"Pro Grade" M43 might be a bad idea

Marty4650

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The concept of a small high quality camera is very compelling. I know I'd love to own one. This question really is about whether such a product would be a commercial success.

Right now M43 is providing entry level DSLR performance, at a slightly higher cost.

Right now M43 has some pretty good lenses, at a much higher cost than their 4/3 versions. And those more expensive lenses very often aren't as high quality as the 4/3 versions.

Right now, we are paying a very high price premium for smaller and lighter cameras that are more portable and convenient. And we aren't getting much more than convenience for the extra money.

There are rumors/demands/desires for an upscale weathersealed pro camera. And Olympus has said that this will eventually come.

So, what will happen when Olympus or Panasonic "beefs up" a M43 camera to a pro grade spec?

We can assume that a pro grade cameras will have:
  • better image quality, perhaps a new sensor with more resolution
  • a magnesium alloy weather sealed body
  • a built in high quality EVF
  • faster continuous shooting rate
  • more high end features
  • a much better built in flash
  • high grade fast prime and zoom lenses, also weather sealed
What will this camera cost, and how much will it weigh?

Will they sell very many of them if it costs more than a Canon 7D, but delivers less?

The assumption behind this design is that "everyone wants a pro grade mini camera." And there is no doubt that this is true for some people.

But I suspect that the number of actual buyers (as opposed to window shoppers) will be so small that this will become a high end niche product for the Leica X1/Fuji X100 market.

The bottom line is that the price will be very high, and the quality just be "very good," and not anything comparable with high end cameras that cost less. The size and weight advantage will shrink due to the magnesium body, weather sealing, and added features. The price premium for "smaller" will grow.

We might end up with something that lacks the image quality of a Nikon D5100, but sells for three or four times it's price. And is almost as big and heavy. And lacks the lens selection.

It all comes back to that assumption.

What if only a small percentage of M43 users are willing to pay a very high premium for a pro grade camera, and the rest just wanted a nice P&S upgrade, or a good DSLR companion camera? Where is the market for this camera?

Considering the pricing of M43 we know this new system won't be cheap. A Panasonic GH2 with a kit lens costs $1300 today. A pro version with a pro lens would cost a lot more. Perhaps twice as much.

Could this camera compete with a cheaper Pentax K5 that will have the same pro build, more features, better image quality, and be only slightly larger and heavier? (I guess that would depend on how large and how heavy a pro grade M43 camera needs to be).

When you read this forum, you get the sense that the most important feature people want is "smaller and lighter cameras." And that they are willing to compromise on image quality and features to get this. And this is probably true for many people.

But is it true for professional photographers too? The people who will spend a lot for their gear because they need the best. These are the same people who don't mind carrying around a 2 pound Nikon D3s, or a 3 pound Leica S2, or a 6 pound view camera if that is the tool they need. Are these people willing to compromise on image quality for portability?

Simply put, when a M43 camera costs more than an Olympus E5, then it is a poor choice for a high end user. You end up paying more and getting less. And you don't even have lenses to go with your camera, and the camera may not even be sufficiently smaller or lighter.

My own view, and I am certain that many will disagree, is that "pro grade M43" is a mistake. If anything, M43 should move in the other direction, to capture more of the mass market. The next generation should get smaller, lighter and cheaper.... and not bigger, heavier and more expensive.

The killer product would be a smaller and lighter EPL3 with a $350 list price. With a few small standard grade prime lenses. Everyone would want that camera in their bag. You couldn't make them fast enough. A camera like that would make it hard for Canon to sell many G12s.

OK, that's just my view. Feel free to call me a troll now. It won't hurt my feelings.

I just feel M43 needs to move directly and aggressively into the mass market, and not become a high end niche product. Designed for people who say they want it, but will never spend that much money for it.

--
Marty
http://www.fluidr.com/photos/marty4650/sets/72157606210120132
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Olympus E-30
Olympus E-P1

 
Finally a well thought out post on this. For me its really, really simple and its been the same with 35mm Slr's and Dslr's.........

A pro camera is not really built around a body to start with, its built around the lens system.

For me, thats always been the answer. The body comes second.

No pro lenses, no pro camera. As for the rest, for me personally, the shutter opens and it closes. End of story. What the box has in the way of features does not really interest me, only the ability to take the lenses I want and a shutter that goes .....click !!. Menus, features, auto anything just does not do it for me at all. I've always liked to be in control of the shot, thats just me though and of course, that won't sell cameras huh :).

All the best and thanks for a good read on this one for a change. Nice.

Danny.
...........................
4/3 macro

http://www.macrophotos.com/g2macro

http://www.macrophotos.com
...........................
Worry about the image that comes out of the box, rather than the box itself.
 
