Lights wrote:
I'm not an expert on the differences, and can only speak from my own experiences.
Adobe made the DNG format to be open to whoever and to sort of be universal. So far only a few camera manufacturers have used it natively, Some fairly popular software doesn't recognize it (such as Corel's products) and it has gone through a couple of changes. The changes I "think" were mostly because of included lens data etc. in some cameras...that is now included in compact form in the DNG files in regard to the later versions of ACR. The DNG's that are compatible with the older versions of ACR require a different encoding (linear?) and come out really large. Someone with a more technical view could explain better than I as to why. So, so much for 'total' compatibility. However the files can be still compatible, to Adobe's credit...back through most versions of ACR that I'm aware of...just that depending on which ACR version the file size will vary greatly, to maintain compatability.
I've found none, or no perceptible difference to my eye, in processing from Raw, or DNG. Since I have an older version of Photoshop, my manual focus lenses don't need the linear processing...I convert to DNG since my version of ACR recognizes those at a small file size. My native M4/3 lenses require linear processing to be compatible (around 48mb from a 12mp sensor), so the file sizes end up as temporary files...until processed...in my older Photoshop. My version of Lightroom recognizes my cameras in native files, so the file sizes can be small in DNG.
I've found another trick that I'm investigating, for users of editing programs that aren't updated frequently. Using Fastone Image Viewer (which seems to update new cameras often), I copy the Raw file to the clipboard, create a "New" file the same size in Photoshop (or other editor) and then paste the file into the newly created one, thereby eliminating the need for an intermediate Tiff. It sounds somewhat convoluted, but actually is quite simple...especially if made into an "action" (which I haven't done yet). This works for some files that don't need much in the way of lens correction, such as the Sigma 19 (since it is telecentric from all I've read) and works OK for non critical uses such as some landscapes, with other lenses.
The reason I've found out some of this stuff, is that I'm a cheapskate who doesn't want to run on Adobe's upgrade treadmill for the rest of my life.
Mostly I'm now using Corel's (formerly Bibble's) Aftershot Pro for Raw processing, in conjunction with both Photoshop, and Paintshop Pro. It works pretty well for me.