Anynone care to comment on this hypothesis. bobn2 etc?

That article has three very important implications:
1. Had manufacturers avoided going too far with the megapickles (24mp aps-c anyone?) then we'd probably have smaller sensors that rival full frame. The D700 for example is a 7-year old technology and yet the D800 can't touch it in terms of pure pixel-level quality. Surely they could have already done that level of quality with aps-c by now.
Totally agree. The D800 basically traded higher resolution for lower pixel color accuracy and higher sensor noise. Most people who shoot with it end up never needing the resolution but end up forever paying the price thanks to poorer color rendition on every image than a less expensive D700/D3/D3s would have provided.
  1. Who consistently prints larger than 16mp? I've seen billboard-sized prints from a point and shoot camera and I have seen a video of a 12Mp Nikon image printed 5 storeys high.
The better question is who still prints at all? Print photographers for a contracting magazine industry, (some) wedding photographers for nostalgic couples that still want a traditional photo album, and a rapidly declining base of old people. The rest of us have moved on to displaying & sharing photos digitally.

Frankly, given the slow rate at which society updates TV display technology we'll be lucky to all upgrade to UHDTV screens before we die. And guess what? 12 MP images are still more than sufficient for those too! :D

fPrime
 
That article has three very important implications:
1. Had manufacturers avoided going too far with the megapickles (24mp aps-c anyone?) then we'd probably have smaller sensors that rival full frame. The D700 for example is a 7-year old technology and yet the D800 can't touch it in terms of pure pixel-level quality. Surely they could have already done that level of quality with aps-c by now.
Totally agree. The D800 basically traded higher resolution for lower pixel color accuracy and higher sensor noise.
Nonsense. Compare blue sky at ISO at 100 taken with the D700 with any shot taken by a D600 or a D800. No contest!
Most people who shoot with it end up never needing the resolution but end up forever paying the price thanks to poorer color rendition on every image than a less expensive D700/D3/D3s would have provided.
Not what I observe at all. The D700/D3 have exaggerated color compared to the D600/D800/D4 which are far more neutral and plenty rich. Many like the pumped effect, true enough.
  1. Who consistently prints larger than 16mp? I've seen billboard-sized prints from a point and shoot camera and I have seen a video of a 12Mp Nikon image printed 5 storeys high.
The better question is who still prints at all? Print photographers for a contracting magazine industry, (some) wedding photographers for nostalgic couples that still want a traditional photo album, and a rapidly declining base of old people. The rest of us have moved on to displaying & sharing photos digitally.

Frankly, given the slow rate at which society updates TV display technology we'll be lucky to all upgrade to UHDTV screens before we die.
You must not have a very good life expectancy :^) Got $399 or $599? Get a 4K! Coming soon at $299 for a 21" monitor, never fear.
And guess what? 12 MP images are still more than sufficient for those too! :D
Uh, no. The clarity of 36MP comes through beautifully on a large 4K display, just as it does at 1080p.
 
He claims to debunk myths, when he is actually perpetuating old misunderstandings.

Moreover, it seem to written specifically to provoke debate. Look at the repeated use of phrases like "full frame superiority" which smell a lot like flame bait.

There will probably always be a small group of people who will spend lot of time and effort devising yet more advanced "theories" to disprove fairly simple basic facts of life. Like the one that a larger area will be hit by more light then a smaller one, all else being equal.

The notion that a larger area for gathering light can be very beneficial is not something invented recently by proponents of full frame digital cameras. It has been a fairly well established fact throughout the photographic history, from the ye' old days of glass plates, through all the years of film and into the digital era.

The dude you linked to is just a recent addition to the photographic version of the flat earth society :)
 
That article has three very important implications:
1. Had manufacturers avoided going too far with the megapickles (24mp aps-c anyone?) then we'd probably have smaller sensors that rival full frame. The D700 for example is a 7-year old technology and yet the D800 can't touch it in terms of pure pixel-level quality. Surely they could have already done that level of quality with aps-c by now.
Totally agree. The D800 basically traded higher resolution for lower pixel color accuracy and higher sensor noise.
Nonsense. Compare blue sky at ISO at 100 taken with the D700 with any shot taken by a D600 or a D800. No contest!
Are you really trying to suggest the D800 and D600 have less noise that the D700? That rails against all of the established reviews, tests, and numerous threads here all showing the exact opposite.

