Thought provoking article

Anders W wrote:
ultimitsu wrote:
Anders W wrote:
Massive more resolution at f/8? What evidence?
Check dpr test scenario shots.
To my knowledge, there is no DPR "test scenario" where you can view the Sony RX1 and the PL 25/1.4 on an MFT camera side by side, let alone do so with both shot at f/8.
You do not need to compare to PL25, you can compare RX1 to any m43 with default lens (which is at the least as sharp as PL25), RZ1 still comes out with massive more resolution.
May I recommend a visit to your eye doctor.
Are you suggesting that you cannot see detail difference when you load RX1 and, say, EM5 in DPr's studio test scene?
how about 2 bit extra colour depth? how about massively sharper image wide open?
Massively sharper images wide open? What evidence?
Check any test or review for these two lens.
The Sony RX1 is a camera, not a lens.
RX1 is a camera with a lens, unless you try very hard it is difficult to avoid the ample RX1 lens tests.

http://www.dxomark.com/index.php/Le...ony/Sony-Cyber-shot-DSC-RX1-Lens/(camera)/833
In the part of my text that you found it convenient to omit from the passage you quote, I asked for good and comparable test data. That isn't it.

If you think differently, please explain to everyone here how the DxO P-MPix mumbo-jumbo is technically defined and measured and in what way it is technically superior to the MTF-50 values other sources report.
There is no need to understand Pmp to get a good idea of how lenses perform. all you have to do is actually check the test data.

PL25, F1.4

PL25, F1.4

PL25 F2

PL25 F2

RX1 F2

RX1 F2

You can see how they compare at other apertures yourself.
Off-hand, I know of no review site that offers good and directly comparable MTF test data for the Sony RX1 versus the PL 25/1.4 on an MFT camera.
There is no need to see a direct A vs B comparison to get the basic idea of how A performs, how B performs, and how they would do against each other.
There is a need to have good, directly comparable data.
Rubbish.
If the data aren't good, they are irrelevant, and if they aren't comparable you can't compare them. Is that so hard to get?
Who said Data was not good? Initially I thought you were right that no site has them both tested, my point is you can compare how each fair against other lenses across these sites to get a good feel how they would compare against each other.

But that appears to be unnecessary now since DXO has them both.
By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass.
Why must it have large glass? why can it not have a tiny 40 F2.8?
What would be the point if you can shoot with equal quality with the Pany 20/1.7?
That simply is not possible. Sny 24mp ff sensor is miles superior than any m43 sensor.
To my knowledge, the Canon 40/2.8 can only be used on Canon FF cameras, which do not have Sony sensors.
We are talking about the idiocy to claim sony FF sensor cannot be used with a smaller lens, sicne the RX1 system camera is hypothetical, its supporting lens are also hypothetical. is that hard to get?
We are talking about the idiocy of comparing the performance of a lens that does not exist with one that exists.
Go back read the line you are quoting:

"By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass."

"Why must it have large glass? why can it not have a tiny 40 F2.8?"
the 20/1.7 on an MFT camera, stands up very well to the 40/2.8 on a Canon FF.
No it doesnt.

the 20/1.7 has much more CA and distortion than the 40/2.8

40mm_distortion.png


20mm_lz_distortion.png


Resolution wise the 20/1.7 is good on its own, but when you compare the resolution you get from the m43 camera that is using it against the resolution you get from an FF camera that is using the 40 F2.8, the 20/1.7 is threshed. you read the numbers on PZ. 3980 centre, 2950 extrame corner for the 40/2.8, 2462, 1911 for the 20/1.7.

And last but not least 40/2.8 is 1/2 stop faster too.
The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster.
Superior in what way?
Lets see...

Distortion? CA?
We were talking resolution and you turned out to be clearly wrong in that regard (see the results below).
No, you lost track of what you were talking about. You asked:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"

The question refers to quality, clearly is not limited to resolution.

My answer to you is that the only FF 40/2.8 we know happens to beat 20/1.7 with ease. thus defeating the claim of an RX1 mirrorless cannot have light and small lenses.
Distortion and CA? Both are auto-corrected when the 20 is used on a Pany body, with virtually no downsides. Not an issue.
Are you crazy? Of cause there are downsides. CA and distortion are never desirable traits in a lens because they eat up resolution and contrast. Sure, they can be mitigated better today than they were 5 years ago, but they are still a flaw to a lens and In-body correction doesn't give you points because any raw processor can do that better.
 
ultimitsu wrote:

20mm_lz_distortion.png


Are you here too? That is the uncorrected distortion and as such irrelevant. If you don't want it, don't keep it.
 
ultimitsu wrote:
Anders W wrote:
ultimitsu wrote:
Anders W wrote:
Massive more resolution at f/8? What evidence?
Check dpr test scenario shots.
To my knowledge, there is no DPR "test scenario" where you can view the Sony RX1 and the PL 25/1.4 on an MFT camera side by side, let alone do so with both shot at f/8.
You do not need to compare to PL25, you can compare RX1 to any m43 with default lens (which is at the least as sharp as PL25), RZ1 still comes out with massive more resolution.
May I recommend a visit to your eye doctor.
Are you suggesting that you cannot see detail difference when you load RX1 and, say, EM5 in DPr's studio test scene?
Yes. And here's the basis for my judgment. These are processed from the DPR RAWs using LR 4.4 with everything at default except sharpening, which is reduced to zero (as DPR does). The first is a 100 percent crop from the E-M5, the second is the same but upsized to more than 100 percent to match the display size of the same crop from the RX1, and the third is the RX1 at 100 percent.

What you can see is anybody's guess. But everyone else can see for themselves what we are talking about.

