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One thing i was wondering. How does one deal with branches and other obstacles standing in the way but not obstructing completely the subject? Other than the obvious which is move to the side. and get a new line of sight... Do you lock focus around the subject and then recompose? Do you use manual focus? Plan C?[\quote]
The reason I ask this is because the birds near my house often hide in a set of trees lining up in front of a fence. There is no way for me to get around or a different POV. so there are often obstacles in my line of sight and automatic focus becomes challenging. DOF is shallow enough that focusing around the bird then recomposing may yield bad results. Is manual focus the only option in this case?
Thanks again to all of you for taking the time in trying to help me with my photography![]()
Lets see, you are an expert photographer (better than any of us of course) and also a fantastic guitar player. What else are you better than anyone else at?nfpotter wrote:
I didn't say that you're a newbie. I said what you suggested sounded like one would say.JoeNap2 wrote:
Sorry... just a newbie. 50 years of active amateur photography. Oh, yes, have produced work on a commercial basis. Have shot weddings. Regular photo volunteer for various non-profits at events. Have had work published on line and in print. Photography is a significant part of my day job. Not a professional photographer. Just a newbie.
If you'll take the time to look at my posts you will see I take a positive approach and I like to encourage other photographers. Try it, you'll like it.
I once sat down to play guitar at a party with my friend's dad's buddy. He talked about how he'd been playing for 30-40 years, etc. I was excited to play with him, because I'd only been playing for a year or two.
Within the first 3 minutes it was blatantly apparent that I smoked him like a pack of Kool's.
nfpotter wrote:
Stacey_K wrote:
See you have to learn how to critique photography. First you personally insult the person, then you critique it. I love when people try to explain about older cameras etc (like I'm a noobie) when they have no clue the large vintage collection I haveI've learned to ignore people like this.
One thing I have noticed with the tamron VC. When it first locks in, the image jumps. You will notice as you recompose, the image in the finder moves in "jumps". I have found if I compose in the center of one of the jumps, rather than on the edge of it, I get a much higher keeper rate. I think anyone who has used one of these will understand what I am saying. I have found the vc works VERY well used this way.klaminero wrote:
Well, I am definitely too junior on this forum to enter such debate.
However, I appreciate all of your advice and am sure it will be very useful.
Joe,
How do you like the VC on the Tamron? I like it a lot so far as it helps me aim quite a bit at 300, although I have heard it may be hard to do panning with it. Still have to learn i guess. And that bird looks like it hasnt been exercising in a while! That picture is funny![]()
Stacey_K wrote:
Lets see, you are an expert photographer (better than any of us of course) and also a fantastic guitar player. What else are you better than anyone else at?nfpotter wrote:
I didn't say that you're a newbie. I said what you suggested sounded like one would say.JoeNap2 wrote:
Sorry... just a newbie. 50 years of active amateur photography. Oh, yes, have produced work on a commercial basis. Have shot weddings. Regular photo volunteer for various non-profits at events. Have had work published on line and in print. Photography is a significant part of my day job. Not a professional photographer. Just a newbie.
If you'll take the time to look at my posts you will see I take a positive approach and I like to encourage other photographers. Try it, you'll like it.
I once sat down to play guitar at a party with my friend's dad's buddy. He talked about how he'd been playing for 30-40 years, etc. I was excited to play with him, because I'd only been playing for a year or two.
Within the first 3 minutes it was blatantly apparent that I smoked him like a pack of Kool's.![]()
Well, we already know that you're a "senior", Joe.JoeNap2 wrote:
Thanks Stacey... appreciate the reminder about dealing with all the sophomores you run into on the internet.
klaminero wrote:
Wow, so many impressive shots. Extremely sharp.
Thank you everybody for all the advice. I guess bottom line with this lens is, if there is enough light then stop down a bit to get sharper results until iso or shutter speed becomes unacceptable.
Mr. Potter, thank you for the great series of advice. I do believe that hand-holding is one of my biggest issue right now. I have never been good at aiming much of anything. I have looked at several tips, many suggesting to tuck arms in against the chest, breathe in, lock, shoot, breath out. I must be doing it wrong as it seems to make things more unstable for me. (I am talking about shooting in a stand-up position obviously). Also, I never know if i should have one foot in front of the other, or aside from each other. Bottom line is, I need to figure this out to allow myself using slower shutter speed.
Also, I had read your advice about M mode and auto iso and found it very useful. I have been switching between A and M using that. However, I wish the d7000 firmware allowed for an easier way to switch between auto and manual iso. Thanks to that "semi automatique" manual mode, I never have to use S mode.
The birds keep singing around my house so I am sure i will have many more chances to improve my shots.
One thing i was wondering. How does one deal with branches and other obstacles standing in the way but not obstructing completely the subject? Other than the obvious which is move to the side. and get a new line of sight... Do you lock focus around the subject and then recompose? Do you use manual focus? Plan C?
Never said I was superior to you in any regard, Brev!Brev00 wrote:
Being harsh is your thing. You are definitely superior to me in that regard . And, that is about it.
