EXR DR (dynamic range) mode question.

But it's so rewarding to be a google shill, and they pay very well. In the meanwhile, take my advice. If you really want to know what's what where photography is concerned, don't read what I write. Pay a lot more attention to the much more knowledgeable posts from Daniel Lowe, ZoranC, jcmarfilph, and check the archives to get those wonderful pearls of wisdom from Slides, GPS and CAMMASTER.
Ah, I see it now...Bill, trollmaster deluxe plus. Kindly leave me out of your spewage on the forum, thx. Not the first time I've asked you.

Baiting the hook again when you already have so many people to argue with under the guise of offering help? Still trying to get out of your parent's basement, eh? Sad.
I thought that you'd be proud of your previous posts. Could it be that you're secretly embarrassed by them, and want them purged from our memory? And here you are, continuing with the insults. Yep, that's the Slides we know so well.
And yet, you're the one that brings my name up out of nowhere after I haven't posted in months. You're a walking talking contradiction...but you'll blame everyone else for your bs, just like your fearless leader did.
Good luck with that.

--
S1OOfs...more fun than a bag of glass!
 
Steen Bay wrote:
I can see what both 'John Carson' & 'Steen Bay', and others, are trying to say - but all the talk of using different ISO's are completely wrong.

The only thing the sensor does, in its EXR 'DR' mode is to use two different shutter speeds (half the pixels each, simultaneously) - to get two different exposures.

By definition the ISO is not increased - otherwise both 'exposures' would be exactly the same output (a higher ISO would just cancel the effect of shorter shutter).

The 'extra' short shutter exposure (for extra highlight capture) is not ISO increased (or decreased) - it's not amplified, or gained-up, because that would only result in pushing the extra highlights the sensor captured straight off the scale of the A/D.

The EXR 'DR' mode does exactly the same thing as someone would with a regular camera - it simply combines two 'different exposures', taken at the same ISO .

The correct description of what is happening with the EXR 'DR' is rather, to say, that - the extra 'short/highlight exposure is at -1, -2, or -3 exposure compensation/adjustment, for DR200, DR400, DR800 respectively.

Referring to different ISO and sensitivities is just misleading (and undoubtedly confusing a lot of people).

Also, the 'short exposure' isn't 'gained-up' overall - it's highest highlight simply becomes the highest highlight of the final image, without any alteration. However, the bulk of the additional highlight data used from the 'short exposure' will be scaled up, due to the squeezing/compression of this data into a relatively small part of the final image's upper dynamic range - but the brightest level of this extra 'short' exposure is actually unchanged.

The base 'regular exposure' is squeezed/compressed down 'slightly' to make room for the extra highlight data from the 'short exposure'.
 
As I explain more fully here...
http://forums.dpreview.com/forums/read.asp?forum=1012&message=39475913

The EXR 'DR' mode does exactly the same thing as someone would with a regular camera - it simply combines two ' different exposures ', taken at the same ISO , (albeit 'simultaneously').

The correct description of what is happening with the EXR 'DR' is rather, to say, that - the extra 'short/highlight exposure is at -1, -2, or -3 exposure adjustment/compensation, for DR200, DR400, DR800 respectively.

It is incorrect and misleading to refer to use of different ISOs.
 
Steen Bay wrote:
I can see what both 'John Carson' & 'Steen Bay', and others, are trying to say - but all the talk of using different ISO's are completely wrong.

The only thing the sensor does, in its EXR 'DR' mode is to use two different shutter speeds (half the pixels each, simultaneously) - to get two different exposures.

By definition the ISO is not increased - otherwise both 'exposures' would be exactly the same output (a higher ISO would just cancel the effect of shorter shutter).

The 'extra' short shutter exposure (for extra highlight capture) is not ISO increased (or decreased) - it's not amplified, or gained-up, because that would only result in pushing the extra highlights the sensor captured straight off the scale of the A/D.

The EXR 'DR' mode does exactly the same thing as someone would with a regular camera - it simply combines two 'different exposures', taken at the same ISO .

The correct description of what is happening with the EXR 'DR' is rather, to say, that - the extra 'short/highlight exposure is at -1, -2, or -3 exposure compensation/adjustment, for DR200, DR400, DR800 respectively.

Referring to different ISO and sensitivities is just misleading (and undoubtedly confusing a lot of people).

Also, the 'short exposure' isn't 'gained-up' overall - it's highest highlight simply becomes the highest highlight of the final image, without any alteration. However, the bulk of the additional highlight data used from the 'short exposure' will be scaled up, due to the squeezing/compression of this data into a relatively small part of the final image's upper dynamic range - but the brightest level of this extra 'short' exposure is actually unchanged.