E-M5, 100-percent crop

E-M5, 100-percent crop

E-M5, upsized to more than 100 percent to match the display size of a 100 percent crop from the RX1

E-M5, upsized to more than 100 percent to match the display size of a 100 percent crop from the RX1

RX1, 100 percent crop

RX1, 100 percent crop
how about 2 bit extra colour depth? how about massively sharper image wide open?
Massively sharper images wide open? What evidence?
Check any test or review for these two lens.
The Sony RX1 is a camera, not a lens.
RX1 is a camera with a lens, unless you try very hard it is difficult to avoid the ample RX1 lens tests.

http://www.dxomark.com/index.php/Le...ony/Sony-Cyber-shot-DSC-RX1-Lens/(camera)/833
In the part of my text that you found it convenient to omit from the passage you quote, I asked for good and comparable test data. That isn't it.

If you think differently, please explain to everyone here how the DxO P-MPix mumbo-jumbo is technically defined and measured and in what way it is technically superior to the MTF-50 values other sources report.
There is no need to understand Pmp to get a good idea of how lenses perform. all you have to do is actually check the test data.
So you are saying that there is no need to understand a measure in order to use or rely on it. Any measure will do no matter exactly what it measures and how. Good luck in convincing others that this is a reasonable proposition.

BTW: The charts you pasted do not show P-MPix, but "acutance", another of the technically undefined measures DxO has recently started to play around with.

While on the topic of definitions and measurement. Exactly how do you define "massively sharper"?

I think noone denies that the RX1 has a decent lens. But to speak of "massive" differences in sharpness between the RX1 and good MFT lenses on current MFT bodies (the PL 25/1.4 is not a personal favorite of mine; there are others which do better with regard to MTF, e.g., the 20/1.7) is laughable in my opinion.
Off-hand, I know of no review site that offers good and directly comparable MTF test data for the Sony RX1 versus the PL 25/1.4 on an MFT camera.
There is no need to see a direct A vs B comparison to get the basic idea of how A performs, how B performs, and how they would do against each other.
There is a need to have good, directly comparable data.
Rubbish.
Thanks for showing everyone that you can't counter this point of mine.
If the data aren't good, they are irrelevant, and if they aren't comparable you can't compare them. Is that so hard to get?
Who said Data was not good? Initially I thought you were right that no site has them both tested, my point is you can compare how each fair against other lenses across these sites to get a good feel how they would compare against each other.

But that appears to be unnecessary now since DXO has them both.
See above about measurement.
By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass.
Why must it have large glass? why can it not have a tiny 40 F2.8?
What would be the point if you can shoot with equal quality with the Pany 20/1.7?
That simply is not possible. Sny 24mp ff sensor is miles superior than any m43 sensor.
To my knowledge, the Canon 40/2.8 can only be used on Canon FF cameras, which do not have Sony sensors.
We are talking about the idiocy to claim sony FF sensor cannot be used with a smaller lens, sicne the RX1 system camera is hypothetical, its supporting lens are also hypothetical. is that hard to get?
We are talking about the idiocy of comparing the performance of a lens that does not exist with one that exists.
Go back read the line you are quoting:

"By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass."

"Why must it have large glass? why can it not have a tiny 40 F2.8?"
To which I responded, in my very first reply to you in this thread:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"
the 20/1.7 on an MFT camera, stands up very well to the 40/2.8 on a Canon FF.
No it doesnt.

the 20/1.7 has much more CA and distortion than the 40/2.8
Apparently you overlooked what I already said in my previous reply (which you omitted from the text of mine that you quote). So here it is again:

"Distortion and CA? Both are auto-corrected when the 20 is used on a Pany body, with virtually no downsides. Not an issue."
Resolution wise the 20/1.7 is good on its own, but when you compare the resolution you get from the m43 camera that is using it against the resolution you get from an FF camera that is using the 40 F2.8, the 20/1.7 is threshed. you read the numbers on PZ. 3980 centre, 2950 extrame corner for the 40/2.8, 2462, 1911 for the 20/1.7.
Apparently you overlooked the big warning sign on the front page of Photozone lens tests:

http://www.photozone.de/all-tests

As I hope you can see, it says:

Please note that the tests results are not comparable across the different systems!

Photozone uses different processing for different cameras. On top of that, the results for the 20/1.7 are for the old 12 MP MFT sensor. That's why I provided comparable evidence from LensRentals. Here it is again for your reference.

You said: "The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster."

And I responded: "Superior in what way? Certainly not when it comes to what you and I are discussing here, i.e., MTF values (resolution/microcontrast). Below you find directly comparable test data from LensRentals (line pairs per image height at MTF-50, center/average, based on unsharpened output from RAW files):

Canon 40/2.8 on 5DII (21 MP)

f/2.8 870/775

Panasonic 20/1.7 on E-M5 (16 MP)

f/1.7 870/735

f/2.8 1050/875
And last but not least 40/2.8 is 1/2 stop faster too.
No it isn't. The 20/1.7 is one and a half stop faster. This in turn suffices to more than make up for the difference in sensor area for reasons already pointed out in my second reply to you in this thread. Here it is again for your reference:

"To my knowledge, the Canon 40/2.8 can only be used on Canon FF cameras, which do not have Sony sensors. All current Canon FF sensors have lower base ISO DR than cameras with the latest MFT sensor (E-M5, E-PM2, E-PL5, E-P5, GH3). At higher ISOs, you can open the Pany lens up 1.5 stop more than the Canon and go pretty much equal in that respect. The same would be true at higher ISOs in comparison with Sony FF sensors."
The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster.
Superior in what way?
Lets see...