In fact, as discussed thoroughly here even as of a few days ago, the D800 chroma noise is so strong that it actually shifts the color balance of the image. Look at the yellow dress below turning green on the D800.

ba8adac91d454f0ba4355488b9cef8b0.jpg

fPrime
 
Well - things might look different if they´d compare S+N/N on both cameras like it is good practice with high-end rf- and audio equipment.
 
That article has three very important implications:
1. Had manufacturers avoided going too far with the megapickles (24mp aps-c anyone?) then we'd probably have smaller sensors that rival full frame. The D700 for example is a 7-year old technology and yet the D800 can't touch it in terms of pure pixel-level quality. Surely they could have already done that level of quality with aps-c by now.
Totally agree. The D800 basically traded higher resolution for lower pixel color accuracy and higher sensor noise.
Nonsense. Compare blue sky at ISO at 100 taken with the D700 with any shot taken by a D600 or a D800. No contest!
Are you really trying to suggest the D800 and D600 have less noise that the D700? That rails against all of the established reviews, tests, and numerous threads here all showing the exact opposite.
What? Including DXO Mark?

http://www.dxomark.com/Cameras/Compare/Side-by-side/Nikon-D800-versus-Nikon-D700___792_441#tabs-2
In fact, as discussed thoroughly here even as of a few days ago, the D800 chroma noise is so strong that it actually shifts the color balance of the image. Look at the yellow dress below turning green on the D800.
And the yellow dress turning orange in the D700 image.


--
Lance B
 
Because your example has absolutely got nothing to do with light gathering capability of different formats.
It does because both are the result of greater sensor area. And the effect scales with area just as theory predicts.
Obviously you did not understand my megapixel hallucination article.
I understood it, but it just doesn't apply to same size output. And since that's how we view images...
 
That article has three very important implications:
1. Had manufacturers avoided going too far with the megapickles (24mp aps-c anyone?) then we'd probably have smaller sensors that rival full frame. The D700 for example is a 7-year old technology and yet the D800 can't touch it in terms of pure pixel-level quality. Surely they could have already done that level of quality with aps-c by now.
Totally agree. The D800 basically traded higher resolution for lower pixel color accuracy and higher sensor noise.
Nonsense. Compare blue sky at ISO at 100 taken with the D700 with any shot taken by a D600 or a D800. No contest!
Are you really trying to suggest the D800 and D600 have less noise that the D700? That rails against all of the established reviews, tests, and numerous threads here all showing the exact opposite.
What? Including DXO Mark?

http://www.dxomark.com/Cameras/Compare/Side-by-side/Nikon-D800-versus-Nikon-D700___792_441#tabs-2
Yes, if you simply take the time to switch to the "Screen" comparison tab on the above charts you see that the D700 curve is significantly better than that of the D800 for both:
  • Signal to Noise Ratio (SNR 18%)
  • Color Sensitivity.
This distinction goes to the heart of what dtmateojr is saying... the DxO "Print" comparison is masking the performance disadvantage of all high density sensors by comparing them on a normalized print basis. The more accurate sensor comparison is pixel for pixel which is viewable on the "Screen" tab.
In fact, as discussed thoroughly here even as of a few days ago, the D800 chroma noise is so strong that it actually shifts the color balance of the image. Look at the yellow dress below turning green on the D800.
And the yellow dress turning orange in the D700 image.
Recalibrate your monitor, Lance, I still see a mostly gold dress from the D700 below on mine despite all of these cameras being pushed to ISO 26500.

fPrime
 
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Well, yes, but did you ever see an 8x10" digital camera?
Via scanning backs. Or you can do it via roughly 10x10 stitching with FF.
10x10 stitching with a pinhole... OK
There's one stop difference between DX and FX
So the answer was not the bald "no", but instead "not much difference."
The answer was "Well, no. By that time (f/22,f/32) diffraction will equalize the images of all sensor sizes.", which still seems quite accurate ;-)
 
Believe it or not, we're saying exactly the same thing.

What we are both saying is that on a same-image-size basis, the D800 will outperform an equivalent DX camera of the same pixel density because of the downsampling/pseudo-binning/aggregation/whatever you want to call it... .But only if you compare images of the same size.

A 100% print of the FX camera will have the same quality as a 100% print of a DX camera (assuming same photosites size/quality). It will of course be BIGGER, which is "better", but not "better quality.

