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Serhan2 wrote:
I got mine after work from fedex facility. AF works with Canon EF 28-135mm and EF 70-300mm IS lenses though 28-135 listed as not af lens. I am surprised with Canon 70-300mm as it is not too front heavy and focused in low light at 300mm showing as f/4 @ 1/15sec shot with IS.
Other lenses Sigma 24-60mm f/2.8, Sigma 50mm f/1.4, Canon 50mm 1.8, Canon 100mm f/2 and Tamron 90mm 2.8 macro are working as manual lenses. Sigma 24-60mm shows more vignetting at 24mm with nex 6 compared to Canon 5d but I haven't downloaded the files for comparison. Canon 50mm 1.8 and M42 lenses matched better with their smaller sizes. However you have to be careful with lenses that goes inside the adapter. OM lenses has a back piece and I couldn't place Oly 21mm inside the adapter.
This is my first night quick testing. I see also posting at fm that lensrental will post their tests in their blog.
Natural light fall off (caused by lighting on the subject) is visible in the lower part of the image. But on the top of the image, intensity of incident light is highest and with the original firmware of the NEX 7, vignetting is much less pronounced.ProfHankD wrote:
This is at least partly correct. Basically, it is very difficult to maintain a constant color as brightness changes using an RGB coding of the image. Small errors, on the order of a few percent, can easily be nothing more than roundoff error accumulated by piecewise-linear integer formulations of non-linear colorspace and white balance conversions. Linearly scaling directly in RGB space can cause perceptual color shifts that are significantly larger than that.jpr2 wrote:
Why I think it is pertaining? Because there is also an additional effect from various amounts of vignetting which further complicates an overall picture = for a long time it was dubbed "magenta corners", but IMO the explanation is different: non-uniformities in lighting, coupled with an uniform color tints, demonstrate themselves jointly as localized color casts and the "magenta corners" are just most common phenomenon observed due to prevalence of vignetting with WA/UWA lenses (now replaced quite often by the "cyan corners" effect).
This is why people talk about Lab colorspaces, etc., and why multispectral imaging is really needed to deal well with metamerism.

...RC's one for SB is perhaps a best example how it should be done and concluded:Serhan2 wrote:
Canon EF 14mm 2.8, 50mm 1.2, 135mm 2 tested:
http://www.lensrentals.com/blog/2013/01/metabones-magic
Serhan2 wrote:
Canon EF 14mm 2.8, 50mm 1.2, 135mm 2 tested:
http://www.lensrentals.com/blog/2013/01/metabones-magic
Someone said it could increase IQ, or equal to.Shiroa wrote:
sorry i dont have the time to read the whole thread, the change of crop factor is proven.. but can anyone confirms that it does increase image quality? because i really doubt that
nzmacro wrote:
Someone said it could increase IQ, or equal to.Shiroa wrote:
sorry i dont have the time to read the whole thread, the change of crop factor is proven.. but can anyone confirms that it does increase image quality? because i really doubt that
I also doubt that because from what I've always thought, adding anything to the optical path of a lens that has already been formulated for top IQ already, will degrade the image. I mean even the longer lenses with the Canon's, even the drop in filter has been formulated into the optical path.
Canon, Nikon, etc, can't even make a 1.4x TC that doesn't degrade the image. So I would have to see resolution charts to be convinced of it.
With tele lenses having a vignetting problem, then to me obviously it does degrade the image. Its just a matter of by how much and what focal lengths and designs.
All the best and yep, I can imagine the res charts showing it does degrade for sure.
Danny.
nzmacro wrote:
If by IQ, you mean resolution in lp/mm, then it can. Here is how: assume a lens can project 50 line pairs on a millimeter of sensor. However, if you "compress" that 50 line pairs so it's projected on only 0.71mm of sensor, then you now have 70 line pairs per millimeter. Even if there is some small optical loss, you still gain resolution (expressed in lp/mm on the image plane).Someone said it could increase IQ, or equal to.
Teleconverters do the opposite: that 50 lp/mm is magnified to now cover 1.4mm so you have only 36lp/mm. Of course lens resolution is not binary in this way, but you should get the general idea.Canon, Nikon, etc, can't even make a 1.4x TC that doesn't degrade the image. So I would have to see resolution charts to be convinced of it.
Excellent read and I'll pour a coffee and go back for more thanksAnnex wrote:
Did you read the lens rentals review link danny?
There are resolution charts in there.
Thanks Eric and I've learnt a lot from this entire post. Would never have believed it, but there you goErik Magnuson wrote:
If by IQ, you mean resolution in lp/mm, then it can. Here is how: assume a lens can project 50 line pairs on a millimeter of sensor. However, if you "compress" that 50 line pairs so it's projected on only 0.71mm of sensor, then you now have 70 line pairs per millimeter. Even if there is some small optical loss, you still gain resolution (expressed in lp/mm on the image plane).nzmacro wrote:
Someone said it could increase IQ, or equal to.
