Which lenses will resolve 36mp? Which will struggle?

..... The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
One wants to find out an estimation of which aperture theoretically guarantees the best possible resolution?

--
regards
Janne Mankila, Finland
 
I get the impression that you are hung up on the technical definition. As I tired to say earlier, I am interested in the practical application, and that is what I think
http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm
is trying to provide with its calculator.
I am hung up with the reality. The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
Easy, it gives a photographer an idea at what f/stop the image will start to suffer from diffraction effects.

--
Robin Casady
http://www.robincasady.com/Photo/index.html
 
Perhaps you should just listen to what some people are actually saying instead of repeating the same tedious mantra in response to what you THINK they are saying.

I quite understand what difference having more MP makes, and quite how irrelevant that is when the lens you own is simply not that good . The fact that it may be slightly better than awful does not suddenly make it good and certainly not capable of upping a print size.

If you are going to spend $3000 buy a 36MP camera and not exploit it by using glass that can maximise it's potential you are just wasting a bunch of money. You would be far better off buying an OMD with a nice prime.

Similarly if you never print that large, than 12MP is enough for pleasing and even stunning images without all the overhead of large files and at smaller print sizes, lens quality is less important as well. What will 36MP give you that actually matters if you print no larger than 12X8?

Putting cheap glass on a D800 is like putting a V8 in a Corolla. Faster, but why bother?
But please do read this carefully and think for a short while. I will make some helpful quotes:

"At the high resolutions offered by the D800/D800E, even the slightest camera motion can result in blur"

"The superior resolution of the D800/D800E makes small amounts of focus blur more obvious."

Or phrased differently: With high resolution, mistakes and sloppy camera use will be more clearly revealed. You agree so far?

But one can also add: "This also mean details of you subject will be more clearly captured". But that seem to be conveniently forgotten by many posters.

All these large pixel enthusiasts seem to live in a world governed by the principle of "ignorance is bliss" as in "please don't reveal to me when I use sloppy technique" or "please don't reveal optical issues in my lenses". So they prefer larger pixels which conveniently hides problems. What all these people miss is that the lower resolution also hide details of their subjects.

Every time we get improved resolution there is a small army of detractors who immideately bring out camera shake, mirror shake, focus errors, bad corners, vignetting, CA, old lenses etc, etc And of course the greatest (and most widely misunderstood) spectre of all - diffraction. But the simple fact that more resolution also brings out more detail, more nuances and gives us better tools for managing all the above mentioned problems ... That is somehow ignored. It is a very single minded focus on the bad things being revealed by higher resolution, and not much thought about the good things displayed by the same higher resolution.

To make the core of this issue a bit more obvious:

a) If larger pixels are so great, why does we not have single pixel cameras? Or at least camera with just 16, 24 or maybe a few hundred very large pixels? Why? Because those images would clearly suck, in spite of huge pixels. Why? Because resolution does matter, it actually matters a whole lot more then the performance of single pixels.

b) Please do show us any long time comparison between ten year old cameras (with very large pixels), five year old cameras (with somewhat smaller pixels) and current cameras (with even smaller pixels) where in you can show hos those bigger pixels actually are better... You will not find any such examples. Performance has steadily improved, in spite of outcries every year about "smaller pixels with less performance".
Here is an interesting post from one of our forum members, Koen1, quoted from another thread but also relevant here (original thread is about why people feel amount of megapixels are important):
Well, for me 22 MP is enough.
I just like to bring the following to everyone's attention:

For all you wishing you had more MP.
This comes at a cost that a lot of you are missing completely.

This is from the Nikon Technical manual for D800/D800E posted on nikonrumors.com and available for download as PDF.
P4 - Shooting Techniques:
At the high resolutions off ered by the D800/D800E, even the
slightest camera motion can result in blur. The technique revealed
in this section minimizes blur through a combination
of live view photography and a tripod.
P6 - Same Shot No Live View
Live view photography was not used in creating the second
example below; consequently, the mirror was not raised until
the photo was taken and the results are blurred.
P9 - Shutter Speed
The superior resolution of the D800/D800E makes small
amounts of focus blur more obvious. Select a shutter speed
slightly faster than you would choose when photographing
the same subject with other cameras.
Diffraction
With the D800/D800E’s high resolution diffraction effects generally
become noticeable around f/11

(EvilTed wrote this in NEWS section, and I haven't read it in the many posts at DP / POTN / FM).
Just my 2P
original thread here for those who enjoy these kind of discussions:

http://forums.dpreview.com/forums/readflat.asp?forum=1032&message=40539974
--
-----------------------------------------------------------
I don't suffer from insanity, I enjoy every moment of it!

