Birding and DX over FX

KenBuse

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Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
 
My best guess would be pixel density. If you take a 12MP full frame image and crop it down to DX size, you don't have 12MP left. If you take a 12MP DX shot, you get all 12MP in the shot. (For example, the D3s vs the D300s). Now, the D800's crop mode is 15MP, so it's almost in line with the D7000. But if you're going to be cropping everything, why bother with a FF camera and lenses?
 
thicker DoF for same light gathering ability (f-stop)
Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
 
Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
Sure if you have a super high resolution body like the D800 cropping is the same as a DX body, but a) the D7000 is already higher resolution than the D800 in DX crop mode (15ish vs 16ish IIRC) and the rumoured 24MP D300s replacement will be even more, b) the price of the FX bodies are easily twice as much as DX, and c) the FX bodies are larger and heavier; if you just plan on cropping, then why bother with the extra weight?

With the 12 / 16MP FX bodies it is no contest: DX gives more reach (even if that reach is only achieved by cropping the image circle).

Cheers
--
--Wyatt
http://photos.digitalcave.ca
All images (c) unless otherwise specified, please ask me before editing.
 
I have D300 and D700, 300F4 with 1.4TC or 80-400vr.

I shoot some birds, mostly owls and hawks near my house.

While I can get pretty close to some owl nests, or some birds, even 400mm on DX is not long enough. FX tends work fine for some of the birds when they are in flight, if they decide to fly more towards me than away.

The only advantages my D700 has over my D300 are higher ISO (gives me decent shutter speeds while still allowing F9 shooting) and better dynamic range.

When I first bought the D700, I took it and the D300 out to shoot the birds. But only because the D700 was new and I wanted to try using it for everything. Now I just take the D300, or the D700 goes out with it and a non-birding lens for some other use.

It's all about getting pixels on the subject. When you can get closer, and you don't have $8000 lenses, you need to crop. It sure helps to start with more pixels.

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Craig
http://www.cjcphoto.net
 
I would have thought professional bird shooter will use FX and big lenses, but for us humble amateurs the big lenses are too expensive and too big to hide from our wives!

My longest lens is a 300mm f4 AFS. I am happy to use it with a 1.4x t.c. but not a 1.7x, so it can give me 420mm in good light. That's not very long on my D700 when shooting birds, but on my D300 that's a more useful 630mm equivalent. For general use the D700 gives me better IQ, but not when you crop it significantly and you're trying to maintain all that feather detail.
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http://www.andrewsandersphotography.co.uk
 
It depends in part how much money you have, how far you want to carry your equipment, and what bodies you can currently buy

Taking the body situation at the start of the year The only way to get a 600mm angle of view at f2.8 or 900mm at f4 with 12 MP was DX.

The D7000 with 17MP is interesting for more resolution at an affordable price, though it's AF ability is not quite up to a D300s, D700 or D3s - important for birds in flight.

Right now if you can get hold of a D800 it gives near enough D7000 MP in DX mode - and more in FX mode if you can get 33% closer to the subject.
If we get 24 MP DX with D4/800 AF late this year the equation changes again.

One thing to remember is those spending $10,000 on a lens want the best image resolution - and when a DX option gives the best resolution (as it often does at lower ISO's) they are likely to shoot DX :)

--
Leonard Shepherd

Photography could be easier - if cameras and lenses came with an increase in skill button.
 
Hi Ken,

i agree with PHAXCRAIG...you never have enough reach, even 400mm is often not enough. I have a Sigma 50-500 OS, and i often wish i had more. But more means...out of my budget, like most of us. So i end up cropping anyways. And with a D300s + 50-500 OS combo, cropping is usually giving good results.

Now of course, with 36MP, it is all the more tempting to crop, but i dont think you can get away with long lenses anyway.

Even though the D800 sounds very tempting as a birder, one thing pulls me off : 4 fps. I have 7 on a D300, and i would not settle for less. So what is the solution ?

Hopefully Nikon comes back with a D400, DX format, 24 MP (somewhat in between the current d300/D700 and the D800 resolution), 8 fps minimum and a generous high ISO capability...I think a lot of birders would be happy with this combo...

Cheers
Gwen
 
Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
It comes down to pixel density. The DX D7000 has 16Mp, but the FX 12Mp D700 cropped to DX is only 5.3Mp and you can clearly see the difference in resolution between the two. I have the D700 and D7000 and I use the D7000 primarily for "reach" for birding with my 500 f4 VR and 300 f2.8 VRII, mainly.

