Understanding the Nikon Df, amazing jpegs & other things

In their review, DpR (and, I am sure, a few others) came to one particularly remarkable conclusion.

Reviewers have a difficult task. If you want to review a performance at the opera, you would be better off to know something about opera. A reviewer needs to know something, and show respect for what he or she doesn't fully understand.

I believe I have a balanced idea about the Nikon Df, I am not a fan, probably not buying one, but I find this part of DpR's review pathetic.
+1. It was just a poorly done, phoned in review. And I'm not a Df owner, and I'm not saying that as a Nikon user or fan, but it was a rush job, it was obvious that they were more interested in proving the over the top negativity they set up in the Preview. Instead of manning up and saying they made a mistake with the "the Df is silly" comments, they took the ball and ran with it.
If someone thinks he can judge the "build quality" of a camera (how do you define that?) put together from thousands of precision-made metal parts, glass, composites and amazingly complex electronics by holding it and turning a few knobs, he has surely missed something very fundamental.

Ming Thein even had the nerve to question if the chrome version was in fact made from chromed plastic.
You know I'm sure this gentleman is a nice guy, but I've heard his name far too frequently in the past couple of days. And he did barely did a review of the Df. Not a single images, just some m43 fanboy comments about the Df. Who cares what this blogger/watch photographer thinks about any camera? I don't. I know people tell me he's a great photographer. But so what? I have a hard time taking anyone seriously who is trying to convince that a m43 camera with an lousy EVF and shutter shock is what you want to be shooting with. It's a bad joke. So I'll take his comments about the Df and any Nikon or any DSLR with a humongous grain of salt.

By the way "chromed plastic"? Embarrassingly ridiculous.



Nikon Df Magnesium Alloy Front

Nikon Df Magnesium Alloy Front



Nikon Df Magnesium Alloy - Front

Nikon Df Magnesium Alloy - Front

Nikon Df Magnesium Alloy - Rear

Nikon Df Magnesium Alloy - Rear
 
For the first time, we have the option to shoot quick and easy, often with state-of-the-art IQ, without even spending 10 seconds at the computer.

The D610 and the D800 do this jpeg magic with great panache, and was curious whether the Df does, too. As it stands, it seems entirely ok as well
That's why I found it strange why this "quick and easy" shooting is not also possible with NEF.

In fact, I seems obvious that the camera makes all these corrections *before* the captured image is converted to a jpeg and write it to the card. If so, it has to be technically possible to convert it to a NEF *after* the corrections. That would be great. Maybe in a future firmware update?
No need, much bad, was tried and turned to be wrong, will never happen again.
You say it was tried before to implement this and turned to be wrong? Why was it bad?
Nikon D1 original was baking white balance into the nefs. G-d forbid to shoot with wrong WB setting, I made that mistake once. Any problem in auto white balance and there is no way back.

Application of wrong white balance can rob up to 3 stops of dynamic range.
Thanks for the clarification Iliah,

Maybe with the exception of WB correction, if it is that bad to implement in a auto correction feature, there can still be a lot of corrections made in-camera RAW, especially those lens based. As I said earlier, it should be nice if it is user selectable.
 
The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Well...

Df is only 10 grams lighter than 6D - 760g vs 770g, but you have to take into account that 6D's battery is 1800mha, while Df's is 1050, Also 6D has GPS and Wifi built in, by the time you add second battery, and Wifi add-on, Df is a lot more than 10g heavier than 6D.

Size wise it is also no so clear cut, Df is 1mm shorter and narrower than 6D, 4mm thinner, but DF is a much much smaller grip, I think for the actual body thickness, Df is actually a bit think. I think their overall dimension is exactly the same.
 
In their review, DpR (and, I am sure, a few others) came to one particularly remarkable conclusion.

Reviewers have a difficult task. If you want to review a performance at the opera, you would be better off to know something about opera. A reviewer needs to know something, and show respect for what he or she doesn't fully understand.

