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I agree. Unless I am missing something the HDR mode doesn't save RAW files and all you end up with is an in camera processed JPG.You're much better off using software to achieve what you want.
On this note, I'm guessing you can set up a Custom slot to do a 3-shot bracket, yes?It's limited to 3 exposures (if you do it with bracketing, more if you want to use manual exposure for as many as you like). Unlike some grander cameras, you can set the bracketing range up to as much as +3 EV.
Indeed you can, and that's exactly what I've done.On this note, I'm guessing you can set up a Custom slot to do a 3-shot bracket, yes?
I may enter this in my C2 slot.
The LX7 actually does have auto bracketing and it is under the same button as burst shooting and timer. It is the bottom button on the round key pad. You can use it to take three exposures at up to three stops difference. The problem is that since it is on the same button as the timer you can't use the timer during auto bracketing, which is often what you want to do. Fortunately, it still takes the shots at up to 11fps.Hi Tracey,
As you probably already know, the LX7 does not have automatic bracketing which will make HDR photography more difficult as ideally you want at least 3 exposures of a static scene. The LX7 does however do 1920 x 1080 pixels at 60fps which could be useful for you.
You can effectively make HDR photos from video (and without a tripod) or using the burst mode (the LX7 does 11 fps) using a Lightroom plug-in called HDRinstant . You just need to film a scene then run the plug-in in Lightroom to create an HDR image.
Hope this helps!
Andy
Thanks for the response.Indeed you can, and that's exactly what I've done.
A tip: Despite the fact that I almost invariably shoot raw, I've chosen JPG for this custom setting because there's so much other processing to be done in PP. That, however, may or may not suit you.
Sure, you could look at it that way. I use JPG mainly to avoid making possibly different adjustments to the multiple images in the HDR series. But why not?Wouldn't the extra work involved, and especially due to the nature of the work, be all the more reason to shoot RAW in this case?
Forgive me if I'm being a bit dense, but wouldn't trusting the in-camera processor to handle all three JPEGs identically be far more of a leap of faith than just shooting RAW and leaving it's integrated circuits out of the equation? I'm not doubting that your methods work, I just don't understand the concept behind your decision.Sure, you could look at it that way. I use JPG mainly to avoid making possibly different adjustments to the multiple images in the HDR series. But why not?
Another issue that niggles at me re multi-image HDR is: besides the exposure range of +2 or +3 EV is whether to use exposure comp (bias) for the three images. I often feel the bright image of the three is more exposure than is needed, and the dark image less, which suggests using maybe 1 EV negative exposure comp. However, I do real HDR infrequently enough that I've never given this issue serious research. One step a person might take is to spot meter the dark area and the bright area of the scene, and on the basis of that set an EC adjustment.
Forgive me if I'm being a bit dense, but wouldn't trusting the in-camera processor to handle all three JPEGs identically be far more of a leap of faith than just shooting RAW and leaving it's integrated circuits out of the equation? I'm not doubting that your methods work, I just don't understand the concept behind your decision.
That being said, I've found the JPEG rendering of the LX7 processor to be excellent. I prefer the SOOC output, in JPEG, from my LX7 to the same output from my D300 (and I like the D300 too).
Hi Tracey,I am interested in the HDR capabilities on this camera. I appreciate any comments and samples thanks