nuno jorge
Active member



I´m a Portuguese photojournalist, and i start use the fantastic X-PRO 1 in my work, i take this photos with fujinon 55-200
CC welcome
Best Regards
Nuno Jorge
more photos in
http://www.flickr.com/photos/nunopressfotos
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As a Belgian guy, I don't like your picturesnuno jorge wrote:
I´m a Portuguese photojournalist, and i start use the fantastic X-PRO 1 in my work, i take this photos with fujinon 55-200
CC welcome
Best Regards
Nuno Jorge
more photos in
http://www.flickr.com/photos/nunopressfotos
When the light drops to the point that the shutter speed gets down to 1/500, I start thinking about going home and I get very conservative about when I actually press the shutter. At 1/250 I actually do go home.Simon Elwell wrote:
Maybe it's my iPad Nuno, but I don't think the camera has nailed the focus in these shots. It may be motion blur, of course...
...Maybe the IS was turned on. That can give an overall "unsharpness" when used in lighting where it isn't needed.Simon Elwell wrote:
Maybe it's my iPad Nuno, but I don't think the camera has nailed the focus in these shots. It may be motion blur, of course...
ljclark wrote:
When the light drops to the point that the shutter speed gets down to 1/500, I start thinking about going home and I get very conservative about when I actually press the shutter. At 1/250 I actually do go home.Simon Elwell wrote:
Maybe it's my iPad Nuno, but I don't think the camera has nailed the focus in these shots. It may be motion blur, of course...
My usual soccer settings with DSLRs (two bodies -- one with 300 f/2.8 and one with 70-200 f/2.8) are:
I don't think that an X-Pro1 produces images that are acceptable for publications covering pro or semi-pro matches. You'd need to shoot wide open, and I'm not sure if the zooms hold the widest setting as you zoom in and out.
- Lenses wide open or no more than 2/3 of a stop down
- Aperture Priority
- Starting ISO is 800 with Auto ISO (assuming highly functional auto ISO)
- I try to keep the shutter speeds in the 1/2000 to 1/8000 range
Very fast and accurate AF is critical. Years ago I used a nice (optically) Tokina 300 f/2.8 with Nikon "screwdriver" AF. When I started shooting women's pro soccer (moving up from recreational and semi-pro) I found I was missing head-on shots because the AF was too slow (the better the players, the faster they move). Upgrading to a Nikon lens solved that...Almost "snaps" into focus as you shift targets.
Expectations by editors are frozen action and very narrow depth of field. Oh...And something interesting has to be happening.
Try turning off the IS. Adjust your ISO to get the shutter speeds up into the 1/2000 to 1/4000 range.nuno jorge wrote:
Yes IS is on
We're not comparing gear. We're comparing results. If you feel that the X-Pro1 shots are acceptable, then you don't need a D4...Or maybe I missed the point of your original post. I don't happen use my X-Pro1 for fast action.nuno jorge wrote:
WTF
You are compare top Dslr with the top lens to Xpro1 with 55-200?
You are compare a $10.000 combo to $1300 combo
Of course for the publications, i use my Nikon D4 with a Nikon 400 2,8, and the Nikon d800 with a 70-200 VRII
ljclark wrote:
When the light drops to the point that the shutter speed gets down to 1/500, I start thinking about going home and I get very conservative about when I actually press the shutter. At 1/250 I actually do go home.Simon Elwell wrote:
Maybe it's my iPad Nuno, but I don't think the camera has nailed the focus in these shots. It may be motion blur, of course...
My usual soccer settings with DSLRs (two bodies -- one with 300 f/2.8 and one with 70-200 f/2.8) are:
I don't think that an X-Pro1 produces images that are acceptable for publications covering pro or semi-pro matches. You'd need to shoot wide open, and I'm not sure if the zooms hold the widest setting as you zoom in and out.