--
www.flickr.com/photos/brev00



It's not a "focusing" jump but that you will see the image on the focus screen using the VC "snap" into position. Move the camera with the shutter held half way down and you will see the image in the finder move in -steps- as you slowly move it around. If you recompose where you are to the edge of the next step/jump, the lens VC might "jump" to the next step as you press the shutter and the image ends up blurred.klaminero wrote:
Stacey, I tried to move my tamron around to try to perform the focusing technique mid-jump that you describe, and I Could never do it. I must have misunderstood what you meant.
Stacey_K wrote:
It's not a "focusing" jump but that you will see the image on the focus screen using the VC "snap" into position. Move the camera with the shutter held half way down and you will see the image in the finder move in -steps- as you slowly move it around. If you recompose where you are to the edge of the next step/jump, the lens VC might "jump" to the next step as you press the shutter and the image ends up blurred.klaminero wrote:
Stacey, I tried to move my tamron around to try to perform the focusing technique mid-jump that you describe, and I Could never do it. I must have misunderstood what you meant.
It's hard to describe but I think you will see what I am taliing about playing with the lens with the shutter held half pressed. I'm sure you have noticed when you half press the shutter it takes a moment for the VC to lock? You need to let it lock before you release the shutter too.
I believe I read the nikon is a "two part" deal but the tamron isn't. They don't work the same way.nfpotter wrote:
That doesn't matter. VR/VC/OS is two separate parts - one for the viewfinder, which takes a second to "settle", and one at the time of exposure, which is pretty much instantaneous.Stacey_K wrote:
It's not a "focusing" jump but that you will see the image on the focus screen using the VC "snap" into position. Move the camera with the shutter held half way down and you will see the image in the finder move in -steps- as you slowly move it around. If you recompose where you are to the edge of the next step/jump, the lens VC might "jump" to the next step as you press the shutter and the image ends up blurred.klaminero wrote:
Stacey, I tried to move my tamron around to try to perform the focusing technique mid-jump that you describe, and I Could never do it. I must have misunderstood what you meant.
It's hard to describe but I think you will see what I am taliing about playing with the lens with the shutter held half pressed. I'm sure you have noticed when you half press the shutter it takes a moment for the VC to lock? You need to let it lock before you release the shutter too.
--
Stacey
huh? hops out of the screen? It's not "losing focus" I am talking about.Brev00 wrote:
Stacey,
I have never noticed this jumping issue you describe. That is, the force of the vc causing me to lose focus on a subject that hops out of the screen.
It has nothing to do with focus.Maybe because I keep my finger half-pressed on the shutter in af-c mode and recompose less than you. But, I do take quite a few flower images and such in af-s and find the af precise with no interference from the vc.
And my comment has nothing to do with focus.I have read others besides yourself comment on this issue so I might just be oblivious to it. Maybe I just take my time enjoying the lock waiting for the moment. Dunno. The one thing that I have noticed is that there are times I need to use the manual focus override because the af just does not lock on precisely to the specific target. This is especially true when the target has less contrast than the surroundings such as the shaded center of a flower. This has nothing to do with the vc, however.
Stacey_K wrote:
huh? hops out of the screen? It's not "losing focus" I am talking about.Brev00 wrote:
Stacey,
I have never noticed this jumping issue you describe. That is, the force of the vc causing me to lose focus on a subject that hops out of the screen.
It has nothing to do with focus.Maybe because I keep my finger half-pressed on the shutter in af-c mode and recompose less than you. But, I do take quite a few flower images and such in af-s and find the af precise with no interference from the vc.
And my comment has nothing to do with focus.I have read others besides yourself comment on this issue so I might just be oblivious to it. Maybe I just take my time enjoying the lock waiting for the moment. Dunno. The one thing that I have noticed is that there are times I need to use the manual focus override because the af just does not lock on precisely to the specific target. This is especially true when the target has less contrast than the surroundings such as the shaded center of a flower. This has nothing to do with the vc, however.
Let me try one more time. I clearly am not describing this well. Go outside, set the camera on the long end and focus on something like your mailbox. Continue holding the shutter half down slowly move the camera back and forth and watch the mailbox in the finder. At first the mailbox doesn't want to move in the finder as the VC has it "nailed", then lens finally moves outside of what the VC can deal with and the mailbox will move in a small "jump" or jerk. If you are on the edge on when the VC can handle, the camera shake can take it past this "edge" when you snap the shot and blur it.
I've taken a set of shots and most will be sharp with one or two obviously motion blurred and can't think of anything else that could have caused it. Now that I am aware of this, I don't get those blurred shots anymore. Again it's not a focus problem, it a quirk with how tamrons VC works.
Exactly. Like I said I can't swear this is how the Tamron VC works but before it started doing this I would randomly get motion blured shots and now I don't. It is -not- a focus issue and it's not an issue at all now that I noticed how this works.klaminero wrote:
Ok Now I completely understand what you mean.
Do you agree that focus should be equivalent between moves but the issue comes from being close to a move and the VC starting a move as you take the shot?