DSLR or Bridge.

The 600D has the same sensor, same image processor, same articulating screen, same metering system, same ISO range - it's a bit smaller and lighter, I believe - and comes in a few hundred dollars cheaper than the 60D. The 60D is a very fine camera but for most practical purposes is not going to offer any difference in IQ over the 600D.
On the other hand, my 550D doesn't feel as comfortable on the end of the 70-200 as the 60D does. But I agree, the 600D is not a bad compromise at all. If forced to choose, I'd go for cheaper body and more expensive lens.,

Bodies depreciate quickly. Lenses keep their value and their quality.

--

“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” Ernst Haas

http://garyp.zenfolio.com/p518883873/
 
yup that would do too..heck a Nikon 3100+ Nikons 18-200 would work if you are not hooked on a swivel back. There are lots of other good combos you can make. If you like Sony, Sony has a decent 18-200 as well.

As far as money goes, it seems the turn over with bridges can be expensive. Lots hang on to their bridge for a year or two and then at a loss ..go for the next greatest bridge that can't match a DSLR. If you get a decent DSLR body you will tend to hang on to it somewhat longer-well at least that's the way I have generally been working.

I would bet over the long haul going the bridge route is actually about as expensive if not more so than buying a decent entry level DSLR + a general purpose lens like the 18-200 ..if you hang on to it that is.
g
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http://skylightvistas.weebly.com/index.html
 
Hi guys

Been considering upgrading to DSLR for quite a long time. Have considered Canon 60D with possible a 50mm IS lens for portraits and as soon as the budget allows maybe a 70-200mm?
Good move, top-end bridge is still bridge, dslr like, no more, can not reach dslr level. 60D with pentaprism OVF is miles ahead EVF. Phase detect is superior, much faster than contrast detect af on bridge. Af accuracy, shutter lag, shot to shot is another story plus low light capabilities.
Comparing prices and specifications between the 60D, the X-S1 and recently launched HS30EXR, I'm a bit lost. Traditionally, if you were serious about photography a SLR was a must. It just seems to me that in recent years the gap between mid range DSLR's and top-end brige cameras like the ones above, became a lot narrower.
Not quite true, but maybe the gap is narower by comparing latest bridge with the relative old mid range/entry level dslr + kit lens, but again when you attach good lens on it the gap is wider.
In your honest opinion, looking to the versatile capabilities and picture quality of bridge cameras like the X-S1, is it really worth to spend extra for a DSLR? Especially if you are serious about photography, but it is a weekend sport with not necessarily the aim to make money from it? What is your opinion?
if you familiar with dslr, the IQ of X-S1 is nothing special, in my opinion its poor for 800$ camera. If you like post processing, than again dslr output (both Jpeg and Raw) is clear far above,has wider room for pp.

rai
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slideshow.rai-tours.com
 
Daniel, I can only assume you are misunderstanding what I mean (which I still find odd).
Why? Your statements are misleading.
Only if you are keen to be misled.
This is the key point of difference that DSLR makers use to push people on to higher spec models.
Wrong. The argument last time I saw you make these ridiculous claims you were alking canon cameras because that user had a basic Canon DSLR.
Umm...ok then. Perhaps you should get with the program. You should also give DPR a call and ask them to correct their reviews.
Just like some people dispense with IQ freely others do away with certain functions or are happy to access in menus. So what?
Riiiight. You are pretty keen on arguing over nothing I see.........
Manufacturers like Fuji are clearly giving their bridge cameras a user interface that more closely matches the user interface of higher spec DSLR gear, and this user interface is of real value in everyday shooting.
You may clarify the misunderstanding by defining what you consider " high end DSLR's ". as you have now shifted the goal posts by saying "higher spec DSLR gear" . So which are you talking about? They are not the same thing.
Arguing over semantics is not actually offering an argument at all.
The best option I can see for a DSLR is the D600 (T3i) but even then, it is more of an intermediate model and could not be considered entry level, it is also reasonably expensive in my part of the world.
I don't know canon. What is wrong with a D7000?
I don't like it.
I am not interested in arguing about something that is just so plainly obvious, bridge cameras are deliberately loaded with features which is a big part of their appeal.
User interface is a critical aspect of choosing any camera.
It is not obvious because you are unclear in what you have said in that you have changed from " high end DSLR's " to "higher spec DSLR gear" .
Oh give me a break! this is ridiculous.
Whne you said "but bridge cameras are usually more like a high end DSLR's as regards external controls than entry level DSLR's" I wonder why you did not compare the camera against a high end Nikon DSLR camera? Let's say a Nikon D3x or the D4 specifications which are floating around. Then again why not compare against the D90 or D7000, cameras with higher specs than the D3100 or D5100?