The base 'regular exposure' is squeezed/compressed down 'slightly' to make room for the extra highlight data from the 'short exposure'.
Yes, Fuji's 'trick' is simply to combine two images shot simultaneously with different shutter speed. I agree that's a good (and not too confusing) way to decribe what's going on. ;-)
 
Your observations that RAW files are half size when ISO > DR suggests to me that the hardware DR is not being used at all in that case. All photosites are being under-exposed sufficiently to preserve highlights, so the camera effectively goes into SN mode with a single exposure .
Yep - I think you may well be right John (theory/explanation below).
I don't see this happening at all. The mode used (DR vs SN) is determined before the shot, not after. SN mode isn't trying to maximize the DR,....
I realise that the mode used is selected in advance. My point is that, in operation , DR mode may use a single exposure, just as SN mode does, when ISO > DR. .....

... My guess is that at high ISO values the camera produces a 6 MP image using the SN algorithm and then it selectively gains up the image, with less gain for the brighter areas. You don't need to go very far out of your way to preserve DR at high ISO values. By underexposing, you are automatically preserving highlights. All you then need to do is have less gain applied to highlights than to the rest of the image.
Hi John - I think you may well be on to something there, although I don't think it would follow the ISO > DR rule exactly , but would appear to, more or less.

I suspect that what may well happen is...

If the camera has 'analogue gain/amplification' of the sensor signal for say ISO 100 up to ISO 800, then at these lower ISOs the full range of the A/D is in use all the time (even for both parts/halves of the 'DR' exposure).

However - typically, 'analogue amplification' isn't available for higher ISOs (e.g. ISO 1600, maybe) - and then there is actually nothing to gain by using two different shutter speeds at all, because just the one 'normal' exposure also captures extended highlight info at the sensor and this is also measured by the A/D.

At these 'non-amplified' high ISOs, a 'normal exposure' (like in normal 'HR' mode) would normally discard 50% or 75% or 87.5% of the sensor~A/D output when 'digital ISO scaling-up' was applied - so when extended 'highlight-DR' is needed, there is simply no need to resort to the reduced resolution '6MP dual shutter', because now the extra highlights are already available in the main readout data (so just use that data, which would normally be discarded).

The greater the 'digital gain/scaling' that the higher ISOs would normally use, the less need for the 'DRxxx' short shutter speed process to provide the highlight headroom.

The point where the 'switch off' of 'hardware DR' occurs will depend upon the combination of how much extra 'DRxxx' is requested versus how much 'normally discarded' highlight info might be available in the A/D readout, the later depending on what ISO level is being used relative to the level where 'analogue ISO amplification' stops.

Theoretically, in some combinations of ISO and 'DRxxx' the extra highlight data could be produced by a combination of both the '6MP dual shutter' and 'normally discarded/unused' A/D output of the 'digital ISO' methods - although that may well be just a 'theoretical', and too much bother in reality.
It then selectively gains up the readings from the photosites using software-only DR. This would explain why the high ISO noise performance of DR mode and SN mode are almost indistinguishable.
I wouldn't say that the noise performances are almost indistinguishable. SN mode, if nothing else, uses all of the sensor, so it's going to collect at least twice as much light/photons.
By my reasoning, DR mode is doing exactly the same thing at high ISO. The only difference in the two modes at high ISO is in the amount of gain applied to the highlights.

At low ISO, the story is different. There really are two different shutter speeds, so the noise performance should be (subtlely) different for the reasons you state.
Indeed - I would support your 'theory'.

All what I've described above is is happening at higher ISOs which are noisier - and if the photographer was only expecting/was happy with 6MP output then there is now the opportunity to effectively provide 'DR' effect AND use the EXR 'NR' technique simultaneously - extra highlight DR, and some NR - quite possibly without the photographer fully appreciating what is going on.

Anyway, back to the initial observation re RAW file sizes - as can be seen, there's certainly scope for unexpected changes in internal processing modes/methods, and therefore subsequent possible RAW file size differences.
 
Steen Bay wrote:
I can see what both 'John Carson' & 'Steen Bay', and others, are trying to say - but all the talk of using different ISO's are completely wrong.

The only thing the sensor does, in its EXR 'DR' mode is to use two different shutter speeds (half the pixels each, simultaneously) - to get two different exposures.
If you read my original post

http://forums.dpreview.com/forums/read.asp?forum=1012&message=39469704

then I think you will see that we are not far apart.

However, t is important to understand that, with digital cameras, unlike with film, higher ISO does not involve increasing the real sensitivity of the sensor. The fundamental aspect of higher ISO on a digital camera is faster shutter speed. This is then compensated for by in-camera processing to "gain up" or "brighten" the image. You could achieve much the same effect by manually selecting a faster shutter speed and then adjusting the image in post-processing. I agree that talk of higher ISO may mislead some people, but this is largely because they don't understand how higher ISO works on digital cameras.
By definition the ISO is not increased - otherwise both 'exposures' would be exactly the same output (a higher ISO would just cancel the effect of shorter shutter).

