Olympus EP1- It's really growing on me..... This time.

I trialed an EP1 a couple years back for Olympus and for whatever reason I didn't bond or connect with the camera then. Time changes things I suppose and I have to say that after I bought one for myself (incredibly low prices) it's really starting to take on me. None of the other m4/3 cameras appeal to me right now save the G3, but prices are too high to invest in an "experiment".

I'm particularly liking the simplicity of the EP1's exterior which is odd for me since I normally prefer as much external control as possible. In a way I guess the EP1 is a great snap shooter with some excellent customization and just enough buttons to tick my fiddle side.

Image quality is great at ISO 100 (I won't buy a camera that starts at ISO 200, sorry), and the Jpegs are fantastic.
Never say "never". I'd wait for samples and full review of camera with ISO=200
Late to the game, no, just too good of a deal to turn down and at the same time I'm pleasantly surprised (unlike the X10).

More to come.

http://photographic-central.blogspot.com/

"Nothing can stop the man with the right mental attitude; nothing can help the man with wrong one."
-Thomas Jefferson
--
I’m surprised how much Wikipedia contributes to the forum.

 
Sorry the ISO 100 thing has been brought up twice already by two others, so Im a bit raw on the subject when you mentioned it.
Why?

Did your Father not permit you to shoot ISO 100 film when you were a child?
Bottom like I like to have the option of a slower shutter speed, with ISO 100 I'm guaranteed half that of ISO 200.
Hmmmm.......

Have you considered ND filters?

Do you have irrational fear of ND filters?

Did your Mother dislike ND filters?
http://photographic-central.blogspot.com/

"Nothing can stop the man with the right mental attitude; nothing can help the man with wrong one."
-Thomas Jefferson
Dr. Sigmund Tedolph
Father, mother, irrational fears? why the hell!!.
This is a photography forum!
it only appears to be a photography forum.

TEdolph
 
Incorrect, you are more interested in attempting to rile up posters- for whatever reason. You aren't interested in a thing I say, or will say, for anything other than that reason.
It is hard to get past the psychological issues.
Many thanks, haven't been called that in years!
http://photographic-central.blogspot.com/

"Nothing can stop the man with the right mental attitude; nothing can help the man with wrong one."
-Thomas Jefferson
TEdolph
 
Love my E-P1 too. Good image quality, nice feel in hand with just enough physical controls, reasonably snappy although AF could stand to be quicker, and nice brushed metal exterior finish. Form factor is not intimidating to people and doesn't draw attention like a big DSLR does, and the overall tiny size of the m4/3 system means I always have it with me. I'll miss the E-P1 when I upgrade, but technology marches on.

Don't be too touchy about the ISO 100 thing. All people are telling you is that ISO 100 on the E-P1 is fake--it's actually the same as an ISO 200 exposure that is then brought down 1 stop to get the final exposure, so you are in real danger of losing highlights because the "original" exposure was basically overexposed. Because of that you can achieve the same thing and get the lower shutter speed you want by taking any other m4/3 camera, exposing at ISO 200 at +1 EV, then pulling it down 1 stop in post processing. Of course that's clunky and adds extra work on the processing end so it's not ideal, but other than that you don't actually lose anything by doing that compared to actually using ISO 100 on the E-P1. Hope that helps.
 
Love my E-P1 too. Good image quality, nice feel in hand with just enough physical controls, reasonably snappy although AF could stand to be quicker, and nice brushed metal exterior finish. Form factor is not intimidating to people and doesn't draw attention like a big DSLR does, and the overall tiny size of the m4/3 system means I always have it with me. I'll miss the E-P1 when I upgrade, but technology marches on.

Don't be too touchy about the ISO 100 thing. All people are telling you is that ISO 100 on the E-P1 is fake--it's actually the same as an ISO 200 exposure that is then brought down 1 stop to get the final exposure, so you are in real danger of losing highlights because the "original" exposure was basically overexposed. Because of that you can achieve the same thing and get the lower shutter speed you want by taking any other m4/3 camera, exposing at ISO 200 at +1 EV, then pulling it down 1 stop in post processing. Of course that's clunky and adds extra work on the processing end so it's not ideal, but other than that you don't actually lose anything by doing that compared to actually using ISO 100 on the E-P1. Hope that helps.
I am afraid that you may have completely destabilized his world view.