Distortion? CA?
We were talking resolution and you turned out to be clearly wrong in that regard (see the results below).
No, you lost track of what you were talking about. You asked:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"

The question refers to quality, clearly is not limited to resolution.
No I didn't lose track of anything. You did. You are mixing quotes from an earlier part of our exchange (focused on quality more generally) with a later part (focusing on lens quality specifically). Please make at least a rudimentary effort to keep track of such elementary things.
My answer to you is that the only FF 40/2.8 we know happens to beat 20/1.7 with ease. thus defeating the claim of an RX1 mirrorless cannot have light and small lenses.
Yes, and that answer has already been completely refuted.
Distortion and CA? Both are auto-corrected when the 20 is used on a Pany body, with virtually no downsides. Not an issue.
Are you crazy? Of cause there are downsides. CA and distortion are never desirable traits in a lens because they eat up resolution and contrast. Sure, they can be mitigated better today than they were 5 years ago, but they are still a flaw to a lens and In-body correction doesn't give you points because any raw processor can do that better.
This just demonstrates how little you know. One advantage of software-correction is that you can allow slightly more lateral CA and distortion in order to have the lens perform better in other respects, that cannot easily be corrected ex-post without downsides, for example, MTF(resolution/microcontrast). And as the evidence shows, the Panasonic 20/1.7 does better with regard to MTF than the Canon 40/2.8.

One advantage of mirrorless is that it makes it easier to take advantage of the benefits of software-correction. A DSLR has difficulties with that since the effect of distortion-correction cannot be shown in an OVF.
 
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yonsito wrote:

I agree that the marketing could be improved (or rather there could be marketing to begin with).

I somehow doubt that renaming products will do the trick, however. I fear that proper marketing requires money to be spent on advertizing. And money might be a bit tight for Olympus and Panasonic at the moment.
I totally agree.

I think that the "Pros" will always think they need to have a big camera and I am sure that a smaller camera will never "appear" to do the same job however good it is.

If we look at what Pro's where using a few years back D2X's etc and compare them with what we have today then that makes for interesting comparisons.

I would have thought the consumer or prosumer markets would have been much more important to the manufacturers than revenue from the "Pro" photographers in terms of revenue / numbers.

I have sold all my Nikon DSLR's and lenses as I didn't use them (due to weight) love the GH-3 and GX-1's though and have a GX-7 on order.

The marketing of m43 could be improved dramatically I think.
 
Ulric wrote:
ultimitsu wrote:

20mm_lz_distortion.png
Are you here too? That is the uncorrected distortion and as such irrelevant. If you don't want it, don't keep it.
As an FF newbie, ultimitsu is apparently worried sick about rationalizing his choice. ;-)
 
Neurad1 wrote:

My cousin who is also a photography hobbyist sent me this link just to irritate me. What do you all think?
Your cousin is an idiot. ;-)
 
jeffharris wrote:
Neurad1 wrote:

My cousin who is also a photography hobbyist sent me this link just to irritate me. What do you all think?
Your cousin is an idiot. ;-)
No, he's really not. He's sold more pictures than I ever have (or will), and is a good shooter. He currently has a D300s. He's in the market for a smaller system and I think he's about ready to jump on the NEX bandwagon. His motivation is "pure", though it bugs me a little that he really seems against M43. His pro photographer friends (he has many) have been pushing toward the NEX-6. He's just seeking and I'm too sensitive that he doesn't like my camera!

--
http://www.flickr.com/photos/joelcure/
http://500px.com/joelcure
 
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I'd say that the yoy comparison they are using relates directly to then the EM5 was selling like crazy. Also a lot of American writers have trouble comprehending the world outside. Olympus has much greater brand penetration in Europe and Asia.
 
Member said:
Anders W wrote:

Yes. And here's the basis for my judgment. These are processed from the DPR RAWs using LR 4.4 with everything at default except sharpening, which is reduced to zero (as DPR does). The first is a 100 percent crop from the E-M5, the second is the same but upsized to more than 100 percent to match the display size of the same crop from the RX1, and the third is the RX1 at 100 percent.
It need to be said that DPR used a 50mm on OMD, resulting in a 100mm FOV, RX1 with a 35mm lens needed to a much closer to the scene. And because the scene is three dimensional, the further away to the edge the image the worse the IQ becomes for RX1. In other reviews RX1's edge performance is generally better.

You had to pick edge crops to prove your point, understandable. But here are some other crops





Difference is pretty obvious.

Also you can read

Sony RX1 Review - Exposure - Imaging Resource and

Olympus E-M5 Review - Exposure - Imaging Resource

To summarise, OMd's RAW resolution is measured 2300/2300, while RX1's is measured 2750/2800
Member said:
Member said:
There is no need to understand Pmp to get a good idea of how lenses perform. all you have to do is actually check the test data.
So you are saying that there is no need to understand a measure in order to use or rely on it. Any measure will do no matter exactly what it measures and how.
I never said that at all, the only way you could have thought that is when you were not thinking at all.

What I said is you do not need to look at PMP, the field map gives you a much better idea of resolution performance.
Member said:
Good luck in convincing others that this is a reasonable proposition.
You just convinced me that you cannot read.
Member said:
BTW: The charts you pasted do not show P-MPix, but "acutance", another of the technically undefined measures DxO has recently started to play around with.
Oh really?

About Us
Member said:
While on the topic of definitions and measurement. Exactly how do you define "massively sharper"?
greener = sharper, yellower = softer, happy?

You are welcome to argue that the difference in sharpness is not "massive" for you, I accept that.
Member said:
I think noone denies that the RX1 has a decent lens. But to speak of "massive" differences in sharpness between the RX1 and good MFT lenses on current MFT bodies (the PL 25/1.4 is not a personal favorite of mine;
But PL25 is exact what TrapperJohn pitted against RX1 and claimed there is no difference ("flushing $1400 down the toilet").