By the way, film is not dead.
It just smell funny
--
Regards,
Steve
 
I get the impression that you are hung up on the technical definition. As I tired to say earlier, I am interested in the practical application, and that is what I think
http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm
is trying to provide with its calculator.
I am hung up with the reality. The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
Easy, it gives a photographer an idea at what f/stop the image will start to suffer from diffraction effects.
You haven't followed this at all. No, it doesn't do that. Lets have a look at my lens graphs again:





McHugh's calculator says that the D3 starts to 'suffer diffraction effects' at f/16, and the D3X at f/13.

Now look at the shape of the curves. can you see any special feature on the D3 curve at f/16 or the D3X curve at f/13 that would show the suffering of 'diffraction effects'.

The truth is this, they suffer 'diffraction effects' at all apertures, that is physics. Diffraction effects become the dominant determinant of resolution after f/5.6, for both cameras (when the line begins to fall). There is nothing on the graph to show the presence of McHugh's 'diffraction limit'. It does not exist, so the calculator gives no useful information. All it does is confuse people, and you are one of the people it has confused.

--
Bob
 
ajajaj a mi madre ciega que parece agudo en el campo
buy a D800E and use cheap lenses and you avoid moire.
Perhaps you should just listen to what some people are actually saying instead of repeating the same tedious mantra in response to what you THINK they are saying.

I quite understand what difference having more MP makes, and quite how irrelevant that is when the lens you own is simply not that good . The fact that it may be slightly better than awful does not suddenly make it good and certainly not capable of upping a print size.

If you are going to spend $3000 buy a 36MP camera and not exploit it by using glass that can maximise it's potential you are just wasting a bunch of money. You would be far better off buying an OMD with a nice prime.

Similarly if you never print that large, than 12MP is enough for pleasing and even stunning images without all the overhead of large files and at smaller print sizes, lens quality is less important as well. What will 36MP give you that actually matters if you print no larger than 12X8?

Putting cheap glass on a D800 is like putting a V8 in a Corolla. Faster, but why bother?
But please do read this carefully and think for a short while. I will make some helpful quotes:

"At the high resolutions offered by the D800/D800E, even the slightest camera motion can result in blur"

"The superior resolution of the D800/D800E makes small amounts of focus blur more obvious."

Or phrased differently: With high resolution, mistakes and sloppy camera use will be more clearly revealed. You agree so far?

But one can also add: "This also mean details of you subject will be more clearly captured". But that seem to be conveniently forgotten by many posters.

All these large pixel enthusiasts seem to live in a world governed by the principle of "ignorance is bliss" as in "please don't reveal to me when I use sloppy technique" or "please don't reveal optical issues in my lenses". So they prefer larger pixels which conveniently hides problems. What all these people miss is that the lower resolution also hide details of their subjects.

Every time we get improved resolution there is a small army of detractors who immideately bring out camera shake, mirror shake, focus errors, bad corners, vignetting, CA, old lenses etc, etc And of course the greatest (and most widely misunderstood) spectre of all - diffraction. But the simple fact that more resolution also brings out more detail, more nuances and gives us better tools for managing all the above mentioned problems ... That is somehow ignored. It is a very single minded focus on the bad things being revealed by higher resolution, and not much thought about the good things displayed by the same higher resolution.

To make the core of this issue a bit more obvious:

a) If larger pixels are so great, why does we not have single pixel cameras? Or at least camera with just 16, 24 or maybe a few hundred very large pixels? Why? Because those images would clearly suck, in spite of huge pixels. Why? Because resolution does matter, it actually matters a whole lot more then the performance of single pixels.

b) Please do show us any long time comparison between ten year old cameras (with very large pixels), five year old cameras (with somewhat smaller pixels) and current cameras (with even smaller pixels) where in you can show hos those bigger pixels actually are better... You will not find any such examples. Performance has steadily improved, in spite of outcries every year about "smaller pixels with less performance".
Here is an interesting post from one of our forum members, Koen1, quoted from another thread but also relevant here (original thread is about why people feel amount of megapixels are important):
Well, for me 22 MP is enough.
I just like to bring the following to everyone's attention:

For all you wishing you had more MP.
This comes at a cost that a lot of you are missing completely.