I believe I have a balanced idea about the Nikon Df, I am not a fan, probably not buying one, but I find this part of DpR's review pathetic.
+1. It was just a poorly done, phoned in review. And I'm not a Df owner, and I'm not saying that as a Nikon user or fan, but it was a rush job, it was obvious that they were more interested in proving the over the top negativity they set up in the Preview. Instead of manning up and saying they made a mistake with the "the Df is silly" comments, they took the ball and ran with it.
If someone thinks he can judge the "build quality" of a camera (how do you define that?) put together from thousands of precision-made metal parts, glass, composites and amazingly complex electronics by holding it and turning a few knobs, he has surely missed something very fundamental.

Ming Thein even had the nerve to question if the chrome version was in fact made from chromed plastic.
You know I'm sure this gentleman is a nice guy, but I've heard his name far too frequently in the past couple of days. And he did barely did a review of the Df. Not a single images, just some m43 fanboy comments about the Df. Who cares what this blogger/watch photographer thinks about any camera? I don't. I know people tell me he's a great photographer. But so what? I have a hard time taking anyone seriously who is trying to convince that a m43 camera with an lousy EVF and shutter shock is what you want to be shooting with. It's a bad joke. So I'll take his comments about the Df and any Nikon or any DSLR with a humongous grain of salt.

By the way "chromed plastic"? Embarrassingly ridiculous.

Nikon Df Magnesium Alloy Front

Nikon Df Magnesium Alloy Front


Nikon Df Magnesium Alloy - Front


Nikon Df Magnesium Alloy - Rear


Marike,

I share your feelings about the review but I try not to get too wound up about it, and unlike some others I don't see a conspiracy. In short, it was a negative preview, and a sloppy review. Reviewers get biased, just like the rest of us.

The problem, I think, is twofold.

For a reviewer, a negative attitude towards the subject he or she is testing makes the job very difficult. There is a risk that even simple, basic, objective observations get skewed. Perceptions get dulled. An open mind gets obscured.

When this happens, the reviewer's credibility is at stake. It happens all the time. Like somebody who dislikes opera as a genre sets out to review a performance of Tosca. I think it happened with this review, and it is a pity for DpR.

But the other problem is that we readers tend to read too much into a review and regard it as the final truth, or worse, listen to what some blogger happened to write casually about something.

We humans (and I am sure that includes reviewers) are not always that clever, and we always have to try our best. Use our own eyes, try to understand, think twice, question the obvious, question our own conclusions, think again. All the time, regarding most things in life.

Photography as well.

Gabriel
 
The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Well...

Df is only 10 grams lighter than 6D - 760g vs 770g, but you have to take into account that 6D's battery is 1800mha, while Df's is 1050, Also 6D has GPS and Wifi built in, by the time you add second battery, and Wifi add-on, Df is a lot more than 10g heavier than 6D.
The 6D battery is larger, but even with the much smaller batter the Df has an amazing CIPA 1400 rating vs 1090 for the 6D. Of course if you read the DPR review you wouldn't know any of that because AFAIK they NEVER mentioned it. :-) It's unbelievable really.
Size wise it is also no so clear cut, Df is 1mm shorter and narrower than 6D, 4mm thinner, but DF is a much much smaller grip, I think for the actual body thickness, Df is actually a bit think. I think their overall dimension is exactly the same.
I agree that for all intents and purposes the 6D and the Df are so close in size to make it almost pointless to discuss. Unless of course you are writing a detailed review of either camera, then you might mention for example that the Df is the smallest, lightest FF DSLR on the market and hair smaller and lighter than the 6D.

6D vs Df Camera Size Comparison

http://camerasize.com/compare/#495,380

Compared to my D800, the Df is 25% lighter and a lot shorter and thinner.

D800 vs Df Camera Size Comparison

http://camerasize.com/compare/#495,380
 
The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Well...

