24mm Zeiss good but not great, second thoughts on NEX?

SLRGear uses an un-known format dependent factor for multiplying their resolution readings. This doesn't work. For example, you get the odd result that a 4/3 sensor format lens, say one of the 25/1.4 lenses, seemingly gets better result than a 50/1.4 lens for FF cameras. That is an odd result as other review methods, when checking sharpness as in LP/IH in the finished image, shows the FF and the 50/1.4 has a higher resolution.
You have to be more specific and quote what is the basis of your claims. Quick check on photozone shows that 4/3 Panaleica 25/1.4 has a significantly higher resolution compared to FF Canon EF 50mm/1.4 USM in LW/PH ( that is in comparable units).

http://www.photozone.de/Reviews/159-canon-ef-50mm-f14-usm-test-report--review?start=1
http://www.photozone.de/olympus--four-thirds-lens-tests/509-leica25f14?start=1

So, in fact, in this case SLRGear results appear to be consistent for cross format comparison.
LOL, you cheated! Comparing a new m43 combo to an old Canon combo. Here's a more up to date comparion:

m43 panaleica 25
D3X AFS 50 f/1.4

http://www.photozone.de/olympus--four-thirds-lens-tests/509-leica25f14?start=1
http://www.photozone.de/nikon_ff/441-nikkor_afs_50_14_ff?start=1

--
Cheers, Reza
 
also a blind can see that a 50mm FF (i.e. canon NIKON) has a worst performance then the leica 25mm wide open..
dont need any graph....or you are blind???


dont need to see tests (i.e. on lenstip who show clearly also with numbers....this)
that almost all 50mm f1.4 lens used wide open have poor (very poor) performance
with few exeptions (the zeiss 50mm ....but its a manual lens)
Yeah, you dont seem to be a person that could handle manual glass.
anyway talking about FF has no sense also in term of resolution...wich FF you mean?? 5DMII ? D700 ? D3 ? D3s?

you want bet 1000 usd that a GH2 with the leica 25mm @f1.4 will blow away in term of resolution the Nikon D3s with a nikkor 50mm F1.4?
Compare apple to apple, a high res camera to another..

http://www.photozone.de/nikon_ff/441-nikkor_afs_50_14_ff?start=1
http://www.photozone.de/olympus--four-thirds-lens-tests/509-leica25f14?start=1

See..the FF combo is better. D3S is a low light shooter, and it will obliterate every m43 camera untill dooms day.
anyway can/nikon 50mm at 1.4 are so bad that look to have a haze.....on image....
Which one? there is a lot of version. To generalize is wrong, Sigma 50 f/1.4 is also a good performer.
if you dont see this..well buy a glass or change hobby...
Maybe, just maybe.. you dont have the skills to use them? Ever thought of that before accusing others?
(...)

Maybe I'm making these graphs out to be more than what they are but I'm considering cancelling my nex-7 order.
Yes you are.

The art of reading the nice looking SLRGear graphs has been discussed several times. Unfortunately you can't use them for comparing lenses between formats, or even brands/models, at all.

SLRGear uses an un-known format dependent factor for multiplying their resolution readings. This doesn't work. For example, you get the odd result that a 4/3 sensor format lens, say one of the 25/1.4 lenses, seemingly gets better result than a 50/1.4 lens for FF cameras. That is an odd result as other review methods, when checking sharpness as in LP/IH in the finished image, shows the FF and the 50/1.4 has a higher resolution.

If you want to buy a system judging by the numbers you need to look elsewhere, and preferably test the systems yourself - so it's too early for any conclusion.

For now we can make educated guesses only. As already pointed out it is also no idea comparing lenses giving different FOV.

