Unless I have the time to proof ALL the images that I download from
my CF or Microdrives to my laptop, burn them to CD and spot check
the majority of images on CD, I keep the filled CD/Microdrive in
the alumnium version of the Media cases (either hakuba or
microtek), and these cases in a sealed anti-static bag. Call it
overly cautious or downright crazy. Most of the images that I
have been paid to create are of live events, weddings, etc. and
cannot easily be re-created.
Once I am back in the studio with another verified copy on my
production server, which has mirrored drives, and a backup has been
made to DVD+RW, I won't let the master images from CF or Microdrive
out of my sight, or at least control. Even after all this I leave
the images on the CF or Microdrives until I format the cards, in
camera, as I am ready to use them for the next job.
"Knock On Wood" I have never had to tell a bride that her wedding
memories were lost, damaged or destroyed. And I don't plan on
starting now.
Some may say that there was never that much security with film, but
my peace of mind is much better now than in my film days.
The days of being nervous while the film was being processed and
printed at the lab is now long gone, what a relief. After I
received negs back from the lab they went straight to
enviromentally controlled, fireproof storage. Believe me when I
tell you that it has been a real pain caring for some 25 years of
negs.
With digital I keep one permenant DVD backup at the studio and one
in storage for each job. I use Pictage for online ordering and
order fulfillment and they keep a complete backup of all the images
as well.
Now, as I climb off my soap box, use the level of security that you
feel is necessary and that you trust.
Dan.