X_Holger
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Funny conclusions you arrived to. I don't need to conclude anything, but just read what you wrote: you processed the images completely differently (sharpening! proprietary software that who knows what other presets apply, totally different RAW processors...), you took a shot of a different image, you were a few thousand miles away (different days, humidity, heat from the roofs, etc).I looked at these first four images (I am assuming 100% crops) and concluded one of the following.
1. The OP let the camera focus and the first four are completely out of focus.
2. The OP turned off IS for all the first four images and the images are blurred due to camera movement.
3. Both lenses are defective.
I took a photo of my grey roof focusing on the bottom of a 2,5 inch vent from approximately 20 meters and raised the shutter speed to give f5.6. The full resolution image is attached. Then I took the OP image a selected the same number of pixels around the only detail in the first image and took the same number of pixels from the focus point from my image. Note the difference in clarity (Olympus Viewer 3 conversion to tiff, LR - sharpening 35 with radius .7 and saved as jpg from CS6 - no noise reduction) compared to the image OP image. You can easily read the small print on the vent cover that says you should tear out the center ring for a 3 inch vent.
![]()
We shoot at different apertures, it could be that. At more than F5.6 you get diffraction phenomena with a 2x crop sensor. Not sure how you processed the RAW files, nor which RAW processors you used. And, after all, we have different copies of the lenses.I don't think that the findings of "luisflorit" are correct.
There is something wrong with his set-up.
I did a short test with the 50-200 SWD + EC-14 compared to the Olympus 75-300 at 300mm.
Here is a 100% crop at F6.3 / F6.7
both manually focussed with 14x magnification
Sturdy tripod, no IS, 75-300 with Manfrotto 293 Telephoto Lens Support, AntiShock 10 sec, cable release
First 50-200 SWD + EC-14 F6.3 (officially 283mm)
Second the Olympus mFT 75-300 F6.7 at 300mm
I think the difference is easy to see ......
And I doubt it would be any different with the Panasonic 100-300
If it is noisier than your E-5 at base ISO, even if comparing on a per-pixel basis rather than at equal resolution, there is something wrong. Although I don't know the E-5, I know both sensors. I have a G1 (E-5 sensor), an E-M5, and an E-M1, and the last two are miles ahead at any ISO. Don't have anything but uninteresting test pictures to offer from the E-M1 yet. But do you see much in the way of noise here?It's not just a sensor size thing. It is noisier at base ISO than my E5, that also has a 2x crop factor. Of course, it has more resolution, so you could blame that. Still, much better high ISO than my E5, what is strange due to the lower IQ at base ISO. I confess I don't understand why, I just know it is noisy.Because it is a bit grainy. You can see it in all the fine color trasitions and darker single color frame parts.
I see it on my EM5 as well.
If you want perfect studio quality smoothness you must brushit with a de-noise brush
Its irritating for some spetial shots. Urrelevant for most. But it there. M43 curse.
I think this is correct.This is incorrect.It's only possible if OP underexposes.How can the image quality out of the EM1 be too grainy at ISO200?
I mostly go by your statement "E-M1 is noisier at base ISO than my E5". I think you discovered something new here, a revelation that nobody was able to find before. I suggest to create a separate thread for this finding, and see what happens.No. I've shoot at base ISO (200) sunny landscapes with "proper" exposure giving an on-camera even histogram.It can be grainy if you shoot high contrast scene and boost shadows a lot, but it's not what many people do, so it's probably not the case here.
However, you have to push the curves when processing RAW since a flat curve gives you underexposed shots (unless the RAW processor applies a preset curve for you). This is a "philosophy" Oly adopted since the old E620: ISO200 and ISO100 has identical sensor sensitivity/gain (supposedly to protect highlights), with different exposure curves applied. Because of this, I've set my E3 and E5 with an Expose Shift of +1EV, to expose to the right. The problem with that is that the VF tricks you... But you get used to that. I will quite probably do the same with the EM1 (Gears > Utility > Exposure Shift), it's the only different setting I have from my E5 (as possible).
Too bad that you couldn't keep the files for a few days. Now we won't know the truth.Indeed.Especially when OP says that E-M1 is noisier at base ISO than E-5, a camera with 6 year old sensor. This tells that mastering exposure and camera settings properly should be the first item in to-do list.
However, while the EM1 and E5 are different, I've swept the whole menu of the EM1 to match as close as possible my E5. The differences now are all in favor to get an EM1 proper exposure thanks to the beautiful EVF (Live histogram, etc).