Jonas
--
Cheers, Reza
 
so what the conclusion??

also a half blind can see with EYES without any chart that zeiss lens wide open (both on NEX7 and NEX5N ) ist not tack sharp

anyway what mean idiots words " if you dont know what this means, get an m43"????
LOL

People use the m43 for portability but never for overall IQ. What camera did you use before owning m43?
the fact show clearly...panasonic 20mm F1.7 (40mm vs 36mm so the same) blow away in term of sharpness wide open the zeiss lens....
also the samsung 30mm F2 that cost only 150 usd blow away wide open the zeiss..
The Zeiss was tested on nex 5 which is not really the best nex to test native E mount or range finder re corner performance.
if you cant see this..well pay 1000 euro for a FAUX SONNAR that its worst then a korean 150 usd lens....

or change hobby....horses are a good hobby when you dont understand nothing about photography..
So you know photography? post some of your pictures to validate your point. This should be interesting..
if you want pure sharpness, get a macro lens and be done with it. if you want the look of a fast sonnar 36mm equiv lens, then get the zeiss.. if you dont know what this means, get an m43
--
Cheers, Reza
 
Why can't you stay at the forum of the camera type you are happy with, your utterly noncens is getting a little bit boring!
Why do people get so upset with facts.

The NEX 24mm costs $1000. Nothing I can do about that.

The lens even at F/4 doesn't get as sharp as cheaper lenses. I am not saying that, review sites are.
Don't get mad at me for these things.

Anyway, you gotta love the NEX 5N. It is focuses great and is amazing at ISO3200...



Yeaah right, after seeing this shot from your GH2, it seems operator error is the key. Problem solved! LOL



--
Cheers, Reza
 
You're essentially comparing a 35mm to a 50mm lens. 50mm has always been easier and cheaper to make than 35mm.
 
It's now one of the best 36mm eqv FF lens on any mirrorless camera.
Are there any other? I guess that makes it the worst too. :)

For $1000, I would expect better results. For $200, it would be a very good lens.
Can you please react to the conclusion of this test. You are focussing on one part of the test. In that one part the test there is a not very objective remark.

The test shows this conclusion, maybe you should read the total test, not just the part you like.

Oh and about the pictures uyou show maybe some photo lessons would enhance your photo quality, this will add more then the best lens or camera on the market!
 
Could not edit after saving, forget to paste the conclusion here it is:
Conclusion

Considering the price, you would hope that the Sony 24mm ƒ1.8 Sonnar T ZA didn't disappoint - and happily, it doesn't. Sharpness is excellent even wide open , and other factors such as chromatic aberration, distortion and corner shading are well-controlled. The 24mm ƒ1.8 proves to be an able companion to the NEX camera.


Please react to this conclusion. esp were it say Sharpness is excellent even wide open

And react on my question: Will you see so much difference in pictures taken with this lens and with your M43 lens.

I do agree the Zeiss is expensive, but this professional reviewer tells us that it does not disappoints. Who to believe, this professional reviewer, or mister Everdog, hmm hard to tell, NOT!
 
Could not edit after saving, forget to paste the conclusion here it is:
Conclusion

Considering the price, you would hope that the Sony 24mm ƒ1.8 Sonnar T ZA didn't disappoint - and happily, it doesn't. Sharpness is excellent even wide open , and other factors such as chromatic aberration, distortion and corner shading are well-controlled. The 24mm ƒ1.8 proves to be an able companion to the NEX camera.


Please react to this conclusion. esp were it say Sharpness is excellent even wide open

And react on my question: Will you see so much difference in pictures taken with this lens and with your M43 lens.

I do agree the Zeiss is expensive, but this professional reviewer tells us that it does not disappoints. Who to believe, this professional reviewer, or mister Everdog, hmm hard to tell, NOT!
Well I'm disappointed where this discussion has gone. If it was a mistake to compare the resolution charts from different systems then my apologies. I thought the "blur" units indicated how much of the sensor the lens was capable of resolving. The pixel pitch between the EPL1 and NEX5 is pretty close too I believe.

Still, if you look at the actual images shot with the 25mm Panasonic and the 24mm Sony on SLRGear, you'll see that the Panasonic is very sharp in the center wide open, while the Zeiss isn't. You don't need to look at SLRGear's graphs to see that.

For those being smug about the importance of this to actual photography, well obviously the difference isn't going to make or break a picture. This is a gear forum and guess what, we concentrate on discussing gear here. If that's not kosher with you, then you're in the wrong forum because technique isn't discussed here.