This is what the article is saying.
You must have read a very different article then the one I read ...

Parts like

"full frame is actually no better than it’s crop sensor counterpart (Nikon D7000 vs D800) in terms of light gathering capability."

"The Nikon D7000 and D800 have the same low light performance!"

and then he ventures into confused ramblings about things image size and its effect on SNR which is plain stupid since there is no image size at the time of the exposure, just a sensor size, and it is the sensor size which does indeed matter, not what arbitrary image size is defined after the fact.

Large parts of the article is silly, much of its reasoning lacks logic, and the conclusions are easily disproven by simple real life tests (like actually using a D7000 and a D800 side by side).
The point that I made was that while this is technically correct, from a practical perspective, bigger is better, because it allows you to downsample, even if you're not printing large.
The is not much technically correct about his ramblings. The actually technical correct reasoning (the one he calls a myth) goes well along with the practical perspective of bigger is better, because bigger really is better at gathering light.
What we all seem to be disagree on is what "gathers more light" actually means.
That gathering more light, as in more photons, really means gathering more light. There is absolutely no ambiguity there.
I am saying that it does "gather more total light", just because it's bigger. I beleive that you are saying the same thing.

What I do not agree with would be "it gathers more light per photosite" or "gathers more light per square inch" - THIS is what would increase the "quality" of the capture.
Who is claiming a D800 is gathering more light per photosite? (Maybe the confused writer of the article did, that would match his lack of logic ...)
The "quality" of the print does end up being better, just because it's being downsampled, up until we pass 100% for DX, then the "quality" of the print is still better, becasue the DX needs to be upsampled.

Each "pixel" captured isn't better, it's just the PRACTICAL application that ends up being better.
As so many you seem a little stuck with performance of single pixels, what always matter is the aggregated performance of the total amount of pixels used.

In the case of the D7000 vs D800 it is pretty simple, since they have very similar pixels, its just that the 2.25 times larger surface area of the D800 sensor allows it to have 2.25 times more of those equally performing photosites/pixels. Which means the D800 gathers 2.25 times more light and by and large have a 2.25 times (slightly over a stop) higher performance then a D7000. Something the article you seem to agree with, vehemently denies.
The other place people are getting confused is because FX is usually better than DX at the SAME RESOLUTION, because the photosites are bigger/better.
Size of photosites is largely irrelevant to this discussion. More on that below.
This si what has fueled the "FX is better than DX" thinking, but that really isn't as true as it once was, because it's often the case that an FX and DX camera now has the same photosites. The problem is, people are still thinking that this is the reason FX is better, but that is much less true than it once was.
And now you are arguing against what you yourself wrote in the beginning of you post :-)
In any case, I really do think we're saying the same thing, we're just getting caught up in semantics.
No. What I say is the following:

Sensor performance (in terms of light gathering, DR, SNR etc) is almost exclusivly determined by two factors:

- The sensor technology used (overall, with a few exceptions, newer beats older technology)
- The sensor area used to create the image.

The D7000 vs D800 is a good case, since they use very similar (by practical purposes identical) sensor technology, but have different size sensors.

Another interesting example is the D800 vs D600/D610 (or Sony A7r vs A7) where both the technology and the surface area is the same - but the photosites/pixels have different size. And interestingly, the performance in terms of light gathering, DR, SNR etc is for practical purposes identical, which supports the notion that the size of photosites/pixels is more or less inconsequential.
 
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Thank you for the reply. I will try to educate you regarding the reference to film in you last link. You do not need different emulsion films for different size film because the light gathered per, for instance, a square mm of film is the same regardless of format. But the larger the format the more square mm there are. So the larger sensor gathers more light over its total surface, q.e.d.

This is the same train of thought as the DX crop from a D800 vs. the full frame.

Capisce?

--
Kind regards
Kaj
http://www.pbase.com/kaj_e
WSSA member #13
It's about time we started to take photography seriously and treat it as a hobby.- Elliott Erwitt
ROFL! And what has that got to do with photography? What has total light gathered got to do with photographic exposure or anything remotely related to photography? Please explain and I will listen. Heck, the world will listen to your genius.

I'll go grab some popcorn... nyahaha!!!
Hope you did not choke on the popcorn.

To answer you post above; it was you who talked about light gathering so I just continued.

Talking about photography and your example of the D7000 and the D800. As you know they have about the same size pixels and the same noise on a pixel level and therefore per the same area.