A "pro-grade" m4/3 camera is needed not for its own sake (I agree it will not be a good investment per se ) but for the sake of the system. Some people need to see an upgrade path in order to buy into a mount. Apart from that, m4/3 is in need of some prestige at this time, which only a true high-end camera can provide. It's a product to put in the shop window while selling mainly its less expensive siblings.

As to features and competition, the K5 would have to set a price limit as it will appeal to very much the same market segment. OTOH, in my opinion Olympus will try to ride the wave the X100 has created and being more flexible than the Fuji it will be more expensive. A $1500 price tag for the body is thus quite realistic. I have no doubt that the "pro m4/3" will have superb image quality with respect to the current PENs. Olympus will implement the high definition of the E-5 and combine it with a wider dynamic range and perhaps cleaner output at high sensitivity. The results should not lag much behind those of the K5, albeit with less sensor resolution (about 12MP).

It won't be long before the new technology percolates into the more affordable product layers, so I would not worry too much about the price. If you don't need weather sealing and a tank-like build just wait for a few months.
--
Gallery: http://weatherloony.fruitsens.com/snphoto.html
 
The concept of a small high quality camera is very compelling. I know I'd love to own one. This question really is about whether such a product would be a commercial success.

Simply put, when a M43 camera costs more than an Olympus E5, then it is a poor choice for a high end user. You end up paying more and getting less. And you don't even have lenses to go with your camera, and the camera may not even be sufficiently smaller or lighter.
When I read threads where people are describing their perfect "Pro" m4/3 camera body, it cracks me up when I read threads where people say "oh...they should compromise on X to get a smaller body. Whether that's killing the vari-angle LCD, or eliminating a pronounced protrusion of some type...it makes me laugh. You're completely mixing your segments, and killing the product. At that point...you're not pitching a "Pro" body. You're pitching a high-end enthusiast camera.

For a long time, the camera industry has treated the low-end professional segment & the high-end enthusiast segment as largely identical when it comes to DSLR offerings--with the same mid-market body targeted at both. It would behoove Olympus or anybody else to begin training the market to separate the two concepts into two distinct categories with differentiated product offerings for them. IMO, it would be foolish for Oly to coin the term "Pro" to label a product intro that doesn't truly meet the needs of the pro market. They would get slaughtered, even though it might be an ideal offering for the high-end enthusiast market. Leica has more-or-less successfully carved out a niche for themselves in such a fashion (albeit with a small footprint & niche offerings). I think it's high time for Oly to attempt it.

Truth is, a pro photog--even one that accepts a cropped format for it's shooting characteristics & performance envelope on its own terms--needs to place performance over convenience. That's why they're being paid the bucks to haul around a kit. While an m4/3 Pro kit would certainly be of value...it cannot ultimately detract from the shooting experience. It must perform within spitting distance of its peers in all critical areas of performance--meet "pro" threshold of performance. Ideally, it exceeds existing technologies in some high-value areas. If you compromise any of those things, it will fail in the pro market.

--
'I have no responsibilities here whatsoever'
 
. . . There's room for entry level and high end equipment and there's no reason for a high end m4/3 camera to be appreciably larger and heavier than an entry level or midrange camera. Of course the super compacts like the GF2 and rumored PEN-mini will always be smaller than everthing else in the m4/3 system but once you've got the basic features that most serious photographers want, there's no reason why a better built and more capable camera needs to or ought to be larger or even appreciably heavier. Pro spec lenses are another story of course but some fast primes would still be reasonably sized. I do agree that O&P need to win the entry level war against the NEX & Samsung but it's really not likely that entry level DSLR's are going to take a backseat in sales to m4/3 anytime soon. Look at the sales rankings at Amazon and you'll understand what I mean.
 
A "pro-grade" m4/3 camera is needed not for its own sake (I agree it will not be a good investment per se ) but for the sake of the system. Some people need to see an upgrade path in order to buy into a mount. Apart from that, m4/3 is in need of some prestige at this time, which only a true high-end camera can provide. It's a product to put in the shop window while selling mainly its less expensive siblings.

As to features and competition, the K5 would have to set a price limit as it will appeal to very much the same market segment. OTOH, in my opinion Olympus will try to ride the wave the X100 has created and being more flexible than the Fuji it will be more expensive. A $1500 price tag for the body is thus quite realistic. I have no doubt that the "pro m4/3" will have superb image quality with respect to the current PENs. Olympus will implement the high definition of the E-5 and combine it with a wider dynamic range and perhaps cleaner output at high sensitivity. The results should not lag much behind those of the K5, albeit with less sensor resolution (about 12MP).

