DxOMark: Is the 75 1.8 the best m43 lens Available?

Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.

--

http://qianp2k.zenfolio.com/
 
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qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Clearly you don't understand the "micro 4/3 DoF advantage".

:)

/Jonas
 
Jonas B wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Clearly you don't understand the "micro 4/3 DoF advantage".
Then you will like Sony RX100 or Nikon 1 or 1/1.7" P&S that even have more DoF advantages, lol. Bigger size has more control than smaller sensor in DOF but not the other way around. I gve you mFT operation advantages but nothing mFT can do FF cannot do, but bunch of things FF can do mFT simply unable. FF has IQ advantage in every aspect. Technically you can use tripod to achieve the same DOF or more DOF than mFT. I can shoot FF at F22 w/o obvious diffraction that something your mFT cannot even at F11.

I can achieve below w/o a GND and shoot at F22, please tell me how your mFT can match?



No GND used at ISO 50, F22 and 1/4 shutter from 17-40L/4.0 on 5D

No GND used at ISO 50, F22 and 1/4 shutter from 17-40L/4.0 on 5D

Who says I have to shoot at the same DOF? In a deep church with 40/2.8 pancake at F2.8 wide open




40/2.8 at F2.8 in the St. Patrick Cathedral in NYC

Someone tried with Panny 20/1.7 at F1.7 (so it's F3.4 FF eq DoF) but it doesn't have an advantage despite I yield 1.5 stops in ISO.

http://www.dpreview.com/galleries/5539443941/photos/2406435/canon40f2-8vspanny20f1-7_center






I don't have a hesitation to shoot at wide-open if necessary thanks on some Canon new lenses that are sharp in edges/corners even at wide-open. As I said it's just different look but not necessarily worse in shallower DOF. If you don't believe try Panny F2.8 zoom to see if you have any IQ advantage :-) DXOMark or Photozone should answer clearly.

http://www.dpreview.com/galleries/7843305573/albums/24-70lii-samples



--
http://qianp2k.zenfolio.com/
 

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qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.

As to the rest, see here.
 
qianp2k wrote:
Jonas B wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Clearly you don't understand the "micro 4/3 DoF advantage".
Then you will like Sony RX100 or Nikon 1 or 1/1.7" P&S that even have more DoF advantages, lol. Bigger size has more control than smaller sensor in DOF but not the other way around. I gve you mFT operation advantages but nothing mFT can do FF cannot do, but bunch of things FF can do mFT simply unable. FF has IQ advantage in every aspect.
No, FF, doesn't have an IQ advantage in every respect, although it certainly has it in some. What the actual situation is like is summarized here.
 
noirdesir wrote:
Great Bustard wrote:
noirdesir wrote:
Anders W wrote:

The DxO P-Mpix remains mumbo-jumbo, no more and no less, until it is properly described, in technical terms, how it is derived. Once we know that, we might discuss whether it is a good measure or a bad one. But at present, we are not even at that stage.
The P-Mpix rating has two advantages:

(a) It is an average measure that in a very simple way integrates performance over the whole frame. It might not be the best (because generally performance in the center matters more and an average score can hide both brilliance and poorness) but it has the virtue of being very simple which in the absence of an obvious solution might still be the best solution.
...that this "advantage" is, instead, a disadvantage. What does corner sharpness mean if the corners are outside the DOF, for example?
OK, what other single number would you use to describe lens performance?
I wouldn't use a single number -- that's kinda my point. A single number is useless, like DPR's score for a camera. I know that's what "sells" on review sites, but, well...



How about a series of photos that serve as standard candles for what the numbers mean? For example, a fullsize photo with a 10 MP rating, 11 MP rating, etc.? Once the visual context is established, the numbers have meaning to the photographer.
If they used a test chart pattern, that would provide some utility but generally one single scene will never be fully representative.
Then use more than one different scenes -- landscape, portrait, macro, etc.



And if they used a test chart, one could back-calculate the conversion between MTF and P-Mpix.
Sure, but aren't we, as photographers, interested in the "real word" differences? How about some "real world" photos to give the context?
 
Anders W wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.
Sorry I just post underneath your post but not really address to you but challenge a frequent assertion we heard in this forum.
As to the rest, see here.
As I said it's just a different look but not necessarily worse. I'd shoot at F2.8 if I had 24-70L/2.8 II then. Or with the same lens but moved a bit closer to use WA at a different angle at the same scene :-)

 St Mark's museum, Venice, Italy.  24-105L on 5D

St Mark's museum, Venice, Italy. 24-105L on 5D




I shoot FF the same way as with my 60D or my S95, fit the subject into the frame, wide-open or stop down according to the scene and light.