The simple matter is that if you're paying $1,000 for a lens, you want to get $1,000 performance out of it and the quality of available lenses is a factor in choosing a system.
 
LOL, you cheated! Comparing a new m43 combo to an old Canon combo. Here's a more up to date comparion:
Not cheated, simply picked the first google reference for Canon without double checking. The photozone review is not for new m43 combo either. It's for old 4/3 lens on old Pany L-10 camera. So you "cheated" as well. LOL.
 
LOL, you cheated! Comparing a new m43 combo to an old Canon combo. Here's a more up to date comparion:
Not cheated, simply picked the first google reference for Canon without double checking. The photozone review is not for new m43 combo either. It's for old 4/3 lens on old Pany L-10 camera. So you "cheated" as well. LOL.
Hey, I took the panny from your post. I never know when it was released, or even its existence I dont know. LOL
--
Cheers, Reza
 
Why can't you stay at the forum of the camera type you are happy with, your utterly noncens is getting a little bit boring!
Why do people get so upset with facts.
Well first I don't get upset by facts. Facts can't upset me your strange twisting of the facts are.
The NEX 24mm costs $1000. Nothing I can do about that.

The lens even at F/4 doesn't get as sharp as cheaper lenses. I am not saying that, review sites are.
Strangely enough the professional tester also telss us this in it's conclusion:

Considering the price, you would hope that the Sony 24mm ƒ1.8 Sonnar T ZA didn't disappoint - and happily, it doesn't. Sharpness is excellent even wide open, and other factors such as chromatic aberration, distortion and corner shading are well-controlled. The 24mm ƒ1.8 proves to be an able companion to the NEX camera.
Don't get mad at me for these things.
I'm not mad at all. Just telling the facts. The conclusion tells some more then you do. Some small differences in sharpness ( Sharpness is excellent even wide open ) are not the only things that are important in a lens.
Anyway, you gotta love the NEX 5N. It is focuses great and is amazing at ISO3200...





When this is the best you can do well maybe some kind of lesson in photography is in order instead of blaming the camera/lens? People are showing much better results with their Nex camera with the kit lens then you do!
 
Just like the NEX7, it was to be deleivered a while ago and nothing! I have had it on order from day one. Sony must be having Zeiss hold them till they can deliver the 7
--
Greg Gebhardt in
Jacksonville, Florida
 
Just like the NEX7, it was to be deleivered a while ago and nothing! I have had it on order from day one. Sony must be having Zeiss hold them till they can deliver the 7
On the Sony Japan website it's set to go on sale on Dec 9th.

It used to be that this type thing went on sale here first and in the rest of the world later, but I don't think it applies anymore. Both the NEX-5N and LA-EA2 were selling in other places before Japan. So perhaps you'll get it before Dec 9.

--
A rose by any other name is still a chicken.
 
Could not edit after saving, forget to paste the conclusion here it is:
Conclusion

Considering the price, you would hope that the Sony 24mm ƒ1.8 Sonnar T ZA didn't disappoint - and happily, it doesn't. Sharpness is excellent even wide open , and other factors such as chromatic aberration, distortion and corner shading are well-controlled. The 24mm ƒ1.8 proves to be an able companion to the NEX camera.


Please react to this conclusion. esp were it say Sharpness is excellent even wide open

And react on my question: Will you see so much difference in pictures taken with this lens and with your M43 lens.

I do agree the Zeiss is expensive, but this professional reviewer tells us that it does not disappoints. Who to believe, this professional reviewer, or mister Everdog, hmm hard to tell, NOT!
Well I'm disappointed where this discussion has gone. If it was a mistake to compare the resolution charts from different systems then my apologies. I thought the "blur" units indicated how much of the sensor the lens was capable of resolving. The pixel pitch between the EPL1 and NEX5 is pretty close too I believe.

