trying to shoot may fly over a bright sky or in some darker areas. Regardless of the background the camera will meter to grey which means on a bright sky the bird would be totally black. Conversely, on a dark background, the bird will be overexposed.

What do you do then? You use exposure compensation to bias the metering algorithm to suit your need, exactly like you would in A or T! Why is it so difficult to understand? If you don't use it or don't like it, fine, just leave it at 0.

Both Nikon and Pentax implement exposure compensation in M mode (Pentax calls in TAv). The MFT world somehow still doesn't seem to realize how important this feature is... Go figure....

--
Florent
http://capturedbyflo.com
http://flickr.com/photos/thxbb12/
 
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Under the terminology of M by others above, as well as per earlier posting in another thread, I understand Pentax's auto ISO under M would be lack of any exposure compensation and it is simply another sort of automation. It has the same old weakness of totally relying on the in-camera metering and its preset AI.
That's incorrect. I've shot Pentax for several years, my last Pentax camera was the K5.

The Pentax implementation allows for exposure compensation when both aperture and shutter speed are set by the user. Pentax doesn't call this mode M, but TAv. The terminology doesn't matter, it's effectively M with the ability to use exposure compensation.
BTW, in case of A & auto ISO, +/- ev is to adjust S, in S & auto ISO, ev compsensation is to adjust A. Then, under M & auto ISO (if we M43 gets it), what will be adjusted while ev compensation is made? Any corresponding +/- to A or S will no longer mean manual A or S. If it will lead to a corresponding adjustment in ISO, then, why auto ISO in the first place? Finally, if it is the last case, would a hard key/dial to adjust ISO be in equal convenien instead of auto ISO in M?
Here is why exposure compensation is badly needed in M mode.

Say you are shooting birds with the great Olympus 50-200. You're shooting at 200mm f/3.5, but want to make sure to freeze action, so what do you do? You must use M mode where you can set the aperture to f/3.5 and the speed to 1/2000. You can't use A because you then have no control over the shutter speed and conversely you can't use T because you won't control the aperture. What you want here is to get proper exposure at a given aperture and speed combination.

Now, the birds you're trying to shoot may fly over a bright sky or in some darker areas. Regardless of the background the camera will meter to grey which means on a bright sky the bird would be totally black. Conversely, on a dark background, the bird will be overexposed.

What do you do then? You use exposure compensation to bias the metering algorithm to suit your need, exactly like you would in A or T! Why is it so difficult to understand? If you don't use it or don't like it, fine, just leave it at 0.

Both Nikon and Pentax implement exposure compensation in M mode (Pentax calls in TAv). The MFT world somehow still doesn't seem to realize how important this feature is... Go figure....
 
Can we simply say that sort of ev compensation is indeed to control the ISO? Then, what will be the difference if there will be a dedicated key/dail that allow you to change ISO in a fly? If so, why there must be auto ISO under M plus +/- ev to complicate the operation?
Manual ISO is fine with static subjects where nothing moves or lighting doesn't change.

However, when conditions change, changing ISO on the fly is too slow and too error prone which leads to sub-optimal IQ. In such situations, nothing beat auto ISO with EC.

I see absolutely no need for manual ISO as long as I get a clever auto ISO implementation.
 
As a recent EM1 purchaser, I fully understand where you are coming from. I am a prime lenses guy, and I got the EM1 plus 17 1.8 for my travel and documentary photography (waiting on the 75 1.8 to arrive). I am not a stranger to smaller camera systems, having tried before Fuji X, for example.

However, there are some types of photography where I still need to use my Canon 6D (in itself light and small) with the Zeiss 21 mm lens: landscapes, night photography, are some instances. The FF sensor is still king in those applications, compared to 4/3 or APSC.

The EM1 will serve me well for all the rest, which is great.
 