Could someone please call a suicide prevention hotline?

TEdolph
 
I am aware of the exposure compensation argument for lack of ISO 100.

That is not an option or a solution to a true ISO 100.
please be advised Oly PENs do not have a "true" ISO 100 setting.

It is a fake....

a fraud....

a changeling.

We are sorry.
In fact, I'd like to see more cameras have ISO 50 also as an option.

Plenty of cameras like the EP1 for example that do have ISO 100, no need to do simulated work arounds that promote bad photography habits.

Carl

http://photographic-central.blogspot.com/

"Nothing can stop the man with the right mental attitude; nothing can help the man with wrong one."
-Thomas Jefferson
Carl, you need some help.

Tedolph
 
Last week I purchased the EP1 and must say if I keep the setup simple it is a new love affair with the camera. I started with the Panny G1 because Oly didn't have their M43rd EP1 ready yet. In the mean time I switched from Nikon gear to Oly E620 and lenses. However I found the Oly interface not to my liking. So for the past couple years I have been shooting Panasonic {GH2 and GF1) because I like the UI better. I'm hoping Oly improves the user interface as they are now competive in the AF and shot-to-shot arena with Panny.

I will use the EP-1 on a casual basis and to test my desire to maybe try the newer Oly M43 as the interface improves. (IMHO) Oh... forgot to mention - the EP-1 with the Oly 14-54mm f/2.8-3.5 II is alot of fun.
do you use the ISO 100 setting?

Do you have an irrational fear of small mamals?
TEdolph
 
So.

What does this fascination about my comment on ISO 100 come from? I like it, I want it, I prefer it, and that's that.

It doesnt have to be obvioius, and it doesnt have to be justified. The post here is mainly about the EP1 and how much I like it. Let's stay on track here.
Yes, but your reasoning is very hard to understand. It's not that ISO 200 with +1 compensation is similar to ISO 100. It's identical. As in it produces the same bytes. Run RAW samples the rawnalyze if you feel the need.

I happen to know this because there was a big todo over whether ISO 200 had more DR than ISO 100 on the 12MP Olympus cameras, and several folks, myself included, did the tests. Of course back then, we were crucified for suggesting that ISO 200 wasn't a clear improvement over ISO 100, but whatever...

So what you're saying is that you like you EXIF to say 'ISO 100' instead of 'ISO 200, +1EV'. Because the results have nothing to do with it.

--
MFBernstein

'Wilderness is not a luxury but a necessity of the human spirit.' - Ed Abbey
 
So.

What does this fascination about my comment on ISO 100 come from? I like it, I want it, I prefer it, and that's that.

It doesnt have to be obvioius, and it doesnt have to be justified. The post here is mainly about the EP1 and how much I like it. Let's stay on track here.
Yes, but your reasoning is very hard to understand. It's not that ISO 200 with +1 compensation is similar to ISO 100. It's identical. As in it produces the same bytes. Run RAW samples the rawnalyze if you feel the need.

I happen to know this because there was a big todo over whether ISO 200 had more DR than ISO 100 on the 12MP Olympus cameras, and several folks, myself included, did the tests. Of course back then, we were crucified for suggesting that ISO 200 wasn't a clear improvement over ISO 100, but whatever...

So what you're saying is that you like you EXIF to say 'ISO 100' instead of 'ISO 200, +1EV'. Because the results have nothing to do with it.
I fear for the OP's mental stability.

What you suggest is that just like in the days of film, changing the position of the ASA dial was just like exposure compensation, and that the film emulsion didn't really change!

If the OP were to understand this, you could be responsible for the consequences!

Imagine the internal conflicts this could cause!
--
MFBernstein

'Wilderness is not a luxury but a necessity of the human spirit.' - Ed Abbey
TEdolph
 
I am with you somewhat actually. Like you I'm "late to the game" and like you I tried out a micro 4/3rds before but it didn't quite work for me at the time. I'm trying again, and so far-- so far , I'm doing better & think I'm more "ready" for it.