To me, the difference in sharpness between RX1 and PL25 wide open is massive. i find it equally laughable that you cannot see the difference between RX1 and OMD's resolution in general.
Member said:
Member said:
Go back read the line you are quoting:

"By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass."

"Why must it have large glass? why can it not have a tiny 40 F2.8?"
To which I responded, in my very first reply to you in this thread:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"
Idiotic, isnt it? Because as we have subsequently found, 40mm/2.8 FF lens that is better than the panny 20/1.7 is very possible. the issue is not about does the sony version exist or can sony use the canon lens.
Member said:
Member said:
Member said:
the 20/1.7 on an MFT camera, stands up very well to the 40/2.8 on a Canon FF.
No it doesnt.

the 20/1.7 has much more CA and distortion than the 40/2.8
Apparently you overlooked what I already said in my previous reply (which you omitted from the text of mine that you quote). .....
I did not overlook that, I responded to it, it is you who were too busing doing the overlooking. see the bottom of your own post.
Member said:
Member said:
Resolution wise the 20/1.7 is good on its own, but when you compare the resolution you get from the m43 camera that is using it against the resolution you get from an FF camera that is using the 40 F2.8, the 20/1.7 is threshed. you read the numbers on PZ. 3980 centre, 2950 extrame corner for the 40/2.8, 2462, 1911 for the 20/1.7.
Apparently you overlooked the big warning sign on the front page of Photozone lens tests:
Apparently you did not read the paragraph you quoted. I made it clear that "Resolution wise the 20/1.7 is good on its own,"

BUT

"when you compare the resolution you get from the m43 camera that is using it against the resolution you get from an FF camera that is using the 40 F2.8, the 20/1.7 is threshed"

This is the system vs system comparison.
Member said:
Member said:
And last but not least 40/2.8 is 1/2 stop faster too.
No it isn't. The 20/1.7 is one and a half stop faster. This in turn suffices to more than make up for the difference in sensor area for reasons already pointed out in my second reply to you in this thread. Here it is again for your reference:
But that is clearly wrong, because m43's sensor area is 4 times smaller than FF. In FF equivalent terms, the panny is 40mm/3.4, against the hypotheticaly Sony 24mp FF system camera that sports the hypothetically 40mm/2.8 lens, it is 1/2 stop slower.
Member said:
Member said:
Member said:
Member said:
Member said:
Member said:
The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster.
Superior in what way?
Lets see...

Distortion? CA?
We were talking resolution and you turned out to be clearly wrong in that regard (see the results below).
No, you lost track of what you were talking about. You asked:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"

The question refers to quality, clearly is not limited to resolution.
No I didn't lose track of anything. You did. You are mixing quotes from an earlier part of our exchange (focused on quality more generally) with a later part (focusing on lens quality specifically). Please make at least a rudimentary effort to keep track of such elementary things.
LOL

A: What would be the point if you can shoot with equal quality with the Pany 20/1.7?

U: That simply is not possible. Sny 24mp ff sensor is miles superior than any m43 sensor. The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster.

A: Superior in what way?

U: Lets see... Distortion? CA?

A: We were talking resolution and you turned out to be clearly wrong in that regard (see the results below).

U : No, you lost track of what you were talking about. You asked: "What would be the point if you can shoot with equal quality with the Pany 20/1.7?" The question refers to quality, clearly is not limited to resolution.

ROTFLMAO...
 
ultimitsu wrote:
Ulric wrote:

Are you here too?
Pushing your buttons?
That is the uncorrected distortion and as such irrelevant.
It is uncorrected and it is not irrelevant. Distortion correction eats up resolution. while not by much, it is nevertheless not a desirable trait.
If allowing a bit more distortion and then software-correcting it yields better MTF than correcting the distortion optically, it is a desirable trait. Case in point: The MTF figures for the Pany 20/1.7 versus the Canon 40/2.8 that I gave you.
 
ultimitsu wrote:
Anders W wrote:

Yes. And here's the basis for my judgment. These are processed from the DPR RAWs using LR 4.4 with everything at default except sharpening, which is reduced to zero (as DPR does). The first is a 100 percent crop from the E-M5, the second is the same but upsized to more than 100 percent to match the display size of the same crop from the RX1, and the third is the RX1 at 100 percent.
It need to be said that DPR used a 50mm on OMD, resulting in a 100mm FOV, RX1 with a 35mm lens needed to a much closer to the scene. And because the scene is three dimensional, the further away to the edge the image the worse the IQ becomes for RX1. In other reviews RX1's edge performance is generally better.
Oh that's interesting. Can you please explain to us for exactly what optical reasons the three-dimensionality of the scene would disadvantage the RX1 in this comparison when it comes to edge performance. We are all waiting with great anticipation.
You had to pick edge crops to prove your point, understandable. But here are some other crops
I didn't have to pick edge crops but I preferred not to pick an area where either camera was handicapped by moiré. You apparently found that necessary though so let me reciprocate. Great performance here by the RX1, wouldn't you say? ;-)

RX1Moire.jpg

Also you can read

http://www.imaging-resource.com/PRODS/sony-rx1/sony-rx1A5.HTM and

http://www.imaging-resource.com/PRODS/omd-em5/omd-em5A5.HTM

To summarise, OMd's RAW resolution is measured 2300/2300, while RX1's is measured 2750/2800
So could you please describe how those measurements were obtained and what they refer to (e.g., demosaicing software and settings used, contrast criterion, measurement procedure, and sampling of resolution across the frame).
There is no need to understand Pmp to get a good idea of how lenses perform. all you have to do is actually check the test data.
So you are saying that there is no need to understand a measure in order to use or rely on it. Any measure will do no matter exactly what it measures and how.
I never said that at all, the only way you could have thought that is when you were not thinking at all.
As everyone can see for themselves, you said there is no need to understand "Pmp" (P-MPix) and that all you have to do is look at the "test data".