Still, if you look at the actual images shot with the 25mm Panasonic and the 24mm Sony on SLRGear, you'll see that the Panasonic is very sharp in the center wide open, while the Zeiss isn't. You don't need to look at SLRGear's graphs to see that.
The best thing to do is to scale down the Son/Zeiss picture to the same size as the Olympus/panasonic picture, the differences are way smaller then you mght think when looking at the 100% crops.
For those being smug about the importance of this to actual photography, well obviously the difference isn't going to make or break a picture. This is a gear forum and guess what, we concentrate on discussing gear here. If that's not kosher with you, then you're in the wrong forum because technique isn't discussed here.
I do agree that this is a gear forum and it is OK to discuss gear here, but sometimes people are to much intoe some small differences in gear (like the high ISO, or the sharpness) They have their heads so much in the figures that they forget that there is no real difference when printing or looking at the picture on a (big) screen.
The simple matter is that if you're paying $1,000 for a lens, you want to get $1,000 performance out of it and the quality of available lenses is a factor in choosing a system.
And, following the review you posted this lens do perform as a $1000,00 lens:

Considering the price, you would hope that the Sony 24mm ƒ1.8 Sonnar T ZA didn't disappoint - and happily, it doesn't. Sharpness is excellent even wide open , and other factors such as chromatic aberration, distortion and corner shading are well-controlled. The 24mm ƒ1.8 proves to be an able companion to the NEX camera.
 
Honestly, the sensor size difference is 2/3 f/stop.
Really? Please post the math on that. My bet is you are comparing different aspect ratios which means apples to oranges.
If you had done your homework first, you would know the aspect ratio doesn't matter. All aspect ratios from the GH2 cover the same image circle, which is what counts in the math used.
My bet is you are also doing a lot of rounding which makes things even more inaccurate.
He rounded de aperture in favor of 4/3. In reality, the equivalent aperture on NEX of F2.8 on 4/3, would be F3.66.
 
Fermy: Essentially, if one wants to be scientific (or really anal) it's very easy to shoot down not only cross format comparisons, but also comparisons within the same format. Differences in sensor resolution, AA filters, different processing and so forth will do that.

Agreed, and Jonas B is all over that topic as well. By the way Fermy I'm not against looking at numbers and mulling them over, my concern is with our pop culture engagement with spurious or imaginary precision. Right down to thinking that some Olympic runner #1 is any profound sense "faster" than another, because at some certain event runner #1 crossed the 1-mile finish line 0.01 seconds before runner #2.

Hey when Eric Tastad on ERphotoReview posts that some Pentax 110 lens resolves 750 LPPH line pairs per picture height at the edge, and the Sony ZA 24mm/F2 on an Alpha DSLR camera resolves 1500 LPHH according to DPreview, I know that the Pentax lens on a Nex 5 is not a pack leader, and it's because of looking at the cross-camera numbers that I have just finished criticizing.

So the thing I intend to make fun of is overly detailed scrutinizing of single-increment cross-camera differences. By definition testing institutions come up with some kind of slightly too-fine-increment rating scores, just to make sure that any given rating isn't too far off from the raw data. Thus it seems silly to say "I'm not gonna buy a lens because it's half a blur unit score less than some other lens". Or to talk about how incompetent a Nex camera maker must be because of some tiny incremental score difference with some other format and camera, ignoring subjective impressions of the equipment, ignoring test images, etc.

fermy: What's more, so far there has not been a single logical argument put forward that shows that comparisons between any two lenses on different Canon APS-C cameras are any more valid than between Pany 20mm on E-PL1 and Zeiss 24mm on NEX-5N.

Agreed, since we don't know about firmware differences (hey SLRgear uses JPEGs, maybe Lenstip does too?), AA anti-aliasing filter and other sensor surface treatment differences, etc etc.

fermy:To me the real question is not whether one can make cross system comparison with SLRGear data, but what would be the reasonable way of doing so.