--
 
Anders W wrote:
qianp2k wrote:
Jonas B wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Clearly you don't understand the "micro 4/3 DoF advantage".
Then you will like Sony RX100 or Nikon 1 or 1/1.7" P&S that even have more DoF advantages, lol. Bigger size has more control than smaller sensor in DOF but not the other way around. I gve you mFT operation advantages but nothing mFT can do FF cannot do, but bunch of things FF can do mFT simply unable. FF has IQ advantage in every aspect.
No, FF, doesn't have an IQ advantage in every respect, although it certainly has it in some. What the actual situation is like is summarized here.
Yes in every aspect that nothing technically cannot do by using better techniques such as shoot on tripod if necessary. But nothing a mFT can deliver a FF unable to match technically including deep DOF match. As I said with choice of FF lenses such as Canon TS-E lenses, FF can achieve truly deep DOF with clarity that mFT simply impossible to match no mention mFT suffers from diffraction starts at F5.6 in reality.
 
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.
Sorry I just post underneath your post but not really address to you but challenge a frequent assertion we heard in this forum.
As to the rest, see here.
As I said it's just a different look but not necessarily worse. I'd shoot at F2.8 if I had 24-70L/2.8 II then. Or with the same lens but moved a bit closer to use WA at a different angle at the same scene :-)

 St Mark's museum, Venice, Italy. 24-105L on 5D

St Mark's museum, Venice, Italy. 24-105L on 5D

I shoot FF the same way as with my 60D or my S95, fit the subject into the frame, wide-open or stop down according to the scene and light.
Good example. With the E-M5 and the 12/2, I could have shot that image at f/2 and 1/20 s using ISO 320 rather than ISO 1250 (for significantly less noise than you got with the 5DII). In fact, I could easily have used an even lower shutter speed (thanks to IBIS) and used ISO 200 for an even greater advantage in terms of noise. And if the use of a tripod is your answer, why didn't you use one in this case?
 
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qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Jonas B wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Clearly you don't understand the "micro 4/3 DoF advantage".
Then you will like Sony RX100 or Nikon 1 or 1/1.7" P&S that even have more DoF advantages, lol. Bigger size has more control than smaller sensor in DOF but not the other way around. I gve you mFT operation advantages but nothing mFT can do FF cannot do, but bunch of things FF can do mFT simply unable. FF has IQ advantage in every aspect.
No, FF, doesn't have an IQ advantage in every respect, although it certainly has it in some. What the actual situation is like is summarized here.
Yes in every aspect that nothing technically cannot do by using better techniques such as shoot on tripod if necessary. But nothing a mFT can deliver a FF unable to match technically including deep DOF match.
See example where MFT can do better in my previous reply to you.
As I said with choice of FF lenses such as Canon TS-E lenses, FF can achieve truly deep DOF with clarity that mFT simply impossible to match no mention mFT suffers from diffraction starts at F5.6 in reality.
Diffraction doesn't start at any particular aperture. It's there, just more or less, at every aperture. The effect of diffraction at any given DoF is the same regardless of sensor size.
 
Anders W wrote:
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.
Sorry I just post underneath your post but not really address to you but challenge a frequent assertion we heard in this forum.
As to the rest, see here.
As I said it's just a different look but not necessarily worse. I'd shoot at F2.8 if I had 24-70L/2.8 II then. Or with the same lens but moved a bit closer to use WA at a different angle at the same scene :-)

 St Mark's museum, Venice, Italy. 24-105L on 5D

St Mark's museum, Venice, Italy. 24-105L on 5D

I shoot FF the same way as with my 60D or my S95, fit the subject into the frame, wide-open or stop down according to the scene and light.
Good example. With the E-M5 and the 12/2,
trying to compare apple to orange, lol. It'd be appropriate if you use Olympus 12-50/3.5-6.3 in comparison that is a soft lens, not in the same league of 24-105L.
I could have shot that image at f/2 and 1/20 s using ISO 320 rather than ISO 1250 (for significantly less noise than you got with the 5DII).
How about I use the new Canon 24mm/2.8 IS prime with a 4-stop IS that is lots better lens, whoops. The lens is sharp in edges even at F2.8 wide open as many new Canon lenses. More Canon non-L prime lenses with 'IS' are coming such as 50/1.4 IS likely in this year.