Is the misunderstanding apparent now including the manner in which you shift goal posts?
If you misunderstood what I wrote it is because you have your own issues, that is now abundantly clear to me.
 
I have been considering the same thing, but to me the Canon 600D (T3i) seems like the best balance between cost and features.
You have? That's odd, because the last I recall, you told us many times that you considered getting an entry level Nikon DSLR with kit lens but that it was much too expensive. Later you told us many, many times that DSLRs were entirely out of your consideration because to replace your HS20, they would need to provide the same coverage and that meant that you'd have to pay at least six times what an HS20EXR cost you. Is this memory coming back? Do you recall telling us that to get the same 24mm wide end, your list of required lenses included several long lenses and not one, not two, but three lenses covering 18mm? I guess that somewhere along the line you wised up and realized that only a two lens DSLR kit would give you all that you needed. But a 600D/T3i with the less expensive f/4 version of the 70-200mm and no other lens is already up to over $1,300. Win a lottery, did you?
Hmmm, I guess I see the word "considering" as meaning something quite different to a commitment to purchase whatever was under consideration.
BTW, if you want to save a bit of cash, just don't buy new. B&H for example, has a very nice 10mp Nikon two lens kit right now for $400 with a used body and $479 you can get it with a Nikon refurbished body instead. Coverage in 35mm terms is 27-300mm, and you'd have enough money left over to buy another 3 or so HS20s. :)
I am not sure I would feel comfortable getting that sent to NZ, and anyway, wouldn't that camera have limited cropping ability for those bird shots you keep telling me about?
I my opinion, the area where the bridge camera excels and has its strongest competition with a DSLR is as a walk around nature/landscapes camera. The ability to take wide angle landscapes, tele pics of birds etc, and macro pics all in one camera and within seconds of each other is an extremely compelling option for nature lovers. There is simply no way to shoot this way with a DSLR without having 2 camera bodies and the resultant weight (and this is how most professionals shoot). If you value wide angle shots (wider than 28mm) this is even more of an advantage as these lenses are not covered in kit lens options and require the purchase of an expensive extra lens.
Two bodies with two lenses and not a single body with two lenses? I don't think that the scenery moves so quickly that you'd miss a shot in the short amount of time it takes to switch lenses. And when birders are busy, they rarely need to reach for a wide angle lens.
I am not a dedicated birder, and when shooting in the golden hour (which I often do) switching lenses back and forth would drive me nuts.
But if you really think that a two body solution would be the way to go when you're birding is suddenly interrupted by a scenic vista, not all two body solutions have to be large and heavy. Get two 1 Series Nikons with the 10-30 and 30-110mm lenses and you have coverage from 27mm to 300mm. They also have sensors much larger than the one used in the X10 and X-S1 and despite their 10mp sensors, probably provide more detail in their photos. I don't even need to mention their superlative DSLR-like high speed, accurate autofocus performance. You probably know all about that by now.
Well Bill, that actually makes sense and to be honest I was thinking about those new Samsung cameras for a similar set up. That new 20mp Samsung could possibly be a great landscape camera with the right lens. The problem is there are limited lens options.
You make such a huge deal about the difference between 24mm and 28mm, yet don't ever consider that many landscape photographers need lenses much wider than 24mm. DSLRs with APS-C lenses can use wide angle zooms having focal lengths as short as 10mm and 8mm, which is equivalent to 15mm and 12mm, territory that your Fuji bridge camera will never approach, even with huge, expensive wide angle lens converters. Nikon's 10-24mm lens is very popular and provides excellent image quality. I'd like to see how it compares with Fuji photos shot at 24mm, which is where Fuji cameras get blurry and smeary, even at low ISOs.
Ok, I'm listening. I also see there is a Tamron 10-24 for reasonable money, I think in a short while I may be able to get an APS-C landscape camera for a steal the way prices are dropping. The other thing about landscapes is that AF speed etc is not all that important, so less than stellar performance from the body is not so much of an issue.
I am looking at my options here for sure Bill.
 
BTW, if you want to save a bit of cash, just don't buy new. B&H for example, has a very nice 10mp Nikon two lens kit right now for $400 with a used body and $479 you can get it with a Nikon refurbished body instead. Coverage in 35mm terms is 27-300mm, and you'd have enough money left over to buy another 3 or so HS20s. :)
I am not sure I would feel comfortable getting that sent to NZ, and anyway, wouldn't that camera have limited cropping ability for those bird shots you keep telling me about?
I wasn't suggesting that you buy from B&H, just letting you know what's available here, what's available in most other countries and what's probably available in you home market. It's up to you to find what's in your own back yard, not me.

