Looks like Pentax have lost Benjamin Kanarek

No doubt he's a good photographer with a great CV.

I believe there was a thread a while back on Pentax forums where he stated that he might move on...I believe it was the lack of sponsorship ( I could be wrong).

Some posters backed him up commenting that he's good for the brand whilst others hadn't even heard of him or seen his ads.

I fit into the latter; he obviously has excellent technical knowledge of studio photography, but it doesn't inspire me. I look at some of the photos of landscapes and birds taken by others and that's more inspiring to me.

Pentax has some loyal photographers with excellent technical skill, but they're not working for high end magazines, but we should be thankful they are posting images and sharing knowledge.
 
A few days ago I made a lot of photographs on a party (with complicated light conditions) with a K5 with a 60-250 mm lens. in approx 98% focussing was on the point.

Do not know why People have These difficulties. OK, fast moving objects are a hard Thing with a Pentax - but in all other conditions you have (do to Pentax micro adjustment) better AF than with all other systems.



Best regards

Holger
 
ryanshoots wrote:"Pretty sure he could have switched to any Nikon body above a D90 and had better AF than Pentax. He didn't need to go FF to improve that"

Yep, I think reason is mainly a good FF sensor. Otherwise, D600 would be relatively modest alternative to a professional photographer like him. Of course flash system can be another reason too.

...Anyway this once again raises the question of why Pentax has not yet FF camera with big bright OVF?!

Ari

--
http://koti.mbnet.fi/tidis/AAikomus.jpg
- Ari Aikomus -
'Why should I feel lonely ? is not our planet in the Milky way?'
 
Last edited:
dustybunter wrote:

No doubt he's a good photographer with a great CV.

I believe there was a thread a while back on Pentax forums where he stated that he might move on...I believe it was the lack of sponsorship ( I could be wrong).

Some posters backed him up commenting that he's good for the brand whilst others hadn't even heard of him or seen his ads.

I fit into the latter; he obviously has excellent technical knowledge of studio photography, but it doesn't inspire me. I look at some of the photos of landscapes and birds taken by others and that's more inspiring to me.

Pentax has some loyal photographers with excellent technical skill, but they're not working for high end magazines, but we should be thankful they are posting images and sharing knowledge.
 
I started with Asahi almost 40 years ago, then I used Leica and then Nikon presently. Brand wars are not worth a word. Reading people here talking about a colleague, a pro one, in these terms is really depressing.
 
I guess I am surprised that he would be using APSC for fashion work anyway, whether Pentax or Nikon. FF or MF makes a lot more sense. As a professional, I wouldn't be shooting Pentax but would choose the correct tool for the job. Since I am just an amateur, Pentax is more fun to use. The Nikon flash system and a FF DSLR IQ makes a lot of sense for him. Wishing him the best.

Dale
 
You rely heavily on your point #2, which I don't think is valid. If you shift to FF I think you would probably not use the same focal lengths as before, but instead shift to lenses with a different focal length but the same field of view. In that situation, you would not have a depth of field improvement at the same aperture for FF.

Lee
 
Holger Bargen wrote:

A few days ago I made a lot of photographs on a party (with complicated light conditions) with a K5 with a 60-250 mm lens. in approx 98% focussing was on the point.

Do not know why People have These difficulties. OK, fast moving objects are a hard Thing with a Pentax - but in all other conditions you have (do to Pentax micro adjustment) better AF than with all other systems.

Best regards

Holger
Perhaps in fashion shoots, the models are often in motion, and his K-5 had trouble focusing on moving targets. In my own non-professional work, I have never approached the misfocusing rate that he describes. Still, there is no doubt that Pentax still needs to improve its AF system, if it wants to attracts more pros and amateur enthusiasts.

Rob
 
It's pretty simple- Pentax isn't a 'pro' brand. They focus on amateurs & don't cater to professional shooters.
No FF= no upgrade path. Same reason i left, and many others over the past 5 years or so.
Pentax makes a great aps-c camera. But if they want to keep pros who shoot magazine covers- they need a pro camera. A pro can "get by" with an advanced amateur/enthusist camera, but its only a matter of time till they long for a better tool for the job.
And that's all it is- a tool for a job. He upgraded his tools.

He's a great photographer and I wish him nothing but the best!
 
I would have %100 percent missed focus if I was shooting those models :D
 
samhain wrote:

It's pretty simple- Pentax isn't a 'pro' brand. They focus on amateurs & don't cater to professional shooters.
No FF= no upgrade path. Same reason i left, and many others over the past 5 years or so.
Pentax makes a great aps-c camera. But if they want to keep pros who shoot magazine covers- they need a pro camera.
They've got a better one : 645D

What they really need is a pro sport camera.

