LincolnB
Senior Member
C&C welcome.
On this shot there was (is) some purple fringing which I tweaked a bit with a GIMP plugin. Completely overcast day.
Shifted some of the blues in the plate to a more green hue:
Window light right, reflector left:
These two were in a greenhouse environment with frosted glass overhead, so very diffuse lighting. Turned up the contrast to a Spinal Tap 11:
A little experiment with mixed lighting -- incandescent backlight with indirect window light left and right plus a reflector on the right. Nikkor-S 50mm 1.4 lens:
Obligatory bird:
My 1958 Minolta Autocord "L" using expired film dated 1993. Cropped, sliced, diced, julienned, and processed:
On this shot there was (is) some purple fringing which I tweaked a bit with a GIMP plugin. Completely overcast day.
Shifted some of the blues in the plate to a more green hue:
Window light right, reflector left:
These two were in a greenhouse environment with frosted glass overhead, so very diffuse lighting. Turned up the contrast to a Spinal Tap 11:
A little experiment with mixed lighting -- incandescent backlight with indirect window light left and right plus a reflector on the right. Nikkor-S 50mm 1.4 lens:
Obligatory bird:
My 1958 Minolta Autocord "L" using expired film dated 1993. Cropped, sliced, diced, julienned, and processed:
So, for example, you could add an adjustment layer to the original image which tweaks contrast or saturation or whatever. Apply a black mask to the adjustment layer. Then paint white with a brush onto the mask to allow only chosen adjusted areas to show through. If you only adjust selected areas the image will retain a more realistic look. And you can change the adjustments later if you decide to tweak them at a later date. 