People here forbid me to shoot without it, so I enabled it while the camera was locked in the box.As for comparison test - close-up pair shows that 100-300 is sharper. But, at least some telezooms can show good quality at closeups and then degrade at longer focusing distances. So, 1st pair should be more relevant comparison. I also wonder if 0s anti-shock was enabled during the test.I didn't enable the "short" lag setting, to save battery.
Unfortunately, the tests are deleted. But, as I said, I shoot 10 pictures with each setting, and kept the sharpest (it was difficult to choose, since all pictures were very similar). It's only a weird feeling.And regarding the first image pair - I have a weird feeling that 50-200 shot was focused farther than what crop shows, above cropped area. I could be wrong, of course. OP, would you be able to show full image?![]()
As you wrote, it's much better to decide if there is a front/back focusing when the surface is inclined. Same for the statue, with lots of details at different distance just to detect focusing problems. That's the reason.Also, was there any reason to choose non-flat, inclined surface for lens resolution comparison?
Wihat shutter speed was used? Why no EXIF? With 10-second AS (as opposed to 0-second), there are serious shutter-shock issues that may well work out differently for different lenses.These are jpegs out of the camera (E-M1) cropped with photoshop, each crop is 4,18 x 4,18 cm.
No RAW processing .... no additional sharpening .... distance from target around 3 meters.
The full size jpegs give exactly the same impression.
I observed it mostly in landscapes shots, in large even areas (not necessarily deep shadows, but also not so dark areas). Skies are noisier, too.If it is noisier than your E-5 at base ISO, even if comparing on a per-pixel basis rather than at equal resolution, there is something wrong. Although I don't know the E-5, I know both sensors. I have a G1 (E-5 sensor), an E-M5, and an E-M1, and the last two are miles ahead at any ISO. Don't have anything but uninteresting test pictures to offer from the E-M1 yet. But do you see much in the way of noise here?It's not just a sensor size thing. It is noisier at base ISO than my E5, that also has a 2x crop factor. Of course, it has more resolution, so you could blame that. Still, much better high ISO than my E5, what is strange due to the lower IQ at base ISO. I confess I don't understand why, I just know it is noisy.Because it is a bit grainy. You can see it in all the fine color trasitions and darker single color frame parts.
I see it on my EM5 as well.
If you want perfect studio quality smoothness you must brushit with a de-noise brush
Its irritating for some spetial shots. Urrelevant for most. But it there. M43 curse.
http://www.dpreview.com/forums/post/53777038
I have a 100-300 and I just ordered a 50-200 Mk I (KEH) and a cheap EC14 (EBay). I seem to remember finding several similar comparisons on the web that reached different conclusions....to read such a thread - after all i just hit the buy it now button for a Pana 100-300 a few minutes ago![]()
The E5 (like virtually all decent cameras) also have what you called "blinkies", only in the LCD, of course. The only difference is that you have to take you eye from the viewfinder to check for exposure after shooting (something that is actually quite important to me, a big plus for m43rds).E-M1 (and actually all Olympus m4/3 cameras since 2008) has blinkies to help you in choosing proper exposure. E-5 couldn't have them with optical viewfinder. The blinkies have been the way to set proper exposure for a while now. So, you probably have a room for improvement in mastering exposure with micro 4/3.
We? You don't, I do.Too bad that you couldn't keep the files for a few days. Now we won't know the truth.Unfortunately, the tests are deleted. But, as I said, I shoot 10 pictures with each setting, and kept the sharpest (it was difficult to choose, since all pictures were very similar). It's only a weird feeling.![]()
How can you conclude such an "impossibility" from my test?? I have extremely sharp images from the 50-200 with both TC's, you just have to process them correctly instead of flat for testing. This shot was taken with the same 50-200 copy, but with the "quite soft" 2.0TC:I was skeptical because people showed surprisingly good results with 50-200mm and 1.4x TC. For example, there was one thread about a week ago with full resolution pictures of small birds taken with 50-200mm + 1.4x TC at 200mm wide open. These were very sharp. According to your comparison it should be impossible.
Yes, that's why I wrote "surprised" in the title. But others also say differently (read below the thread).I have a 100-300 and I just ordered a 50-200 Mk I (KEH) and a cheap EC14 (EBay). I seem to remember finding several similar comparisons on the web that reached different conclusions....to read such a thread - after all i just hit the buy it now button for a Pana 100-300 a few minutes ago![]()
Well, we will have different copies, so maybe your 100-300 is softer than mine. Actually, I've read in this very forum people strongly complaining about the 100-300 at full zoom, and others posting shots showing that this was not true (I'm sure you read these yourself). Maybe everyone is right, and there is lots of variations in the 100-300? This was the case with the famous Bigma (Sigma 50-500), for example.I'm not wildly thrilled with the 100-300 at full zoom so this could be disappointing (if true).
