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Barry Fitzgerald
Guest
And you know so much about scenic work do you?Don't worry about Barry. He'll take his irrational FUD to the grave with him. The rest of us know full well that for "scenic" work, you set your focus point, set your DOF, frame your image, and take your shot. For some bizarre reason, he thinks he needs to see every vein on every leaf (which you can't see with an OVF anyways) in order to shoot scenics. Plus, what kind of extreme DR scenics is he shooting anyways? LOL.If you really know how to meter, all you need from a viewfinder for scenic work is accurate framing. Details and DR don't matter one bit.I don't have to convince you I just see the problem for scenic work and it IS a problem... I mean, the "detail" thing is never going to convince me, is it?
Making excuses for poor details in the EVF is simply a fanboy defender position. Same for the bad DR it's an excuse to cover up the fact EVF's are far from as great as some would make them out to be.
Fluffy nonsense if I ever saw it! ;-)In the future, I actually think large, high def EVF's will be the choice for scenic and studio shooters, because they will offer a level of viewfinder size, brightness, and resolution that will be unparalleled. Imagine shooting with an APS-C camera, but having an EVF that was as large, or larger, than 35mm FF! You can do that with EVF. You can't do that with OVF. Or imagine shooting with a 35mm FF camera, but having an EVF the size of medium format? Again, you can do that with EVF, but you can't do that with OVF. Using this next generation of EVF will be like looking at a gorgeous high def Blu-Ray on a gorgeous high def flatscreen panel television. Then, imagine with the push of a button being able to jump to a high magnification of your scene to check critical focus! Again, you can do that with EVF, but you can't do that with OVF.