This is from the Nikon Technical manual for D800/D800E posted on nikonrumors.com and available for download as PDF.
P4 - Shooting Techniques:
At the high resolutions off ered by the D800/D800E, even the
slightest camera motion can result in blur. The technique revealed
in this section minimizes blur through a combination
of live view photography and a tripod.
P6 - Same Shot No Live View
Live view photography was not used in creating the second
example below; consequently, the mirror was not raised until
the photo was taken and the results are blurred.
P9 - Shutter Speed
The superior resolution of the D800/D800E makes small
amounts of focus blur more obvious. Select a shutter speed
slightly faster than you would choose when photographing
the same subject with other cameras.
Diffraction
With the D800/D800E’s high resolution diffraction effects generally
become noticeable around f/11

(EvilTed wrote this in NEWS section, and I haven't read it in the many posts at DP / POTN / FM).
Just my 2P
original thread here for those who enjoy these kind of discussions:

http://forums.dpreview.com/forums/readflat.asp?forum=1032&message=40539974
--
-----------------------------------------------------------
I don't suffer from insanity, I enjoy every moment of it!

By the way, film is not dead.
It just smell funny
--
Regards,
Steve
 
..... The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
One wants to find out an estimation of which aperture theoretically guarantees the best possible resolution?
But that is not what the calculator spits out. And it cannot spit it out because theoretically, ie, without any optical aberrations, the highest possible resolution is always as wide as possible. What it calculates is an f-stop where, in an optically ideal lens, diffraction reduces the resolution by some fixed amount (the precise value of this amount is dependent on the conditions used for the calculation).

That of course, is of some value but in reality optical aberrations are there and therefore the optimal aperture is different for different lenses. And thus this f-stop calculated by the diffraction calculator, which is calculated for an ideal lens, can be close to the optimal f-stop or it can be further away. And the resolution difference between the optimal f-stop and this 'diffraction limit' is also very much lens dependent.
 
Wikipedia says:

An optical system with the ability to produce images with angular resolution as good as the instrument's theoretical limit is said to be diffraction limited
Right. And when is the angular resolution limited by diffraction? When one cannot resolve two lines or spots because diffraction has merged them together -- the contrast allowing them to be distinguished disappears.
The test for 'angular resolution' will be the same for lens and diffraction, and we say that it is 'diffraction limited' if the resolution, under whichever metric you want to use for the limit of resolution (50% or Rayleigh limit or whatever) is the same for the lens as the diffraction function. What it is deasn't matter, but it needs to be the same. That's different from what you said (or how I interpreted what you said), which was 'the technical definition is where MTF drops by a fixed percentage (50% or 90%)', which begs the question, from what and what you mean by 'MTF'. Following the line of discussion, we were talking about MTF50, and the axis along which it 'dropped' was f-number, so my interpretation of what you said was the technical definition of the 'diffraction limit' was when the MTF50 dropped by 50% or 90%, presumably from its peak. I don't think that is a sustainable definition (but then it might not have been what you meant).
No, what I meant (but didn't state clearly enough) is where MTF drops to a fixed value, eg 50% or 10% of input contrast. Not from the peak, which is already degraded by lens imperfections, diffraction, etc.

--
emil
--



http://theory.uchicago.edu/~ejm/pix/20d/
 


McHugh's calculator says that the D3 starts to 'suffer diffraction effects' at f/16, and the D3X at f/13.

Now look at the shape of the curves. can you see any special feature on the D3 curve at f/16 or the D3X curve at f/13 that would show the suffering of 'diffraction effects'.

The truth is this, they suffer 'diffraction effects' at all apertures, that is physics. Diffraction effects become the dominant determinant of resolution after f/5.6, for both cameras (when the line begins to fall). There is nothing on the graph to show the presence of McHugh's 'diffraction limit'. It does not exist, so the calculator gives no useful information. All it does is confuse people, and you are one of the people it has confused.
To illustrate this point further, assume we had an even higher resolution sensor. We have no reason to believe that the resolution vs. f-stop curve will have a materially different shape, it will be just stretched further up at all f-stops, proportionally more around its optimal f-stop but the peak position will barely shift at all. But the calculated f-stop at which this lens purportedly becomes diffraction limit will just shift with sensor resolution ever further to the left until at some point it is left of the optimal aperture. Which would put as into the strange situation that stepping down beyond this diffraction limit actually increases resolution.
 