Now, in order to measure anything, you need both a definition of the quantity you are measuring and data measuring that quantity. I asked you about the former and you respond by reference the latter. A perfect example of a non sequitur.
What I said is you do not need to look at PMP, the field map gives you a much better idea of resolution performance.
So in what way is "acutance" (the measure used in the "field maps") better than P-MPix (the measure used in other maps)? Or are you choosing between these technically undefined measures merely on the basis of what type of diagrams they happen to be presented in?
Good luck in convincing others that this is a reasonable proposition.
You just convinced me that you cannot read.
You just showed everyone once more that you have no idea of what you are talking about.
BTW: The charts you pasted do not show P-MPix, but "acutance", another of the technically undefined measures DxO has recently started to play around with.
Oh really?

http://www.dxomark.com/index.php/About/In-depth-measurements/Measurements/Sharpness
Oh yes really. That tells us absolutely nothing about how P-MPix or DxO "acutance" is technically defined and measured, does it? For example, please explain to me how these two measures compare to the MTF-50 resolution figures reported by other sites, e.g., LensRentals.
While on the topic of definitions and measurement. Exactly how do you define "massively sharper"?
greener = sharper, yellower = softer, happy?
Sure. I am sure everyone finds your response entertaining. ;-)

And "massively"?
You are welcome to argue that the difference in sharpness is not "massive" for you, I accept that.
I think noone denies that the RX1 has a decent lens. But to speak of "massive" differences in sharpness between the RX1 and good MFT lenses on current MFT bodies (the PL 25/1.4 is not a personal favorite of mine;
But PL25 is exact what TrapperJohn pitted against RX1 and claimed there is no difference ("flushing $1400 down the toilet").

To me, the difference in sharpness between RX1 and PL25 wide open is massive. i find it equally laughable that you cannot see the difference between RX1 and OMD's resolution in general.
Fools are known to be easily entertained.
Go back read the line you are quoting:

"By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass."

"Why must it have large glass? why can it not have a tiny 40 F2.8?"
To which I responded, in my very first reply to you in this thread:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"
Idiotic, isnt it?
Your responses to my questions, yes.
Because as we have subsequently found, 40mm/2.8 FF lens that is better than the panny 20/1.7 is very possible. the issue is not about does the sony version exist or can sony use the canon lens.
"We" have found no such thing. You claimed it but were proven wrong.
the 20/1.7 on an MFT camera, stands up very well to the 40/2.8 on a Canon FF.
No it doesnt.

the 20/1.7 has much more CA and distortion than the 40/2.8
Apparently you overlooked what I already said in my previous reply (which you omitted from the text of mine that you quote). .....
I did not overlook that,
Yes you did. What's the point of repeating that the 20/1.7 has more CA and distortion (prior to correction) when I had already said:

"Distortion and CA? Both are auto-corrected when the 20 is used on a Pany body, with virtually no downsides. Not an issue."
I responded to it, it is you who were too busing doing the overlooking. see the bottom of your own post.
I look at the bottom of my own (previous) post and find the following exchange:

You had already said: "Are you crazy? Of cause there are downsides. CA and distortion are never desirable traits in a lens because they eat up resolution and contrast. Sure, they can be mitigated better today than they were 5 years ago, but they are still a flaw to a lens and In-body correction doesn't give you points because any raw processor can do that better."

I responded: "This just demonstrates how little you know. One advantage of software-correction is that you can allow slightly more lateral CA and distortion in order to have the lens perform better in other respects, that cannot easily be corrected ex-post without downsides, for example, MTF(resolution/microcontrast). And as the evidence shows, the Panasonic 20/1.7 does better with regard to MTF than the Canon 40/2.8.

One advantage of mirrorless is that it makes it easier to take advantage of the benefits of software-correction. A DSLR has difficulties with that since the effect of distortion-correction cannot be shown in an OVF."
Resolution wise the 20/1.7 is good on its own, but when you compare the resolution you get from the m43 camera that is using it against the resolution you get from an FF camera that is using the 40 F2.8, the 20/1.7 is threshed. you read the numbers on PZ. 3980 centre, 2950 extrame corner for the 40/2.8, 2462, 1911 for the 20/1.7.
Apparently you overlooked the big warning sign on the front page of Photozone lens tests:
Apparently you did not read the paragraph you quoted. I made it clear that "Resolution wise the 20/1.7 is good on its own,"

BUT

"when you compare the resolution you get from the m43 camera that is using it against the resolution you get from an FF camera that is using the 40 F2.8, the 20/1.7 is threshed"

This is the system vs system comparison.
You still don't get it, do you. So let me try again. For reasons pointed out in my previous reply, the Photozone results are incomparable even if it's "systems" i.e., body-lens combos rather than lenses alone, we are talking about. The figures from LensRentals that I quoted do not suffer from that shortcoming. Here are the figures for the system comparison again:

Canon 40/2.8 on 5DII (21 MP)

f/2.8 870/775

Panasonic 20/1.7 on E-M5 (16 MP)

f/1.7 870/735

f/2.8 1050/875

Get it this time?
And last but not least 40/2.8 is 1/2 stop faster too.
No it isn't. The 20/1.7 is one and a half stop faster. This in turn suffices to more than make up for the difference in sensor area for reasons already pointed out in my second reply to you in this thread. Here it is again for your reference:
But that is clearly wrong, because m43's sensor area is 4 times smaller than FF. In FF equivalent terms, the panny is 40mm/3.4, against the hypotheticaly Sony 24mp FF system camera that sports the hypothetically 40mm/2.8 lens, it is 1/2 stop slower.
Please make at least a rudimentary effort to comprehend. The 20/1.7 is one and a half stop faster (in terms of exposure, which is what lens speed conventionally refers to). Since it is used on a smaller sensor, it collects 1/4 the light at the same exposure. This in turn suffices to make up for the difference in sensor area compared to Canon FF (which cannot even match the DR of the E-M5 at base ISO). How hypothetical lenses on hypothetical cameras will do is anybody's guess.
The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster.
Superior in what way?
Lets see...