The 'extra' short shutter exposure (for extra highlight capture) is not ISO increased (or decreased) - it's not amplified, or gained-up, because that would only result in pushing the extra highlights the sensor captured straight off the scale of the A/D.
and later
Also, the 'short exposure' isn't 'gained-up' overall - it's highest highlight simply becomes the highest highlight of the final image, without any alteration. However, the bulk of the additional highlight data used from the 'short exposure' will be scaled up, due to the squeezing/compression of this data into a relatively small part of the final image's upper dynamic range - but the brightest level of this extra 'short' exposure is actually unchanged.
This last paragraph rather heavily qualifies the earlier one and confirms that the use of a faster shutter speed in EXR camera is a lot like higher ISO, though not exactly the same.

Note that almost everyone agrees that the software-only DR processing involves use of higher ISO, including Fuji. Thus with the s100fs, you can only have enhanced DR if you select a higher ISO. Fuji's processing of the fast shutter speed photosites appears to be similar in many ways to this earlier software-only DR enhancement, and hence saying that it uses a higher ISO seems reasonable.

--
john carson
 
Steen Bay wrote:
I can see what both 'John Carson' & 'Steen Bay', and others, are trying to say - but all the talk of using different ISO's are completely wrong.

The only thing the sensor does, in its EXR 'DR' mode is to use two different shutter speeds (half the pixels each, simultaneously) - to get two different exposures.
If you read my original post

http://forums.dpreview.com/forums/read.asp?forum=1012&message=39469704

then I think you will see that we are not far apart.
Yes - except on the one crucial definition (at end of this message)...
However, t is important to understand that, with digital cameras, unlike with film, higher ISO does not involve increasing the real sensitivity of the sensor.
That is correct as regards 'photo-sensitivity' i.e. Signal/Area straight off the pixels before any amplification.
The fundamental aspect of higher ISO on a digital camera is faster shutter speed. This is then compensated for by in-camera processing to "gain up" or "brighten" the image. You could achieve much the same effect by manually selecting a faster shutter speed and then adjusting the image in post-processing.
That is also correct, in 'digital' photography - the effective ISO is the product of the camera/processing system as a whole.

It's worth pointing out as an aside, that the same can apply to analogue 'film' too - i.e. a film might be designed for ISO400, but it can still be exposed and processed as a higher (or lower) ISO (remember 'push' processing film).

Neither the digital camera sensor, nor the 'film', as an 'intrinsic' ISO value - only a 'intended design'.
I agree that talk of higher ISO may mislead some people, but this is largely because they don't understand how higher ISO works on digital cameras.
I'm going to disagree slightly here.

There are both those that understand digital ISO, and those that don't - but the/'confusion'/ I've referred to was/is the specific context of our discussion of the 'HD' (aka HDR) exposure(s) process/mechanism.
By definition the ISO is not increased - otherwise both 'exposures' would be exactly the same output (a higher ISO would just cancel the effect of shorter shutter).

The 'extra' short shutter exposure (for extra highlight capture) is not ISO increased (or decreased) - it's not amplified, or gained-up, because that would only result in pushing the extra highlights the sensor captured straight off the scale of the A/D.
and later
Also, the 'short exposure' isn't 'gained-up' overall - it's highest highlight simply becomes the highest highlight of the final image, without any alteration. However, the bulk of the additional highlight data used from the 'short exposure' will be scaled up, due to the squeezing/compression of this data into a relatively small part of the final image's upper dynamic range - but the brightest level of this extra 'short' exposure is actually unchanged.
This last paragraph rather heavily qualifies the earlier one and confirms that the use of a faster shutter speed in EXR camera is a lot like higher ISO, though not exactly the same.
It's only the 'exposure' setting of the extra 'short shutter' exposure that is 'like' higher ISO - but it still is not higher ISO, it is only 'lower exposure' at same ISO.

To emphasise the difference - if you were shooting 'HDR' on a normal digital camera, you would take two or more separate shots, but you would not change the ISO between shots, but you would take the shots at different exposures.

The Fuji EXR 'HD' (hardware method) is no different - same ISO, different exposure.

I'm not being fussy or picky, it is simply a matter of using the correct description (and thereby avoiding a lot of confusion at the same time).
Note that almost everyone agrees that the software-only DR processing involves use of higher ISO, including Fuji. Thus with the s100fs, you can only have enhanced DR if you select a higher ISO. Fuji's processing of the fast shutter speed photosites appears to be similar in many ways to this earlier software-only DR enhancement, and hence saying that it uses a higher ISO seems reasonable.
You are overlooking the one crucial difference...

Higher ISO alone involves some application of 'amplication/gain' (whether analogue, or digitally).

Where as both 'HD' types, software and hardware 'HD', both involve only an 'under-exposure' without the actual ISO gain being applied.
 