Ideas welcome. My hat in the ring is to look at lensTip.com resolution page data for an easy-sipping slug of numbers. Having studied their testing logic, have begun looking simply at the relative line pairs per millimeter scores of lenses (that don't have much lateral chromatic aberration i.e. color fringing) at F16 on LensTip, versus their peak score. If a lens has an F16 LensTip resolution score that is about as high as the lens' peak score, if the peak res is only 1.1 times the F16 res, it's not a very sharp lens. If the F16 lenstip score is 30 lines per millimeter, and the peak score is 1.8 times that F16 score, 54 lines per millimeter, dude that lens is in the fast lane.

There's no need to single out LensTip for this data, DPreview and lots of other rating systems could do this also. I just find the LensTip graphs real quick to glance at. And we're not talking here about whether a lens is to be prized for some peak F5.6 central reading, or prized because of some lesser reading that is maintained at all frame positions and apertures. Endless black holes of debate possible.

Anyway, a suggestion is getting the ratios between F16 central resolution and resolutions at other apertures, with lenses not showing much lateral color fringing, as a quality index that can be used across camera formats. A peak/F16 ratio of 2 is super, and a ratio of 1.1 is fairly lifeless.

P.S. Would offer that when someone wants to look at numbers instead of test images to decide between lenses, that is such an inherently overly-"scientific" or overly-"anal" activity...that all arguments about the validity of this activity inherently sound overly scientific or anal.





Pretty sure this was a 28mm/F4 non-multicoated Rodagon enlarging lens at around F8, that just barely covers APS-C.
 
Have you looked at the VFA test charts on both? The Panasonic 25mm does show more resolution at 1.4 compared to the Zeiss at 1.8, but the corner is no where near the Zeiss (of course it's unfair to compare at WO like that). So then I look at the f/8 picture of the Panasonic. It's supposed to be so sharp (1 unit blur corner to corner). Yet, from what I see, the center is basically a tie (I would give a tiny edge to the Zeiss though). However, I can see the Zeiss corner is clearly better in term of resolution even though it's supposed to have 2 blur units. So to me, the blur chart is not valid for cross-platform comparison. The m4/3 people would point out that the E-P1 has less MP than the NEX-5, and thus less resolving power. But in real life, I would still get more out of the Sony combo. Whether the difference in price is justifiable depends on you.

But again, I don't want to generalize the lens' performance based on this VFA chart, since it is taken at only one distance. Keep in mind these tests are valid within the platform (same body and possibly raw conversion) at one distance. Various distances can also affect the optical performance.

So in the end, whether the price tag is worth to you is only valid when you can actually shoot with the lens for a long enough period of time. You might not have the luxury to do so. But just based on a resolution test like this to form your own conclusion (or spreading your opinion) is not a good way to evaluate a lens.

So if there is a truly optical test comparison out there, it must have been done on one single platform at various distances. It would be nice to compare the Zeiss 24 and the Voigtlander 25/0.95 on a NEX camera to gauge the relative performance between the NEX line and M43 line. Just a thought.
Well I'm disappointed where this discussion has gone. If it was a mistake to compare the resolution charts from different systems then my apologies. I thought the "blur" units indicated how much of the sensor the lens was capable of resolving. The pixel pitch between the EPL1 and NEX5 is pretty close too I believe.

Still, if you look at the actual images shot with the 25mm Panasonic and the 24mm Sony on SLRGear, you'll see that the Panasonic is very sharp in the center wide open, while the Zeiss isn't. You don't need to look at SLRGear's graphs to see that.

For those being smug about the importance of this to actual photography, well obviously the difference isn't going to make or break a picture. This is a gear forum and guess what, we concentrate on discussing gear here. If that's not kosher with you, then you're in the wrong forum because technique isn't discussed here.

The simple matter is that if you're paying $1,000 for a lens, you want to get $1,000 performance out of it and the quality of available lenses is a factor in choosing a system.
 
PhotoHobbyFun: The simple matter is that if you're paying $1,000 for a lens, you want to get $1,000 performance out of it and the quality of available lenses is a factor in choosing a system.

But if you want to criticize "the quality" of a $1000 dollar lens, it's a simple matter to realize that evaluating overall quality and/or value is not such a simple matter...as whether or not you can find some other smaller-sensor lens with some kind of better number value attached to it.