Due to back problems I have finally taken the decision to move entirely to micro 4/3, ditching my Nikon D800, 14-24, 24-70 and 80-400afs. I have now purchased an OMD EM1 and am gradually piecing together a lens line-up to replace my old Nikon kit. This has given me an opportunity to try and assess the performance of the Olympus kit when compared to the current full frame benchmark. My findings are below and hopefully this will help others out:-
If as you {and many others } are happy to sacrifice the image quality to save weight mFT is an excellent choice with many great lens options and especially good video on the Panasonic side.
Nikon D800 vs OMD EM1

No surprises here, the Nikon is capable of astounding quality and continuous focus performance and when it works it knocks the OMD EM1 for six. However, 'when it works' is the key phrase here. The D800 pushes the conventional pdaf system of a dSLR to the limit. Focus errors are not uncommon with the camera and focus fine-tuning of the lenses is critical (but only possible for one focal length and one subject distance with most zoom lenses). For best results the D800 also required different focus fine tune settings in very different lighting conditions (shadow or tungsten light for example). The Olympus always nails focus on static objects. Personally, if you are printing no larger than A3 to A2 size or are not cropping heavily I think the OMD EM1 will produce the more consistent images.
The D800 works spectacularly well, as hundreds of thousands of images clearly demonstrate .As with all mass manufactured devices there are faulty models with issues be it the D800 or EM1 { I have both cameras}. Honestly with regard to "nailing focus on static subjects" any camera on the market can do that.
Nikon 14-24 vs Panasonic 7-14

Surprisingly very little difference in resolution between these two, but the Panasonic is fatally flawed with its excessive flare and mirrored internal reflections on Olympus bodies.
The difference between the Panasonic 7-14 and 14-24 regarding resolution is very clear if you do not see it then you most certainly do not need the advantages that the D800 offers.The 7-14 also has more distortion, much higher Chr. aberration and manages to have as much vignetting on mFT as the Nikon has on FF . It is also a full stop slower in nominal aperture and a full 3 stops slower in actual effect { AOV,DOF total light gathered}

Nikon 24-70 vs Olympus 12-40 f2.8

The Olympus feels better built, has smoother focus and zoom rings and produces more consistent image quality across the zoom range. In my opinion it is a better lens all round. It is an excellent zoom lens. It also benefits from the Olympus IBIS, whereas the Nikon lens is unstabilised.
The Olympus lens is not better built it has had its share of issues . IS is a great benefit for those static subjects { in low light } you mention above :-) for moving subjects it offers no help nor if you choose to use any kind of camera support for your static subject.

You are also not comparing like to like the Nikon 24-70mm F2.8 needs a 12-35mm F1.4 to match it { AOV,DOF, total light gathered } . The final image is of course constructed by sensor + lens , and for this final image even very low end inexpensive kit lenses { at their best settings} on the D800 will out resolve the best mFT pro zooms{ at their best settings} .

Flash Performance

The separate flash unit of the EM1 is a pain. I have never understood why 'pro' cameras aren't fitted with pop up flashes that can be used to trigger off camera flash units. The EM10 is much better in this regard.

The Olympus flash system has the tendency to underexpose by 0.7 to 1.0 stops on the majority of shots. This seems to be a deliberate decision by Olympus to either preserve highlights or to bias the flash exposures towards balanced fill flash. It isn't a problem. If it bothers you then set the flash compensation permanently to +0.7 or +1.0.

I have bought the new Nissin i40 flash unit. It is compact and extremely easy to use with its twin dial system. Generally it works very well, has an excellent power to size ratio and handles wireless use very well. Compared to the Nikon SB910 (and I assume the Olympus FL600) it does have some limitiations:
If flash is important to you Nikon does have an excellent system
A long post I know, but I thought it might be useful for some to see how Micro 4/3 compares to full frame, in the eyes of a full frame user of many years. To be honest, the only thing I miss from full frame is currently a fully flaw free wide zoom (7-14), fast telephotos and the final improvement in continuous and tracking AF usage. Elsewhere I think that image quality is good enough and that the micro 4/3 feature set and handling has already exceeded that of full frame.
If you are happy with the image quality of mFT the system offers a number of advantages over other mirrorless options { wide selection of native mount lenses many of which are very good, excellent video on the Panasonic side etc } .