Distortion? CA?
We were talking resolution and you turned out to be clearly wrong in that regard (see the results below).
No, you lost track of what you were talking about. You asked:

"What would be the point if you can shoot with equal quality with the Pany 20/1.7?"

The question refers to quality, clearly is not limited to resolution.
No I didn't lose track of anything. You did. You are mixing quotes from an earlier part of our exchange (focused on quality more generally) with a later part (focusing on lens quality specifically). Please make at least a rudimentary effort to keep track of such elementary things.
Allow me to fill in the dialog you quote from prior posts just a little bit.

U: how about massive more resolution at F8?

A: Massive more resolution at f/8? What evidence?

U: how about massively sharper image wide open?

A: Massively sharper images wide open? What evidence?

U: Why must it have large glass? why can it not have a tiny 40 F2.8?
A: What would be the point if you can shoot with equal quality with the Pany 20/1.7?

U: That simply is not possible. Sny 24mp ff sensor is miles superior than any m43 sensor. The only current 40mm ff lens is canon 40/2.8 STM, which also happens to be miles superior than panny 20/1.7, and half stop faster.

A: Superior in what way?
Certainly not when it comes to what you and I are discussing here, i.e., MTF values (resolution/microcontrast). Below you find directly comparable test data from LensRentals (line pairs per image height at MTF-50, center/average, based on unsharpened output from RAW files):
U: Lets see... Distortion? CA?

A: We were talking resolution and you turned out to be clearly wrong in that regard (see the results below).
Distortion and CA? Both are auto-corrected when the 20 is used on a Pany body, with virtually no downsides. Not an issue.
U : No, you lost track of what you were talking about. You asked: "What would be the point if you can shoot with equal quality with the Pany 20/1.7?" The question refers to quality, clearly is not limited to resolution.
A: No I didn't lose track of anything. You did. You are mixing quotes from an earlier part of our exchange (focused on quality more generally) with a later part (focusing on lens quality specifically). Please make at least a rudimentary effort to keep track of such elementary things.
ROTFLMAO...
Hmm. It seems the eye-doctor is not the only one you need to visit. ;-)
 
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Anders W wrote:

Hmm. It seems the eye-doctor is not the only one you need to visit. ;-)
I also visited your Mom. :)

It really is amusing that m43 seem to be the only people who defend their purchase decision to the point of deluisional. PL25 is as good as RX1, EM5 is as good as RX1, 20/1.7 is faster than 40/f2.8, lack of OVF makes software distortion correction better, etc...

Well, I had my laugh, time to see your mom again :)
 
For me it’s a near perfect travel camera and the f2 lens is just right with the equivalent 35mm field of view. The only thing that would make it better is if it was full frame.
This makes no sense. Why would it be better? Just because it has the same sensor size as the old cheap movie film Oskar Barnack decided make good use of 100 years ago? I understand that we are somewhat constrained by the sensor sizes, we share sensor size across camera designs in the same way as we shared film sizes, but we have a little more flexibility these days. Why not bigger than FF? Why not take the Leica S2 sensor and stick it in a compact camera? I think the 1.5/1.6 IS the new 'standard'. And looking at the photos I see from 'inferior' 'crop' cameras like D7100, Canon 70D or even Olympus OM-D E-M5, I just don't get the reason to pay for and carry big full-frame lenses.
 
ultimitsu wrote:
Anders W wrote:

Hmm. It seems the eye-doctor is not the only one you need to visit. ;-)
I also visited your Mom. :)

It really is amusing that m43 seem to be the only people who defend their purchase decision to the point of deluisional.
PL25 is as good as RX1, EM5 is as good as RX1, 20/1.7 is faster than 40/f2.8,

lack of OVF makes software distortion correction better, etc...
You misunderstood that too: What I said is that cameras using OVFs have difficulties taking full advantage of software correction since the corrected image cannot be shown in the viewfinder (important especially with regard to distortion correction which affects framing). Nevertheless, DSLR makers try to make the best of the situation by exploiting software correction to the extent that they can, as you can see here:

http://www.dpreview.com/news/2013/0...orrection-data-for-DSLRs-adding-latest-lenses
Well, I had my laugh, time to see your mom again :)
Thanks for making it clear to everybody that you have nothing in the way of substantive arguments to offer.
 
ultimitsu wrote:
By the way, an R1 with a removeable mount would need all new glass. Expensive, large glass.
Why must it have large glass? why can it not have a tiny 40 F2.8?
so let me feed the troll for a bit here: you are proposing a Sony R1 with removable lenses and a 40mm f2.8 pancake (somehow licensed from Canon). ok, fair enough. please, enlighten us on the rest of your proposed lens for this highly desirable (and cheap) system. you know that a fixed wide angle lens is not suitable for everyone, right? how will you match the Panasonic 14-140mm and 100-300mm? what size will two 28-280mm and 200-600 mm FF lens have? what price? how much will they weight?
 