J Mankila wrote:

This isn't a popularity contest. It doesn't matter what the "big public" says. It really amounts to squat. A common ignorant notion, luckily, doesn't change any of the facts. :)
Of course it matters. We are the users, if our opinion on IQ doesn't matter then we're all being screwed over.
Actually, our opinion on IQ matters precious little. It is this particular fact that lead us to point & shoot cameras with wild MP numbers quite early on. The sensor technology wasn't ready and still the marketing department demanded for more megapixels so they could sell the cameras. The megapixel came to a peace in the P&S market and the marketing department came up with a way to turn it into a positive - they're clever chaps and gals, they are.

Is this the reason why you think bigger pixels equals to better image quality?
Luckily, our opinion matters and we vote with our wallet.
PS: I quite abhor the "we ar the users, you shall serve us" mindset in the economical context. It's for lemmings scavenging for scraps of power. There's no sense in slicing every discussion down to the greatest common divisor.
I've used many great compacts, but none are anywhere near the IQ of even the cheapest or oldest DSLR.
To expect similar image quality with compacts and DSLRs is a bit dubious, really. The sensor size is different, which means the usual DOF is vastly different. This is something that you will have to note when assessing image quality, because it affects you greatly even if you weren't acknowledging it. And I believe that's what's happened.

The compacts also have a lot of noise reduction, which will make any photo look unreal. The reason compacts have such little sensors has to do with our beloved "big public" who wants pocketable (or jacketable) 40x zooms and 15MP at the same time. Blame them (or yourself, if you will) for the lacking image quality, not the D800.
I'm talking about pure, lovely image quality...not inhuman graphs. Data can only tell you part of a reality, and even then what it tells you in terms of aesthetic quality is open to creative interpretation (hence the many disagreements in threads like these).
Look at this comparison and tell me which has pure, lovely image quality.
http://www.jambor.ro/blog/2012/03/13/nikon-d800-vs-d700-high-iso-comparison/

This is what reality will look like if you started making bigger pixels:



Yes. Pure joy and happy memories fill me when looking at the photo, so you might be on to something, after all... ;)
Grevture wrote:

You are caught up in one of the most persistent and wide spread mythologies of teh photographic world. That is the simple fact ;)
No, you are. "One of the most persistent and wide spread mythologies of the photographic world" is that "more megapixels = better pictures", that is what you're all saying here. That's nothing different to what the mainstream masses have been led to believe by the marketing hype and runs counter to many user experiences.
Please, listen to me. Increasing the megapixel count before the technology was ready was the reason for poor image quality. Now, when the technology seems to have been on a long winning streak, there's no point in keeping the pixel count low . If you're got a pole vaulter who can do five meters blindfolded, you're not going to put the bar on three meters.

--
regards
Janne Mankila, Finland
 
Wikipedia says:

An optical system with the ability to produce images with angular resolution as good as the instrument's theoretical limit is said to be diffraction limited
Right. And when is the angular resolution limited by diffraction? When one cannot resolve two lines or spots because diffraction has merged them together -- the contrast allowing them to be distinguished disappears.
The test for 'angular resolution' will be the same for lens and diffraction, and we say that it is 'diffraction limited' if the resolution, under whichever metric you want to use for the limit of resolution (50% or Rayleigh limit or whatever) is the same for the lens as the diffraction function. What it is deasn't matter, but it needs to be the same. That's different from what you said (or how I interpreted what you said), which was 'the technical definition is where MTF drops by a fixed percentage (50% or 90%)', which begs the question, from what and what you mean by 'MTF'. Following the line of discussion, we were talking about MTF50, and the axis along which it 'dropped' was f-number, so my interpretation of what you said was the technical definition of the 'diffraction limit' was when the MTF50 dropped by 50% or 90%, presumably from its peak. I don't think that is a sustainable definition (but then it might not have been what you meant).
No, what I meant (but didn't state clearly enough) is where MTF drops to a fixed value, eg 50% or 10% of input contrast. Not from the peak, which is already degraded by lens imperfections, diffraction, etc.
OK, then in that case, your 'diffraction limit' works in reverse of the McHugh diffraction limit, that is, the more pixels the higher is the f-number at which the 'diffraction limit' occurs.
--
Bob
 
..... The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
One wants to find out an estimation of which aperture theoretically guarantees the best possible resolution?
noirdesir has given you the answer to that. It doesn't do that, so that is not a practical use.
--
Bob
 
Wikipedia says:

