Does anyone care about moire?

Reilly Diefenbach wrote:
........
And while you're at it, show us a Phase One, Pentax 645 or a D7100 picture that's been damaged by the lack of a blur filter.
Indeed, working with that kit every day (Phase One) Oh how I pray for the day when we can get interchangeable camera backs for DX and FX DSLRs.
 
madduckbill wrote:

Yes, I care. I do real estate photography and it can be a huge problem with siding, shingles, certain carpets, window treatments, decorative glass, etc.
Real estate and you actually care about image quality?? You'll be the first I've met that does. Congratulations.
 
I think this is a point that few mentions:

The moire/aliasing that is present in a (sharp) system with no prefiltering can affect low-frequency output, the kind that is visible in smaller prints and/or at larger viewing distance.

The loss of sharpness attributed to the OLPF will only affect high frequencies that (for large pixel counts) really only matters for pixel-peepers or really large prints viewed up-close.

-h
 
For analyzing such images, it would be really helpful to have two separate shots of the same scene with as few changing variables as possible. Minute random changes would cause the sensor to capture slightly different "phases", and it would be easier to tell what is aliasing, and what is true detail.

-h
 
Stacey_K wrote:
sigala1 wrote:

I think there's a rather weird disconnect.

When Nikon first introduced 24 MP APS-C cameras, everyone said, "oh my god, that's TOO MUCH resolution, no one needs that much resolution or can do anything with it."

But when Nikon removes the OLPF so that the 24 MP sensor can have even more resolution, everyone praises this as the smart thing to do.

I don't get it. Is 24 MP too much resolution, or not enough resolution?
The techies/pixel peepers praise it, most photographers realize in their normal output this "increased resolution" isn't visible. I posted in another thread in an 8X10 print (and even up to 11X14 for most subjects) I can't see any real increase in visible resolution between my 5MP olympus E1 and a D7000. The reason I got the D7000 wasn't for the resolution, it was for the high iso/DR performance gain.

I can understand if people are looking to make wall size prints all this would matter. I also believe very few photographers images need or should be printed that large. If an image isn't striking at 8X10, blowing it up to 8X10 feet isn't going to fix it :P
 
sigala1 wrote:



Camera makers finally got the message. They always got dinged for having a resolution-destroying optical-low-pass filter, but no reviews ever say anything bad about moire. So Nikon finally decided to give the reviewers what they really want, although if you look at most new cameras, the OLPF is very weak and most current DSLRs make moire on this coin. The E-M5 hardly has any moire, so I included that as a comparison.

I personally would prefer slightly less resolution and no moire.
Moire can occur on cameras with OLPFs and it can occur on cameras without OLPFs. See this Olympus EM5 vs Nikon 1 V2 comparison below. Since the V2 does not have an OLPF you would expect loads more moire, but in fact, it's the EM5 image that has more instances of moire (click on image, then click 1:1 to view them full-size). The white building with blue lettering on the right side of the image and the small blue tiled building in the center / right of the frame.

Notice that this EM5 image actually has more instance of moire than the Nikon 1 image below (click once, and then click 1:1 to see at 100%).
Notice that this EM5 image actually has more instance of moire than the Nikon 1 image below (click once, and then click 1:1 to see at 100%).

[ATTACH alt="The Nikon 1 camera which has a 14 mp 1" sensor and no Optical Low-Pass Filter"]233764[/ATTACH]
The Nikon 1 camera which has a 14 mp 1" sensor and no Optical Low-Pass Filter

Depending on what you shoot, for general subjects (nature, portraiture, street photography, sports) the increase in accutance that you get with many of the latest cameras without OLPFs (Leica M9, Coolpix A, D7100, D800E) is well worth potentially more moire in certain situations. And since moire can occur with all high resolution cameras with or without OLPF, there is simply no reason to prefer a camera with an AA-filter vs one without.

A look at the DPR Coolpix A Studio RAW samples (See link below) show that it indeed is out-resolving other 16 mp cameras. Will you get moire with a Coolpix A? Perhaps. But this is true of many other cameras as well. But the benefits of sharper images, far outweigh any perceived disadvantages of occasional moire.

DPR Coolpix A Studio Comparison (RAW)

I have a Nikon D800 that is by far the best camera I've ever owned including my 5D Mk II. But if I had it to do all over again, I would have purchased the D800E. The D800 with the Nikkor lenses that I use produces highly detailed files that I couldn't be happier with. But since I'm not a professional, a few instances of moire here and there are simply not a big deal. Besides, both D800s can produce moire in certain situations, so there is almost no reason other than price to prefer the D800 over the E.

Cheers, and happy shooting,

Markus
 

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olliess wrote:
Reilly Diefenbach wrote:

Fear of moire may be contagious, but I might point out that I have never seen moire or touched the moire brush in about ten thousand shots with the D800e, nor do I know anyone who has....

If there are closely spaced vertical slats,you might want to keep an eye out for it:


but for the most part it will not even be worth fixing:
Is the pink/green striping on the panels of the taller rectangular building on the horizon a moire effect?
It's hard to believe that anyone would paint pink and green stripes on a building, so yes, it must be moire.

And I find moire pretty common when taking pictures of buildings.
 
I always see moire when taking pictures of buildings using the Leica 25mm f/1.4 lens at its sharpest apertures.

That's why I prefer the kit lens for outdoors shooting, which is a lot less likely to cause moire.
 
Svalbard, eh? Must be some good photo opportunities in and around that area!



Here are four crops from the Imaging Resource raws. I would submit that the D7100 and the D600 are resolving more and have better sharpness than the D7000 and the D5200, however you want to spin the English language. If one applies a blur filter, one is by definition resolving less.

As well, the D7100 has higher contrast and richer color than the D5200, no contest (same settings.) Right there in all departments except color intensity by a nose with the D600, which is a feat in itself.

If any of you feel you can make the D5200 look as good in any way whatsoever than the D7100, I hereby challenge you to do so. I also challenge anyone to provide proof of "false detail" or any other harmful artifacts. Theoretical blah blah blah isn't going to cut it, only pictures or it didn't happen.

D7000
D7000



D5200
D5200

D7100
D7100

D600
D600
 
sigala1 wrote:

I always see moire when taking pictures of buildings using the Leica 25mm f/1.4 lens at its sharpest apertures.

That's why I prefer the kit lens for outdoors shooting, which is a lot less likely to cause moire.
That's probably because the kit lens isn't nearly as sharp as the Panasonic 25 1.4.
 
I don't care anymoire.
 

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