Df is only 10 grams lighter than 6D - 760g vs 770g, but you have to take into account that 6D's battery is 1800mha, while Df's is 1050, Also 6D has GPS and Wifi built in, by the time you add second battery, and Wifi add-on, Df is a lot more than 10g heavier than 6D.
The 6D battery is larger, but even with the much smaller batter the Df has an amazing CIPA 1400 rating vs 1090 for the 6D. Of course if you read the DPR review you wouldn't know any of that because AFAIK they NEVER mentioned it. :-) It's unbelievable really.
I too find it unbelievable - I mean it, I dont actually believe it. I do not doubt the integrity of CIPA, but I doubt if the testing method was consistent. Something is fishy about some of these numbers. For example 60D and 6D uses the same battery, LP-E6, 60D has a flash, so every second shot is done with flash, yet 60D's CIPA is 1100 shots while 6D's is 1090, that is a with a much larger sensor, WTF?

Also, We know the most power consuming part of the camera is LCD and the sensor, Df uses existing LCD and sensor, nothing is new except the shutter (which I think is a mere incremental upgrade, rather than a revolutionary design). That does not explain the sudden surge of shots per charge.
 
In his review Thom says he thinks it will do the advertised 1400 shots if you don't rely on live view much.
 
When researching a technical product I like to take a two pronged approach:

1. Check out the "unbiased" clinical type reviews. These point out the overall features of the product - hopefully both the good and the not so good.

2. Actual user reviews. I actually hope these ARE biased - either positive or negative. I want the emotional response generated by the product. These are more valuable to me since they are made after real world use in the field.
 
It's true that press photographers mainly shoot JPEGs. Their incomes depend on sending images back to the office quickly, these days mainly over 3G/4G data, and their work is published on newsprint or as small JPEGs on websites. Other types of professionals, including editorial, fashion, advertising, stck, commercial and domestic (weddings, families) mainly shoot RAW.

A JPEG is analogous to a commercial enprint made from negative film: it's a computer's interpretation of how the scene may have looked. Modern cameras' JPEG engines are better than older ones', but they are still only computers.

To make matters worse, each time a JPEG is opened, edited and saved, it is degraded in quality. Putting a JPEG through PP software is a highly destructive process.
This is true unfortunately.

This degradation is indeed a big disadvantage of shooting jpeg, but when the files does come good out the camera, and there is no need for PP, then there is really no big problem.
When jpegs are copied, moved or anything else than edited, there is no degradation yet.

It's a pity why it isn't possible to let the camera apply (at least) the same basic lens based in-camera corrections such as vignetting, distortion and CA, to NEF's in the same way as it does with jpegs. When this is also possible with NEF's it can save a lot of PP time.

Modern Nikon camera's know which lens is mounted, so why not using this data for the correction of NEF's too?

So far I know AWB setting is applied to both jpegs and NEF's, so why not also with the other settings?

Nikon should make this a setting which can be turned on or off at will to please everyone.
Mark,

I am sure that you are absolutely right about professionals shooting fashion, advertising etc. But, as Ruud says, if there is no need for PP, then there is really no big problem with jpegs.

I am not that interested in camera technology per se. But when I started shooting my D600 last year, I was absolutely in awe over the jpeg quality, in particular coupled to the automated fixes the D600 now does to the image files. With the D800 and D600, Nikon seemed to have made a big leap. Jpeg was now better than I ever got out of raw files in the past.

This is what I thought:

There is a dividing line between the jpeg image quality of (otherwise very good) Nikon cameras from before 2011 or so, represented by the D3, D3x, D3s, D700 and D300s, and the present generation D800, D600 / D610, D4 and Df.

Unfortunately, all the present Canons fall in the same category as the pre - 2011 Nikons.

What is unique about the jpegs from the D800, D600 / D610 and I believe, to some extent at least, the D4 and Df, is three things. Please regard these three ingredients together, put them in one bowl and think for a second what you get:

1) They combine an extremely clean Expeed 3 processing from very clean sensors, straight out of the camera.