An optical system with the ability to produce images with angular resolution as good as the instrument's theoretical limit is said to be diffraction limited
Right. And when is the angular resolution limited by diffraction? When one cannot resolve two lines or spots because diffraction has merged them together -- the contrast allowing them to be distinguished disappears.
The test for 'angular resolution' will be the same for lens and diffraction, and we say that it is 'diffraction limited' if the resolution, under whichever metric you want to use for the limit of resolution (50% or Rayleigh limit or whatever) is the same for the lens as the diffraction function. What it is deasn't matter, but it needs to be the same. That's different from what you said (or how I interpreted what you said), which was 'the technical definition is where MTF drops by a fixed percentage (50% or 90%)', which begs the question, from what and what you mean by 'MTF'. Following the line of discussion, we were talking about MTF50, and the axis along which it 'dropped' was f-number, so my interpretation of what you said was the technical definition of the 'diffraction limit' was when the MTF50 dropped by 50% or 90%, presumably from its peak. I don't think that is a sustainable definition (but then it might not have been what you meant).
No, what I meant (but didn't state clearly enough) is where MTF drops to a fixed value, eg 50% or 10% of input contrast. Not from the peak, which is already degraded by lens imperfections, diffraction, etc.
OK, then in that case, your 'diffraction limit' works in reverse of the McHugh diffraction limit, that is, the more pixels the higher is the f-number at which the 'diffraction limit' occurs.
If you evaluate this fixed MTF threshold at the same output resolution for a given sensor size (or a fixed physical sensor area). When comparing sensors of different physical sizes at the same output resolution, this 'absolute' diffraction limit occurs at different f-stops (but at the same DOF).
 
I get the impression that you are hung up on the technical definition. As I tired to say earlier, I am interested in the practical application, and that is what I think
http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm
is trying to provide with its calculator.
I am hung up with the reality. The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
Easy, it gives a photographer an idea at what f/stop the image will start to suffer from diffraction effects.
You haven't followed this at all. No, it doesn't do that. Lets have a look at my lens graphs again:





McHugh's calculator says that the D3 starts to 'suffer diffraction effects' at f/16, and the D3X at f/13.

Now look at the shape of the curves. can you see any special feature on the D3 curve at f/16 or the D3X curve at f/13 that would show the suffering of 'diffraction effects'.

The truth is this, they suffer 'diffraction effects' at all apertures, that is physics. Diffraction effects become the dominant determinant of resolution after f/5.6, for both cameras (when the line begins to fall). There is nothing on the graph to show the presence of McHugh's 'diffraction limit'. It does not exist, so the calculator gives no useful information. All it does is confuse people, and you are one of the people it has confused.
So, the practical question for the photographer becomes, at what MTF will this effect become noticeable? That would depend on the print size and viewing distance. If one could calculate that, one would know where in the graph the effect would make a difference to a photographer.
--
Robin Casady
http://www.robincasady.com/Photo/index.html
 
..... The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
One wants to find out an estimation of which aperture theoretically guarantees the best possible resolution?
noirdesir has given you the answer to that. It doesn't do that, so that is not a practical use.
Well, you can try out different apertures and see where the result turns into 'YES', can't you? Up to that point you can count on more resolution when increasing the f-number.

Having said that, I tend to think there are better alternatives, like testing each of one's own lenses for oneself. :)

--
regards
Janne Mankila, Finland
 
The truth is this, they suffer 'diffraction effects' at all apertures, that is physics. Diffraction effects become the dominant determinant of resolution after f/5.6, for both cameras (when the line begins to fall). There is nothing on the graph to show the presence of McHugh's 'diffraction limit'. It does not exist, so the calculator gives no useful information. All it does is confuse people, and you are one of the people it has confused.
So, the practical question for the photographer becomes, at what MTF will this effect become noticeable? That would depend on the print size and viewing distance. If one could calculate that, one would know where in the graph the effect would make a difference to a photographer.
I believe this is the practical use that the calculator was put there for. It actually has very little to do with Bob's and John's arguments.

--
regards
Janne Mankila, Finland
 
..... The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
One wants to find out an estimation of which aperture theoretically guarantees the best possible resolution?
noirdesir has given you the answer to that. It doesn't do that, so that is not a practical use.
Well, you can try out different apertures and see where the result turns into 'YES', can't you? Up to that point you can count on more resolution when increasing the f-number.
Certainly no, just look at the example Bob has posted. The resolution on the 50 mm f/1.8 lens peaks at f/5.6, thus it falls when going to f/8 and further going to f/11 when measured on the D3. But the calculator spits out f/16. Thus you don't increase resolution up to this f/16 with the D3 (on that lens).
 