In fact, I could easily have used an even lower shutter speed (thanks to IBIS) and used ISO 200 for an even greater advantage in terms of noise.
Lens based image stabilization such as IS/VR is lots more effective than IBIS. I can shoot 70-200L/2.8 IS II at 200mm at 1/30 or even 1/20 many times that not something IBIS can do easily.
And if the use of a tripod is your answer, why didn't you use one in this case?
That's operation advantage but not technical impossibility. As a matter of fact, I could carry my 2.2lb traveler tripod inside as only few people inside then. Nobody there when I took these shots at that scene so I could use it if I were really serious.

--
http://qianp2k.zenfolio.com/
 
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qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.
Sorry I just post underneath your post but not really address to you but challenge a frequent assertion we heard in this forum.
As to the rest, see here.
As I said it's just a different look but not necessarily worse. I'd shoot at F2.8 if I had 24-70L/2.8 II then. Or with the same lens but moved a bit closer to use WA at a different angle at the same scene :-)

 St Mark's museum, Venice, Italy. 24-105L on 5D

St Mark's museum, Venice, Italy. 24-105L on 5D

I shoot FF the same way as with my 60D or my S95, fit the subject into the frame, wide-open or stop down according to the scene and light.
Good example. With the E-M5 and the 12/2,
trying to compare apple to orange, lol. It's be appropriate if you use Olympus 12-50/3.5-6.3 in comparison that is a soft lens, not in the same league of 24-105L.
Why would I do that? Out of sympathy with you?
I could have shot that image at f/2 and 1/20 s using ISO 320 rather than ISO 1250 (for significantly less noise than you got with the 5DII).
How about I use the new Canon 24mm/2.8 IS prime with a 4-stop IS that is lots better lens, whoops.

http://www.the-digital-picture.com/Reviews/Canon-EF-24mm-f-2.8-IS-USM-Lens-Review.aspx
So why didn't you? But that wouldn't help. The 5DII has worse DR (shadow noise) even if we are both down to base ISO. On top of that, you'd probably start having problems getting enough DoF at f/2.8.
In fact, I could easily have used an even lower shutter speed (thanks to IBIS) and used ISO 200 for an even greater advantage in terms of noise.
Lens based image stabilization such as IS/VR is lots more effective than IBIS. I can shoot 70-200L/2.8 IS II at 200mm at 1/30 or even 1/20 many times that not something IBIS can do.
You are incorrectly informed. Tests of E-M5 IBIS versus your 24-105 IS on a 5DIII here. IBIS scores a clear victory.
And if the use of a tripod is your answer, why didn't you use one in this case?
That's operation advantage but not technical impossibility. As a matter of fact, I could carry my 2.2lb traveler tripod inside as only few people inside then. Nobody there when I took these shots at that scene so I could use it if necessary?
So why didn't you?
 
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Anders W wrote:
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.
Sorry I just post underneath your post but not really address to you but challenge a frequent assertion we heard in this forum.
As to the rest, see here.
As I said it's just a different look but not necessarily worse. I'd shoot at F2.8 if I had 24-70L/2.8 II then. Or with the same lens but moved a bit closer to use WA at a different angle at the same scene :-)

 St Mark's museum, Venice, Italy. 24-105L on 5D

St Mark's museum, Venice, Italy. 24-105L on 5D

I shoot FF the same way as with my 60D or my S95, fit the subject into the frame, wide-open or stop down according to the scene and light.
Good example. With the E-M5 and the 12/2,
trying to compare apple to orange, lol. It's be appropriate if you use Olympus 12-50/3.5-6.3 in comparison that is a soft lens, not in the same league of 24-105L.
Why would I do that? Out of sympathy with you?
Should we compare comparable lenses, zoom to zoom and prime to prime? So what's the counterpart of 24-105L/4.0 IS from mFT?
I could have shot that image at f/2 and 1/20 s using ISO 320 rather than ISO 1250 (for significantly less noise than you got with the 5DII).
How about I use the new Canon 24mm/2.8 IS prime with a 4-stop IS that is lots better lens, whoops.

http://www.the-digital-picture.com/Reviews/Canon-EF-24mm-f-2.8-IS-USM-Lens-Review.aspx
So why didn't you? But that wouldn't help. The 5DII has worse DR (shadow noise) even if we are both down to base ISO. On top of that, you'd probably start having problems getting enough DoF at f/2.8.
I could like as you also could in whatever assumption. What? You suggest EM-5 has better IQ than 5DII at base ISO? LOL. Look 5D2 still has much better SNR than EM-5 that means with much smaller sensor, you will see lots more noise/grains at base ISO from EM-5.