2) Their jpegs are automatically corrected for CA, distortion, vignetting,
an adjustable level of D-Lighting, allows fine tuning of sharpness, contrast, saturation and hue, noise reduction, amount of compression - at the same time as the picture is taken.

And, at the same time, add to this one of the topics of this post:

3) You can even use your jpegs to pull up the shadows by two stops or more, if they turned out too black

I wrote about this in a blog a year ago if anyone is interested. This is the second post dealing with jpeg specifically: http://nikonsystem.blogspot.se/2013_01_11_archive.html

This fourth thing obviously has nothing to do with jpeg or raw, but it was introduced at the same time as the improvements in jpeg processing in the present Nikon FX generation, and it mixes particularly well together with what these jpegs offer:

4) The Auto ISO is exceptionally clever. For myself, I see no point in ever touching ISO manually.

These are my observations.

Now, my point is this:

If I were to buy a new DSLR today, I would not accept one that cannot do all of this.

With excellent cameras such as the D3, D700 or the Canons, the serious shooter will more or less have to shoot raw. The D610 and D800 give you a choice.

For the first time, we have the option to shoot quick and easy, often with state-of-the-art IQ, without even spending 10 seconds at the computer.

The D610 and the D800 do this jpeg magic with great panache, and was curious whether the Df does, too. As it stands, it seems entirely ok as well.

Gabriel
Responding to myself by throwing in a couple of more logs to see if we can start the fire.

The message I am trying to get across is that something happened in the camera world in 2012 with the introduction of the D600 and D800. Their jpegs are amazingly clean and true, and can even be improved if you missed exposure a little. As far as I understand, the Df and D4 are part of this grand new era.

For the shots that are of importance for your future or reputation or an exhibition, shoot raw + jpeg. No need to act foolishly. You can still opt to use the jpeg, if it turned out nice (it probably did).

But most of the time, you can now opt to use jpeg. Only. You probably don't believe that, so I suggest check this page: http://nikonsystem.blogspot.se/2013_01_11_archive.html

Another example

I'll be using a crappy jpeg file shot by myself with my D600 because this is a file I happened to have. First, the usual excuses:

We were sitting on friends' terrace, drinking wine and chatting. It was the 6th of October 2012 in Stockholm, the weather had been unusually warm and pleasant and we were seeping in the last evening light, without feeling cold. I was almost sober. Suddenly I felt that this must be the last rays of sun, on the last day of summer, so I took up my D600 with 28mm f/2.8 AiS to save the scene for the after world. I did not want to interrupt our conversation by fiddling with the camera other than a very brief distraction, taking a snap shot.

When I checked next day, of course the picture had turned out to be a lost case (somewhat like the church I borrowed from DpR in my first post, perhaps). I had cranked down the exposure to catch the sky, but not enough so, because the sky was washed out. Still, the foreground was very dull.

I should have gone for either a nicely exposed view of the houses - or a silhouette! The picture ended up somewhere in between. If I had wanted it to be 'in between', that would in fact have meant a HDR but this was not what I was after.

And the D600 was new to me, so the jpeg settings were not optimal. I am sure you will agree that this must be one of the worst sunset shots you have seen:

9f0f5a0361df4b0b83f0ec6dd4d69fb2

D600 + Nikkor 28/2.8 AiS, F2.8, 1/100s, exp comp -2.3, Auto ISO 100, jpeg sooc, resized

I was going to delete this picture but first wanted to take a look at what could be done to it, out of curiosity. After two passes in View NX2 with shadow recovery this came out. Still not a beautiful shot, but might perhaps be interesting to see? So, a tweaked jpeg from above jpeg:

3ea029bda0a54b158e41694ac1b0fb10

Pulled a few sliders, trying not to wash out the sky more. Some posterizing in right corner of the house.

