RX100. David Pogue's Review at NYTimes

Who knows for sure.

May be you have stoped this clock and put the camera on the fridge to make this shot.

I will wait for the DPReview to post its results.

Btw, why was that picture you posted so unsharp and improperly exposed
even when downsampled 10 times to 1.6 Mp.

Post something of the higher quality,
otherwise we do not see any use of the technology.
 
Who knows for sure.

May be you have stoped this clock and put the camera on the fridge to make this shot.
You are an idiot .. There are millions of other examples on flicker (search twilight mode or anti-motion blur modes). This is not something new on a Sony camera. It's new to you because you are a newbie on this forum, but it's nothing new that wasn't on previous Sony cameras. Even Canon now copied this feature in T4i ...

All 6 shots are auto aligned so this feature works hand-held (it would be useless on tripod anyway as you can use lower ISOs on tripod). Also, minor movements from the subject don't mean you can't use it. The stacking algorithm is more intelligent than what you think (it compares each color pixel for stacking, and skips the pixels if there is no match/movement).
I will wait for the DPReview to post its results.
Why? DPR already cover this for example in A55 review ...

http://www.dpreview.com/reviews/sonyslta55/13
Btw, why was that picture you posted so unsharp and improperly exposed
even when downsampled 10 times to 1.6 Mp.
It's ISO 6400 in very lowlight ..
 
Who knows for sure.

May be you have stoped this clock and put the camera on the fridge to make this shot.
You are an idiot .. There are millions of other examples on flicker (search twilight mode or anti-motion blur modes).
Here I will help you in how to search flickr

http://www.flickr.com/search/?w=all&q=twilight+mode&m=text

http://www.flickr.com/search/?w=all&q=anti-motion+blur&m=text

just picking one example,

http://www.flickr.com/photos/thanatham/6802516242/

you see her camera is not on tripod ...
 
It's new to you because you are a newbie on this forum
True, I am new to the Sony forum
because I am Canon user
and happy with the products because of the excellent lens quality.

And I looked through the web-links showing Sony Twillight mode.
Some of the results are impressive,
but noone mentioned wheter shots were done with the tripod or true handheld.
Even Canon now copied this feature in T4i ...
I think it was Fuji that was first to introduce this feature to the market.
Dimitri Khoz wrote:
Btw, why was that picture you posted so unsharp and improperly exposed
even when downsampled 10 times to 1.6 Mp.
It's ISO 6400 in very lowlight ..



You call ISO6400 f8.0 1/20 sec low light?

It is equal to ISO6400 f2.8 1/160sec!!!.

HEre is real low light 6 times less light that you have
and still sharp and noise free with similer or higher ISOs used.

















NEX5 6 shot mode can beat G1X only in your dreams.
 
It's new to you because you are a newbie on this forum
True, I am new to the Sony forum
because I am Canon user
and happy with the products because of the excellent lens quality.
You aren't really that "happy" because your recent history shows you have been suffering from inferiority complex since RX100 launch ... That's why you are obsessed with RX100 ;)
 
In what ways does the nex-5n outperform the rx100?
 
I think it was Fuji that was first to introduce this feature to the market.
Post proof for that claim .. Sony p&s cameras had this (and hand-held hdr, sweep panorama) back in 2009
http://www.dpreview.com/news/2009/7/22/fujifilmf70exr

The Pro Low-light Mode is applied to solving the problems of noisy low light shots. Once switched to Pro Lowlight Mode, the camera will take burst of 4 high sensitivity images using Pixel Fusion Technology* in quick succession. By Multi Frame Technology, 1st, 2nd, 3rd and 4th images are overlapped to create one image with extremely low noise.
 
It's new to you because you are a newbie on this forum
True, I am new to the Sony forum
because I am Canon user
and happy with the products because of the excellent lens quality.
You aren't really that "happy" because your recent history shows you have been suffering from inferiority complex since RX100 launch ... That's why you are obsessed with RX100 ;)
I own three Canon cameras right now, but I have owned Fuji, Olympus, Pentax. I'm very interested now in the G1X and the Sony RX100.

Because I may buy an RX100 I am over here on the Sony forum following these discussions, including Dimitri's tests and examples.....I hope that these discussions will stick to the facts and not fall into personal attacks.