A pro can "get by" with an advanced amateur/enthusist camera, but its only a matter of time till they long for a better tool for the job.
And that's all it is- a tool for a job. He upgraded his tools.

He's a great photographer and I wish him nothing but the best!
 
Photography is a hobby to most people. Pentax is doing great for them.
 
most of us feel a bit awkward about our less known brand and want to throw something at those showing off how their brands are way much better because pros are using them. To have some pros on our side is a privilege. I'm certainly not one of those and always enjoy not to use whatever most commons use (even though if they're right :D ).
 
He is a pro and is really talented at that, was also constantly looking at his work and if all those shots were taken by an APSC camera with excellent lenses, it does give hope for a lot of us.

As I understand, his only gripe was with the AF system and with his kind of work, it could be very frustrating but it was commendable of him to have stuck with Pentax over the years even with the lack of support. Hey, Pentax/ Ricoh dropped the ball on this one. Why not just sponsor him 2 K5II or K5IIs bodies since he already got the lenses (where I am from, 2x K5IIs bodies cost the same as a D600 kit)? That could have kept him happy.

For what he does, the D600 is an excellent and cost effective option but after the honeymoon is over, will he miss the K5 ergonomics and form factor?
 
soheil wrote:

most of us feel a bit awkward about our less known brand and want to throw something at those showing off how their brands are way much better because pros are using them. To have some pros on our side is a privilege. I'm certainly not one of those and always enjoy not to use whatever most commons use (even though if they're right :D ).
 
Alternatively, someone using the same focal length on full frame might step closer for the same field of view. Your scenario, to change focal length, is a better solution than changing location. Field of view is left out of many equivalency discussions. As if, with a change of format, the image the photographer intended to make doesn't really matter any longer.
leekil wrote:

You rely heavily on your point #2, which I don't think is valid. If you shift to FF I think you would probably not use the same focal lengths as before, but instead shift to lenses with a different focal length but the same field of view. In that situation, you would not have a depth of field improvement at the same aperture for FF.

Lee
 
I think that Benjamin Kanarek is a good fashion photographer and he was probably the most currently recognized Pentax shooter in the world. Not that it matters., in my opinion.

How many people go around deciding to buy a certain brand/model because a famous fashion photographer uses it? probably only a few.

But as sure as I am he is a good photographer, now I start thinking he is a huge cheapskate. I don`t made tons of cash selling pictures and still I buy all my gear out of my own pocket (and my wife's purse). Neither I have an expectation if one day I become famous, that certain company has to sponsor me. Doesn't mean I wouldn't appreciate it if it ever happens. But personally I wouldn't go around begging for sponsorship for my basic tools if those tools are important for my work.

Also I simply don`t get the fact he is buying and shooting with cheap stuff when i assume easily he can afford the best of the best in terms of equipment. Specially i don't understand it when he makes a living and a name based on the results of his work, which for me, at the level he works, the equipment matters. i know I will hear the old saying that bad photographer can take really bad pictures with very good equipment and good photographers can make good pictures with bad equipment. But to mention an example, I would prefer that the guy who is going to do a surgery in my eyes, better has the best equipment in the world to do his job.

The only reason I could understand the fact he was using cheap stuff for his work is for philosophical reasons. I understand that Ken Rockwell does it (read his article re: 'camera doesn't matter'), but not BK, after reading his long rants in the Nikon forum.

But on the other side we don't know the whole story behind doors of what happened between him and Pentax, as it doesn't make sense for me either of Pentax not sponsoring him or making him an ambassador of the brand. Could it be also the case Pentax is so cheap to invest in marketing and PR?

Then I see all this as a result of the confrontation of a cheapskate photographer with a cheapskate company that even can`t bother to produce a FF camera.

My other hypothesis is that Benjamin Kanarek is not cheap but probably a very practical person, but probably he doesn't have a very good accounting adviser. He can buy a lot of expensive gear and write off the depreciation from the income he makes, which will reduce his taxes. then, he can absorb easily all the financial commitment that comes with buying better gear.

Or my believe now is that finally he listened to my continuous nagging that shooting full frame is the way to go, specially when a good FF cost only marginally more than a Pentax k5II with one of those expensive and (according to BK) prone to fail Pentax lenses.

Way to go Benjamin, I am glad somebody is listening to me :)

What i really like are his words in the Nikon forum about the results he is getting with the D600: "The images on the D600 were absolutely mind boggling. The 85mm f1.8 lens has to be the sharpest lens I have ever used in my 25+ years as a Fashion Photographer". This is all what you are missing for no listening to me.....I went though the same awe when I dropped the aps-c.

Sleepy Pentaxians of the world, BK quitting is telling you time to wake up!
 

Keyboard shortcuts

Back
Top