How I chose my next camera

clemcam

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Around ten years ago I sold all of my SLR and DSLR equipment and for a decade have been happily using compacts, starting with the Olympus C-8080, going through several Canon models, and now being generally satisfied with the Nikon P7800. However, recently I began to feel I was missing part of the pleasure of photography that comes with better equipment. To check this out, I successively rented four cameras with appropriate lenses from LensRentals.com. Although it cost a bit, rental is cheaper than buying the wrong camera.

The four cameras were the Fujifilm X-E2, the Sony RX10, the Olympus E-M10, and the Panasonic GX7. All of these are extremely good cameras; the number of excellent choices now available is remarkable. The most astonishing item to me was the RX10 lens: constant f/2.8 and sharp edge-to-edge from 24mm to 200mm equivalent. However, the RX10 is too large for my current objectives, and although the X-E2 is small, the APS-C lenses are too big and heavy.

And so this left the E-M10 and the GX7. All reviewers seem to love the E-M10, and they also agree that the GX7 makes good pictures. But the different reactions of the DPR and IR reviewers as to the handling of the GX7 show why we still need more than one kind of camera design. The former was tepid to negative about it and the latter was almost gushing with enthusiasm for it. The first difference I noticed was the grip. I was always afraid I might drop the E-M10 whereas I never gave a thought to that possibility with the secure grip of the GX7. And the left mounted EVF suits my right-eyed vision. One comment on this forum by a left-eyed person complained that with the GX7, his nose was always pressed against the LCD. A center eyepiece makes both eye types equally uncomfortable. I worried about shutter shock. Although this is reportedly fixed on the E-M10, I didn't know about the GX7. However, after testing extensively with the 14-45mm zoom on the GX7, I didn't notice any sharpness problems. Maybe it will turn up later. Disturbing on the E-M10 was an extremely tight lens mount which made me worry about breaking the rented 25mm f/1.8 when I installed it. This made me wonder if Olympus priced the camera too low to cover adequate quality control.

After integrating all of my objective and subjective judgments, I finally chose the Panasonic GX7. Any one of the other three might be better suited to a different person with different preferences. From now on my results will be limited by my ability, not by my camera.
 
Around ten years ago I sold all of my SLR and DSLR equipment and for a decade have been happily using compacts, starting with the Olympus C-8080, going through several Canon models, and now being generally satisfied with the Nikon P7800. However, recently I began to feel I was missing part of the pleasure of photography that comes with better equipment. To check this out, I successively rented four cameras with appropriate lenses from LensRentals.com. Although it cost a bit, rental is cheaper than buying the wrong camera.

The four cameras were the Fujifilm X-E2, the Sony RX10, the Olympus E-M10, and the Panasonic GX7. All of these are extremely good cameras; the number of excellent choices now available is remarkable. The most astonishing item to me was the RX10 lens: constant f/2.8 and sharp edge-to-edge from 24mm to 200mm equivalent. However, the RX10 is too large for my current objectives, and although the X-E2 is small, the APS-C lenses are too big and heavy.

And so this left the E-M10 and the GX7. All reviewers seem to love the E-M10, and they also agree that the GX7 makes good pictures. But the different reactions of the DPR and IR reviewers as to the handling of the GX7 show why we still need more than one kind of camera design. The former was tepid to negative about it and the latter was almost gushing with enthusiasm for it. The first difference I noticed was the grip. I was always afraid I might drop the E-M10 whereas I never gave a thought to that possibility with the secure grip of the GX7. And the left mounted EVF suits my right-eyed vision. One comment on this forum by a left-eyed person complained that with the GX7, his nose was always pressed against the LCD. A center eyepiece makes both eye types equally uncomfortable. I worried about shutter shock. Although this is reportedly fixed on the E-M10, I didn't know about the GX7. However, after testing extensively with the 14-45mm zoom on the GX7, I didn't notice any sharpness problems. Maybe it will turn up later. Disturbing on the E-M10 was an extremely tight lens mount which made me worry about breaking the rented 25mm f/1.8 when I installed it. This made me wonder if Olympus priced the camera too low to cover adequate quality control.

After integrating all of my objective and subjective judgments, I finally chose the Panasonic GX7. Any one of the other three might be better suited to a different person with different preferences. From now on my results will be limited by my ability, not by my camera.
EM-10 with accessory grip is fantastic. A little oil from your forehead and the 25 1.8 goes on with no problem. Either camera will be a good choice.
 
