The Davinator
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He's never used the camera. I found moire rarely an inssue despite using the camera for weddings where one would expect it to show in fabrics. Using my old 50 f1.4D, I used the lens wide open and at low iso. The color and resolution was superb. The B&W conversions worked great as well. I ended up selling the outfit and continuing with the Canon 1Ds series for years. I didn't pull out my Nikkor glass again until the D700 came out.DPR is hardly a criteria for good colour fidelity in their reviews. For once they use LR/ACR and that is the last raw converter to be used if I want a good colour from any camera let alone colour. Regarding moire and others - you need to study the subject more rather then rely on reviews.http://www.dpreview.com/reviews/kodakslrcAll you have to do is to scan this forum instead of complaining.Lets see some images made with the kodak cameras if you have taken them.
http://www.dpreview.com/forums/post/50906410
http://www.dpreview.com/forums/post/52099732
http://www.dpreview.com/forums/post/50195207
http://www.dpreview.com/forums/post/50142175
DPR had a lukewarm review of the camera. Its low ISO is pretty good on standard then but with green-cast color. It's high ISO is not good and suffers from moiré. Canon 1Ds that released 2 years earlier has overall better IQ despite 2mp deficit. 1Ds II that released later in 2004 dwarfed DCS Pro SLR/n/c. History showed Kodak's effect to make F or EF mount compatible failed as it failed to deliver better bodies than Canon or Nikon.
With some skill and knowledge, the Kodak camera truly delivered great results. It is a shame they didn't continue development. i think they could have been a high quality niche player like Fuji has become.