I will be getting the 36.3 Mp D800 and as it is 16Mp cropped (36.3Mp/2.25) it is basically 2 cameras in one, FX and DX, and I can then sell off both the D700 and the D700 and I therefore only need to carry one camera in my camera bag.

--
Lance B
http://www.pbase.com/lance_b

 
Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
For starters, as many said, DX doesn't give reach. It can put more pixels on the target all else being equal. DX is just a smaller crop of the same image circle. We all know that but we want to call it reach.

One of the craziest things I'm been hearing lately is people who want to shoot birds with a D800 in crop mode for the "reach." Now that makes zero sense unless one doesn't understand it.

Also, sports is very similar to birding and some types of wildlife. All the pros shoot FX. Why? Figure that out and you'll know why so many of us prefer birding with FX. Another reason is that birds and wildlife come out more in the early and late hours where FX is a real advantage. There's no cut and dry solution. I sometimes shoot DX and sometimes FX when shooting birds.

Finally the reason for reach is to bring in and put more pixels on a distant bird. The problem is that all birds are not distant. Some are damn close especially now as we get deeper into the mating season. I can almost reach out and touch some wading birds right now. I don't need reach. I need quality and good ISO performance. One of the most famous wading bird rookeries in Florida is the ponds behind Gatorland Zoo. These are wild birds that enjoy the habitat. People come from all over the world at this time to photograph them.

I was out there Saturday and there were numerous people from other parts of the US or overseas with Canon 5D MKIIs and 800 f/5.6 monsters on gimbles. I almost burst out in laughter. They could photograph the eyeball maybe at minimum distances but other than that they were limited to birds nesting on the other side of those ponds. There were missing all the close action. I used either an 80-200 or 70-300 on the D300 or D700. I just played around but I was better outfitted. I could have had a ball with an 85 f/1.4 on my D700 much of the time. Now there's birding glass. :)

















--
Cheers, Craig

Follow me on Twitter @craighardingsr : Equipment in Profile
 
Here in Oregon about 9 months out of the year we have cloudy and sometimes rainy weather. I mostly use my d3s (FF) since the lighting is not ideal in a lot of cases. I can shoot a long lens under dark condtions and not have to deal with noisy images. I have found that under crummy lighting condtions that I have better images with the d3s over the dx cropped cameras. I tried using the d7000 for wildlife, but this is a very poor af camera in less than ideal lighting. I have had too many miss focused images with the d7000.

More care has to be taken in approaching wildlife (birds) and getting closer when using the d3s. If the d800 proves itself out, then I may consider purchasing it to get a better result when I have to crop an image for distant wildlife. It better be a good camera for low light or I will pass it up.

Larry
 
Larry, you're absolutely on the money in my opinion. Good low light results and the ability to get closer with good field technique usually trumps telephotos on a crop camera.
--
Cheers, Craig

Follow me on Twitter @craighardingsr : Equipment in Profile
 
Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
For starters, as many said, DX doesn't give reach. It can put more pixels on the target all else being equal. DX is just a smaller crop of the same image circle. We all know that but we want to call it reach.

One of the craziest things I'm been hearing lately is people who want to shoot birds with a D800 in crop mode for the "reach." Now that makes zero sense unless one doesn't understand it.

Also, sports is very similar to birding and some types of wildlife. All the pros shoot FX. Why? Figure that out and you'll know why so many of us prefer birding with FX. Another reason is that birds and wildlife come out more in the early and late hours where FX is a real advantage. There's no cut and dry solution. I sometimes shoot DX and sometimes FX when shooting birds.
I think those that are going to use the D800 as a birding camera won't, or at least shouldn't, use the crop mode of the D800 unless they are running out of card space and want smaller files or want to get the higher frame rate afforded by using DX mode.
Finally the reason for reach is to bring in and put more pixels on a distant bird. The problem is that all birds are not distant. Some are damn close especially now as we get deeper into the mating season. I can almost reach out and touch some wading birds right now. I don't need reach.
That's your choice.
I need quality and good ISO performance.
Which the D800 will do in both FX and DX mode or FX mode and cropped to DX. Either way, the results will be great, better than the D7000 from what I can see.
One of the most famous wading bird rookeries in Florida is the ponds behind Gatorland Zoo. These are wild birds that enjoy the habitat. People come from all over the world at this time to photograph them.