Note that almost everyone agrees that the software-only DR processing involves use of higher ISO, including Fuji. Thus with the s100fs, you can only have enhanced DR if you select a higher ISO. Fuji's processing of the fast shutter speed photosites appears to be similar in many ways to this earlier software-only DR enhancement, and hence saying that it uses a higher ISO seems reasonable.
You are overlooking the one crucial difference...

Higher ISO alone involves some application of 'amplification/gain' (whether analogue, or digitally).

Where as both 'HD' types, software and hardware 'HD', both involve only an 'under-exposure' without the actual ISO gain being applied.
Please note:- I am aware that a large part of a 'software-only DR' image is 'boosted' by the application of a mid-tone curve lift - but that isn't quite the same thing as ISO which boosts the entire image capture uniformly.
 
Note that almost everyone agrees that the software-only DR processing involves use of higher ISO, including Fuji. Thus with the s100fs, you can only have enhanced DR if you select a higher ISO. Fuji's processing of the fast shutter speed photosites appears to be similar in many ways to this earlier software-only DR enhancement, and hence saying that it uses a higher ISO seems reasonable.
You are overlooking the one crucial difference...

Higher ISO alone involves some application of 'amplification/gain' (whether analogue, or digitally).

Where as both 'HD' types, software and hardware 'HD', both involve only an 'under-exposure' without the actual ISO gain being applied.
Please note:- I am aware that a large part of a 'software-only DR' image is 'boosted' by the application of a mid-tone curve lift - but that isn't quite the same thing as ISO which boosts the entire image capture uniformly.
No, it isn't quite the same thing, but it is very similar.

I think the really crucial point is the following. When people think "high ISO", they think "noise". Now a lot of people seem to think that the extra noise comes from the boosting. My understanding is that, in reality, the extra noise comes fundamentally from the short exposure, which produces a low signal to noise ratio. The boosting just makes the noise more obvious. Thus, for a given light source, including aperture , the correct way to think about these things is

faster shutter speed = higher ISO = more noise.

The boosting is of secondary importance: you can always undo it in post processing (unless highlights are blown beyond redemption) or add to it.

If the faster shutter speed mainly affect highlights, then this additional noise may be of negligible concern (since highlights have low noise anyway). That is the advantage of the EXR sensor. But that is true of high ISO in general; you get less noise when you shoot brighter images.

--
john carson
 
Note that almost everyone agrees that the software-only DR processing involves use of higher ISO, including Fuji. Thus with the s100fs, you can only have enhanced DR if you select a higher ISO. Fuji's processing of the fast shutter speed photosites appears to be similar in many ways to this earlier software-only DR enhancement, and hence saying that it uses a higher ISO seems reasonable.
You are overlooking the one crucial difference...

Higher ISO alone involves some application of 'amplification/gain' (whether analogue, or digitally).

Where as both 'HD' types, software and hardware 'HD', both involve only an 'under-exposure' without the actual ISO gain being applied.
Please note:- I am aware that a large part of a 'software-only DR' image is 'boosted' by the application of a mid-tone curve lift - but that isn't quite the same thing as ISO which boosts the entire image capture uniformly.
No, it isn't quite the same thing, but it is very similar.
Re 'single exposure - software HDR' - I will concede it is 'similar' (to increased ISO).
I think the really crucial point is the following. When people think "high ISO", they think "noise". Now a lot of people seem to think that the extra noise comes from the boosting. My understanding is that, in reality, the extra noise comes fundamentally from the short exposure, which produces a low signal to noise ratio. The boosting just makes the noise more obvious.
No - that's just 'all one and the same thing' - the 'original noise' is not increasing, it is the 'boosting' of the low signal, that also 'boosts' the noise at the same time.
...Thus, for a given light source, including aperture , the correct way to think about these things is

faster shutter speed = higher ISO = more noise.
No, not at all - faster shutter speed alone can be** just -EV exposure at same ISO, as is the case with 'multi-exposure HDR'.

So, in a normal single exposure - Yes (maybe**) - (although sequence should be 'higher ISO = faster shutter = ).

But in 'multiple-exposure HDR' - No - there is no ISO increase, no boost, just an additional lower-exposure.

...and it is the Fuji EXR 'Multi-exposure HD' that was the original discussion.

In Single Exposure 'software' HDR - I'll 'meet you half way', because that is a 'partly boosted' (mostly in mid-tones).
The boosting is of secondary importance: you can always undo it in post processing (unless highlights are blown beyond redemption) or add to it.

If the faster shutter speed mainly affect highlights, then this additional noise may be of negligible concern (since highlights have low noise anyway). That is the advantage of the EXR sensor. But that is true of high ISO in general; you get less noise when you shoot brighter images.
I don't clearly see the point behind your last statements - but no matter..

In 'software only' single exposure HDR the whole range is affected because of the under-exposure, assuming we are 'exposing for extra highlights' - the extra noise appears in shadows and mid-tones, which are 'boosted' to give the whole a 'normal exposure' appearance.

Regardless - again the main point of the discussion is the 'multi-exposure' HDR function process.
 