Anders W wrote:

I didn't have to pick edge crops but I preferred not to pick an area where either camera was handicapped by moiré. You apparently found that necessary though so let me reciprocate. Great performance here by the RX1, wouldn't you say? ;-)

RX1Moire.jpg
Wow. Yes, moire is terrible in the RX-1 shot. But the detail resolution is fantastic indeed. Look at the thin lines resolved at the man's cheek!
You still don't get it, do you. So let me try again. For reasons pointed out in my previous reply, the Photozone results are incomparable even if it's "systems" i.e., body-lens combos rather than lenses alone, we are talking about. The figures from LensRentals that I quoted do not suffer from that shortcoming. Here are the figures for the system comparison again:

Canon 40/2.8 on 5DII (21 MP)

f/2.8 870/775

Panasonic 20/1.7 on E-M5 (16 MP)

f/1.7 870/735

f/2.8 1050/875

Get it this time?
Well, what is there to get? Canon resolves the same center/better edges wide open (at f/2.8) as Panasonic wide open (at f/1.7). It would likely resolve even more at f/3.4 (equivalent to Pana f/1.7) while Panasonic doesn't open to f/1.4.
Please make at least a rudimentary effort to comprehend. The 20/1.7 is one and a half stop faster (in terms of exposure, which is what lens speed conventionally refers to). Since it is used on a smaller sensor, it collects 1/4 the light at the same exposure. This in turn suffices to make up for the difference in sensor area compared to Canon FF (which cannot even match the DR of the E-M5 at base ISO). How hypothetical lenses on hypothetical cameras will do is anybody's guess.
Anders, what's wrong with you? Yes, the Panasonic is 1.5 stops faster, but loses 2 stops of light to a full frame sensor, so it is effectively half stop slower. More in fact, for modern sensors do not cope very well with shallow light incidence angles.

However, the main advantage of m/43 (Olympus to be specific) is somehow underrated. What good are the MTF charts and minute differences in resolution when you can't get a shot? The smallness/lightness of m43 sensor allowed unparalleled (as of now) IBIS efficiency. The difference is pretty much night and day.

I had three systems: Canon FF (5DII, Olympus OM-D and Fuji XE-1). Canon is now gone. Fuji matches it at low light (supersedes actually), and there are other reasons. Fuji does beat Olympus at low light (I know Anders would disagree) -- I'm talking about OOC JPEGs at the moment.

Well, I tried to hand hold Fuji at night with pretty much unbeatable for sharpness Zeiss 32/1.8 wide open... Smeared unusable shot. Olympus OM-D with Panasonic 20/1.7 showed no motion blur whatsoever, and usable (though noisier) image. I'm keeping Fuji for normal and wideangle use, and Olympus for tele (and ultrawide with 7-14 until Fuji 10-24 is released).
 
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Krich13 wrote:
Anders W wrote:
Wow. Yes, moire is terrible in the RX-1 shot. But the detail resolution is fantastic indeed. Look at the thin lines resolved at the man's cheek!
Right. Things seem to vary quite a bit depending on exactly what you look at, and where in the frame you look at it. Interesting, isn't it? ;-) Here's about half way between center and corner:

RX101.jpg


And here's close to the corner. Interestingly, certain details of the watch seem to have disappeared altogether in the Sony, ... eh ... Zeiss, rendering:

RX102.jpg

You still don't get it, do you. So let me try again. For reasons pointed out in my previous reply, the Photozone results are incomparable even if it's "systems" i.e., body-lens combos rather than lenses alone, we are talking about. The figures from LensRentals that I quoted do not suffer from that shortcoming. Here are the figures for the system comparison again:

Canon 40/2.8 on 5DII (21 MP)

f/2.8 870/775

Panasonic 20/1.7 on E-M5 (16 MP)

f/1.7 870/735

f/2.8 1050/875

Get it this time?
Well, what is there to get? Canon resolves the same center/better edges wide open (at f/2.8) as Panasonic wide open (at f/1.7). It would likely resolve even more at f/3.4 (equivalent to Pana f/1.7) while Panasonic doesn't open to f/1.4.
What there is to get? Exactly what I said of course.

The Canon resolving about the same at f/2.8 as the Pany at f/1.7? Sure. Who said anything to the contrary? Certainly not I. No need to kick a dead horse, is there?

If you would have bothered to read my exchange with ultimitsu, you would have seen that he claimed the Canon lens was vastly superior. No matter how we look at it (at the same f-stop, or at the equivalent stop), that surely isn't the case, and that was the point I was making.
Please make at least a rudimentary effort to comprehend. The 20/1.7 is one and a half stop faster (in terms of exposure, which is what lens speed conventionally refers to). Since it is used on a smaller sensor, it collects 1/4 the light at the same exposure. This in turn suffices to make up for the difference in sensor area compared to Canon FF (which cannot even match the DR of the E-M5 at base ISO). How hypothetical lenses on hypothetical cameras will do is anybody's guess.
Anders, what's wrong with you? Yes, the Panasonic is 1.5 stops faster, but loses 2 stops of light to a full frame sensor, so it is effectively half stop slower.
Just read (slowly) what I already said several times around in my exchange with ultimitsu. Yes, the Panasonic is 1.5 stops faster, yes, it collects 1/4 the light at the same exposure, and yes (you forgot that part), larger sensors are not quite as efficient per sensor-area as smaller sensors. If they were, there would, on average, be a two-stop difference in DR across the ISO range, and there isn't. The base-ISO DR performance of Canon FF sensors, the only ones that can be used with the Canon 40/2.8, is a case in point.
More in fact, for modern sensors do not cope very well with shallow light incidence angles.
And in exactly what way is that fact relevant to the comparison?
However, the main advantage of m/43 (Olympus to be specific) is somehow underrated. What good are the MTF charts and minute differences in resolution when you can't get a shot? The smallness/lightness of m43 sensor allowed unparalleled (as of now) IBIS efficiency. The difference is pretty much night and day.
I am not sure the sensor area has a whole lot to do with the efficiency of the E-M5 IBIS, but I agree that the system is pretty good.
I had three systems: Canon FF (5DII, Olympus OM-D and Fuji XE-1). Canon is now gone. Fuji matches it at low light (supersedes actually), and there are other reasons. Fuji does beat Olympus at low light (I know Anders would disagree) -- I'm talking about OOC JPEGs at the moment.
I do yes. In the links below, you find some of the reasons why. I am talking about RAW (why would anyone who cares the slightest about image quality use anything else) but many of the problems are just the same in OOC jpegs.

