Ubilam wrote:
What is quality art is more important. There are great photographers here reading this that must be going nuts but don't reply. Those that pay too much for "art" are uneducated and need to be told what "art" is. Thats the norm now. The critic tells you what is good. Thats whats sad.
Afterall, the more money makes after the weekend release, the better the movie is... right? A photo or painting is not good unless others like it.
"Art" is one of those words that can't be defined without reference to a context of some kind. It's a bit like that other often bandied-about word "freedom". One must ask, freedom from what? Freedom to do what? And then argue about who or what can enjoy freedom and how they all interact with each other.
The same is true of "art". It tends to mean different things in different contexts. But if the definition is to be the post-modern one, that "my activity/product is art if I intended it to be so", then the word (like a lot of post-modern stuff) becomes so self-referential that it ceases to have any transmittable meaning at all.
Personally I like to use a tight rather than a loose definition of "art". I think of art as human-centric activity and construction that transcends current reality by revealing previously not-understood or inchoate meanings via the use of highly plastic materials by a person who has the skill and understanding to render those transcendent constructions so that others understand their message.
This definition requires quite a lot of the artist. It also excludes products and processes that do not begin with "highly plastic materials" so that what is produced contains a lot of "the agenda of the tools used" despite what the would-be artist has in his own agenda.
This means that, for me, it is difficult to see most photography as art, since the cameras, editing software, printers and monitors all have a very extensive "agenda of the tool", built-in by their manufacturers and designers.
Yet it is certainly possible to see photographs that "transcend current reality by revealing a previously not understood or inchoate meaning". But this is not really a function of the photographer deciding the moment, viewpoint and exposure - these are minor craft matters that are essentially making a 2D copy of a portion of reality already designed, available and understood.
Any art comes either before photography (eg in the set-design, lighting and so forth) or later (in the development process) where the usual objective of photography (making an accurate representation of a normal reality) is put aside in favour of making a transcendent image that has altered reality to amplify, reveal, emphasise or otherwise create additional meaning over and above what reality reveals to the recording device (the camera) or a normal human eye/consciousness.
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But there's no doubt that people use "art" in different contexts with different definitions than mine, above. All these usages are perfectly legitimate - but for the word "art" to actually mean something, it's required that the context of it's use be made clear. And sometimes the word "art" implies qualities in what is described as such when no such qualities exist......
For example, when I paint a watercolour I am in one sense "doing art" even though my daubs have no artistic merit at all. The same might be said of much of photography, especially the kind that remains a faithful 2D copy of already extant reality.
But non-artistic photography can still be a skilled craft producing very worthwhile images. In fact, most of it is like that - from wildlife documentors using state-of-the art equipment to family history-recorders with their snappers.
SirLataxe, who would himself like to make art but generally only manages craft.