Sunset photo | Did GH3 capture it well?

tedolf wrote:
PhotOptimist wrote:

Tedolf,

Can we discuss as grown people?
Sure.
Why always this harsh tone?
Harsh?

Not really.

Dramatic, maybe but really this post was pretty tuned down
Please think a moment about this what I said...

May be there is a different point of view...
TEdolph
And thirdly, the photographers code is more what you'd call "guidelines" than actual rules. Welcome aboard the Black Pearl, Miss Tedolf.

Rule of thirds is useful, but you can ignore it. I like his photo as it stands.




What thirds. :P
 
"PhotOptomist has re-written the Book of Photography!"

Does this sentence help to continue the discussion?
 
Hi photOpptimist,

I like the photo well enough, however, i think you are going to continue to get criticism if you persist in presenting photos as something your specific camera has captured as in the title here. This will inevitability draw comment from those who feel strongly that cameras don't make good and certainly can't make great photos... rather only people can do that. The camera which took this photo is frankly irrelevant and it could have been taken equally well with most any other camera including most higher end point and shoot compacts. I use high end compact RX100, a pany G5 and a Canon 5D3 with a bag of L glass and I could honestly say it's only a small percentage of shots where the resulting picture if affected by the camera used - many of my better shots are with compact because I had then at the precise moment the light was right.

It might help your cause to either be clear that you are seeking comment on your image merits (incl composition etc) or that you genuinely feel there is something specific about the image that only your specific camera could capture or capture particularly well and want to discuss that.

Just some friendly advice for your consideration.

Good luck with your photo endeavours.

Rob
 
Thanks a lot for your comment, robonrome.

I understand...

Actually, I wanted to discuss about technical things, the capability of the camera.

Maybe some other camera can handle it better, I don't know...
 
The rule of thirds is notion, not a hard and fast rule.

Many prefer the golden ratio.

Even for over-zealous fans of the rule of thirds, you can put the sun on the lower third line or you can put the horizon on that line. If you put the horizon on the line, the sun is approximately dead center.
 
Mjankor wrote:
tedolf wrote:
PhotOptimist wrote:

Tedolf,

Can we discuss as grown people?
Sure.
Why always this harsh tone?
Harsh?

Not really.

Dramatic, maybe but really this post was pretty tuned down
Please think a moment about this what I said...

May be there is a different point of view...
TEdolph
And thirdly, the photographers code is more what you'd call "guidelines" than actual rules. Welcome aboard the Black Pearl, Miss Tedolf.

Rule of thirds is useful, but you can ignore it. I like his photo as it stands.




What thirds. :P
I like yours better.



The shore break is exactly 1/3 up from the bottom of the frame and the pier leads you right into the center of the frame.



Slavish use of the Rule of Thirds and Leading Lines at the same time!



A Classic Composition worthy of the Renissance Masters!



Well done.



Tedolph
 
PhotOptimist wrote:

"PhotOptomist has re-written the Book of Photography!"

Does this sentence help to continue the discussion?

Yes, I though your use of tone colors rather than geometry as the basis of the Rule of Thirds is so unique that it is a New Rule of Thirds- the PhotOptomist Rule of Thirds (PROT).



Thus, you have re-written the book of Photography Rules so to speak.



I can't wait to hear the PhotOptomist interpretation of the Rule against False Attachements!

(a/k/a PRAFA)



TEdolph
 
PhotOptimist wrote:

Tedolf,

You are trying to escape...

You know very well Hen3ry's opinion is right!..

His oppinion is right but his math is wrong.



Tedolph
 
richarddd wrote:

The rule of thirds is notion, not a hard and fast rule.

Many prefer the golden ratio.

Even for over-zealous fans of the rule of thirds, you can put the sun on the lower third line or you can put the horizon on that line.
Naaaaaaw........

I am not going to let you get away with that.

If you have a scene with strong vertical or horizontal (e.g the horizon) lines those are the things that are supposed to go on corresponding imaginary horizontal or vertical lines 1/3 of the way from the edge of the frame.

If you have a non-linear subject (person, bumble bee, flower, etc.) those are supposed to go on one of the intersections of the imaginary horizontal and vertical 1/3 lines.

Most Live View cameras actually have an option to project these lines onto the scene and old film SLR's with interchangeable view screens had a "Rule of Thirds" screen with the lines inscribed on them you could put in place of the standard view screen.
If you put the horizon on the line, the sun is approximately dead center.
But he didn't put the horizon on the 1/3 line.

He put it on a 1/4 or 1/5 line from the bottom of the frame.
 
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robonrome wrote:

Hi photOpptimist,

I like the photo well enough, however, i think you are going to continue to get criticism if you persist in presenting photos as something your specific camera has captured as in the title here. This will inevitability draw comment from those who feel strongly that cameras don't make good and certainly can't make great photos... rather only people can do that. The camera which took this photo is frankly irrelevant and it could have been taken equally well with most any other camera including most higher end point and shoot compacts. I use high end compact RX100, a pany G5 and a Canon 5D3 with a bag of L glass and I could honestly say it's only a small percentage of shots where the resulting picture if affected by the camera used - many of my better shots are with compact because I had then at the precise moment the light was right.