I have a 100-300 and I just ordered a 50-200 Mk I (KEH) and a cheap EC14 (EBay). I seem to remember finding several similar comparisons on the web that reached different conclusions....to read such a thread - after all i just hit the buy it now button for a Pana 100-300 a few minutes ago![]()
I'm not wildly thrilled with the 100-300 at full zoom so this could be disappointing (if true).
Even worse then!! Oly STRONGLY processes their pictures on camera.These are jpegs out of the camera (E-M1) cropped with photoshop, each crop is 4,18 x 4,18 cm.
Yes, I expect that too. I just didn't test it without the TC because I never use my 50-200 without it, since it is too short for wildlife photography. I think it is glued...Without commenting on the various photos shown on this thread, I find that my 100-300 is sharper at full zoom than my 50-200 SWD +1.4 TC. My 50-200 without the TC is an all around sharper lens than my 100-300 at any common zoom level.
Interesting. We were discussing about this the other day. My conjecture is that this is because of inertia, since the 50-200+TC weights almost 2 pounds more than the 100-300. I will test that.Edit: I can also hand hold the 50-200 at least 1 stop faster than the 100-300.
This is with the E-M5 rather than the E-M1. But do you see much in the way of sky noise here? And I couldn't go all that far with exposure in this case since the scene is counterlit (sun lurking behind a tree) and I didn't want to clip any highlights.I observed it mostly in landscapes shots, in large even areas (not necessarily deep shadows, but also not so dark areas). Skies are noisier, too.If it is noisier than your E-5 at base ISO, even if comparing on a per-pixel basis rather than at equal resolution, there is something wrong. Although I don't know the E-5, I know both sensors. I have a G1 (E-5 sensor), an E-M5, and an E-M1, and the last two are miles ahead at any ISO. Don't have anything but uninteresting test pictures to offer from the E-M1 yet. But do you see much in the way of noise here?It's not just a sensor size thing. It is noisier at base ISO than my E5, that also has a 2x crop factor. Of course, it has more resolution, so you could blame that. Still, much better high ISO than my E5, what is strange due to the lower IQ at base ISO. I confess I don't understand why, I just know it is noisy.Because it is a bit grainy. You can see it in all the fine color trasitions and darker single color frame parts.
I see it on my EM5 as well.
If you want perfect studio quality smoothness you must brushit with a de-noise brush
Its irritating for some spetial shots. Urrelevant for most. But it there. M43 curse.
http://www.dpreview.com/forums/post/53777038
You should sharpen less as the pixel count goes up. Sharpening brings out noise badly with LR if you go beyond default. I am now using Focus Magic to deal with that. It does a better job than LR with sharpening. Normally, LR default is enough for me. But sometimes I want more.To be fair, I would rather say that the noise is "different". There is more absolute grain in the EM1, but it is finer, and doesn't bother me. But sharpening brings it up.
Good. Looking forward to that.Next sunny day I will take a shot for you to see what I mean (cannot take a shot with my E5 since my 12-60 is dead).
Yes, it's a big difference in how far you can go.OTOH, my E5 was nailed at ISO500, since anything above that was too noisy for my taste. And yesterday I took several ok ISO2500 shots with my EM1 (like the toucan I posted), and even one usable ISO4000.
No, definitely the grain I see in your shot is better than the one I see in mine. However, as you know, this is a processed shot, so it is in fact very hard to tell just from this. I can of course process mine to look even better than yours, and so you can (read below).This is with the E-M5 rather than the E-M1. But do you see much in the way of sky noise here? And I couldn't go all that far with exposure in this case since the scene is counterlit (sun lurking behind a tree) and I didn't want to clip any highlights.I observed it mostly in landscapes shots, in large even areas (not necessarily deep shadows, but also not so dark areas). Skies are noisier, too.
Yes, sure. What I do, ALWAYS, is selective sharpening. Yes, I know is a pain in the a**, but the results are much better. This is hard for birds in rainforests, but much easier in a shot like yours, because you can select the whole sky with the click of a button. You won't find any noise in any sky in my home page shots.You should sharpen less as the pixel count goes up. Sharpening brings out noise badly with LR if you go beyond default. I am now using Focus Magic to deal with that. It does a better job than LR with sharpening. Normally, LR default is enough for me. But sometimes I want more.To be fair, I would rather say that the noise is "different". There is more absolute grain in the EM1, but it is finer, and doesn't bother me. But sharpening brings it up.