My personal gripe is not high ISO which I nearly never use, but rather low ISO maximum image quality , where , shadow noise and low resolution sensors { relatively speaking] impact the results. My hope is for a higher resolution mFT sensor preferably optimized for low ISO shooting with a genuine 50ISO base but alas it will never come as the camera companies seem convinced that most people shoot over 3200SISO on a constant basis :-)
 
Honestly with regard to "nailing focus on static subjects" any camera on the market can do that.
Mirrorless (speaking of MFT and FujiX here) blows every single DSLR in the water when it comes to nailing focus on static targets. Note that I'm talking about focus accuracy, not focus speed on moving targets. PDAF is just not accurate enough, especially when shooting at wide apertures such as f/1.4. Yes, you can use micro-adjustments which is just a broken solution to the inherent problem that AF sensors are never perfectly aligned with the imaging sensor. Plus, with zoom lenses you need different micro adjusts at different focal lengths which is something Nikon doesn't even implement.

On my D800 with my 70-200 VR, I was able to get perfect focus at 70mm while 200 was off. I could tune it to have perfect focus at 200mm, but then 70 would be off. Great isn't it? And this doesn't even include focusing distance into account which may introduce even more discrepancy. Furthermore, tuning every lens with FoCal is quite a pain and FoCal even recommends re-tuning a lens every other year. Woohooo!

Now that I switched to mirrorless this inaccuracy business is totally over and I can enjoy shooting at f/1.2 or f/1.4 with perfect accuracy. 100% focus hit. It was a revelation! Suddenly the lenses appeared to be so much sharper. The DSLR technology really feels archaic and outdated in comparison.

Funny how DSLR people go on and on about how fast their AF is, but they just don't realize how much more accurate CDAF really is.
 
Due to back problems I have finally taken the decision to move entirely to micro 4/3, ditching my Nikon D800, 14-24, 24-70 and 80-400afs. I have now purchased an OMD EM1 and am gradually piecing together a lens line-up to replace my old Nikon kit. This has given me an opportunity to try and assess the performance of the Olympus kit when compared to the current full frame benchmark. My findings are below and hopefully this will help others out:-
If as you {and many others } are happy to sacrifice the image quality to save weight mFT is an excellent choice with many great lens options and especially good video on the Panasonic side.
Nikon D800 vs OMD EM1

No surprises here, the Nikon is capable of astounding quality and continuous focus performance and when it works it knocks the OMD EM1 for six. However, 'when it works' is the key phrase here. The D800 pushes the conventional pdaf system of a dSLR to the limit. Focus errors are not uncommon with the camera and focus fine-tuning of the lenses is critical (but only possible for one focal length and one subject distance with most zoom lenses). For best results the D800 also required different focus fine tune settings in very different lighting conditions (shadow or tungsten light for example). The Olympus always nails focus on static objects. Personally, if you are printing no larger than A3 to A2 size or are not cropping heavily I think the OMD EM1 will produce the more consistent images.
The D800 works spectacularly well, as hundreds of thousands of images clearly demonstrate .As with all mass manufactured devices there are faulty models with issues be it the D800 or EM1 { I have both cameras}. Honestly with regard to "nailing focus on static subjects" any camera on the market can do that.
Of course the D800 needs to be manually adjusted for some lenses or else it will not nail focus. I am sure you are familiar with the Lens Rentals tests showing CDAF is more accurate. I know many DSLR owners do not like to admit it, but it is true that unless you have micro adjusted your camera with every lens, you may not "nail focus".
Nikon 14-24 vs Panasonic 7-14

Surprisingly very little difference in resolution between these two, but the Panasonic is fatally flawed with its excessive flare and mirrored internal reflections on Olympus bodies.
The difference between the Panasonic 7-14 and 14-24 regarding resolution is very clear if you do not see it then you most certainly do not need the advantages that the D800 offers.The 7-14 also has more distortion, much higher Chr. aberration and manages to have as much vignetting on mFT as the Nikon has on FF . It is also a full stop slower in nominal aperture and a full 3 stops slower in actual effect { AOV,DOF total light gathered}

http://www.dxomark.com/Lenses/Compa...4-ASPH-on-Olympus-OM-D-E-M1___813_792_536_909
Nikon 24-70 vs Olympus 12-40 f2.8