Lets take a look at a 100% crop. Original first:

df20a227c3a948bd867260f821c3b729

Same as first picture, sooc jpeg. Beyond salvation, don't you think?

And the tweaked jpeg. Lots of artifacts which I think must be expected in a 100% view of a severely underexposed part of a shot which has been manipulated beyond recognition, but still:

04dafb2c5cdd4381b8d5a084ef10862c

I think you will see things you could not even guess they were there

So, some of you have said that this is nothing new. Everybody knows you can adjust a jpeg.

I say not. Nobody has pointed to these hidden qualities of the newest Nikon FX cameras.

Can you do this with any other camera?

Dx, no.

Nikon D3 - D700 generation, no.

Canon, certainly not. Perhaps not even in RAW, because you will get severe banding.


Please let me hear your reactions to this!

Best, Gabriel
 
Maybe with the exception of WB correction, if it is that bad to implement in a auto correction feature, there can still be a lot of corrections made in-camera RAW, especially those lens based. As I said earlier, it should be nice if it is user selectable.
People are working on improving algorithms and data handling. Compare raw converters (including in-camera) 10 years ago and now. Why spoil raw data with algorithms which will be obsolete 3 years from now?
 
It's true that press photographers mainly shoot JPEGs. Their incomes depend on sending images back to the office quickly, these days mainly over 3G/4G data, and their work is published on newsprint or as small JPEGs on websites. Other types of professionals, including editorial, fashion, advertising, stck, commercial and domestic (weddings, families) mainly shoot RAW.

A JPEG is analogous to a commercial enprint made from negative film: it's a computer's interpretation of how the scene may have looked. Modern cameras' JPEG engines are better than older ones', but they are still only computers.

To make matters worse, each time a JPEG is opened, edited and saved, it is degraded in quality. Putting a JPEG through PP software is a highly destructive process.
This is true unfortunately.

This degradation is indeed a big disadvantage of shooting jpeg, but when the files does come good out the camera, and there is no need for PP, then there is really no big problem.
When jpegs are copied, moved or anything else than edited, there is no degradation yet.

It's a pity why it isn't possible to let the camera apply (at least) the same basic lens based in-camera corrections such as vignetting, distortion and CA, to NEF's in the same way as it does with jpegs. When this is also possible with NEF's it can save a lot of PP time.

Modern Nikon camera's know which lens is mounted, so why not using this data for the correction of NEF's too?

So far I know AWB setting is applied to both jpegs and NEF's, so why not also with the other settings?

Nikon should make this a setting which can be turned on or off at will to please everyone.
Mark,

I am sure that you are absolutely right about professionals shooting fashion, advertising etc. But, as Ruud says, if there is no need for PP, then there is really no big problem with jpegs.

I am not that interested in camera technology per se. But when I started shooting my D600 last year, I was absolutely in awe over the jpeg quality, in particular coupled to the automated fixes the D600 now does to the image files. With the D800 and D600, Nikon seemed to have made a big leap. Jpeg was now better than I ever got out of raw files in the past.

This is what I thought:

There is a dividing line between the jpeg image quality of (otherwise very good) Nikon cameras from before 2011 or so, represented by the D3, D3x, D3s, D700 and D300s, and the present generation D800, D600 / D610, D4 and Df.

Unfortunately, all the present Canons fall in the same category as the pre - 2011 Nikons.

What is unique about the jpegs from the D800, D600 / D610 and I believe, to some extent at least, the D4 and Df, is three things. Please regard these three ingredients together, put them in one bowl and think for a second what you get:

1) They combine an extremely clean Expeed 3 processing from very clean sensors, straight out of the camera.

2) Their jpegs are automatically corrected for CA, distortion, vignetting,
an adjustable level of D-Lighting, allows fine tuning of sharpness, contrast, saturation and hue, noise reduction, amount of compression - at the same time as the picture is taken.