In my case I got the E-PL1 both times, which is a LITTLE newer. I only paid $215 for it with the original 14-42mm this second-time around. I've seen the E-P1 for sale but reports of its sloooow autofocus scared me off. Granted, the new models are faster focusers than the E-PL1, but even the E-PL1 from what I've read is faster than the E-P1. It also does squeeze out that tiny bit of extra quality from what I've read, and the built-in flash will help if I need to use "fill-in" for outdoor portraits. It doesn't have as many controls as the E-P1, but I've acclimated to its way of working pretty well. (I would really like it if I could assign ISO to the red-dot button though.)

Also, I am about to upgrade the "original" 14-42mm to the newer 14-42mm II (found one for $110), which itself will speed up autofocus (and I know I won't encounter the "lens wobble" issue, although I haven't encountered it this second-time around so far it seemed as though I did the time before, which was one of the reasons I left for awhile. I wasn't ready to deal with it just yet, even if "dealing with it" was as simple as getting a different lens.) The GF1 tempted me, but besides costing more (although it's coming down some now) the Olympus JPEG engine appeals to me, as I'm trying to not only do away with equipment-lugging hassles but also being compelled to shoot in RAW as much.

Yes, I am loving having a camera that takes photos that come close to matching my Nikon D5000 12mp d-SLR for image quality and lets me change settings like on a d-SLR yet is small enough to always be with me. For now anyway d-SLRs are still king & I will still have a good one (in fact I'm about to upgrade the D5000 to the newer D5100) but to have something in the 12mp Nikon D5000 league always with you--it's great.

If it were more than an "experiment" & I wasn't maintaining the Nikon system also, I'd be inclined to go all out & get lenses like the 17mm f/1.7 for landscapes, the Panasonic 20mm f/1.7 for "compact walkaround" and the 45mm f/1.8 Olympus for portraits. (For that matter I'd have an E-P3 if I were really serious.) I did get the Nikon to m4/3rds adapter for $11 that will let me mount my old 50mm 1.8 manual-focus lens from the 80s & use it in aperture-priority mode, I'm looking forward to trying that.

---



LRH
http://www.pbase.com/larrytucaz
{ http://larrytxeast.smugmug.com/ (inactive) }
 
And just beacuse I have some pics to show it:

EP1 ISO 100 and 200 notice the items on the work top - less highlight detail in the 100ISO - but also less noise....







 
I'm pretty sure that focus speed disparity between E-P1 and E-PL1 disappeared after the last firmware update. I know the focus speed on my E-P1 with the 14-150 or 17mm is very fast and even with the 12-60 4/3 lens is under a second.
--
Don.

A Land Rover, a camera ... I'm happy!
 
When I got my E-P1 I expected I'd be using 200 "ISO" but find I default to 100, despite all the theory. In practice, the difference in highlight details seems tiny compared to the significant difference if file quality. 100 "ISO" is quite clean while 200 "ISO" is plain grainy! Why the heck would I want to muck around with exposure compensation when I can just set the camera to its cleanest setting and shoot? (Maybe the highlight difference is greater if you shoot JPEG but I don't.)

I'm not ignorant - when dynamic range is important, I switch to 200. That's surprisingly rare and, ironically, often a waste of time because when I need that high dynamic range the sensor really struggles anyway.
--
Don.

A Land Rover, a camera ... I'm happy!
 
And just beacuse I have some pics to show it:

EP1 ISO 100 and 200 notice the items on the work top - less highlight detail in the 100ISO - but also less noise....
This is the result of the RAW converter using a different tone curve for the two shots. The ISO 200 shot is underexposed and pulled up in post (thus the highlights, but also the extra noise). With most converters, this can't be turned off.

--
MFBernstein

'Wilderness is not a luxury but a necessity of the human spirit.' - Ed Abbey
 
Never.

I prefer to have ISO 100 reserved for lower shutter speeds. Some have suggested that is irrational. That makes me laugh out of my chair.

http://photographic-central.blogspot.com/

"Nothing can stop the man with the right mental attitude; nothing can help the man with wrong one."
-Thomas Jefferson
 
Anyone that is as sensitive about this issue as you that has to post your point (whatever that is) over and over again, is obviously the one in need of medication.

Just sayin kid.

C

http://photographic-central.blogspot.com/

"Nothing can stop the man with the right mental attitude; nothing can help the man with wrong one."
-Thomas Jefferson
 

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