It won't be long before the new technology percolates into the more affordable product layers, so I would not worry too much about the price. If you don't need weather sealing and a tank-like build just wait for a few months.
--
Gallery: http://weatherloony.fruitsens.com/snphoto.html
Personally speaking, I'm watching them to see if they cave in to market demands, & release something called "Pro" next regardless if the technology is ready, or if they are brave enough to call it what it is...NOT PRO...but possibly a High-End Enthusiast camera. The market demands "pro" because it is an easy moniker to reach for. But when they are asked to specify its features...it is clearly not pro...it is high-end consumer stuff. It would get them credit, in my book, if they acknowledged that.
--
'I have no responsibilities here whatsoever'
 
. . . There's room for entry level and high end equipment and there's no reason for a high end m4/3 camera to be appreciably larger and heavier than an entry level or midrange camera. Of course the super compacts like the GF2 and rumored PEN-mini will always be smaller than everthing else in the m4/3 system but once you've got the basic features that most serious photographers want, there's no reason why a better built and more capable camera needs to or ought to be larger or even appreciably heavier. Pro spec lenses are another story of course but some fast primes would still be reasonably sized. I do agree that O&P need to win the entry level war against the NEX & Samsung but it's really not likely that entry level DSLR's are going to take a backseat in sales to m4/3 anytime soon. Look at the sales rankings at Amazon and you'll understand what I mean.
High end and pro segments differ in their interests, with respect to m4/3's value propositions.
--
'I have no responsibilities here whatsoever'
 
Personally speaking, I'm watching them to see if they cave in to market demands, & release something called "Pro" next regardless if the technology is ready, or if they are brave enough to call it what it is...NOT PRO...but possibly a High-End Enthusiast camera. The market demands "pro" because it is an easy moniker to reach for. But when they are asked to specify its features...it is clearly not pro...it is high-end consumer stuff. It would get them credit, in my book, if they acknowledged that.
Those titles are rarely given to products by their manufacturers. I don't think Olympus cares that much whether it's perceived as "pro", "semi-pro" or "enthusiast".
--
Gallery: http://weatherloony.fruitsens.com/snphoto.html
 
When I read threads where people are describing their perfect "Pro" m4/3 camera body, it cracks me up when I read threads where people say "oh...they should compromise on X to get a smaller body. Whether that's killing the vari-angle LCD, or eliminating a pronounced protrusion of some type...it makes me laugh. You're completely mixing your segments, and killing the product. At that point...you're not pitching a "Pro" body. You're pitching a high-end enthusiast camera.

For a long time, the camera industry has treated the low-end professional segment & the high-end enthusiast segment as largely identical when it comes to DSLR offerings--with the same mid-market body targeted at both. It would behoove Olympus or anybody else to begin training the market to separate the two concepts into two distinct categories with differentiated product offerings for them. IMO, it would be foolish for Oly to coin the term "Pro" to label a product intro that doesn't truly meet the needs of the pro market. They would get slaughtered, even though it might be an ideal offering for the high-end enthusiast market. Leica has more-or-less successfully carved out a niche for themselves in such a fashion (albeit with a small footprint & niche offerings). I think it's high time for Oly to attempt it.

Truth is, a pro photog--even one that accepts a cropped format for it's shooting characteristics & performance envelope on its own terms--needs to place performance over convenience. That's why they're being paid the bucks to haul around a kit. While an m4/3 Pro kit would certainly be of value...it cannot ultimately detract from the shooting experience. It must perform within spitting distance of its peers in all critical areas of performance--meet "pro" threshold of performance. Ideally, it exceeds existing technologies in some high-value areas. If you compromise any of those things, it will fail in the pro market.

--
'I have no responsibilities here whatsoever'
I pretty much agree with you and I have trouble seeing the pro market for an m4/3 camera. Who are the pros that would use this camera and for what purpose? To many pros I don't think size would matter enough when "on the job" to convince them to buy into a mount with significantly fewer lenses than Canikon, or even Sony, can offer their customers. Especially when you talk high-grade lenses.

On the other hand I can see the point of an enthusiast camera. Something that the pro takes with him on his vacation instead of the big FF-DSLR. Something small and handy that still produces good quality shots. I have the Contax G1 autofocus rangefinder which I bought from a professional photographer who had used it for just this purpose. And I can easily see why. When he was on vacation or just walking the streets on a sunday he didn't want to lug his SLR around. He wanted something small that still gav him good IQ. And the lenses for the G1 are absolutely tack sharp CZ-glass. And that is also something Olympus has to work on when they release their "pro" or enthusiast-camera. A few more quality lenses. Although I think from a business perspective they would probably be better served by releasing more low- to mid-range lenses that are fairly priced to go with the cheap cameras. But then again, I always nag about lens availability and pricing.
 