It might help your cause to either be clear that you are seeking comment on your image merits (incl composition etc) or that you genuinely feel there is something specific about the image that only your specific camera could capture or capture particularly well and want to discuss that.

Just some friendly advice for your consideration.

Good luck with your photo endeavours.

Rob
he thinks his photo's are great and they are not.



He had the same problem in the Fuji and Canon forums and got the same sorts of comments.

Look at his posting history.



Now he has come here.

He knows we are a new audience and most here will be polite enough not to tell a newcomer that thier photo's are not very good.

Note, I said, "most".

There is always that one guy who...........





TEdolph
 
tedolf wrote:
richarddd wrote:

The rule of thirds is notion, not a hard and fast rule.

Many prefer the golden ratio.

Even for over-zealous fans of the rule of thirds, you can put the sun on the lower third line or you can put the horizon on that line.
Naaaaaaw........

I am not going to let you get away with that.

If you have a scene with strong vertical or horizontal (e.g the horizon) lines those are the things that are supposed to go on corresponding imaginary horizontal or vertical lines 1/3 of the way from the edge of the frame.
Supposed to go? We're talking about a rule of thumb, not a law of nature.
If you have a non-linear subject (person, bumble bee, flower, etc.) those are supposed to go on one of the intersections of the imaginary horizontal and vertical 1/3 lines.
See your prior sentence. You can put the "strong ... horizontal (e.g the horizon) line" (in this case the horizon) on the 1/3 line or you can put the "non-linear subject (person, bumble bee, flower, etc.)" (in this case the sun) on the 1/3 line. You can't do both (at least not without very heavy cropping of the top and bottom).
Most Live View cameras actually have an option to project these lines onto the scene and old film SLR's with interchangeable view screens had a "Rule of Thirds" screen with the lines inscribed on them you could put in place of the standard view screen.
So? Lightroom gives you a bunch of overlays, including the golden ratio and the Fibonacci sequence.
If you put the horizon on the line, the sun is approximately dead center.
But he didn't put the horizon on the 1/3 line.

He put it on a 1/4 or 1/5 line from the bottom of the frame.
Note the word "if" in my response.

Having the subject dead center is not an approach usually associated with the rule of thirds.
 
richarddd wrote:
tedolf wrote:
richarddd wrote:

The rule of thirds is notion, not a hard and fast rule.

Many prefer the golden ratio.

Even for over-zealous fans of the rule of thirds, you can put the sun on the lower third line or you can put the horizon on that line.
Naaaaaaw........

I am not going to let you get away with that.

If you have a scene with strong vertical or horizontal (e.g the horizon) lines those are the things that are supposed to go on corresponding imaginary horizontal or vertical lines 1/3 of the way from the edge of the frame.
Supposed to go? We're talking about a rule of thumb, not a law of nature.
If you have a non-linear subject (person, bumble bee, flower, etc.) those are supposed to go on one of the intersections of the imaginary horizontal and vertical 1/3 lines.
See your prior sentence. You can put the "strong ... horizontal (e.g the horizon) line" (in this case the horizon) on the 1/3 line or you can put the "non-linear subject (person, bumble bee, flower, etc.)" (in this case the sun) on the 1/3 line.


you are not reading carefully enough. Re-read what I wrote.

If the composition has stronge vertical or horizontal lines, those lines are supposed to go on the imaginary 1/3 horizontal or vertical lines. "On" as in "superimposed".

OR



If the composition has a non-linear subject like a bumble bee, the bumble bee is supposed to go on the intersection of those lines. The intersections are four points, each about one quarter of the way in from the corners of the frame to the center of the frame on diagonal lines passing from the corners through the center of the frame.



That is the Rule of Thirds


You can't do both (at least not without very heavy cropping of the top and bottom).


Ageed, you can't do both.



You have to do one or the other-they are mutually exclusive (usually but not always).

In this photo, you actually could do both but I wouldn't.

You do one if your scene is primarily linear, you do the other if the scene is primarily non-linear
Most Live View cameras actually have an option to project these lines onto the scene and old film SLR's with interchangeable view screens had a "Rule of Thirds" screen with the lines inscribed on them you could put in place of the standard view screen.
So? Lightroom gives you a bunch of overlays, including the golden ratio and the Fibonacci sequence.


So, you are supposed to apply the Rule at the time you take the photo.

Depending on what you captured, sometimes you can't fix it to follow the rule afterwards.
If you put the horizon on the line, the sun is approximately dead center.
But he didn't put the horizon on the 1/3 line.

He put it on a 1/4 or 1/5 line from the bottom of the frame.
Note the word "if" in my response.
Yes, you are correct.



But he didn't so what is your point?



I am lost here.
Having the subject dead center is not an approach usually associated with the rule of thirds.
True, but if you follow the rule for the linear parts you are at least arguably following the Rule.

I suppose you have to decide whether the Sun dominates or the Horizon.



But this is getting achedemic at this point as the OP did neither.



Remeber scene lines go on the Rule of Third "lines", scene non-linear things go on the four Rule of Thirds "points".

You don't put non-linear things on the ROT lines, and you don't put non-linear things on one of the four ROT points.


