If there is one image out of all you've shot, across all time...

Artichoke wrote:

for me this recent photograph




miss her muchly

Art
Dear Arthur,

I can remember you have posted quite a few elegant images of her. Sad to learn she has gone. My thought is with you at this moment.

Best,

Choi
 
reelacks wrote:

Great idea Raajs,thought i would post one of my recent favourites taken with the Gxr M-Mount and VL 15mm Super Heliar. Tony.

Very nice, image Tony. Glad to see you here and looks like the GXR-M is working well in your hands. You're prompted me to dig mine out and shoot a few frames. Congrats on your new Leica too. Hope you'll be posting more image here.

Cheers,

-raaj

--
'Change is not Mandatory, you don't have to Survive...'
SeekingLight.net
 
CelticOdyssey wrote:

My favorite photo of the last few years, plus a close runner-up. Both shot with Leica D-Lux5. Interestingly enough, although I don't shoot a great deal it, my favorites do tend to be b&w images.

neighborhood cafe, Rome
neighborhood cafe, Rome

Oy Vey!! shipboard card game in the Mediterranean (runner-up)
Oy Vey!! shipboard card game in the Mediterranean (runner-up)

Thanks for looking!

-Richard
Very nice, Richard. Love the first one - there is a lot going on in that frame. My only quibble - clicking on the first one did not result in a larger image being presented, which would have be great.

Cheers,

-raaj

--
'Change is not Mandatory, you don't have to Survive...'
SeekingLight.net
 
Artichoke wrote:

for me this recent photograph




miss her muchly

Art
Art, this is a beautiful image. I remember many of other fine images you had posed of her. Very sorry to hear about your loss. My condolences to you and the family.

Regards,

-raaj

--
'Change is not Mandatory, you don't have to Survive...'
SeekingLight.net
 
Paul20 wrote:

Raaj,

This is a cool thread.

I have 16k images in my personal Lightroom library at present and that excludes prints and slides.....which I doubt I will ever get round to scanning. I went through the library quickly and to be honest there isn't one image that I am really 'proud' of. Sure there are some that I like and of course many that have sentimental reasons but nothing I am really proud of.

I will look again...slowly..but i have a feeling this thread isnt going anywhere fast......

Thanks for starting it though...

p
 
RaajS wrote:

Art, this is a beautiful image. I remember many of other fine images you had posed of her. Very sorry to hear about your loss. My condolences to you and the family
at first reading your OP, I didn't like the across all time wording, as it seemed a tad hyperbolic

the past few months have had me thinking about eternity more often than I wished

from this experience, I realized how important family photography is for me & how my my family influenced my photography

my father took my two cousins and me to the Family of Man exhibit when it came to the Philadelphia Museum of Art, the first stop on its tour after MOMA

my Mom then took my little brother & me to see it a few days latter

my parent's love of orchids re-ignited my fascination with photography when I took my Agfa 1280 to photograph their collection

Mom's favorite saying was "elegantly simple & simply elegant," a written comment she received on her blue ribbon offering (from a judge she held in high esteem) at a South Eastern Pennsylvania Orchid Society show ...she would be delighted with Choi's comment, as am I

thanks to all for your condolences
 
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RaajS wrote:

Very nice, Richard. Love the first one - there is a lot going on in that frame. My only quibble - clicking on the first one did not result in a larger image being presented, which would have be great.

Cheers,
Raaj,

Thanks for the kind words. Try this image; I'm hoping it will work properly now.

small cafe, Rome
small cafe, Rome
 
Don't know why this image doesn't work properly. Try "View: Original Size" ??
 
Raaj,

Wouldn't it be cool if these images could go into a dpr leica gallery and intermittently be refreshed. Is that possible do you know?

Paul
 

My first shot with my M9
 

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although this is probably too late to be seen, i like the idea for the thread raaj came up with, and enjoyed seeing people's photos. i won't post a batch, though inevitably the selection will seem a little bit arbitrary. but here it is:

om3, 35/2, konica 3200

om3, 35/2, konica 3200

i've always had an inordinate fondness for this photo, made more than 20 years ago, far from home, on a dark and rainy evening when i was so sick i could hardly stand, and obviously didn't expose as well as i should have. the grain is worth examining, for folks who've forgotten how far we have come in the digital age. nevertheless, i have had a 12" print of this hanging in my home ever since i shot it--the paper print, which i made myself in a wet darkroom, looks better than this neg scan, actually. i really like the hands, the face which disappears into shadow leaving the pig's head in exchange, the gently curving lines over the spine, and all those parallel corrugations. i even like the grain, actually.

it represents to me a standard of what i am always looking for, and a promise that it isn't impossible to find.
 
xtoph wrote:

although this is probably too late to be seen, i like the idea for the thread raaj came up with, and enjoyed seeing people's photos. i won't post a batch, though inevitably the selection will seem a little bit arbitrary. but here it is:

om3, 35/2, konica 3200

om3, 35/2, konica 3200

i've always had an inordinate fondness for this photo, made more than 20 years ago, far from home, on a dark and rainy evening when i was so sick i could hardly stand, and obviously didn't expose as well as i should have. the grain is worth examining, for folks who've forgotten how far we have come in the digital age. nevertheless, i have had a 12" print of this hanging in my home ever since i shot it--the paper print, which i made myself in a wet darkroom, looks better than this neg scan, actually. i really like the hands, the face which disappears into shadow leaving the pig's head in exchange, the gently curving lines over the spine, and all those parallel corrugations. i even like the grain, actually.

it represents to me a standard of what i am always looking for, and a promise that it isn't impossible to find.
What a fantastic shot! You were there at the right time and you were spontaneous enough to captured the shot. The equipment's limits are irrelevant, or another way to look at it is that the 'limits' of the film sensitivity add to the image's disturbing, surreal and funny quality.

Its the best shot I've seen for a while.

There is a shot by the artist Cornelia Parker, of whome I'm a fan. Here it is:


I don't know why, but your photo reminds me of it. I guess they are both surreal, a mildly threatening and primal.

Paul




--
 
I agree. I think it's an amazingly atmospheric shot. Beautiful tones and colours.

Digital is quick and sharp but it can't turn in a shot like this.

Inspiring stuff (I loved my OM4 by the way)



Steve
 
Last year my Chinese friends took me on an off-road trip along the Mongolian/Russian border. This is their daughter who was a bit tired after 4000 of the 6000km road trip. I know it is heavily cropped and a bit unfocussed....but I like it, and so does she. She was 6 then... 7 today!







I made a photobook for them (and me) ... you can find it here....

 

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