C
ck3
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Unless you want to write an e-mail to cr @ p (no toplevel domain?) - dpreview allows you to write "crap" (and even crap - not that I think you did write crap!) ;-)
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So they should publish and say, A77 RAW's are unusable? And you think that would be better press?I thought capture one was doing OK. In any case, the adobe convertor is not even a beta version by dpr's own admission, I can't understand why that don't just look at the results, say, no, they're rubbish, can't use them (as is obvious after 5 secs of inspection) and not publish them. Instead its full steam ahead, and the predciatble 'LOOK THE A77 SUCKS' comments... They couldn't do more to harm the perception of the camera if they tried.
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IQ is not judged exclusively by high iso noise performance
They all are excellent!!!!Move the compare tool down a smige below that to show 'Product of Italy' and a few paper clips and your observation turns on its head.
Just take a look at JPMontez recent comment... now where's the Cr@p, Russ ?
http://www.dpreview.com/news/1109/11092610sonyslta77studio.asp
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Josep Lamesa i Andreu
[email protected]
http://www.flickr.com/photos/marimbajlamesa/
Reducing the 24mp images to 16mp might even the playing field at high iso's but you make good points. I think 16mp is enough but for those who really want it the great IQ at lower IQ's make the A77 a very good camera. Lets face it, even the best high iso cameras lose resolution at high iso's so if one really wants or needs 24mp then low iso's are a must anyway. Anything else would be a compromise. Everyone praises the Nikon D3 12mp camera at high iso's. How do the 24mp files reduced to 12mp look in comparison?I don’t want to compare it to the D7000 because Sony mirror technology does not make it a fair ISO comparison, so I looked at the A580 sample instead.
After careful observation of the JPEGs I will say....
At 3200 I would prefer the lower resolution 16MP sensor.
At 1600 I would prefer either the 24MP or the 16MP according to the light and scene situation. If the lighting was low but evenly lit with limited dynamic range in the scene I would go for the 24MP, if the scene descended into deep shadows or was more point source lighting it would be the 16MP.
At 800 I would prefer the higher resolution 24MP sensor.
Yes but that's something new. Until recently DPR flagged crap as inappropriate. Pretty stupid really.Unless you want to write an e-mail to cr @ p (no toplevel domain?) - dpreview allows you to write "crap" (and even crap - not that I think you did write crap!) ;-)
I'd give them the benefit of a doubt and say they were trying to use the same tool - Adobe - as in other reviews. But it's still half-cooked at this stage.Sony made the mistake of releasing samples of the A77 with unfinished firmware to review sites (big shoot on its own feet). But I would never base a review on RAW conversion samples coming from a pre-release RAW conversion software - It just adds more noise into this noise discussion.
I don't think this baby will be still-born like the A700. But if it is, it's Sony's fault, not DPReview who at least is trying.I understand the rush of Sony (afterall Christmas is coming) as well as dpreview's. But I suspect that so much rush may be contributing to kill this baby at birth...
Wow, do I agree with that sentiment!By the way: I am balancing between A77, D7000 and 7D (all very good cameras IMO) and these discussion forums just give me headaches!...
LOL. Yes, that is a hard decision. Especially when it's so hard to determine what the camera's actually do. It's one thing to read about all these different specifications, and quite another to actually use the camera.Choosing a camera is becoming one of the most difficult decisions to make in life! (just kidding) ;-)
DPR could have avoided all the criticism with a closing remark or short statement that they too were disappointed in the RAW results and the fact that the software for processing was not up to the challenge just yet. Something short and sweet and we would have simply agreed. As they decided to leave it out, it makes the A77 appear worse then we all know it probably can be. In that regard, DPR could easily have changed the tone of what we see and read (or read into.)--
Thanks,
Digitalshooter
Did DPR use pre alpha ( no pun intended ) version of ACR when they did Canon/Nikon etc pictures ?I'd give them the benefit of a doubt and say they were trying to use the same tool - Adobe - as in other reviews. But it's still half-cooked at this stage.
And that's not DPReview's fault.
I don't think the "final" version (or release candicate) of ACR will change. Just look at the A35 results, which are just as poor and that's from a downloadable version.DPR could have avoided all the criticism with a closing remark or short statement that they too were disappointed in the RAW results and the fact that the software for processing was not up to the challenge just yet. Something short and sweet and we would have simply agreed. As they decided to leave it out, it makes the A77 appear worse then we all know it probably can be. In that regard, DPR could easily have changed the tone of what we see and read (or read into.)--
Thanks,
Digitalshooter
Russ +1 and you can type CRAP,CRAP all day long! ;-)I don't think it's fair to beat up on DPReview when the problem really is Sony's.
IDC is a joke. Look at George's attempt to get a usable RAW conversion:
http://forums.dpreview.com/forums/read.asp?forum=1037&message=39438719
Are we really supposed to ignore the camera's RAW capability? Or the lack thereof?
If you're a pro, relying on RAW workflow, you NEED to know that you can't rely on Sony's RAW files.
I'm NOT a pro, and I'll be quite happy with the JPG quality until RAW support materializes.
But right now, Sony are only getting what they deserve in the RAW arena.
It looks bad because it IS bad. And I want honest reviews. Don't be hiding bad 'stuff' because it will be better 'soon'. I want to know what I'm getting today, not potential vapor ware of the future.
Now if you said DPReview used abc converter, who does a cr@p job of converting, when xyz converter does a great job, then I'd say you would have a valid complaint.
Why is Sony incapable of working with Adobe/Capture One/whoever (not to mention their own cr@p converter IDC) to get a great RAW converter on the market until a year or more after introducing a camera?
IMO that's the real issue, not that somebody (DPReview) used a cr@p converter, it's there there currently only are cr@p converters.
Russ
LOL !what are you smoking? Maybe at the lowest iso's, above 800, they really are not that great, look at the watch face, the name looks painted on. By a four year old.