Am not saying you can't make fun of a Zeiss lens' resolution for the money. However it's a big step that needs lots of qualifiers to say that because of resolution you can declare to all comers that a given pretty sharp Zeiss lens (that the vast majority of Nex users will never buy anyway, especially now that the 5n+kit zoom is looking so good) with less than dreamy resolution compared to some other lens you can come up with is any kind of major poor reflection on "the quality of available lenses".

Let's not pretend we can pass definitive judgment on a lens' (or a lens line's) quality or value, without at least mentioning many other lens factors besides peak central resolution someone might prize (list cadged from my post
http://forums.dpreview.com/forums/read.asp?forum=1042&message=39867384 ):
  1. price (including possible adapter in each case)
  2. mounted weight (including possible adapter)
  3. mounted size (including possible adapter, and consideration of lens length/tripod stability at a given focus distance and focal length)
  4. max aperture, and some people might want F22 min, or 1/2 F-stop clicks
  5. for some folks, transmission of light, sometimes called "T rating", because some lenses with lots of elements and/or poor coating don't transmit as much light at the same nominal (particularly wide) aperture
  6. for some people, bokeh quality, the look of out-of-focus bright areas, and possible dark circles or artificial shapes surrounding those areas
  7. lateral color fringing resistance away from center of frame
  8. purple fringing at bright edges resistance, anywhere in the frame
  9. flare resistance
  10. often related to above, overall contrast at each aperture.
  11. durability, particularly glass scratch susceptibility
  12. does lens get problematically wobbly at some focus distances or focal length?
  13. for some people, probable resale value
  14. usage history (my kit zoom's been banged up, do you care about my comparison tests with it?)
  15. storage history (particularly interested in heat and moisture exposure)
  16. manufacturing date (Sony kit lenses and coatings, as with many manufacturers, seem to change a bit as the years go by)
  17. features (supersonic focusing or focusing speed in general, focus limiters, stabilization features, manual focus pleasantness and ease, clear and useful markings for John Bean types. A quick lens aperture-wide-open button, perhaps a manual/automatic button, that can help with focusing. Or a quick lens stop-down button, to help with depth-of-field preview.)
  18. moisture and dust resistance
  19. ease of mounting hoods or caps
  20. need for hoods and/or caps, depends some on recessed nature of front element
  21. lens casing strength, if you want to put big accessories like huge hoods on the front of the lens
  22. narrowness of end of lens, and recessed nature of front element, affects shadowing of subject if to be used for macro work
  23. autofocus speed
  24. autofocus reliability, i.e. propensity for autofocus hunting
  25. autofocus noise, comes up more with video uses.
  26. for some people, color cast of lens. Comes up a bit more with video work where post-processing is more difficult
  27. total geometric distortion
  28. complexity of geometric distortion, has to do with how easily the distortion can be corrected in post-processing
  29. vignetting, evenness of illumination across the frame
  30. availability of firmware geometric distortion or vignetting correction
  31. for some people, obtrusiveness or distracting appearance of mounted lens can be significant. I am forever explaining to clients that they should please ignore the crude appearance of my custom lens hoods.
  32. presence or absence and/or strength and stability of tripod mount, possibly a rotating #tripod mount.
  33. front element rotation or lack of it, for polarizer users
  34. mostly with wide angle lenses, some users might generally want a bulkier "retrofocus" wide angle lens design, with a relatively longer distance between back of lens and sensor. To get better across-the-entire-frame color consistency for critical, really wide angle wor
 
Admittedly, I myself do not pay much attention to these lens test (though I do look at them to get a general idea of the lens performance on the native platform). So I don't really understand how these lens tests were calculated/manipulated. However, may I present a solution to this problem at hand to you two gentlemen?

The NEX system strength, IMO, is the capability of adapt almost any 35mm/APSC lens out there. To properly compare two lenses of a different platform, they must be tested on the same camera at the same focus distance. So to properly gauge the performance of the Zeiss 24/1.8 to any m43 lens, I would suggest an individual to compare the Zeiss to the Voigtlander 25 (same physical FL). One should go further to cover the electronic pins of the Zeiss to eliminate any in-camera optimization.