DXOMark 5DII vs EM-5

BTW, the base ISO from EM-5 is ISO 200. I don't see shadow noises from my 5DII photos.



In fact, I could easily have used an even lower shutter speed (thanks to IBIS) and used ISO 200 for an even greater advantage in terms of noise.
Lens based image stabilization such as IS/VR is lots more effective than IBIS. I can shoot 70-200L/2.8 IS II at 200mm at 1/30 or even 1/20 many times that not something IBIS can do.
You are incorrectly informed. Tests of E-M5 IBIS versus your 24-105 IS on a 5DIII here. IBIS scores a clear victory.
Your link is dead. But if you search you can find many articles to explain why lens-based IS is better than sensor-shift IBIS.



And if the use of a tripod is your answer, why didn't you use one in this case?
That's operation advantage but not technical impossibility. As a matter of fact, I could carry my 2.2lb traveler tripod inside as only few people inside then. Nobody there when I took these shots at that scene so I could use it if necessary?
So why didn't you?
Why I'd have to? But not technical impossible. 24-105L is lots more versatile than your prime and it's sharper outside. Thanks FF IQ advantage I still can shoot in high ISO if have to. I don't see much noises in that photo. And I am waiting to see how EM-5 could do better such as in the St. Patrick Cathedral. I am waiting to see how EM-5 can match such IQ in natural sharpness and creamy smooth rendition are all from this 24-105L/4.0 IS. But now I replaced it with even better 24-70L/2.8 II that has no match from mFT side.




































--
 
Great Bustard wrote:
OK, what other single number would you use to describe lens performance?
I wouldn't use a single number -- that's kinda my point. A single number is useless, like DPR's score for a camera. I know that's what "sells" on review sites, but, well...
But what is the point then of criticising one implementation of a single number if single numbers per se are deemed rather useless? It is like discussing with a cook why his soup is bad but then at the end saying: 'Actually, I find all kinds of soup are bad'.
How about a series of photos that serve as standard candles for what the numbers mean? For example, a fullsize photo with a 10 MP rating, 11 MP rating, etc.? Once the visual context is established, the numbers have meaning to the photographer.
If they used a test chart pattern, that would provide some utility but generally one single scene will never be fully representative.
Then use more than one different scenes -- landscape, portrait, macro, etc.
I believe much more in abstraction than in picking a few examples. Either your sample is large enough to be statistically significant and relevant or you manage to find the (mathematical) principal components.
Sure, but aren't we, as photographers, interested in the "real word" differences? How about some "real world" photos to give the context?
Sure, but can't be give that context ourselves? Just pick those measured body+lens combinations that you own or have access to and create those images yourself and compare it with the P-Mpix ratings for those combinations. Shouldn't be rocket science.
 
Jonas B wrote:

But you seem to think it still would be worthwhile discussing the P-Mpix numbers if only Dx0 told us about the definition(s)?!
No, it looks more like Anders is using the opportunity of others discussing the P-Mpix numbers to add his criticism of removal of the MTF curves. Hey, I'd also preferred to that they've kept offering the MTF results but at some point arguing about that is complaining over spilt milk.
 
qianp2k wrote:
Jonas B wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Clearly you don't understand the "micro 4/3 DoF advantage".
Then you will like Sony RX100 or Nikon 1 or 1/1.7" P&S that even have more DoF advantages, lol. Bigger size has more control (...)
Hi,

I'm sorry a smiley wasn't enough to tell you I was joking. There is no DoF advantage of course, just as you mention.

I use µ4/3, APS-C and FF and know I prefer my FF images. I prefer carrying the bag when loaded with my micro stuff.

Take it easy btw, I think I notice some system fan symptoms...

/Jonas
 
Jonas B wrote:
Anders W wrote:
Jonas B wrote:
Anders W wrote:
Jonas B wrote:
Anders W wrote:

Personally, I am perfectly fit for a dispassionate discussion of the technical merit of the new measure (P-Mpix). Moreover, the main impediment to such a discussion, as far as I can see, is not that everyone is "riled up" about the removal of the MTF curves but that DxO hasn't cared to tell us how the new measure is technically defined and measured. Before we know that, it's hard to say much about its merits aside from the point I already made (bad idea to use a quadratic scale for a linear quantity).
Isn't it easy enough? The new score system, which you pointed out to me a couple of weeks ago, is ignominiously (straight from the dictionary, I first wrote wacko but that may refer to a person rather than an object?).