The Olympus feels better built, has smoother focus and zoom rings and produces more consistent image quality across the zoom range. In my opinion it is a better lens all round. It is an excellent zoom lens. It also benefits from the Olympus IBIS, whereas the Nikon lens is unstabilised.
The Olympus lens is not better built it has had its share of issues . IS is a great benefit for those static subjects { in low light } you mention above :-) for moving subjects it offers no help
There are different IS modes available and some work very well for panning with fast moving objects. For example, IS improves a pan of fast moving race car and allows for a sharper image with a slower shutter speed.
You are also not comparing like to like the Nikon 24-70mm F2.8 needs a 12-35mm F1.4 to match it { AOV,DOF, total light gathered } . The final image is of course constructed by sensor + lens , and for this final image even very low end inexpensive kit lenses { at their best settings} on the D800 will out resolve the best mFT pro zooms{ at their best settings} .
The key to your claim is that the 36MP camera will out resolve a 16MP camera which is true but has nothing to do with the lens. Dxo tests do not compare lenses directly and one cannot make the claim that one lens out resolves the other.

Also, you cherry picked your parameters and ignored exposure. Obviously the larger sensor will give you a shallower DoF, but that is why these are different tools. Sometimes we take pictures and want a shallow DoF and other times we take pictures where we are forced to use it (Possibly due to needing that wide aperture in lower light).
Flash Performance

The separate flash unit of the EM1 is a pain. I have never understood why 'pro' cameras aren't fitted with pop up flashes that can be used to trigger off camera flash units. The EM10 is much better in this regard.

The Olympus flash system has the tendency to underexpose by 0.7 to 1.0 stops on the majority of shots. This seems to be a deliberate decision by Olympus to either preserve highlights or to bias the flash exposures towards balanced fill flash. It isn't a problem. If it bothers you then set the flash compensation permanently to +0.7 or +1.0.

I have bought the new Nissin i40 flash unit. It is compact and extremely easy to use with its twin dial system. Generally it works very well, has an excellent power to size ratio and handles wireless use very well. Compared to the Nikon SB910 (and I assume the Olympus FL600) it does have some limitiations:
If flash is important to you Nikon does have an excellent system
A long post I know, but I thought it might be useful for some to see how Micro 4/3 compares to full frame, in the eyes of a full frame user of many years. To be honest, the only thing I miss from full frame is currently a fully flaw free wide zoom (7-14), fast telephotos and the final improvement in continuous and tracking AF usage. Elsewhere I think that image quality is good enough and that the micro 4/3 feature set and handling has already exceeded that of full frame.
If you are happy with the image quality of mFT the system offers a number of advantages over other mirrorless options { wide selection of native mount lenses many of which are very good, excellent video on the Panasonic side etc } .

My personal gripe is not high ISO which I nearly never use, but rather low ISO maximum image quality , where , shadow noise and low resolution sensors { relatively speaking] impact the results. My hope is for a higher resolution mFT sensor preferably optimized for low ISO shooting with a genuine 50ISO base but alas it will never come as the camera companies seem convinced that most people shoot over 3200SISO on a constant basis :-)
 
Your comments are EXACTLY why I left the DSLR world in 2011. Olympus could not resolve the inability of the E-5 to focus consistently and accurately with my $2500 35-100 f/2 zoom. Whenever I put the E-5 into Live View and focused (slowly!) there, that zoom was amazing. After weeks of focus tuning and testing with PDAF, Olympus finally, after supplying two bodies and two zooms & confirming my test results, gave up trying to help me and admitted outright in writing that there was no precise PDAF solution!!! I was unwilling to have a $2500 lens performing like a $400 lens, so here I am.

You will get lots of blow back from DSLR users about your comments, but you are 110% correct.

CDAF and (maybe) PDAF-on-chip are the solutions.
Honestly with regard to "nailing focus on static subjects" any camera on the market can do that.
Mirrorless (speaking of MFT and FujiX here) blows every single DSLR in the water when it comes to nailing focus on static targets. Note that I'm talking about focus accuracy, not focus speed on moving targets. PDAF is just not accurate enough, especially when shooting at wide apertures such as f/1.4. Yes, you can use micro-adjustments which is just a broken solution to the inherent problem that AF sensors are never perfectly aligned with the imaging sensor. Plus, with zoom lenses you need different micro adjusts at different focal lengths which is something Nikon doesn't even implement.