Around ten years ago I sold all of my SLR and DSLR equipment and for a decade have been happily using compacts, starting with the Olympus C-8080, going through several Canon models, and now being generally satisfied with the Nikon P7800. However, recently I began to feel I was missing part of the pleasure of photography that comes with better equipment. To check this out, I successively rented four cameras with appropriate lenses from LensRentals.com. Although it cost a bit, rental is cheaper than buying the wrong camera.

The four cameras were the Fujifilm X-E2, the Sony RX10, the Olympus E-M10, and the Panasonic GX7. All of these are extremely good cameras; the number of excellent choices now available is remarkable. The most astonishing item to me was the RX10 lens: constant f/2.8 and sharp edge-to-edge from 24mm to 200mm equivalent. However, the RX10 is too large for my current objectives, and although the X-E2 is small, the APS-C lenses are too big and heavy.

And so this left the E-M10 and the GX7. All reviewers seem to love the E-M10, and they also agree that the GX7 makes good pictures. But the different reactions of the DPR and IR reviewers as to the handling of the GX7 show why we still need more than one kind of camera design. The former was tepid to negative about it and the latter was almost gushing with enthusiasm for it. The first difference I noticed was the grip. I was always afraid I might drop the E-M10 whereas I never gave a thought to that possibility with the secure grip of the GX7. And the left mounted EVF suits my right-eyed vision. One comment on this forum by a left-eyed person complained that with the GX7, his nose was always pressed against the LCD. A center eyepiece makes both eye types equally uncomfortable. I worried about shutter shock. Although this is reportedly fixed on the E-M10, I didn't know about the GX7. However, after testing extensively with the 14-45mm zoom on the GX7, I didn't notice any sharpness problems. Maybe it will turn up later. Disturbing on the E-M10 was an extremely tight lens mount which made me worry about breaking the rented 25mm f/1.8 when I installed it. This made me wonder if Olympus priced the camera too low to cover adequate quality control.

After integrating all of my objective and subjective judgments, I finally chose the Panasonic GX7. Any one of the other three might be better suited to a different person with different preferences. From now on my results will be limited by my ability, not by my camera.
EM-10 with accessory grip is fantastic. A little oil from your forehead and the 25 1.8 goes on with no problem. Either camera will be a good choice.
or better yet, oil from your nose. then you don't have to worry about smudging the screen when you use the viewfinder.
 
Enjoy your new camera and don't dog Olympus. Go take pictures. Any of the cameras that you mentioned would have enough capability to keep you learning for some time.
 
I should become as patient ant thorough as you! :-)

Good writeup and clearly, the best way to select the best camera for your purposes. Do enjoy it!

Cheers,

Rick
 
One comment on this forum by a left-eyed person complained that with the GX7, his nose was always pressed against the LCD. A center eyepiece makes both eye types equally uncomfortable.
I've used cameras with eyepieces all over the place with my left eye and my right eye and never had a problem. I just can't understand why people insist on pressing the camera into their nose if it's uncomfortable for them. Just tilt tilt your head down a bit to give a bit of space between you and the bottom edge of the camera and adjust your gaze "up" a bit to look into the viewfinder. It's really not that difficult...
 
One comment on this forum by a left-eyed person complained that with the GX7, his nose was always pressed against the LCD. A center eyepiece makes both eye types equally uncomfortable.
I've used cameras with eyepieces all over the place with my left eye and my right eye and never had a problem. I just can't understand why people insist on pressing the camera into their nose if it's uncomfortable for them. Just tilt tilt your head down a bit to give a bit of space between you and the bottom edge of the camera and adjust your gaze "up" a bit to look into the viewfinder. It's really not that difficult...
Cameras (no names!) which allow the LCD to go completely INNY, are fortunately spared from being smudged by oily noses! Or a cleverly designed LCD cover as seen on some DSLRs! What might be a bigger concern though is that many of the high level P&S compacts (or not so compact, compacts!) populate the right upper deck with most controls (left side being populated with flash and EVFs etc) and surely this must pose a challenge for the left-handed photographers? Or does it? Someone I know and he takes fantastic shots with his DSLR despite being a left-handed person, makes me wonder if it is such a big deal if one is an avid photophile!!
 

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