I think the really crucial point is the following. When people think "high ISO", they think "noise". Now a lot of people seem to think that the extra noise comes from the boosting. My understanding is that, in reality, the extra noise comes fundamentally from the short exposure, which produces a low signal to noise ratio. The boosting just makes the noise more obvious.
No - that's just 'all one and the same thing' - the 'original noise' is not increasing, it is the 'boosting' of the low signal, that also 'boosts' the noise at the same time.
Yes, I know. Both the signal and the noise get boosted. The point is that the noise is perceived to be a problem because it is high relative to the signal and that high ratio arises from the short exposure time.
...Thus, for a given light source, including aperture , the correct way to think about these things is

faster shutter speed = higher ISO = more noise.
No, not at all - faster shutter speed alone can be** just -EV exposure at same ISO, as is the case with 'multi-exposure HDR'.

So, in a normal single exposure - Yes (maybe**) - (although sequence should be 'higher ISO = faster shutter = ).
So we agree then :D
But in 'multiple-exposure HDR' - No - there is no ISO increase, no boost, just an additional lower-exposure.
...and it is the Fuji EXR 'Multi-exposure HD' that was the original discussion.
Again, you look at boost as the critical part of higher ISO. I don't. Further, there is a boost even in Fuji multiple exposures.
In Single Exposure 'software' HDR - I'll 'meet you half way', because that is a 'partly boosted' (mostly in mid-tones).
At the end of the day, there are three fundamentals: the light from the image subject, the lens aperture, and the exposure time. All else is smoke and mirrors — and processing.

You wish to keep the description in terms of fundamentals. I wish to talk about high ISO because I wish to spread the view that the noise associated with high ISO is fundamentally the product of a faster shutter speed and hence shorter exposure.

I don't think we disagree about much of substance. We just have a different message we wish to emphasize. It is a complicated subject and any one-line summary ("shutter speed only" or "exploits high ISO") is likely to mislead some people.

--
john carson
 
I think the really crucial point is the following. When people think "high ISO", they think "noise". Now a lot of people seem to think that the extra noise comes from the boosting. My understanding is that, in reality, the extra noise comes fundamentally from the short exposure, which produces a low signal to noise ratio. The boosting just makes the noise more obvious.
No - that's just 'all one and the same thing' - the 'original noise' is not increasing, it is the 'boosting' of the low signal, that also 'boosts' the noise at the same time.
Yes, I know. Both the signal and the noise get boosted. The point is that the noise is perceived to be a problem because it is high relative to the signal and that high ratio arises from the short exposure time.
No - noise itself is not increased by 'shorter exposure time' alone (in-fact, if anything, a shorter exposure time [alone] results in less noise).

It's only because you are associating the shorter exposure time with higher ISO that you then are associating noise with shorter shutter time - which is an invalid association.
...Thus, for a given light source, including aperture , the correct way to think about these things is

faster shutter speed = higher ISO = more noise.
No, not at all - faster shutter speed alone can be** just -EV exposure at same ISO, as is the case with 'multi-exposure HDR'.

So, in a normal single exposure - Yes (maybe**) - (although sequence should be 'higher ISO = faster shutter = ).
So we agree then :D
No - the discussion/the point of debate, is not about 'normal single exposures'
But in 'multiple-exposure HDR' - No - there is no ISO increase, no boost, just an additional lower-exposure.
...and it is the Fuji EXR 'Multi-exposure HD' that was the original discussion.
Again, you look at boost as the critical part of higher ISO. I don't.
No I don't at all.
...Further, there is a boost even in Fuji multiple exposures.
No, there is not any ISO boost. There is only tonal compression of highlights, but this is not ISO boost/shift, e.g. the highest highlight of the short exposure does not move.
In Single Exposure 'software' HDR - I'll 'meet you half way', because that is a 'partly boosted' (mostly in mid-tones).
At the end of the day, there are three fundamentals: the light from the image subject, the lens aperture, and the exposure time...
Haven't you forgotten 'ISO' that you keep wanting to include?
... All else is smoke and mirrors — and processing.
What?
You wish to keep the description in terms of fundamentals. I wish to talk about high ISO because I wish to spread the view that the noise associated with high ISO is fundamentally the product of a faster shutter speed and hence shorter exposure.
No - that is so completely wrong...

The whole point of 'multi-exposure HDR' methods (as per Fuji's EXR sensor 'HD' mode) is that it almost completely avoids the usual noise that is associated with higher ISOs - why? - because, it does not use a higher ISO.
I don't think we disagree about much of substance.
I'm beginning to wonder.
...We just have a different message we wish to emphasize. It is a complicated subject and any one-line summary ("shutter speed only" or "exploits high ISO") is likely to mislead some people.
I don't agree.

Fundamentals - concise, and specific definition matter, and help.