It could be compared to an APS-C film camera and 135 format film. The noise (grain) per area is the same also here (with the same film emulsion). In addition a lens with the same resolution in lp/mm on both camera would have a higher resolution in lp/image height, because the 135 format is larger.

Now consider making a same size print from both cameras. The negative from the APS-C would require to be more enlarged than the 135 negative. Therefore the grain (noise) would become more visible and have less resolution in the print than the same size print from the 135 negative.

The same thing holds true for a D7000 DX (APS-C) image compared to an full frame D800 image. The image from the DX sensor needs to be enlarged more for an equally sized print. Therefore the noise in the print from the DX sensor would be more visible and have less resolution than the image from the full frame sensor.

Please try to understand what I wrote here and not argue for arguments sake.

--
Kind regards
Kaj
http://www.pbase.com/kaj_e
WSSA member #13
It's about time we started to take photography seriously and treat it as a hobby.- Elliott Erwitt
 
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You're repeating the most debunked concepts every brought forth on the subject. So many beginners fall into the same trap.

You need to read Emil Martinec's papers on noise. I mean that in all seriousness. You can't really enter into this discussion until you've assimilated that much.

It would also be good if you stopped referring to people who know more than you do as "grasshopper." You haven't got it yet.
Do you have a counter-argument or are you just trolling?
Others have given good counterarguments. If you don't understand them, then you need remediation. As I said: read Emil Martinec's papers on noise in digital cameras. That was a helpful suggestion. If you're as smart as you think you are, then reading those papers should be a breeze for you.
Could you please repost the link. I might have missed that. Thanks.
http://theory.uchicago.edu/~ejm/pix/20d/tests/noise/
I have read that before. I have read better articles on noise. They are not in conflict with my arguments at all. If you think there is something in there that debunks my articles then please point it out in here. I am hungry and very open to new knowledge.
If you have read it before you have apparently missed for instance what is written under "Big pixels vs. small pixels" and scrolling down to "Extrapolating to tiny pixel sizes" and there "Bottom line" last sentence of first paragraph: "Rather than having strong dependence on the pixel size, the noise performance instead depends quite strongly on sensor size -- bigger sensors yield higher quality images, by capturing more signal (photons)."

For your information signal (photons) means light.
 
I think what's got a lot of people's 'backs up' here is the title of the blog.

What I read from the article is:

1. Perhaps some, when consulting the DXO camera charts, haven't explored the 'sensor' button on the top of the graphs and rather rely solely on the default 'print' setting. The DXO graphs have a 'hover comment' over the buttons clearly explaining what the graphs indicate.

2. The term 'light gathering ability' is not being defined and open to individual interpretation. However, that a larger sensel will have a lower S/N ratio than a smaller one, given the same fabrication technology, is beyond doubt. Equating 'light gathering' with two different sized sensors doesn't make sense as the field of view between say DX and FX, given the same lens, is different. The DX crop area on the D800 will receive exactly the same luminance as the DX crop sensor of the D7100 - in other words the number of photons impinging on the sensels (which are more or less the same size for the D800 and D7100) is the same. The extra 'light gathering' of the FX sensor is in the area outside of the DX capture area. Conversely one could ask oneself what the difference in 'light gathering' would be between and FX sensor with a particular lens vs. a DX camera with a wider lens giving the same field of view (angle of view)?
 
Same as you do. The only difference is that I understand it better than a lot of people here.

--
Erik
lets say you have a single rain gauge and it collects rain and a football field full of rain gauges that collect rain

the gauges fill to teh same level

but empty all of the rain gauges into a cointainer of the samve volume and there is more volume (height) of water from the football field of gauges
You clearly don't understand photography at all. That's fine. It won't change physics.
nor does your misunderstanding change physics
same thing hapens when you view an image
No.
if you view an image at the same size, for example, on a monitor or 8x10 print you are putting differing amounts of collected photons into the same area
Think for a second because this is a subtly flawed logic that could trip you if you are not careful. If you think that resizing an image (downsampling) means "projecting" the same amount of light into a smaller area then you are completely wrong. Same amount of light into smaller area? Wouldn't that overexpose the resulting smaller image? It's like pouring a liter of water into a 500ml can.
what it means is that a the image is constructed from more photons, it is not overexposed

I thought that was obvious?