Two bodies with two lenses and not a single body with two lenses? I don't think that the scenery moves so quickly that you'd miss a shot in the short amount of time it takes to switch lenses. And when birders are busy, they rarely need to reach for a wide angle lens.
I am not a dedicated birder, and when shooting in the golden hour (which I often do) switching lenses back and forth would drive me nuts.
Come on Daniel, aren't you exaggerating? That's only a very short drive. :)

But if you really think that a two body solution would be the way to go when you're birding is suddenly interrupted by a scenic vista, not all two body solutions have to be large and heavy. Get two 1 Series Nikons with the 10-30 and 30-110mm lenses and you have coverage from 27mm to 300mm. They also have sensors much larger than the one used in the X10 and X-S1 and despite their 10mp sensors, probably provide more detail in their photos. I don't even need to mention their superlative DSLR-like high speed, accurate autofocus performance. You probably know all about that by now.
Well Bill, that actually makes sense and to be honest I was thinking about those new Samsung cameras for a similar set up. That new 20mp Samsung could possibly be a great landscape camera with the right lens. The problem is there are limited lens options.
It's only limited compared with Canon and Nikon DSLR systems. Compared with NEX and the m4/3 systems it already has quite a lot to offer, and all of Samsung's lenses are very good to excellent. Not so for the NEX lenses which a number of NEX owners have complained about. The lenses that it doesn't have are super wides and super teles, but lens adapters are available that let you use lenses from most manufacturers, including high quality, old, very inexpensive lenses. It's manual focus for these but that's no problem for the super wides, and no problem for the super teles unless you're shooting sports or active wildlife, but then you'd probably want to use a fast DSLR or a V1 anyway to get really good AF performance.

There are three pancake primes with another on the way, a macro lens, an 85mm f/1.4 lens, impressively large, but not as large as the beasts from Nikon and Canon, because it was designed for an APS-C sensor. There's also an 18-200mm lens optimized for video, and while I don't expect to see it, and Samsung hasn't mentioned it in its roadmap, one of Samsung's videos has their engineers/designers in a few shots with a very large 300mm f/2.8 lens, the kind that usually sells for about $6,000 from the usual suspects.

You make such a huge deal about the difference between 24mm and 28mm, yet don't ever consider that many landscape photographers need lenses much wider than 24mm. DSLRs with APS-C lenses can use wide angle zooms having focal lengths as short as 10mm and 8mm, which is equivalent to 15mm and 12mm, territory that your Fuji bridge camera will never approach, even with huge, expensive wide angle lens converters. Nikon's 10-24mm lens is very popular and provides excellent image quality. I'd like to see how it compares with Fuji photos shot at 24mm, which is where Fuji cameras get blurry and smeary, even at low ISOs.
Ok, I'm listening. I also see there is a Tamron 10-24 for reasonable money, I think in a short while I may be able to get an APS-C landscape camera for a steal the way prices are dropping. The other thing about landscapes is that AF speed etc is not all that important, so less than stellar performance from the body is not so much of an issue.
I am looking at my options here for sure Bill.
I'd avoid the Tamron because I've seen quite a number of posts like this :
I'm wanting a wide angle for my D5100, 10-24 looks ideal. I've tried the Nikon 10-24 in my local store, the images look fine.

How does the much cheaper Tamron 10-24 compare?

Any information welcome.
I went to my local dealer to buy a wide angle for my D300 and he suggested the Tamron 10-24. So I bought it and took some pictures, as one might reasonably do.

Horrible lens. Lots of chromatic aberration, poor sharpness everywhere but dead center. I returned it and grudgingly forked over the extra $500 for the Nikkor. Worth every penny. The Nikkor is sharp and contrasty. It doesn't flare in normal use. It's part of my 3-lens landscape kit (10-24, 16-85, 70-300) that I carry all the time.
http://forums.dpreview.com/forums/read.asp?forum=1030&message=40420697

There are wides from Sigma that should be much better than the Tamron and that don't cost nearly as much as the Nikkor. Tokina's highly regarded 11-16mm f/2.8 is about to appear in an "AF-S" version so it will no longer need a motor drive body to autofocus, but as a super wide, it can easily be focused manually. So the screw drive version should soon be available for even less on the used market.
 
dcrookie74
In your honest opinion, looking to the versatile capabilities and picture quality of bridge cameras like the X-S1, is it really worth to spend extra for a DSLR?
Extra? ... for the sake of argument, YES
Especially if you are serious about photography, but it is a weekend sport with not necessarily the aim to make money from it? What is your opinion?
For about the same money you can get a camera that far exceeds XS-1

--
JB
I am not a photographer, I am just a guy that takes pictures.
http://buckshotsimageblog.blogspot.com/
 