Even here there is a catch: when talking about lines per inch resolved on the same size print, you have to magnify the smaller image area more and it evens back out.
Teleconverters do the opposite: that 50 lp/mm is magnified to now cover 1.4mm so you have only 36lp/mm. Of course lens resolution is not binary in this way, but you should get the general idea.Canon, Nikon, etc, can't even make a 1.4x TC that doesn't degrade the image. So I would have to see resolution charts to be convinced of it.
Obviously this is a physical device subject to imperfections. It's also a generic design for a variety of lenses and not precisely matched to each lens. In general, it should work very well in the center -- where most optics have similar characteristics -- and less well in the corners.
-- Erik
nzmacro wrote:
Excellent read and I'll pour a coffee and go back for more thanksAnnex wrote:
Did you read the lens rentals review link danny?
There are resolution charts in there.
What can I say, I'm stunned and by the looks its a bit of a shockTheory is one thing, but to put it into practise is another ball game altogether. Impressive !!
All the best and excellent read, on my way back there now thanks. I'm wrong again, LOL.
Danny.
Just the hypotheses ... What if the lens in the SB adapter will be mounted in the helicoid mechanism? Would it be possible that way to perform "micro adjustment", for each one of mounted lenses? Something like Fresnel lens torch.Erik Magnuson wrote:
It's also a generic design for a variety of lenses and not precisely matched to each lens. In general, it should work very well in the center -- where most optics have similar characteristics -- and less well in the corners.
verybiglebowski wrote:
I don't think that element to element distance is the critical factor - it seems matching the curvature and corrections of the converter to the properties of the light exiting the base lens is the important part. The physical size available for the mount and the converter play a role but I don't think that a simply physical adjustment would help much.Just the hypotheses ... What if the lens in the SB adapter will be mounted in the helicoid mechanism? Would it be possible that way to perform "micro adjustment", for each one of mounted lenses? Something like Fresnel lens torch.
...not exactly end-user operable, as users would need to know pretty well what/how to do it, but still quire close:verybiglebowski wrote:
Just the hypotheses ... What if the lens in the SB adapter will be mounted in the helicoid mechanism? Would it be possible that way to perform "micro adjustment", for each one of mounted lenses? Something like Fresnel lens torch.Erik Magnuson wrote:
It's also a generic design for a variety of lenses and not precisely matched to each lens. In general, it should work very well in the center -- where most optics have similar characteristics -- and less well in the corners.
Of course, that will cause the different projection circle resulting in a slightly different FL, but with the ability to improve corner performance if necessary...
I think the key phrase here is "for infinity focus". For some lenses it might be possible to tweak corners at the expense of the center using this adjustment - only testing will tell.Because there is always a small focal length variation when you build optics we designed the optical cell so that it could be screwed in and out while checking for infinity focus with a collimator. This pretty much solves the tolerance issue". (Brian Caldwell)
anyone who ever tweaked adapters which not quite allowed infinity focus will confirm, that distances less than infinity are not a problem usually - most often than not III-party adapters, to mount legacy glass, turn out slightly too thick, and need to be either replaced or carefully shaved. With SB situation seems to be different, as the adjustable optical element introduces an additional degree of freedom = although how much needs yet to be seenErik Magnuson wrote:
I think the key phrase here is "for infinity focus". For some lenses it might be possible to tweak corners at the expense of the center using this adjustment - only testing will tell.Because there is always a small focal length variation when you build optics we designed the optical cell so that it could be screwed in and out while checking for infinity focus with a collimator. This pretty much solves the tolerance issue". (Brian Caldwell)
...but it makes a lot of sense to think about it !!ProfHankD wrote:
This is at least partly correct. Basically, it is very difficult to maintain a constant color as brightness changes using an RGB coding of the image. Small errors, on the order of a few percent, can easily be nothing more than roundoff error accumulated by piecewise-linear integer formulations of non-linear colorspace and white balance conversions. Linearly scaling directly in RGB space can cause perceptual color shifts that are significantly larger than that.jpr2 wrote:
Why I think it is pertaining? Because there is also an additional effect from various amounts of vignetting which further complicates an overall picture = for a long time it was dubbed "magenta corners", but IMO the explanation is different: non-uniformities in lighting, coupled with an uniform color tints, demonstrate themselves jointly as localized color casts and the "magenta corners" are just most common phenomenon observed due to prevalence of vignetting with WA/UWA lenses (now replaced quite often by the "cyan corners" effect).
This is why people talk about Lab colorspaces, etc., and why multispectral imaging is really needed to deal well with metamerism.