when more photons are used to produce pixels, they will have less noise

whether that pixel is produced from one container or two, makes non difference in the end as it is the same number of photons
and I think it is quite reasonable to say images are viewed at the same size

since photon noise is as the sqrt of the number of photons, you can see the advantage of having more photons per unit area that the larger collection area provides
Yes but that is on a pixel level not image level. Please re-read my rain article.
whether you look at as photons or as moving average which is a noise filter, the affect is the same when down sizing

yeah, well I wasted another ten minutes of my time reading your rain article

yes. if you want the depth of field of the 50mm F8 on the FF camera you could shoot 35mm F5.6 and this could negate the benefit of the FF sensor

that and reach or pixel density when factored with cost, are two reasons that smaller sensors can exceed FF sensors

for example that new Panasonic super zoom on the front page of dpreview
 
If a smaller sensor equals a larger one, then a cell phone can do as well as medium format, right? If not, where does it break down?

I mean, like duh, how dumb is this? Even in film days, photographers went with the bigger formats. I guess people have been stupid for 50 years, and now this guy is teaching us the error of our ways.

A little knowledge and some sensor envy is a dangerous thing in the hands of a layman.
 
You're repeating the most debunked concepts every brought forth on the subject. So many beginners fall into the same trap.

You need to read Emil Martinec's papers on noise. I mean that in all seriousness. You can't really enter into this discussion until you've assimilated that much.

It would also be good if you stopped referring to people who know more than you do as "grasshopper." You haven't got it yet.
Do you have a counter-argument or are you just trolling?
Others have given good counterarguments. If you don't understand them, then you need remediation. As I said: read Emil Martinec's papers on noise in digital cameras. That was a helpful suggestion. If you're as smart as you think you are, then reading those papers should be a breeze for you.
Could you please repost the link. I might have missed that. Thanks.
http://theory.uchicago.edu/~ejm/pix/20d/tests/noise/
I have read that before. I have read better articles on noise. They are not in conflict with my arguments at all. If you think there is something in there that debunks my articles then please point it out in here. I am hungry and very open to new knowledge.
If you have read it before you have apparently missed for instance what is written under "Big pixels vs. small pixels" and scrolling down to "Extrapolating to tiny pixel sizes" and there "Bottom line" last sentence of first paragraph: "Rather than having strong dependence on the pixel size, the noise performance instead depends quite strongly on sensor size -- bigger sensors yield higher quality images, by capturing more signal (photons)."

For your information signal (photons) means light.
 
You're repeating the most debunked concepts every brought forth on the subject. So many beginners fall into the same trap.

You need to read Emil Martinec's papers on noise. I mean that in all seriousness. You can't really enter into this discussion until you've assimilated that much.

It would also be good if you stopped referring to people who know more than you do as "grasshopper." You haven't got it yet.
Do you have a counter-argument or are you just trolling?
Others have given good counterarguments. If you don't understand them, then you need remediation. As I said: read Emil Martinec's papers on noise in digital cameras. That was a helpful suggestion. If you're as smart as you think you are, then reading those papers should be a breeze for you.
Could you please repost the link. I might have missed that. Thanks.
http://theory.uchicago.edu/~ejm/pix/20d/tests/noise/
I have read that before. I have read better articles on noise. They are not in conflict with my arguments at all. If you think there is something in there that debunks my articles then please point it out in here. I am hungry and very open to new knowledge.
If you have read it before you have apparently missed for instance what is written under "Big pixels vs. small pixels" and scrolling down to "Extrapolating to tiny pixel sizes" and there "Bottom line" last sentence of first paragraph: "Rather than having strong dependence on the pixel size, the noise performance instead depends quite strongly on sensor size -- bigger sensors yield higher quality images, by capturing more signal (photons)."

For your information signal (photons) means light.
 
Just read this paper and you'll have the answer.. No need for debate when one can just read the facts.

http://www.invensense.com/cn/mems/g...nandLightSensitivityTradeoffWithPixelSize.pdf

--
Find Your Mind Online!
AM4L.com
Mark
That is a paper from early 2006 using software from that era. Empirically we are not seeing pixel size as a significant factor in sensor performance (e.g. the 12MP D300s, D7000, D7100).

Given that imaging technology has evolved so much in the 8+ years since that paper, and from what we see empirically I would question it's validity.

The tradeoff, if there even is one, between light sensitivity and spatial resolution would seem to be not significant.
 

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