- Lenses wide open or no more than 2/3 of a stop down
- Aperture Priority
- Starting ISO is 800 with Auto ISO (assuming highly functional auto ISO)
- I try to keep the shutter speeds in the 1/2000 to 1/8000 range
Very fast and accurate AF is critical. Years ago I used a nice (optically) Tokina 300 f/2.8 with Nikon "screwdriver" AF. When I started shooting women's pro soccer (moving up from recreational and semi-pro) I found I was missing head-on shots because the AF was too slow (the better the players, the faster they move). Upgrading to a Nikon lens solved that...Almost "snaps" into focus as you shift targets.
Expectations by editors are frozen action and very narrow depth of field. Oh...And something interesting has to be happening.
ljclark wrote:
Try turning off the IS. Adjust your ISO to get the shutter speeds up into the 1/2000 to 1/4000 range.nuno jorge wrote:
Yes IS is on
If you are standing, try using a monopod. Unfortunately the 55-200 doesn't have a tripod foot.
Also consider using a folding stool (like the Swedish Walk-Stool). It doesn't make that much difference for mid-field action, but when the players get close, the point of view isn't looking down on them. And when you are sitting, you may be able to steady the camera better with the IS off.
You're spoiled by your 70-200 VR. (Me too.) You can shoot that lens f/3.2 or f/3.6 across the zoom range -- and even open it to f/2.8 if you need to. It's a shame that Fuji didn't make the 55-200 a constant f/4 -- and add a removable tripod foot.nuno jorge wrote:
Tks for the tips. for the shutter speed´s i have a problem the aperture the lens is 3,5-4,5
ljclark wrote:
Try turning off the IS. Adjust your ISO to get the shutter speeds up into the 1/2000 to 1/4000 range.nuno jorge wrote:
Yes IS is on
If you are standing, try using a monopod. Unfortunately the 55-200 doesn't have a tripod foot.
Also consider using a folding stool (like the Swedish Walk-Stool). It doesn't make that much difference for mid-field action, but when the players get close, the point of view isn't looking down on them. And when you are sitting, you may be able to steady the camera better with the IS off.
You asked for cc and that is what these comments provided, they just are not the comments you like. I too am in their camp and think that the images you provided are blurred and AF missed.nuno jorge wrote:
WTF
You are compare top Dslr with the top lens to Xpro1 with 55-200?
You are compare a $10.000 combo to $1300 combo
Of course for the publications, i use my Nikon D4 with a Nikon 400 2,8, and the Nikon d800 with a 70-200 VRII
ljclark wrote:
When the light drops to the point that the shutter speed gets down to 1/500, I start thinking about going home and I get very conservative about when I actually press the shutter. At 1/250 I actually do go home.Simon Elwell wrote:
Maybe it's my iPad Nuno, but I don't think the camera has nailed the focus in these shots. It may be motion blur, of course...
My usual soccer settings with DSLRs (two bodies -- one with 300 f/2.8 and one with 70-200 f/2.8) are:
I don't think that an X-Pro1 produces images that are acceptable for publications covering pro or semi-pro matches. You'd need to shoot wide open, and I'm not sure if the zooms hold the widest setting as you zoom in and out.
- Lenses wide open or no more than 2/3 of a stop down
- Aperture Priority
- Starting ISO is 800 with Auto ISO (assuming highly functional auto ISO)
- I try to keep the shutter speeds in the 1/2000 to 1/8000 range
Very fast and accurate AF is critical. Years ago I used a nice (optically) Tokina 300 f/2.8 with Nikon "screwdriver" AF. When I started shooting women's pro soccer (moving up from recreational and semi-pro) I found I was missing head-on shots because the AF was too slow (the better the players, the faster they move). Upgrading to a Nikon lens solved that...Almost "snaps" into focus as you shift targets.
Expectations by editors are frozen action and very narrow depth of field. Oh...And something interesting has to be happening.
Joachim Gerstl wrote:
The images are unsharp. Not in focus or motion blur. The point is that even a Canon Rebel with a standard 70-300 IS would do a better job for action than the XP1 and at half the price for the combo you used.
I love my XP1 but I don't get it why some people feel the need to proof that the XP1 is the best for everything. It is not. Period.