And, at the same time, add to this one of the topics of this post:

3) You can even use your jpegs to pull up the shadows by two stops or more, if they turned out too black

I wrote about this in a blog a year ago if anyone is interested. This is the second post dealing with jpeg specifically: http://nikonsystem.blogspot.se/2013_01_11_archive.html

This fourth thing obviously has nothing to do with jpeg or raw, but it was introduced at the same time as the improvements in jpeg processing in the present Nikon FX generation, and it mixes particularly well together with what these jpegs offer:

4) The Auto ISO is exceptionally clever. For myself, I see no point in ever touching ISO manually.

These are my observations.

Now, my point is this:

If I were to buy a new DSLR today, I would not accept one that cannot do all of this.

With excellent cameras such as the D3, D700 or the Canons, the serious shooter will more or less have to shoot raw. The D610 and D800 give you a choice.

For the first time, we have the option to shoot quick and easy, often with state-of-the-art IQ, without even spending 10 seconds at the computer.

The D610 and the D800 do this jpeg magic with great panache, and was curious whether the Df does, too. As it stands, it seems entirely ok as well.

Gabriel
Gabriel, I agree that the JPEGs produced by the best modern cameras are very good indeed. As processor speed has increased, some manufacturers have used it wisely to produce a very high standard of default image.

Where we differ is firstly that I do not think this obviates the desirability of processing RAW files, since they afford photographers a lot more control over the final result, and secondly that the idea that DR can be extended by applying PP to JPEGs is just plain wrong-headed. As I and others have explained, each time you open a JPEG, edit it in any way, then save it, you degrade the quality markedly. If you want to extract more highlight or shadow detail from an image, the only sensible way to do it is in RAW.
 
Gabriel, I agree that the JPEGs produced by the best modern cameras are very good indeed. As processor speed has increased, some manufacturers have used it wisely to produce a very high standard of default image.

Where we differ is firstly that I do not think this obviates the desirability of processing RAW files, since they afford photographers a lot more control over the final result, and secondly that the idea that DR can be extended by applying PP to JPEGs is just plain wrong-headed. As I and others have explained, each time you open a JPEG, edit it in any way, then save it, you degrade the quality markedly. If you want to extract more highlight or shadow detail from an image, the only sensible way to do it is in RAW.
Hi Mark,

Wrong-headed - I don't think so:

It all depends on where you come from, and where you are heading. Take three cases:

1. The careful photographer who makes a living from his pictures, and has the time for post processing, should of course shoot raw + jpeg. Anything else would be very foolish indeed.

He or she will later have the option to use the jpeg, if it is ok. If not, use the raw.

2. The perfectionists among us who are serious amateurs and enjoy post processing should do the same thing. It will give them much more latitude for adjustment and will ensure the best possible results.

(Please note, I am not trying to criticize anyone for trying to make the finest possible pictures - in my own way, I have exactly that same ambition)

3. The casual shooter not relying on his images for making a living could well take a chance on jpeg only. There are two advantages and one downside to this.

* The advantages. For the 90 - 95% (or whatever the percentage is) of pictures that turn out reasonably well exposed, with the right in-camera settings, the images will often come out better than the ones you would be able to batch process using the best raw converters. Remember jpeg processing in the newest Nikon FX cameras do a lot of things that many raw converters don't.

Still, this approach will have saved you hours in front of the computer.

* The downside. For the 5 - 10% (or whatever) which come out lacking in exposure, you will still be able to salvage more or less every one of them. But if the image is way off to begin with, the end result would have been better if you had shot in raw.

* Please note: What I am saying is that this option basically only exists if you are shooting a present generation Nikon FF camera - D600 / D610, D800 and, as it seems, Df + D4.