I was out there Saturday and there were numerous people from other parts of the US or overseas with Canon 5D MKIIs and 800 f/5.6 monsters on gimbles. I almost burst out in laughter. They could photograph the eyeball maybe at minimum distances but other than that they were limited to birds nesting on the other side of those ponds.
Well, maybe that's what they wanted to get. However, from my use of photographing birds, even 800mm on FX is still not that long. I use the D7000 + 500 f4 VR + 1.4x TCII or 1.7x TCII (1275mm when crop factor is factored in) and that isn't enough in some instances.
There were missing all the close action.
Which is probably what they didn't want to get.
I used either an 80-200 or 70-300 on the D300 or D700. I just played around but I was better outfitted. I could have had a ball with an 85 f/1.4 on my D700 much of the time. Now there's birding glass. :)
I think you're being a bit simplitic and a bit smart alec in your reasoning. I shoot birds and believe me, I need long lenses for most of the birds I go after. At the moment I use the D7000 simply because it has 16 quality Mp's and is better suited for reach than my D700 at 5Mp when cropped for the same framing. The D800 will be an excellent camera for this as I can shoot in FX mode and crop back to DX for 16 quality Mp's, so I can therefore use one camera to do two jobs. Using the D800 in FX mode is a better option as it gives you choice when cropping back.

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Lance B
http://www.pbase.com/lance_b

 
I think you're being a bit simplitic and a bit smart alec in your reasoning. I shoot birds and believe me, I need long lenses for most of the birds I go after. At the moment I use the D7000 simply because it has 16 quality Mp's and is better suited for reach than my D700 at 5Mp when cropped for the same framing. The D800 will be an excellent camera for this as I can shoot in FX mode and crop back to DX for 16 quality Mp's, so I can therefore use one camera to do two jobs. Using the D800 in FX mode is a better option as it gives you choice when cropping back.
I agree. I will be using my D800 for wildlife photography (birds, mammals, macro) and some landscapes. I see it as a great camera for this range of subjects, as it offers something that none of the other models have: flexibility.

With it, I can shoot high resolution landscapes and print them as big as I like. In poor light, which is a common problem when photographing wildilfe in the UK, I can shoot at 36mp then downsize to remove the noise, producing files that are cleaner than those from a D3. I can aslo choose from a range of cropped modes (not just DX) for distant subjects, or Dx mode when 4fps isnt quite enough. Alternatively, I can just shoot FX and crop in post.

What other camea can do all this?

--
My photos:
http://nickburtonswildlifephotography.blogspot.com/
http://nickburton.smugmug.com/
 
Just wondering why the nature lovers and birders like DX cameras for the reach, when actually wouldn't the same thing be served by shooting FX and cropping? Not sure of the difference or advantage to shooting with a DX instead of FX, all things being equal except the higher resolution of a D800 over a D7000.
It comes down to pixel density. The DX D7000 has 16Mp, but the FX 12Mp D700 cropped to DX is only 5.3Mp and you can clearly see the difference in resolution between the two. I have the D700 and D7000 and I use the D7000 primarily for "reach" for birding with my 500 f4 VR and 300 f2.8 VRII, mainly.

I will be getting the 36.3 Mp D800 and as it is 16Mp cropped (36.3Mp/2.25) it is basically 2 cameras in one, FX and DX, and I can then sell off both the D700 and the D700 and I therefore only need to carry one camera in my camera bag.
Lance, this is precisely the route I have taken, using a D800 to replace a dx and an fx body (D300 & D700 in my case) for the same reasons.
--
My photos:
http://nickburtonswildlifephotography.blogspot.com/
http://nickburton.smugmug.com/
 
I think you're being a bit simplitic and a bit smart alec in your reasoning. I shoot birds and believe me, I need long lenses for most of the birds I go after.
Nope and you weren't there. There is no real way to shoot that long in some of those ponds, but that aside, you missed the point. The point was not that you don't need long glass for birding but that you don't always need long glass. Sometimes a person might do way better with short glass. Had you brought only that monstrosity of multiple converters to that place I'm talking about, you'd have also not had much to shoot at. Rookeries or Baby Factories are inside bushes and small trees.

Sometimes a medium long rig is best, something like a 300 f/2.8 or f/4 sans converter.Sometimes bird in flight need that It depends on the distance.

There is just no substitute for good field technique and getting closer to your prey. Even the huge monster lenses can lose something to haze and flare at huge ranges. Getting your hide or blind really close is a skill and woodsmanship.

