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Looks like the contrast-ratio of these scenes overwhelmed the EM5's Dynamic Range, and overwhelmed the "highlight recovery" abilities of Lightroom 4.x. It seems to me that having the additional Signal/Noise Ratio of a FF sensor sure would have helped. Thanks for the demonstration.
Not with the linear data encoding that is used in 12-bit E-M5 ORFs. That is more than a "gut feel".Theoretically 13.8 ev is achievable even with 12 bits ...
What's blown is blown, Sam - and Lightroom 4.x is limited in it's ability to perform miracles. Dimming down your images down says nothing about the camera's Dynamic Range or it's Signal/Noise Ratio.Just for you DM, as you can see the DR is real, may even be 13.5 ev ;-0
Looks like the contrast-ratio of these scenes overwhelmed the EM5's Dynamic Range, and overwhelmed the "highlight recovery" abilities of Lightroom 4.x. It seems to me that having the additional Signal/Noise Ratio of a FF sensor sure would have helped. Thanks for the demonstration.
That's a wonderful scene, admiringly framed, but I'd have taken a few AEB exposures for the DR this scene presents, on a tripod. I know it's nice to see how far the camera will flex for one, but in the end no one appreciates what it took to get the shot, as long as it's 'got'. Not that I think HDR or blending should render every shadow and highlight visible, mind you.
All of the above as it happensI'm not sure exactly what you're trying to demonstrate with this series of photos in comparison to FF, the dynamic range of the E-M5, the benefits of IBIS, noise levels, the ease of shooting without a tripod, what?
Bob thinks so too, originally I liked the dark and moody but maybe bright and vibrant is even better. One thing for sure I wouldnt of been shooting these images with FF and no tripod lol. No excuse I know, but anyway thats the background.I'd like to see you push the shadows and the resulting noise levels that are now hidden under the blocked up darks.
I think a FF camera and tripod would indeed have done a better job.