Similarly if you never print that large, than 12MP is enough for pleasing and even stunning images without all the overhead of large files and at smaller print sizes, lens quality is less important as well. What will 36MP give you that actually matters if you print no larger than 12X8?
Wait a moment - who said anything about never making large prints? If you don't print big, you can make do with a P&S. If you don't print at all, you don't need a camera and can save the cash for plenty of things.

Your logic is faulty. Could you fix it?

The advantages of more megapixels are clear. Look at this graph and tell me what you see?
http://forums.dpreview.com/forums/read.asp?forum=1021&message=40897096

--
regards
Janne Mankila, Finland
 
The truth is this, they suffer 'diffraction effects' at all apertures, that is physics. Diffraction effects become the dominant determinant of resolution after f/5.6, for both cameras (when the line begins to fall). There is nothing on the graph to show the presence of McHugh's 'diffraction limit'. It does not exist, so the calculator gives no useful information. All it does is confuse people, and you are one of the people it has confused.
So, the practical question for the photographer becomes, at what MTF will this effect become noticeable? That would depend on the print size and viewing distance. If one could calculate that, one would know where in the graph the effect would make a difference to a photographer.
Take a very good lens peaking at f/4 and take a very bad lens peaking at f/11. At f/13 (what this calculator finds for the D3x for a print size fully utilising the D3x resolution), the bad lens might be close to the f/13 performance, however, the very good lens will be much better at f/4 than at f/13. But from this calculator you would not know that the very good lens would be much better at f/4.
I believe this is the practical use that the calculator was put there for. It actually has very little to do with Bob's and John's arguments.
The practical use of this calculator is for systems with fairly slow lenses (in relative terms, ie, measured in DOF). If this calculated 'diffraction limit' is at a close the widest f-stop then this tells you at this lens likely is best wide open.
 
Well, you can try out different apertures and see where the result turns into 'YES', can't you? Up to that point you can count on more resolution when increasing the f-number.
Certainly no, just look at the example Bob has posted. The resolution on the 50 mm f/1.8 lens peaks at f/5.6, thus it falls when going to f/8 and further going to f/11 when measured on the D3. But the calculator spits out f/16. Thus you don't increase resolution up to this f/16 with the D3 (on that lens).
I understand the phenomenon in Bob's graph quite well, yes. But the issue, here, is that all that resolution is redundant, superfluous if the print size and viewing distance make it impossible to see a difference.

That is Robin's point, and that is missed by the lot of you. You're arguing a different definition.

--
regards
Janne Mankila, Finland
 
I get the impression that you are hung up on the technical definition. As I tired to say earlier, I am interested in the practical application, and that is what I think
http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm
is trying to provide with its calculator.
I am hung up with the reality. The calculator presents nothing of reality, it invites people to calculate a limit which is of no practical significance. If you think that there is any practical use to that calculator, please explain what it is.
Easy, it gives a photographer an idea at what f/stop the image will start to suffer from diffraction effects.
You haven't followed this at all. No, it doesn't do that. Lets have a look at my lens graphs again:





McHugh's calculator says that the D3 starts to 'suffer diffraction effects' at f/16, and the D3X at f/13.

Now look at the shape of the curves. can you see any special feature on the D3 curve at f/16 or the D3X curve at f/13 that would show the suffering of 'diffraction effects'.

The truth is this, they suffer 'diffraction effects' at all apertures, that is physics. Diffraction effects become the dominant determinant of resolution after f/5.6, for both cameras (when the line begins to fall). There is nothing on the graph to show the presence of McHugh's 'diffraction limit'. It does not exist, so the calculator gives no useful information. All it does is confuse people, and you are one of the people it has confused.
So, the practical question for the photographer becomes, at what MTF will this effect become noticeable? That would depend on the print size and viewing distance. If one could calculate that, one would know where in the graph the effect would make a difference to a photographer.
Certainly, on can make an assessment of what MTF50 one wants for a particular print size, but the calculator still doesn't help you with that. Say you wanted 29 lpmm for your chosen print size and viewing distance. That means on the D3 you can choose in the range f/2.8 to f/8. On the D3X you can choose in the range f/1.8 to f/13. The calculator doesn't tell you that, in fact it tells you the reverse, it says you have less choice with the D3X.

--
Bob
 

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