--
Don
http://www.pbase.com/dond
 
It's ok, I am sure there will be plenty of converted owners in the coming months :p
It's new to you because you are a newbie on this forum
True, I am new to the Sony forum
because I am Canon user
and happy with the products because of the excellent lens quality.
You aren't really that "happy" because your recent history shows you have been suffering from inferiority complex since RX100 launch ... That's why you are obsessed with RX100 ;)
 
I think it was Fuji that was first to introduce this feature to the market.
Post proof for that claim .. Sony p&s cameras had this (and hand-held hdr, sweep panorama) back in 2009
http://www.dpreview.com/news/2009/7/22/fujifilmf70exr

The Pro Low-light Mode is applied to solving the problems of noisy low light shots. Once switched to Pro Lowlight Mode, the camera will take burst of 4 high sensitivity images using Pixel Fusion Technology* in quick succession. By Multi Frame Technology, 1st, 2nd, 3rd and 4th images are overlapped to create one image with extremely low noise.
HX1 is older than that has all the stacking modes (handheld Twilight, Anti-Motion Blur, Sweep Panorama)

http://www.dpreview.com/reviews/sonydschx1
 
I've had Fuji compacts before...still have one... the pro low light mode sucks and doesn't compare with Sony's implementation. Dimitri stop talking about stuff you know nothing about.
 
I know plenty of folks who will never get a smart phone and pay the monthly fees, let alone high-end smartphones like the 808.
I also know many people who are short of money.
At least good cell phone is a necesity in todays age.
Those who can not afford a cell phone
obviously will not have $650 for a super camera.
They may buy something like this instead


For snapshots, Nokia 808 or even iPhone will fit the bill.
Why to carry cell + camera taking space in both pockets
when IQ will be pretty similar anyway.
By the above logic, even your G1X is pretty similar in output compared to an iPhone.
I do not see the logic you used.
You made a claim about image quality, I used that IQ logic on the G1X. Size wasn't part of that equation.
Then, you failed.
No I didn't. I was talking about image quality first, as were you.
If size was not a part of equation,
G1X IQ will NOT be similar to cell phones
Make up your mind then, because if it isn't, the RX100 isn't similar to cellphones either, since the difference between the RX100 and G1X, taking the diference in lensspeed into account (meaning, you need a higher ISO on the Canon to get the same amount of light), is quite similar too atleast up to 50mm.

Based on the RAW files I've seen (DCRAW).
Now back to the IQ.

G1X IQ is comparable to DSLRs and not cell phones for many reasons.
Oh, in that case, so is the RX100 as the difference in DOF and noise (taking the lens into the equation) between the G1X and RX100 is very close up to about 50mm (a hair better noise performance and shallower DOF at the widest angle for the RX100), with only a small benefit for the G1X above that.
You did not get it all completely right, Troj.

RX100 lens is 2/3 to 1/3 stop faster than one on G1X at 35+ mm

29mm 2.8 vs 2.0 (1 stop diff)
You missed the widest end, a stop and a third.
50mm 4.5 vs 3.5 (2/3 stop)
At 50mm the RX100 still sits at F3.2 (goes to F3.5 at 53 mm), which means a full stop still. Which largely/fully compensates the sensor size difference, especially when looking at a 3:2 ratio.

And that exactly matches my quote above.
G1X lens will have better background blur than one in RX100 at 29+ mm
I said widest .
Canon's sensor has 2.3 times more area and 1.4 times more pixels

which results in 3.2 times less light per pixel which corresponds to 5/3 light stop difference in noise.
Wrong. Pixel density doesn't have much to do with noise performance per equal output size. Sensor size is key, because in practise more pixels make up for the deeper wells of larger pixels. Ignoring aspect ratio's, you're looking at a difference in size of a factor 2.25, which would result in 1.17 stops or 1 and a 6th stop.
Based on the 3:2 ratio, its exactly a factor 2, thus 1 stop.
 
taking the diference in lensspeed into account (meaning, you need a higher ISO on the Canon to get the same amount of light), is quite similar too atleast up to 50mm.
Lens speed difference is 2/3 to none across the range.
f4.5-f9.0 will be used 90% of the time
as was confirmed by sample pictures

http://www.slrclub.com/bbs/vx2.php?id=slr_review&page=1&divpage=1&select_arrange=headnum&desc=asc&no=282

f1.8-2.4 will be used mostly for wideangle portraits only

because of very shallow DoFwhich is not suitable for urban, landscape, and social photography.

While zoomed, difference will be may be 1/3 stop and again only in portrait conditions with shallow DoF.
At 50mm the RX100 still sits at F3.2 (goes to F3.5 at 53 mm), which means a full stop still. Which largely/fully compensates the sensor size difference, especially when looking at a 3:2 ratio.
RX100 goes to 3.5 at 50mm.

