OK, this seems to be a misunderstanding of what DxOMark means by 'ISO'. The NEX-5N's offset on DxO's ISO axis compared to these cameras does not imply that it meters and exposes differently. The problem here is that the measurement DxO calls 'ISO' isn't what most photographers call ISO, or what Sony or any of the other camera manufactuers call ISO, either. It's completely non-standard, and essentially a way of normalising the raw sensor data in a very specific way for the purposes of their comparison. It therefore cannot be used to re-interpret any other tests - including ours - or to deduce how cameras meter and expose.
The problem DxOMark face is that, somewhat counter-intuitively, raw files have no inherent ISO rating of their own. ISO is defined in terms of the brightness of the visually-meaningful photographic image that's developed from the raw, and any given raw file can, entirely legitimately, be developed to wide range of different brightnesses by applying different tone curves. In fact the 'exposure' slider in every self-respecting raw converter is in effect an ISO control - it changes the image brightness for a given shutter speed and aperture. As a result of this, I'd argue that the most photographically meaningful definition of ISO for a raw file is based purely upon the photographer's exposure intent, which in turn tends to be implictly based on the camera's ISO calibration.
To deal with this, DxOMark conceptually applies a standard tone curve to all raw files to determine their ISO. The problem here is that different camera manufacturers use different tone curves by default (again, entirely legitimately), differing most notably in the highlight dynamic range they produce. This necessarily results in a discrepancy between DxOMark's 'ISO' and the camera's marked setting - the greater the highlight range, the further DxO's 'ISO' measurement will differ from the camera's.
However, because the camera's metering is tuned to give the correct results for what the manufacturer thinks is right (and not DxOMark), this in turn implies that the metering won't correlate with DxO's 'ISO' either. What this means is that
in practical use you're unlikely to use your camera in a way that precisely matches DxOMark's comparison method. This doesn't invalidate their method, it just means you have to very aware of how it's constructed.
DPR does not, giving an advantage to cameras that overstate their ISO.
All of our testing methodology is based on normalising exposure, essentially using the 'Standard Output Sensitivity' method of the ISO 12232:2006 specification. In essence this means that we set the exposure such that specific target areas in the test scene are rendered as middle grey. On other words, images are carefully white-balanced and exposed to the same brightness.
We also provide the measured ISOs according to this method in every review. Again, they'll necessarily be different from DxO's because we're measuring something different. What we do tend to see is that our measurements match manufacturer's stated ISOs reasonably closely, because we're using the same method.
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Andy Westlake
dpreview.com