Continually referring back to "high ISO & noise" where high ISO is actually not used (and why increased noise is actually avoided) - that is what will continue to mislead/confuse people!
 
Yes, I know. Both the signal and the noise get boosted. The point is that the noise is perceived to be a problem because it is high relative to the signal and that high ratio arises from the short exposure time.
No - noise itself is not increased by 'shorter exposure time' alone (in-fact, if anything, a shorter exposure time [alone] results in less noise).
Yes and no.. the shot/photon noise = squareroot of the signal, so if the signal is 100 photons the shot noise is 10 photons (SNR 10:1), and with a 4x faster shutterspeed the signal will be 25 photons, and the noise 5 photons (SNR 5:1). So, measured in photons the noise decreases from 10 to 5 photons with a 4x shorter exposure time, but the signal has decreased more than the noise, meaning that SNR has decreased, and the noise has increased from 10% to 20% of the signal.
 
Yes, I know. Both the signal and the noise get boosted. The point is that the noise is perceived to be a problem because it is high relative to the signal and that high ratio arises from the short exposure time.
No - noise itself is not increased by 'shorter exposure time' alone (in-fact, if anything, a shorter exposure time [alone] results in less noise).
Yes and no.. the shot/photon noise = squareroot of the signal, so if the signal is 100 photons the shot noise is 10 photons (SNR 10:1), and with a 4x faster shutterspeed the signal will be 25 photons, and the noise 5 photons (SNR 5:1). So, measured in photons the noise decreases from 10 to 5 photons with a 4x shorter exposure time, but the signal has decreased more than the noise, meaning that SNR has decreased, and the noise has increased from 10% to 20% of the signal.
'Steen Bay' I happily acknowledge/concede your correction of me on that technical point - although in the context of our 'HDR' discussion, we aren't actually dealing with low signal, but in-fact just the opposite.

In the process of 'multi-exposure HDR', we are working on the basis that there is actually ' too much ' signal to capture fully in just one normal exposure, (in the highlights).

In this 'HDR' context, there isn't really any lack of/lower signal from using the additional shorter shutter speed exposure (so long as the 'DRxxx' isn't too extreme).

In any case though - thanks for your input/reminder.
 
Yes, I know. Both the signal and the noise get boosted. The point is that the noise is perceived to be a problem because it is high relative to the signal and that high ratio arises from the short exposure time.
No - noise itself is not increased by 'shorter exposure time' alone (in-fact, if anything, a shorter exposure time [alone] results in less noise).
Read what I wrote. I didn't say that noise itself is increased. I said that the ratio of noise to the signal is increased.
It's only because you are associating the shorter exposure time with higher ISO that you then are associating noise with shorter shutter time - which is an invalid association.
It is a completely valid association. Below is an experiment. I took two photos at ISO 800, but used EV of -2 on one of them. The shutter speed was 1/9 sec in the straight ISO 800 shot and 1/38 sec in the EV -2 shot. Aperture and focal length were constant.

The camera is the F200, using HR mode and DR 100.

It is an imperfect test because Fuji's JPEG engine gets a say in the outcome, but the results are sufficiently clear that I don't think we can attribute it to any quirks introduced by the JPEG processing.

The full shots are below, first the normal exposure shot with shutter speed of 1/9 sec:





Next the short exposure shot with 1/38 sec shutter speed:





Now some crops. In the first crop, it is clear that the noise is much more visible in the short exposure case on the right due to the worse signal to noise ratio.





In the next crop, the short exposure crop is so dark that it is difficult to see much.





Below, I brighten the short exposure crop (thus increasing both signal and noise). I couldn't match the colors without processing the image so heavily that it would be unclear what was really responsible for the outcome. Accordingly, I have just adjusted brightness and contrast to get a ballpark similarity in tone:





It is pretty clear that the noise is worse in the short exposure crop.
So we agree then :D
No - the discussion/the point of debate, is not about 'normal single exposures'
Well, it is about ISO in the first instance.
...Further, there is a boost even in Fuji multiple exposures.
No, there is not any ISO boost. There is only tonal compression of highlights, but this is not ISO boost/shift, e.g. the highest highlight of the short exposure does not move.
There is still a boost, even though it isn't a uniform one.
At the end of the day, there are three fundamentals: the light from the image subject, the lens aperture, and the exposure time...
Haven't you forgotten 'ISO' that you keep wanting to include?
... All else is smoke and mirrors — and processing.
What?
No, I haven't forgotten ISO. ISO is not fundamental. It is "smoke and mirrors — and processing". I want to include it because people talk about it a lot and so it is necessary to understand it.
The whole point of 'multi-exposure HDR' methods (as per Fuji's EXR sensor 'HD' mode) is that it almost completely avoids the usual noise that is associated with higher ISOs - why? - because, it does not use a higher ISO.
Given light source and aperture, the signal to noise ratio and hence perceived noise is fundamentally the product of exposure length. See above.