Why is that?

I wrote another reply in this thread where I pointed to more features than just "sharpness" when discussing lenses. That wasn't very interesting... But; a score system giving us one single number (and if anyone so wish, as a substitute for showing the MTF values, the CA values, the...) is a system assuming all photographers are alike and value every feature the same.

As that obviously isn't true the one single number score system is a failure. It doesn't help the consumer in a substantial way when thinking about buying a lens.

/Jonas
That part is easy yes. I never looked at the DxO lens scores. However, I found their MTF curves useful. Same with their sensor scores. But I find the individual measures/curves useful.

What I was talking about above though, is the new measure that has replaced the MTF curves and pretty much made me lose interest in the DxO lens reviews altogether. OK, I might still take a look at the other characteristics they measure (transmission, distortion, vignetting, and CA) but save for transmission, I might as well look at reviews that give me a more complete picture.
Yup, meaning that "...how the new measure is technically defined and measured. Before we know that, it's hard to say much about its merits" is a discussion we don't need to waste time, nor bandwidth, on. It doesn't matter how the score is defined and measured.

The rest of the data they publish are sometimes interesting, depending who you are, but for the most of the time presented in an indistinct way. It would have been so much better seeing real MTF curves (which they never have given us btw, noone does).
Wrong. They did give us more MTF info than anyone else. For each aperture and FL (if a zoom), they provided complete MTF curves (separate curves for sagittal and meridional) for four different locations in the frame: center, 1/3 off, 2/3 off, and extreme corner. Regrettably, that's all gone now and replaced by the P-Mpix mumbo-jumbo.
You are right (but four measuring points are too few). I should have clarified they never gave us MTF values measured using an optical bench. It's always these, with pros and cons, system data we get rather than lens data.

But you seem to think it still would be worthwhile discussing the P-Mpix numbers if only Dx0 told us about the definition(s)?!
To the extent that it is used to provide a single across-the-board value for each lens, no. To the extent that it were used to provide information across apertures and across different parts of the image, yes.
 
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:
qianp2k wrote:
Anders W wrote:

It follows, as I have already visually shown two times around based on crops/samples originally chosen by you, that the E-M5 has a clear lead over the D800 when the two are shot (for the same DoF) at ISO 1600 and ISO 6400, respectively.
The assertion that FF shooters have to shoot at the same DOF is a myth. No, you don't have to. OOF plate is NOT the same as softness but many times give a different look in nice edge blurry rendering, more layered and more 3-D look. Otherwise you'd like P&S flat look that all seems sharp but nothing popup look. In some types of photos such as in portraiture, shallower DOF is a big plus. FF can achieve the same deep DOF if necessary (such as by using tripod if necessary) and suffers much less diffraction when stop down but mFT simply unable to match FF in shallow DOF.
Where did I say anything about what you or anyone else has to do? I just responded to Jim Stirling's post, which is about comparing equivalent images produced by different systems.
Sorry I just post underneath your post but not really address to you but challenge a frequent assertion we heard in this forum.
As to the rest, see here.
As I said it's just a different look but not necessarily worse. I'd shoot at F2.8 if I had 24-70L/2.8 II then. Or with the same lens but moved a bit closer to use WA at a different angle at the same scene :-)

 St Mark's museum, Venice, Italy. 24-105L on 5D

St Mark's museum, Venice, Italy. 24-105L on 5D

I shoot FF the same way as with my 60D or my S95, fit the subject into the frame, wide-open or stop down according to the scene and light.
Good example. With the E-M5 and the 12/2,
trying to compare apple to orange, lol. It's be appropriate if you use Olympus 12-50/3.5-6.3 in comparison that is a soft lens, not in the same league of 24-105L.
Why would I do that? Out of sympathy with you?
Should we compare comparable lenses, zoom to zoom and prime to prime? So what's the counterpart of 24-105L/4.0 IS from mFT?
I thought we were comparing systems. No MFT standard zoom is as clumsy and heavy as the 24-105/4.0 IS.
I could have shot that image at f/2 and 1/20 s using ISO 320 rather than ISO 1250 (for significantly less noise than you got with the 5DII).
How about I use the new Canon 24mm/2.8 IS prime with a 4-stop IS that is lots better lens, whoops.