Take a look, for example, at this link published by Fred Miranda (a Canon user and the person behind the website) comparing shadow recovery from a Nikon D800 and Canon 5D MkIII. The Canon is not capable - in RAW - of what a D600 or D800 can do - in jpeg! (you will have to look at both sources to see what I am referring to, the D600 jpeg recovery in my link above, and raw recovery from Canon 5D MkIII in F M's link)

http://www.fredmiranda.com/5DIII-D800/index_controlled-tests.html

You could say that shooting jpeg only with a D600 is 'wrong-headed'. But in such case shooting raw with a 5D MkIII would be an even more wrong-headed, because the results are inferior.

Which of course is not true, the Canon is an excellent camera. Raw from the Canon is great - only thing is that jpeg from the Nikon is, in some respects at least, even better.

Gabriel

P.S. - in my last example, like the others, I have not even been using 'Jpeg Fine' to start with, but 'Jpeg Normal' (8-bit). There are some jpeg artefacts when zoomed in. I added a touch of sharpening which added to the artefacts. No noise reduction was applied.

I also took one of my worst jpg images and added copious amounts of shadow recovery (how much? 2-3 stops?) only to show the possibilities, and their limits, not to demonstrate a beautiful result.

All of this could be done a lot better by somebody shooting more cautiously and applying sensible amounts of recovery on slightly better jpeg files.

But I seriously doubt that a fine jpeg, opened and saved unchanged one extra time, will 'degrade the quality markedly' as you write. That is simply not true. From my experience, that certainly happens with lower jpeg quality (say, below 8 in PS) saved a couple of times.

For Jpeg Fine, saved without changes once more as fine, nobody will be able to see jpg artefacts appearing.

Gabriel
 
When raw is recorded, a jpeg is embedded into the raw file and can be easily extracted.

Free Nikon View converts nefs to jpegs that are higher quality than out-of-camera jpeg, one can do it in a batch, and if anything is wrong raw is here to be used. If you happen to have any of Nikon camera service manuals, look at the resolution tests, out of camera jpegs are already 5+% less resolution compared to out of camera tiffs.

Being satisfied with OOC jpegs is ok. Introducing to the wonders of OOC jpegs without parallel raw processing for comparison is IMO a wrong thing to do.
 
When raw is recorded, a jpeg is embedded into the raw file and can be easily extracted.

Free Nikon View converts nefs to jpegs that are higher quality than out-of-camera jpeg, one can do it in a batch, and if anything is wrong raw is here to be used. If you happen to have any of Nikon camera service manuals, look at the resolution tests, out of camera jpegs are already 5+% less resolution compared to out of camera tiffs.

Being satisfied with OOC jpegs is ok. Introducing to the wonders of OOC jpegs without parallel raw processing for comparison is IMO a wrong thing to do.
 
default sharpening is very low indeed in Nikon jpegs. One will have to crank up sharpness in the camera's settings to achieve a sharpness comparable to raw.
Default sharpening is the same as for out of camera tiffs. It is the loss due to compression and can't be compensated with sharpening. The quality of demosaicking in the internal and external conversion engines is also different, external being higher.

The difference becomes not so subtle when there is a need to crop for example; and that is pretty often the case for the intended use of Df with prime lenses.
 
Point taken. /Gabriel
 
The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Well...

Df is only 10 grams lighter than 6D - 760g vs 770g, but you have to take into account that 6D's battery is 1800mha, while Df's is 1050, Also 6D has GPS and Wifi built in, by the time you add second battery, and Wifi add-on, Df is a lot more than 10g heavier than 6D.

Size wise it is also no so clear cut, Df is 1mm shorter and narrower than 6D, 4mm thinner, but DF is a much much smaller grip, I think for the actual body thickness, Df is actually a bit think. I think their overall dimension is exactly the same.
If one of the reasons that the Df is so small and light is because it eliminated features like GPS and WiFi thereby reducing the required battery capacity by 40% (using your numbers) I see that as a very legitimate design trade, as long as there is a market that agrees.

Maybe, if that trend is allowed to continue, we'll get back to the point where a couple of LR44 batteries will power the thing for a couple of months :-).
 

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