Fuji mitigates the usual noise issues because it only selectively increases shutter speed (which is not quite the same as, but is closely related to, only selectively increasing ISO). If Fuji increased shutter speeds for all of its photosites, then it would have images with a low signal to noise ratio, i.e., noisy.

--
john carson
 
The full shots are below, first the normal exposure shot with shutter speed of 1/9 sec:





Next the short exposure shot with 1/38 sec shutter speed:



This second shot was uploaded by mistake. It is an ISO400 image, as the file name states. The correct image is below. This doesn't affect the crops, which were taken from the correct images.




Now some crops. In the first crop, it is clear that the noise is much more visible in the short exposure case on the right due to the worse signal to noise ratio.





In the next crop, the short exposure crop is so dark that it is difficult to see much.





Below, I brighten the short exposure crop (thus increasing both signal and noise). I couldn't match the colors without processing the image so heavily that it would be unclear what was really responsible for the outcome. Accordingly, I have just adjusted brightness and contrast to get a ballpark similarity in tone:





It is pretty clear that the noise is worse in the short exposure crop.
--
john carson
 
Yes, I know. Both the signal and the noise get boosted. The point is that the noise is perceived to be a problem because it is high relative to the signal and that high ratio arises from the short exposure time.
No - noise itself is not increased by 'shorter exposure time' alone (in-fact, if anything, a shorter exposure time [alone] results in less noise).
Read what I wrote. I didn't say that noise itself is increased. I said that the ratio of noise to the signal is increased.
I accept that I overlooked that you stated 'ratio'.
It's only because you are associating the shorter exposure time with higher ISO that you then are associating noise with shorter shutter time - which is an invalid association.
It is a completely valid association...
It is not valid in the context of 'multi-exposure HDR', which is what this thread is about.

To automatically associate a shorter exposure time with higher ISO is a completely false assumption in this context.
...Below is an experiment. I took two photos at ISO 800, but used EV of -2 on one of them. The shutter speed was 1/9 sec in the straight ISO 800 shot and 1/38 sec in the EV -2 shot. Aperture and focal length were constant.
First off - double check - you appear to have either quoted the wrong numbers (ISO), and shutter speed 'typo', or you have posted the wrong images (or possibly both wrong numbers and images).

Secondly, and more significantly - please explain why one image appears darker/lighter than the other, because judging by the their respective shutter-speed/ISO values (apertures being roughly the same) they should actually appear with about the same lightness.
The camera is the F200, using HR mode and DR 100.

It is an imperfect test because Fuji's JPEG engine gets a say in the outcome, but the results are sufficiently clear that I don't think we can attribute it to any quirks introduced by the JPEG processing.

The full shots are below, first the normal exposure shot with shutter speed of 1/9 sec:
1/9 sec, ISO 800 I believe?


Next the short exposure shot with 1/38 sec shutter speed:
1/4 sec, ISO 400 is it not?

So we agree then :D
No - the discussion/the point of debate, is not about 'normal single exposures'
Well, it is about ISO in the first instance.
That is the point of dispute - but only re Fuji's 'multi-exposure EXR-HD' function.
...Further, there is a boost even in Fuji multiple exposures.
No, there is not any ISO boost. There is only tonal compression of highlights, but this is not ISO boost/shift, e.g. the highest highlight of the short exposure does not move.
There is still a boost, even though it isn't a uniform one.
Tone curve/compression is not ISO boost.
At the end of the day, there are three fundamentals: the light from the image subject, the lens aperture, and the exposure time...
Haven't you forgotten 'ISO' that you keep wanting to include?
... All else is smoke and mirrors — and processing.
What?
No, I haven't forgotten ISO. ISO is not fundamental. It is "smoke and mirrors — and processing".
It is a fundamental part of the the total digital camera system - it is not "smoke and mirrors" .
I want to include it because people talk about it a lot and so it is necessary to understand it.
Then perhaps that's better discussed in its own separate topic/thread - some of us have covered simple noise/exposure theory many years ago.
The whole point of 'multi-exposure HDR' methods (as per Fuji's EXR sensor 'HD' mode) is that it almost completely avoids the usual noise that is associated with higher ISOs - why? - because, it does not use a higher ISO.
Given light source and aperture, the signal to noise ratio and hence perceived noise is fundamentally the product of exposure length. See above.
No, it's plainly not that simple when dealing with the selective combination of two different exposures (HDR) - although I don't see any difficulty in recognising the simple logic of 'two different exposures (different shutter speeds) at one ISO).
Fuji mitigates the usual noise issues because it only selectively increases shutter speed (which is not quite the same as, but is closely related to, only selectively increasing ISO).
It doesn't do it 'selectively' (e.g. per pixel) it does it 'blanket 50% of pixels', and only when either the user, or the camera's 'Auto-EXR', thinks it beneficial.
... If Fuji increased shutter speeds for all of its photosites, then it would have images with a low signal to noise ratio, i.e., noisy.
Yes - because that would just produce under-expos and/or require ISO boosting.