 
Nice;
I presonally would mess around with it,
the cloud in the top is a distractin to me so I'd crop it down 50%
try boosting the colors & such.

Still quite nice & unearthly
 
PhotOptimist wrote:

Thanks a lot for your comment, robonrome.

I understand...

Actually, I wanted to discuss about technical things, the capability of the camera.

Maybe some other camera can handle it better, I don't know...

I think "HDR" is the partial solution, Not another camera. A small , even table top tripod & the camera in ( don't know whether it can do this ) " Burst & Bracketing Mode"
Then HDR ( but not " over the top" processed might help

YMMV
 
tedolf wrote:
PhotOptimist wrote:

What do you think?

Thanks for looking...

b2af61dde2d341359685f553fb159886.jpg
the mid tones are too grey and the cloud in the upper right is too dim.

Probably by about one half stop.

Of course, this is exactly the type of scene that will fool a camera meter.

Also, you didn't apply the Rule of Thirds which is a necessity when you have a stong horizon like this. The upper third of the frame shouldn't be there at all-crop it out.

I think you might be able to brighten this up in PP and recover the mid-tones.

Crop off the top 1/3 and you will have an OK photo.

You really need to read a book about composition.

TEdolph
I used to take sunset shots that weren't too different than this one. I eventually found them far less interesting than ones having a sailboat or other objects in the foreground and in places considered to comport to proper composition. So, you can have the sun there, just add elements.

--
Joe
 
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tedolf wrote:
Mjankor wrote:
tedolf wrote:
PhotOptimist wrote:

Tedolf,

Can we discuss as grown people?
Sure.
Why always this harsh tone?
Harsh?

Not really.

Dramatic, maybe but really this post was pretty tuned down
Please think a moment about this what I said...

May be there is a different point of view...
TEdolph
And thirdly, the photographers code is more what you'd call "guidelines" than actual rules. Welcome aboard the Black Pearl, Miss Tedolf.

Rule of thirds is useful, but you can ignore it. I like his photo as it stands.




What thirds. :P
I like yours better.

The shore break is exactly 1/3 up from the bottom of the frame and the pier leads you right into the center of the frame.

Slavish use of the Rule of Thirds and Leading Lines at the same time!

A Classic Composition worthy of the Renissance Masters!

Well done.

Tedolph
Lol, bugger.

Well that didn't work for an example now, did it. :D
 
tedolf wrote:
Mjankor wrote:
tedolf wrote:
PhotOptimist wrote:

Tedolf,

Can we discuss as grown people?
Sure.
Why always this harsh tone?
Harsh?

Not really.

Dramatic, maybe but really this post was pretty tuned down
Please think a moment about this what I said...

May be there is a different point of view...
TEdolph
And thirdly, the photographers code is more what you'd call "guidelines" than actual rules. Welcome aboard the Black Pearl, Miss Tedolf.

Rule of thirds is useful, but you can ignore it. I like his photo as it stands.




What thirds. :P
I like yours better.

The shore break is exactly 1/3 up from the bottom of the frame and the pier leads you right into the center of the frame.

Slavish use of the Rule of Thirds and Leading Lines at the same time!

A Classic Composition worthy of the Renissance Masters!

Well done.

Tedolph
Lol, bugger.

Well that didn't work for an example now, did it. :D
Sure it did-it proved my point.

And it rovedthat PhotOtomist needs to learn something about composition.

Tedolph
 
joe talks photography wrote:
tedolf wrote:
PhotOptimist wrote:

What do you think?

Thanks for looking...

b2af61dde2d341359685f553fb159886.jpg
the mid tones are too grey and the cloud in the upper right is too dim.

Probably by about one half stop.

Of course, this is exactly the type of scene that will fool a camera meter.

Also, you didn't apply the Rule of Thirds which is a necessity when you have a stong horizon like this. The upper third of the frame shouldn't be there at all-crop it out.

I think you might be able to brighten this up in PP and recover the mid-tones.

Crop off the top 1/3 and you will have an OK photo.

You really need to read a book about composition.

TEdolph
I used to take sunset shots that weren't too different than this one. I eventually found them far less interesting than ones having a sailboat or other objects in the foreground and in places considered to comport to proper composition. So, you can have the sun there, just add elements.

--
Joe

+1

I think the composition is fine with location of the horizon and the sun. I too would prefer a foreground element of interest. IMO it'd be a mistake to always/only compose pictures following the rule of thirds.
 
Is this straight out of the camera? If it were mine I'd do quite a bit of processing. You have the elements of an interesting photo here but it needs some excitement. I'd probably saturate it more, make it warmer and bring out the detail. Then I'd crop so the sun wasn't smack in the middle. I personally like the cloud and think it could be an essential part of the composition depending on the crop.
 
Ann Chaikin wrote:

Is this straight out of the camera? If it were mine I'd do quite a bit of processing. You have the elements of an interesting photo here but it needs some excitement. I'd probably saturate it more, make it warmer and bring out the detail. Then I'd crop so the sun wasn't smack in the middle. I personally like the cloud and think it could be an essential part of the composition depending on the crop.
 

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