The chart on the Korean website is incomplete.
Example, if you will believe that RX100 will have f1.8 at 28-36mm
then you are wrong.
f1.8 is for 28 mm only. At 29mm it is f2.0.

I will not argue, but we will need to wait for the camera to get into our hands for testing first.
 
taking the diference in lensspeed into account (meaning, you need a higher ISO on the Canon to get the same amount of light), is quite similar too atleast up to 50mm.
Lens speed difference is 2/3 to none across the range.
f4.5-f9.0 will be used 90% of the time
as was confirmed by sample pictures

http://www.slrclub.com/bbs/vx2.php?id=slr_review&page=1&divpage=1&select_arrange=headnum&desc=asc&no=282

f1.8-2.4 will be used mostly for wideangle portraits only

because of very shallow DoFwhich is not suitable for urban, landscape, and social photography.

While zoomed, difference will be may be 1/3 stop and again only in portrait conditions with shallow DoF.
At 50mm the RX100 still sits at F3.2 (goes to F3.5 at 53 mm), which means a full stop still. Which largely/fully compensates the sensor size difference, especially when looking at a 3:2 ratio.
RX100 goes to 3.5 at 50mm.

The chart on the Korean website is incomplete.
You are so full of crap. You just can't stop making crap up, huh? Even DPreview states 53mm is the FL where it changes to f/3.5.

http://www.dpreview.com/previews/sony-dsc-rx100/3

I guess we can add this to the long list of confirmed false "truths" from the great Dumbitri.

--
-AC-
 
Thanks for clarifying.
taking the diference in lensspeed into account (meaning, you need a higher ISO on the Canon to get the same amount of light), is quite similar too atleast up to 50mm.
Lens speed difference is 2/3 to none across the range.
f4.5-f9.0 will be used 90% of the time
as was confirmed by sample pictures

http://www.slrclub.com/bbs/vx2.php?id=slr_review&page=1&divpage=1&select_arrange=headnum&desc=asc&no=282

f1.8-2.4 will be used mostly for wideangle portraits only

because of very shallow DoFwhich is not suitable for urban, landscape, and social photography.

While zoomed, difference will be may be 1/3 stop and again only in portrait conditions with shallow DoF.
At 50mm the RX100 still sits at F3.2 (goes to F3.5 at 53 mm), which means a full stop still. Which largely/fully compensates the sensor size difference, especially when looking at a 3:2 ratio.
RX100 goes to 3.5 at 50mm.

The chart on the Korean website is incomplete.
You are so full of crap. You just can't stop making crap up, huh? Even DPreview states 53mm is the FL where it changes to f/3.5.

http://www.dpreview.com/previews/sony-dsc-rx100/3

I guess we can add this to the long list of confirmed false "truths" from the great Dumbitri.

--
-AC-
 
Already #1 at amazon for cameras right now... To all the naysayers, guess at $650 its priced correctly after all.

It's put itself in the perfect niche for trading off image quality for form factor.

Of course this niche will fill up fast with competitors, but for now Sony has the market all too itself.

And Nikon 1 is gonna take a big cut.
 
taking the diference in lensspeed into account (meaning, you need a higher ISO on the Canon to get the same amount of light), is quite similar too atleast up to 50mm.
Lens speed difference is 2/3 to none across the range.
Again changing your argument when you failed the first time. The lensspeed difference is exactly as quoted in my original post. A stop and a third at the widest FL, to about a stop at 50mm.
f4.5-f9.0 will be used 90% of the time
Nonsense. You just made that up based on someone's shooting habits.
f1.8-2.4 will be used mostly for wideangle portraits only
More nonsense. I've seen nice night cityscapes and regular indoor shots at F1.8 from the RX100 already.
because of very shallow DoFwhich is not suitable for urban, landscape, and social photography.
At wide angle the DOF at F1.8 isn't that shallow unless you take close up (portraits or in general).

At 3 meters distance, the DOF @f1.8 is already a meter and a half. Easily enough for a whole group shot.
At 50mm the RX100 still sits at F3.2 ( goes to F3.5 at 53 mm ), which means a full stop still. Which largely/fully compensates the sensor size difference, especially when looking at a 3:2 ratio.
RX100 goes to 3.5 at 50mm.
Stop making things up.


The chart on the Korean website is incomplete.
And who said I was looking at that chart? What exactly are you looking at though?
I will not argue, but we will need to wait for the camera to get into our hands for testing first.
Should have thought of that before posting nonsense.
 

Keyboard shortcuts

Back
Top