On my D800 with my 70-200 VR, I was able to get perfect focus at 70mm while 200 was off. I could tune it to have perfect focus at 200mm, but then 70 would be off. Great isn't it? And this doesn't even include focusing distance into account which may introduce even more discrepancy. Furthermore, tuning every lens with FoCal is quite a pain and FoCal even recommends re-tuning a lens every other year. Woohooo!

Now that I switched to mirrorless this inaccuracy business is totally over and I can enjoy shooting at f/1.2 or f/1.4 with perfect accuracy. 100% focus hit. It was a revelation! Suddenly the lenses appeared to be so much sharper. The DSLR technology really feels archaic and outdated in comparison.

Funny how DSLR people go on and on about how fast their AF is, but they just don't realize how much more accurate CDAF really is.
Jim Pilcher
Summit County, Colorado, USA
 
Very interesting post and I agree with the vast majority of it too.

I switched over gradually from a D800E/14-24/24-70/80-400VR set-up to the E-M1, 7-14/12-40/40-150/75-300 kit plus a couple of lightweight primes 25f1.8/45f1.8 and could not be happier.

I loved the D800E but hated carrying it around with the lenses and after running several side by side comparisons shooting both Olympus and Nikon I found more and more I preferred the Olympus shots.

The 5-axis stabilisation is really excellent and the AF system rarely misses. I have also found with a combination of settings advised to me on Dpreview that the continuous AF performance is perfectly acceptable for the vast majority of my shooting requirements.

I have been amazed by the high quality results possible with the 40-150 and 75-300 bearing in mind the low cost relative to full frame equivalents and would agree the 12-40 is superb and at least the equal of the Nikon 24-70.

The Panny 7-14 the vast majority of the time works superbly on the E-M1 with the purple flare issue only occasionally cropping up for me - but I wilol look at the new OLY 7-14 when available and definitely want the 40-150f2.8!

Anyway, thanks again for posting.
 
Due to back problems I have finally taken the decision to move entirely to micro 4/3, ditching my Nikon D800, 14-24, 24-70 and 80-400afs. I have now purchased an OMD EM1 and am gradually piecing together a lens line-up to replace my old Nikon kit. This has given me an opportunity to try and assess the performance of the Olympus kit when compared to the current full frame benchmark. My findings are below and hopefully this will help others out:-
If as you {and many others } are happy to sacrifice the image quality to save weight mFT is an excellent choice with many great lens options and especially good video on the Panasonic side.
Nikon D800 vs OMD EM1

No surprises here, the Nikon is capable of astounding quality and continuous focus performance and when it works it knocks the OMD EM1 for six. However, 'when it works' is the key phrase here. The D800 pushes the conventional pdaf system of a dSLR to the limit. Focus errors are not uncommon with the camera and focus fine-tuning of the lenses is critical (but only possible for one focal length and one subject distance with most zoom lenses). For best results the D800 also required different focus fine tune settings in very different lighting conditions (shadow or tungsten light for example). The Olympus always nails focus on static objects. Personally, if you are printing no larger than A3 to A2 size or are not cropping heavily I think the OMD EM1 will produce the more consistent images.
The D800 works spectacularly well, as hundreds of thousands of images clearly demonstrate .As with all mass manufactured devices there are faulty models with issues be it the D800 or EM1 { I have both cameras}. Honestly with regard to "nailing focus on static subjects" any camera on the market can do that.
Of course the D800 needs to be manually adjusted for some lenses or else it will not nail focus. I am sure you are familiar with the Lens Rentals tests showing CDAF is more accurate. I know many DSLR owners do not like to admit it, but it is true that unless you have micro adjusted your camera with every lens, you may not "nail focus".
Nikon 14-24 vs Panasonic 7-14