The fact that you feel you need only long glass for most of your birding doesn't always hold true for everyone else at other locations. Sometimes it's way better to go in after them. :)

The only thing I do get a bit smart alec about is how so many just don't understand crop factor and reach. BTW, you might consider a Nikon V1- adapter and long glass.

--
Cheers, Craig

Follow me on Twitter @craighardingsr : Equipment in Profile
 
I think you're being a bit simplitic and a bit smart alec in your reasoning. I shoot birds and believe me, I need long lenses for most of the birds I go after.
Nope and you weren't there.
No, I wasn't, but it is irrelevent as I know how to shoot birds.
There is no real way to shoot that long in some of those ponds, but that aside, you missed the point. The point was not that you don't need long glass for birding but that you don't always need long glass.
I didn't miss the point at all. Are you saying that these well heeled photographers don't have shorter lenses and that you are the only one with "the knowledge"? Give me a break.
Sometimes a person might do way better with short glass. Had you brought only that monstrosity of multiple converters to that place I'm talking about, you'd have also not had much to shoot at. Rookeries or Baby Factories are inside bushes and small trees.
Like just about every other photographer, I take a variety of lenses .
Sometimes a medium long rig is best, something like a 300 f/2.8 or f/4 sans converter.Sometimes bird in flight need that It depends on the distance.
Yep, and they'd be in the bag, ready.
There is just no substitute for good field technique and getting closer to your prey. Even the huge monster lenses can lose something to haze and flare at huge ranges. Getting your hide or blind really close is a skill and woodsmanship.
No fooling? ALl these guys must have come down in the last shower.
The fact that you feel you need only long glass for most of your birding doesn't always hold true for everyone else at other locations. Sometimes it's way better to go in after them. :)
Really? Man I wonder how I got those close up shots that I get.
The only thing I do get a bit smart alec about is how so many just don't understand crop factor and reach. BTW, you might consider a Nikon V1- adapter and long glass.
No, it is obvious that you don't ubdestand it and I have considered a V1 and adapter.

--
Lance B
http://www.pbase.com/lance_b

 
I didn't miss the point at all. Are you saying that these well heeled photographers don't have shorter lenses and that you are the only one with "the knowledge"? Give me a break.
I'm saying they they certainly have shorter glass, but left it in the hotel or whatever, not realizing that some bird shooting is done at shorter distances.

As far as giving you a break, I already did and you still came back rude and argumentative. So, no more breaks. Conversation over.

The End
--
Cheers, Craig

Follow me on Twitter @craighardingsr : Equipment in Profile
 
I didn't miss the point at all. Are you saying that these well heeled photographers don't have shorter lenses and that you are the only one with "the knowledge"? Give me a break.
I'm saying they they certainly have shorter glass, but left it in the hotel or whatever, not realizing that some bird shooting is done at shorter distances.

As far as giving you a break, I already did and you still came back rude and argumentative. So, no more breaks. Conversation over.
LOL.

Rude and argumentative? You mean I caught you out. If that was the way you saw it, then I am sorry, but your tone was one of holier than thou and that only you know best and I found that to be on the nose.

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Lance B
http://www.pbase.com/lance_b

 
Sigh, the fx-dx reach, aka the 'Guidenet thing'. That sure can make anyone impatient. However, stressing the role of differences in shooting environment, terrain and particular way of approaching birds with both binoculars and a camera under varied circumstances and acquired or chosen style cannot be quite dismissed. Along the fact that shooting at shortest possible distance is ideal in more respects – that can be also hardly argued. After all, there are also examples of excellent work with fx and shorter telephotos – such as Tomoo1000 posts; Ray(mondbarlow2) uses also moderate telephoto with his ‘terrain style’ of shooting, Jim Fenton doesn’t use always long lenses (reach combination) either.

Guidenet definitely is biased towards this approach and stresses its validity and effectiveness.

On the other hand, there is no such a thing as enough reach in shooting birds. And same applied (the differences mentioned) it’s the irreplaceable role of long reach telephoto (the combination resulting) that simply dominates bird photography in general. That message gets vigorously stressed from the other side.

So good points as I see it. Btw, I read this sharp exchange. As I often read post under these names. What’s interesting (not the ideal word), two distinct personalities meet in pretty heated conversation and yet their characters don’t allow them to touch that dirty bottom I can normally see on these boards.

Not quite in line with today’s ways of thinking or language, but.. nothing will change a natural gentleman. The character imprint is one of the least ‘adaptable’ things. - otherwise and often, rather unfortunate sign one would think.

Hynek

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http://www.sunwaysite.com
 

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