It is more about function now than price, but bridge cameras are usually more like a high end DSLR's as regards external controls than entry level DSLR's. Manufacturers seem to deliberately do this to their DSLR's to create a stronger point of difference with their high end models, where as bridge cam manufacturers often try and cram as many features and buttons as the thing can take! If you are used to these controls, an entry level DSLR can feel decidedly 'stripped' of features.
I can't speak to Nikons, but in the dpreview conclusion for the 2008 Canon 450D (an entry level dslr) under 'Pros' they include "Lots of external controls including new ISO button give instant access to commonly changed functions." I note no complaints by them, and I would assume that the current 600D model has at least this level of controls. (And no funky image processing issues or other idiosyncracies that I've heard of.)

On even this 4 year old entry level dslr, what do you see that is missing or 'stripped'?



 
You may clarify the misunderstanding by defining what you consider " high end DSLR's ". as you have now shifted the goal posts by saying "higher spec DSLR gear" . So which are you talking about? They are not the same thing.
Arguing over semantics is not actually offering an argument at all.
The "semantics" led to the misunderstanding. Semantics as you call them means there is a logic error. You used those terms so your logic is in error. In the end what you said was clearly wrong but you will defend to the end.
It is not obvious because you are unclear in what you have said in that you have changed from " high end DSLR's " to "higher spec DSLR gear" .
Oh give me a break! this is ridiculous.
It is not ridiculous. You need to be clear in what you are saying. You were not.

Do you consider that " high end DSLR's " and "higher spec DSLR gear" are the same thing?
If you misunderstood what I wrote it is because you have your own issues, that is now abundantly clear to me.
Incorrect. The misunderstanding results from your poor explanation.

--
Apologies if my lack of photographic knowledge is catching.
 
Even for me, the 1D MkIII as a walk-around is too much, and it virtually screams "Mug me" in any of the world's more "colourful" cities.
And then some cameras scream "I've been mugged!"
 
You may clarify the misunderstanding by defining what you consider " high end DSLR's ". as you have now shifted the goal posts by saying "higher spec DSLR gear" . So which are you talking about? They are not the same thing.
Arguing over semantics is not actually offering an argument at all.
The "semantics" led to the misunderstanding. Semantics as you call them means there is a logic error. You used those terms so your logic is in error. In the end what you said was clearly wrong but you will defend to the end.
What I said was what I have read repeatedly on reviews on this site. Take it up with DPR.
It is not obvious because you are unclear in what you have said in that you have changed from " high end DSLR's " to "higher spec DSLR gear" .
Oh give me a break! this is ridiculous.
It is not ridiculous. You need to be clear in what you are saying. You were not.

Do you consider that " high end DSLR's " and "higher spec DSLR gear" are the same thing?
In the context of my argument it is completely irrelevant, you are clutching at straws in my opinion.
If you misunderstood what I wrote it is because you have your own issues, that is now abundantly clear to me.
Incorrect. The misunderstanding results from your poor explanation.
Then you tell me what the difference is between the 60D and the 600D, it should be quite an exercise in reality for you.
 
I just sold my Nikon D300 & 3 Nikon lenses (35mm prime , UWA zoom & 70-300mm vr) after 3 good years of use which dropped off considerably in the last 6 months, mainly because of my decreasing commitment to the camera. My original investment in the equipment was somewhat north of $3000.

I’ve also owned great bridge cams in the past: Sony R1, Panny FZ50 among them.

I’m telling you all this to put my comments in perspective. I shoot a lot of architectural & landscape images, along with wildlife. I did (& still do) a lot of large-scale printing & show & sell in galleries. I always shoot raw & enjoy doing extensive post-processing. I only use jpg files for images I send various peoples’ iPads.

I decided to Ebay the D300 gear because a) I’m no longer shooting as much of the material I described. I have a large backlog for processing & am not someone who likes repeating himself & b) I’m tired of lugging around heavy equipment & or having to plan ahead to have the right lens mounted for the right situation.

The X-S1 looks very good to me. But the images I've seen & that people seem to be judging this camera by are mostly in-camera processed jpgs which carries as much weight for me as considering a Swansons Chicken Pot Pie a gourmet meal. Tastes good to many but I prefer making my own, thanks. ;) Some people are quite knowledgeable in tweaking their camera settings to produce decent jpgs. I respect that. I’m confident that once Adobe supports the X0S1 it will shine, given what I’ve seen here so far.

So I’d say that if you’re committed to shooting a certain style, know what lenses you need, are willing to perfect your post-processing (& printing, if applicable) skills & can afford a few grand, go for the best dSLR you can afford.

OTW get a good bridge cam (there are plenty of them) & have fun. :)
 

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