http://www.the-digital-picture.com/Reviews/Canon-EF-24mm-f-2.8-IS-USM-Lens-Review.aspx
So why didn't you? But that wouldn't help. The 5DII has worse DR (shadow noise) even if we are both down to base ISO. On top of that, you'd probably start having problems getting enough DoF at f/2.8.
I could like as you also could in whatever assumption. What? You suggest EM-5 has better IQ than 5DII at base ISO? LOL. Look 5D2 still has much better SNR than EM-5 that means with much smaller sensor, you will see lots more noise/grains at base ISO from EM-5.
Whether SNR is better depends on where you measure it. In the shadows, which is where the noise becomes troublesome, the SNR of the E-M5 is better at base ISO. That is what the higher base-ISO DR figure for the E-M5 tells you.
DXOMark 5DII vs EM-5

BTW, the base ISO from EM-5 is ISO 200. I don't see shadow noises from my 5DII photos.

http://www.dpreview.com/galleries/7...non-eos-5d-mark-ii_img_5406?inalbum=landscape
Then you apparently only shoot low-DR subjects or abstain from appropriate post-processing. Have a look at this if you are still under the illusion that Canon FF has anything to write home about when it comes to DR at base ISO. And that's the 5DIII. The 5DII is known to be even poorer with regard to banding.
In fact, I could easily have used an even lower shutter speed (thanks to IBIS) and used ISO 200 for an even greater advantage in terms of noise.
Lens based image stabilization such as IS/VR is lots more effective than IBIS. I can shoot 70-200L/2.8 IS II at 200mm at 1/30 or even 1/20 many times that not something IBIS can do.
You are incorrectly informed. Tests of E-M5 IBIS versus your 24-105 IS on a 5DIII here. IBIS scores a clear victory.
Your link is dead.
The link is perfectly alive. But perhaps you didn't want to look at it. Or don't have a PDF reader. Try here if you continue to have difficulties (and download a reader if you don't have one):

http://multimedia.fnac.com/multimedia/editorial/labo/reflex_2013_v8.pdf
But if you search you can find many articles to explain why lens-based IS is better than sensor-shift IBIS.

http://en.wikipedia.org/wiki/Image_stabilization
And why IBIS is better than lens-based IS. What matters in the end is how it works in practice. And in that regard, the test I linked to above shows the E-M5 IBIS to outpace the lens-IS of the 24-105 in terms of efficiency. Note that whereas the 24-105 can correct for two types of camera shake only, the E-M5 IBIS manages five.
And if the use of a tripod is your answer, why didn't you use one in this case?
That's operation advantage but not technical impossibility. As a matter of fact, I could carry my 2.2lb traveler tripod inside as only few people inside then. Nobody there when I took these shots at that scene so I could use it if necessary?
So why didn't you?
Why I'd have to? But not technical impossible. 24-105L is lots more versatile than your prime and it's sharper outside.
Sharper? Are you kidding? According to LensRentals, it manages 890/730 lp/ih (center/average) on a 5DII at f/4. The 12/2 on an E-M5 manages about the same already at f/2 (860/730) and 1040/870 at f/4.

Sources:

http://www.lensrentals.com/blog/2013/01/canon-24-70-f4-is-resolution-tests

http://www.lensrentals.com/blog/2012/05/wide-angle-micro-43-imatest-results

If I want to use a versatile (in terms of FL) lens, I have the 14-45. That zoom and three fast primes (12/2, 20/1.7, 45/1.8) weigh less than your 24-105 alone and gives me considerably better low-light capability (between 1 and 1.5 EV better DR, i.e., shadow noise, at higher ISOs) and more DoF control than the 24-105 on the 5DII.
Thanks FF IQ advantage I still can shoot in high ISO if have to. I don't see much noises in that photo.
Sure. You can shoot that statue at higher ISO than I would have to use and end up with more noise than I would. What is the IQ advantage of that?
And I am waiting to see how EM-5 could do better such as in the St. Patrick Cathedral.
Don't know what you are talking about.
I am waiting to see how EM-5 can match such IQ in natural sharpness and creamy smooth rendition are all from this 24-105L/4.0 IS. But now I replaced it with even better 24-70L/2.8 II that has no match from mFT side.
As to the quality of the 24-105 versus the MFT lens of my choice in the example we are talking about, see above.
 
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