Surprisingly very little difference in resolution between these two, but the Panasonic is fatally flawed with its excessive flare and mirrored internal reflections on Olympus bodies.
The difference between the Panasonic 7-14 and 14-24 regarding resolution is very clear if you do not see it then you most certainly do not need the advantages that the D800 offers.The 7-14 also has more distortion, much higher Chr. aberration and manages to have as much vignetting on mFT as the Nikon has on FF . It is also a full stop slower in nominal aperture and a full 3 stops slower in actual effect { AOV,DOF total light gathered}

http://www.dxomark.com/Lenses/Compa...4-ASPH-on-Olympus-OM-D-E-M1___813_792_536_909
Nikon 24-70 vs Olympus 12-40 f2.8

The Olympus feels better built, has smoother focus and zoom rings and produces more consistent image quality across the zoom range. In my opinion it is a better lens all round. It is an excellent zoom lens. It also benefits from the Olympus IBIS, whereas the Nikon lens is unstabilised.
The Olympus lens is not better built it has had its share of issues . IS is a great benefit for those static subjects { in low light } you mention above :-) for moving subjects it offers no help
There are different IS modes available and some work very well for panning with fast moving objects. For example, IS improves a pan of fast moving race car and allows for a sharper image with a slower shutter speed.
You are also not comparing like to like the Nikon 24-70mm F2.8 needs a 12-35mm F1.4 to match it { AOV,DOF, total light gathered } . The final image is of course constructed by sensor + lens , and for this final image even very low end inexpensive kit lenses { at their best settings} on the D800 will out resolve the best mFT pro zooms{ at their best settings} .
The key to your claim is that the 36MP camera will out resolve a 16MP camera which is true but has nothing to do with the lens. Dxo tests do not compare lenses directly and one cannot make the claim that one lens out resolves the other.
That's what he said, didn't he? You can compare lens +sensor in DXO. Comparing only lens have no proctical value.

Also, you cherry picked your parameters and ignored exposure. Obviously the larger sensor will give you a shallower DoF, but that is why these are different tools. Sometimes we take pictures and want a shallow DoF and other times we take pictures where we are forced to use it (Possibly due to needing that wide aperture in lower light).
No one is ignoring exposure. However exposure does not exist is isolation to IQ. This is where Jim is correct- you can open FF lens and open u43 lens to the same aperture but it does not mean you get the same IQ in low light (or in good light for that matter).

Flash Performance

The separate flash unit of the EM1 is a pain. I have never understood why 'pro' cameras aren't fitted with pop up flashes that can be used to trigger off camera flash units. The EM10 is much better in this regard.

The Olympus flash system has the tendency to underexpose by 0.7 to 1.0 stops on the majority of shots. This seems to be a deliberate decision by Olympus to either preserve highlights or to bias the flash exposures towards balanced fill flash. It isn't a problem. If it bothers you then set the flash compensation permanently to +0.7 or +1.0.

I have bought the new Nissin i40 flash unit. It is compact and extremely easy to use with its twin dial system. Generally it works very well, has an excellent power to size ratio and handles wireless use very well. Compared to the Nikon SB910 (and I assume the Olympus FL600) it does have some limitiations:
If flash is important to you Nikon does have an excellent system
A long post I know, but I thought it might be useful for some to see how Micro 4/3 compares to full frame, in the eyes of a full frame user of many years. To be honest, the only thing I miss from full frame is currently a fully flaw free wide zoom (7-14), fast telephotos and the final improvement in continuous and tracking AF usage. Elsewhere I think that image quality is good enough and that the micro 4/3 feature set and handling has already exceeded that of full frame.
If you are happy with the image quality of mFT the system offers a number of advantages over other mirrorless options { wide selection of native mount lenses many of which are very good, excellent video on the Panasonic side etc } .

My personal gripe is not high ISO which I nearly never use, but rather low ISO maximum image quality , where , shadow noise and low resolution sensors { relatively speaking] impact the results. My hope is for a higher resolution mFT sensor preferably optimized for low ISO shooting with a genuine 50ISO base but alas it will never come as the camera companies seem convinced that most people shoot over 3200SISO on a constant basis :-)
 

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