Where as 'dual-exposure HDR' does not require any change in ISO.

Please - do us all a favour - just Google/read up on digital 'multi-exposure HDR' - and show me where it involves different ISO between exposures (hint: IT DOESN'T - it ONLY requires different exposures/shutter speeds.
 
O.K. now you've got the right images posted (sorry, I didn't spot the update before my previous message pointing this out to you).

Very obviously, an 'underexposed' or 'ISO boosted' image is bound to have more noise (lower S/N) - there is no dispute of that statement/demonstration of the obvious.

Whilst here the higher 'shutter speed' has caused the under-exposure (lower S/N) - 'higher shutter speeds' alone are not the cause of higher noise per se.

In 'multi-exposure HDR', which is the topic of this thread, the higher shutter speed exposure does not result in any particular under-exposure, and only the comparatively noise free (in appearance at least) 1, 2, or 3 stops of high signal /highlight data is used in the final image.
The full shots are below, first the normal exposure shot with shutter speed of 1/9 sec:





Next the short exposure shot with 1/38 sec shutter speed:



Now some crops. In the first crop, it is clear that the noise is much more visible in the short exposure case on the right due to the worse signal to noise ratio.



 
Please - do us all a favour - just Google/read up on digital 'multi-exposure HDR' - and show me where it involves different ISO between exposures (hint: IT DOESN'T - it ONLY requires different exposures/shutter speeds.
I think this has gotten silly.

First let me say that I have no interest in discussing HDR where more than one photo is taken. This discussion is all about single shot DR enhancement.

As I stated in my initial post, when you select a higher ISO in conventional usage you get two things:

1. faster shutter speed

2. a brightening procedure to compensate for this.

Now all single shot DR enhancement has 1. and a modified version of 2. Fuji's hardware DR enhancement has the smallest dose of it since it only affects half the pixels and not all of that half may be used (no-one here knows about that for sure). In terms of noise (i.e., signal to noise ratios), it is 1. that is of central importance.

Accordingly, there is some sense in drawing attention to the fact that DR enhancement uses a kind of ISO boost, albeit in a modified form, and albeit especially limited in scope where EXR sensors are concerned.

Nothing you have said persuades me that there is anything incorrect in what I have said above or indeed in anything I have said in this entire thread (correctly interpreted). You have a distaste for any reference to high ISO, because DR enhancement isn't exactly the same as just increasing ISO. I see that as your personal preference in explaining a complex concept. I don't see that you have made any persuasive points that bear on the substance — rather than merely the preferred presentation — of these matters.

--
john carson
 
Please - do us all a favour - just Google/read up on digital 'multi-exposure HDR' - and show me where it involves different ISO between exposures (hint: IT DOESN'T - it ONLY requires different exposures/shutter speeds.
I think this has gotten silly.

First let me say that I have no interest in discussing HDR where more than one photo is taken.
I wasn't asking for a discussion.
This discussion is all about single shot DR enhancement.
I was trying to illustrate to you that the 'multi-shot HDR' method is of exactly the same exposure and processing as Fuji's 'single shot/multi-exposure EXR HD' - and thus that neither involve ISO changes.

The only tangible difference being that Fuji's two exposures are 'simultaneous', where as the conventional 'multi-shot' method's exposures are 'consecutive' (albeit barely seconds in between, if fast 'bracketing' is used).
As I stated in my initial post, when you select a higher ISO in conventional usage you get two things:..... [etc, etc, (snipped)]
Yes I've heard your take on it so many times now, and I understand what you've said - but I still completely disagree with your interpretation of 'the two exposures' in Fuji EXR HD.

The fact that you "...have no interest in discussing..." the equivalence I've pointed out to 'multi-shot HDR', only serves to demonstrate that you are simply unwilling to even contemplate the conventional definition/accepted description, of the same equivalent 'single-shot/multi exposure (single ISO)' mode that Fuji use.
...Nothing you have said persuades me that there is anything incorrect in what I have said above or indeed in anything I have said in this entire thread (correctly interpreted).
That's O.K. - I guess that's where I'll give up trying to persuade you otherwise.
You have a distaste for any reference to high ISO, because DR enhancement isn't exactly the same as just increasing ISO. I see that as your personal preference in explaining a complex concept.
No that's not entirely true - I only object to the reference to using 'higher ISO' in the 'multi-exposures', when in fact it is just 'different exposures - at same ISO'.

[Please - no need to counter argue again - I know you disagree]
I don't see that you have made any persuasive points that bear on the substance —
Well, you seem to be unwilling to even discuss what probably is the best definition, the best analogue, that I had just offered.
....rather than merely the preferred presentation — of these matters.
It's not the "preferred presentation" - it's the the correct definition, and the proper description.

[Again - I know you disagree]

Probably time to leave it as an 'agree to disagree' I think.
 

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