You are a much better bird photographer than I am (I am just dabbling in this department) and these are nothing to write home about. But I think they demonstrate pretty well what the E-M5 (and I am sure the E-M1) with the 100-300 can do, technically speaking.
OK. But there was no selection of anything here, or in the shot below. And no NR beyond LR defaults. I would have to look back to tell for sure when it comes to sharpening. But my guess is that the first is with LR deffaults and the second a bit more than that (but in way that does not provoke too much noise).No, definitely the grain I see in your shot is better than the one I see in mine. However, as you know, this is a processed shot, so it is in fact very hard to tell just from this. I can of course process mine to look even better than yours, and so you can (read below).This is with the E-M5 rather than the E-M1. But do you see much in the way of sky noise here? And I couldn't go all that far with exposure in this case since the scene is counterlit (sun lurking behind a tree) and I didn't want to clip any highlights.I observed it mostly in landscapes shots, in large even areas (not necessarily deep shadows, but also not so dark areas). Skies are noisier, too.
Yes, sure. What I do, ALWAYS, is selective sharpening. Yes, I know is a pain in the a**, but the results are much better. This is hard for birds in rainforests, but much easier in a shot like yours, because you can select the whole sky with the click of a button. You won't find any noise in any sky in my home page shots.You should sharpen less as the pixel count goes up. Sharpening brings out noise badly with LR if you go beyond default. I am now using Focus Magic to deal with that. It does a better job than LR with sharpening. Normally, LR default is enough for me. But sometimes I want more.To be fair, I would rather say that the noise is "different". There is more absolute grain in the EM1, but it is finer, and doesn't bother me. But sharpening brings it up.
Good example!! I'm so pleasantly surprised...You are a much better bird photographer than I am (I am just dabbling in this department) and these are nothing to write home about. But I think they demonstrate pretty well what the E-M5 (and I am sure the E-M1) with the 100-300 can do, technically speaking.
Cheers!
L.
--
My gallery: http://luis.impa.br/photo
Yeah, I suspected that.OK. But there was no selection of anything here, or in the shot below.No, definitely the grain I see in your shot is better than the one I see in mine. However, as you know, this is a processed shot, so it is in fact very hard to tell just from this. I can of course process mine to look even better than yours, and so you can (read below).
Maybe is that. I never used LR (Linux user here). I hate noise, but hate NR even more. The finest detail is very important to me.And no NR beyond LR defaults.
I see.I would have to look back to tell for sure when it comes to sharpening. But my guess is that the first is with LR deffaults and the second a bit more than that (but in way that does not provoke too much noise).
I at least indicated specifically how I processed my files and attached a full resolution file with EXIF. You provided cropped files with no information about the crops or processing. I save RAW files and use a single focus point and choose targets with at least moderate contrast for testing. You supplied none of the information about your image or processing and the first target had little contrast except for the roofing screw. However, if you would supply your original EXIF file, I can easily process my file in exactly the same way using Olympus Viewer and export them to jpg, since Viewer can replicate any camera settings. You lighting conditions were not that different (one stop). If you used some other processor rather than the Olympus image processor to convert Olympus RAW files, then that my explain why your files look so blurry.Funny conclusions you arrived to. I don't need to conclude anything, but just read what you wrote: you processed the images completely differently (sharpening! proprietary software that who knows what other presets apply, totally different RAW processors...), you took a shot of a different image, you were a few thousand miles away (different days, humidity, heat from the roofs, etc).I looked at these first four images (I am assuming 100% crops) and concluded one of the following.
1. The OP let the camera focus and the first four are completely out of focus.
2. The OP turned off IS for all the first four images and the images are blurred due to camera movement.
3. Both lenses are defective.
I took a photo of my grey roof focusing on the bottom of a 2,5 inch vent from approximately 20 meters and raised the shutter speed to give f5.6. The full resolution image is attached. Then I took the OP image a selected the same number of pixels around the only detail in the first image and took the same number of pixels from the focus point from my image. Note the difference in clarity (Olympus Viewer 3 conversion to tiff, LR - sharpening 35 with radius .7 and saved as jpg from CS6 - no noise reduction) compared to the image OP image. You can easily read the small print on the vent cover that says you should tear out the center ring for a 3 inch vent.
![]()
Anyway, I've a sharpening slider too. I swear!
Something I also did was to shoot hand held, since this is the only thing that matters to me (if it is the IBIS that doesn't work well with the 50-200, it is irrelevant for me). Certainly that added small amounts of blur. Yet, the crop you choose was at 1/400s, while the toucan was at 1/30s. And, as I wrote, I took 10 pics of everything, with virtually identical results.
Cheers,
L.
--
My gallery: http://luis.impa.br/photo