http://www.dpreview.com/forums/post/51459723

http://www.dpreview.com/forums/post/51465353

It seems like quite a few people have yet to notice what some of us immediately observed already when the X-Pro1 was released and what DPR eventually remarked in their review of the X-E1:

"Using our standard processing, with Adobe Camera Raw's noise reduction set to a minimum, the X-E1's images look rather different to those from Bayer sensor cameras, and specifically show much lower chroma noise. This means that direct comparisons have to be treated with caution; in effect the demosaicing required by the X-Trans CMOS sensor includes a degree of chroma NR."

http://www.dpreview.com/reviews/fujifilm-x-e1/20
Well, I tried to hand hold Fuji at night with pretty much unbeatable for sharpness Zeiss 32/1.8 wide open... Smeared unusable shot. Olympus OM-D with Panasonic 20/1.7 showed no motion blur whatsoever, and usable (though noisier) image. I'm keeping Fuji for normal and wideangle use, and Olympus for tele (and ultrawide with 7-14 until Fuji 10-24 is released).
Glad you appreciate the strengths of the E-M5 IBIS system.
 
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Anders W wrote:
Krich13 wrote:
Anders W wrote:
Wow. Yes, moire is terrible in the RX-1 shot. But the detail resolution is fantastic indeed. Look at the thin lines resolved at the man's cheek!
Right. Things seem to vary quite a bit depending on exactly what you look at, and where in the frame you look at it. Interesting, isn't it? ;-) Here's about half way between center and corner:

RX101.jpg


And here's close to the corner. Interestingly, certain details of the watch seem to have disappeared altogether in the Sony, ... eh ... Zeiss, rendering:

RX102.jpg



Zeiss it is... I'm not terribly shocked to see one of the best macro lenses in the world (and longer focal length absolutely and effectively) to outperform a wide/normal lens in the corner.

Having said that, the interpretation of these shots still depends on what you look at and how hard you squint. For instance, the dot of the "i" in the word "Smith" is clearly seen in the Sony shot but barely resolved by Olympus. Sony sees the radial metal brush texture in the corner of the watch that Olympus does not see at all. Sony resolves tiny feather/hair texture that Olympus does not see.

While the only details that "disappeared" here are the dark vertical lines at the watch markings... that aren't really there. I think these lines may appear or disappear depending on the angle of viewing or illumination: these are the reflections of the polished metal "roof" structures. In particular, they "disappeared" the very same way in the bottom part of the Olympus shot (check the full dpreview sample).
If you would have bothered to read my exchange with ultimitsu,
My bad. It was too much for me to drag through. I just read a part of your comment.
you would have seen that he claimed the Canon lens was vastly superior. No matter how we look at it (at the same f-stop, or at the equivalent stop), that surely isn't the case, and that was the point I was making.
Wastly it may be not, but superior it is (ignoring the extra advantage Olympus' IBIS would give to Panasonic). Photozone test shows center resolution of 3600-3700 lines/hieght (wide open and at f/4) while none of m43 lenses surpassed 3150. Even if you hand 14.5% advantage to Panasonic (I guess, they do not have direct Pana test at 16 MP, but the best of the best of m43 -- the 75/1.8 resolves 3150. 14.5% is sqrt(21/16) to account for more megapixels on the Canon -- not really a fair test considering strong AA filter on Canon) it would only reach 3600. Corners and bokeh are better for Canon 40 too. And no, I don't give a damn about Photozone's warning that different systems are not comparable.
Just read (slowly) what I already said several times around in my exchange with ultimitsu. Yes, the Panasonic is 1.5 stops faster, yes, it collects 1/4 the light at the same exposure, and yes (you forgot that part), larger sensors are not quite as efficient per sensor-area as smaller sensors. If they were, there would, on average, be a two-stop difference in DR across the ISO range, and there isn't.
I agree for Canon sensors, wouldn't be so sure about Sony/Nikon's. But of course those wouldn't be useful with Canon's pancake.

And in exactly what way is that fact relevant to the comparison?
Please let me illustrate this statement with a simple example of a thin lens. A narrow aperture collects light close to the optical axis (red). Open the aperture wider, and extra light can be collected (yellow). But this extra light comes in at higher incidence angle, the wider aperture the higher. Since modern sensors are weak at high incidence angle, the contribution of the wider apertures (both to the exposure and to the shallowness of DOF) progressively diminishes as the aperture is open wider. The micro-four thirds' aperture "equivalent" to FF f/2.8 wouldn't be f/1.4 as some might think. It would be f/1.2 if we are lucky. Actually I can measure the illumination of a given lens with direction-insensitive pyroelectric detector as it is stopped down in my lab, and compare it to the camera-calculated exposure values (no electric contacts to the lens so the lens wouldn't report what it is).



db24e7ef07b64b5bb4c7778559d5d7da.jpg
 

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