After this, I am quite certain we can properly gauge the relative performance of the Zeiss compared to the Pana 20 and 25. However, I would welcome any more suggestion. What we are doing right now is the interpretation and interpolation of these results. To me, I can't see myself shooting solely with the m43 system. I tried it in the past, but the IQ was just too lackluster compared to my A900. But that is not the problem at hand.
Fermy: Essentially, if one wants to be scientific (or really anal) it's very easy to shoot down not only cross format comparisons, but also comparisons within the same format. Differences in sensor resolution, AA filters, different processing and so forth will do that.

Agreed, and Jonas B is all over that topic as well. By the way Fermy I'm not against looking at numbers and mulling them over, my concern is with our pop culture engagement with spurious or imaginary precision. Right down to thinking that some Olympic runner #1 is any profound sense "faster" than another, because at some certain event runner #1 crossed the 1-mile finish line 0.01 seconds before runner #2.

Hey when Eric Tastad on ERphotoReview posts that some Pentax 110 lens resolves 750 LPPH line pairs per picture height at the edge, and the Sony ZA 24mm/F2 on an Alpha DSLR camera resolves 1500 LPHH according to DPreview, I know that the Pentax lens on a Nex 5 is not a pack leader, and it's because of looking at the cross-camera numbers that I have just finished criticizing.

So the thing I intend to make fun of is overly detailed scrutinizing of single-increment cross-camera differences. By definition testing institutions come up with some kind of slightly too-fine-increment rating scores, just to make sure that any given rating isn't too far off from the raw data. Thus it seems silly to say "I'm not gonna buy a lens because it's half a blur unit score less than some other lens". Or to talk about how incompetent a Nex camera maker must be because of some tiny incremental score difference with some other format and camera, ignoring subjective impressions of the equipment, ignoring test images, etc.

fermy: What's more, so far there has not been a single logical argument put forward that shows that comparisons between any two lenses on different Canon APS-C cameras are any more valid than between Pany 20mm on E-PL1 and Zeiss 24mm on NEX-5N.

Agreed, since we don't know about firmware differences (hey SLRgear uses JPEGs, maybe Lenstip does too?), AA anti-aliasing filter and other sensor surface treatment differences, etc etc.

fermy:To me the real question is not whether one can make cross system comparison with SLRGear data, but what would be the reasonable way of doing so.

Ideas welcome. My hat in the ring is to look at lensTip.com resolution page data for an easy-sipping slug of numbers. Having studied their testing logic, have begun looking simply at the relative line pairs per millimeter scores of lenses (that don't have much lateral chromatic aberration i.e. color fringing) at F16 on LensTip, versus their peak score. If a lens has an F16 LensTip resolution score that is about as high as the lens' peak score, if the peak res is only 1.1 times the F16 res, it's not a very sharp lens. If the F16 lenstip score is 30 lines per millimeter, and the peak score is 1.8 times that F16 score, 54 lines per millimeter, dude that lens is in the fast lane.

There's no need to single out LensTip for this data, DPreview and lots of other rating systems could do this also. I just find the LensTip graphs real quick to glance at. And we're not talking here about whether a lens is to be prized for some peak F5.6 central reading, or prized because of some lesser reading that is maintained at all frame positions and apertures. Endless black holes of debate possible.

Anyway, a suggestion is getting the ratios between F16 central resolution and resolutions at other apertures, with lenses not showing much lateral color fringing, as a quality index that can be used across camera formats. A peak/F16 ratio of 2 is super, and a ratio of 1.1 is fairly lifeless.

P.S. Would offer that when someone wants to look at numbers instead of test images to decide between lenses, that is such an inherently overly-"scientific" or overly-"anal" activity...that all arguments about the validity of this activity inherently sound overly scientific or anal.





Pretty sure this was a 28mm/F4 non-multicoated Rodagon enlarging lens at around F8, that just barely covers APS-C.
 

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