M43 probably needs to move in BOTH directions... up and down. In order to capture the widest possible market, increase market share, and realize better economies of scale. And a top end flagship does provide an upgrade to dream about.

But I think moving down makes more sense than moving up. At least right now.

At some point, the cost/benefit factor comes into play. I just think people will not pay the price of Canon 7D to buy a camera that barely matches a Canon 1100D, and just happens to be a little smaller.

If "small and light" is the M43 raison d'etre, then this must be adhered to scrupulously.

Look what happens to the Sony SLT55 when Sony moves up in class to the SLTA77:



The good news for Sony is that the SLT series uses their standard Alpha mount, so there are plenty of high end Sony and Zeiss lenses for this larger, heavier, better speced camera.

But in order to have the better build quality the A77 will drift away from the smaller'lighter core concept behind the SLT series.
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Marty
http://www.fluidr.com/photos/marty4650/sets/72157606210120132
http://www.flickr.com/photos/marty4650/sets/72157606210120132/show/
my blog: http://marty4650.blogspot.com/
Olympus E-30
Olympus E-P1

 
Personally speaking, I'm watching them to see if they cave in to market demands, & release something called "Pro" next regardless if the technology is ready, or if they are brave enough to call it what it is...NOT PRO...but possibly a High-End Enthusiast camera. The market demands "pro" because it is an easy moniker to reach for. But when they are asked to specify its features...it is clearly not pro...it is high-end consumer stuff. It would get them credit, in my book, if they acknowledged that.
Those titles are rarely given to products by their manufacturers. I don't think Olympus cares that much whether it's perceived as "pro", "semi-pro" or "enthusiast".
--
Gallery: http://weatherloony.fruitsens.com/snphoto.html
When you're pitching a system...it's hard to avoid addressing your market segmentation directly.

"Olympus E-System Digital SLRs are designed with revolutionary features that expand the frontiers of digital photography. From our flagship E-5 aimed at working professionals as well as advanced amateurs, to our other models like the E-620 and E-30, you're sure to find an E-System camera that fits your needs."

--
'I have no responsibilities here whatsoever'
 
I think a read of the recent Sean Reid article on Luminous Landscape is worth a go too - about what it is that simply makes some cameras handle and work seamlessly. Perhaps, aside from dependability and image quality, it is that quality that pro's in particular will value more highly than bells and whistles. Every control in the right place and easy to use without a second thought.

I can see that there perhaps needs to be some kind of high end offering that is there as an upgrade path for people, but let's not kid ourselves - if people really need the capability of a professional or even high-end enthusiast SLR, then they shouldn't be looking at CSCs (at least, not yet). The question is whether people buy these cameras because they need that capability, or because they think they need it....

As others have said, a pro system is about more than the body - and requires pro lens (and flash) solutions. I can see that there could be a market for a m43 fast standard zoom, but other than that, see more possibility in marketing a small range of decent primes (sorry but the 14/2.5 doesn't make the grade here; must try harder). The rumoured 12mm lens sounds promising, and a fast portrait prime of around 40/1.4 would help too.

Where this leads me is that if I was going to try and market m43 as a professional system, I'd be aiming to position it as a realistic poor man's alternative to Leica M - a decent body and 3 or 4 really good fast primes but hopefully at somewhat less cost than the M system. A discrete street and reportage camera, but not a replacement for a decent SLR system. Would it sell in vast numbers? Probably not - but it might be a tempting upgrade to the many professionals who were attracted to the GF1 as a second camera.

--
http://jonschick.smugmug.com/
 
When you're pitching a system...it's hard to avoid addressing your market segmentation directly.

"Olympus E-System Digital SLRs are designed with revolutionary features that expand the frontiers of digital photography. From our flagship E-5 aimed at working professionals as well as advanced amateurs, to our other models like the E-620 and E-30, you're sure to find an E-System camera that fits your needs."
Fair enough :|. Thanks for pointing this out.
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Gallery: http://weatherloony.fruitsens.com/snphoto.html
 
But the E-5 technology in the GH2 body would be a perfect tool. I have all the m4/3 lenses, I think they are stellar quality very close when compared to my high end Nikkor lenses, I just find the GH1 and GH2 are not quite up to the task when faced with reliable and fast shooting.

For now I have a D7000 to fill in the higher end gaps, if the E-5 would take the m4/3 lenses I would not need the Nikon for work. Faster lenses, higher D/R and more accurate focus is most of what is missing for now. The Nikon D7000 sucks compared to the GH2 for size/weight, live view and video, the it sure can beat the GH2 for D/R and fast accurate focus.

Phil
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http://matix.zenfolio.com
 
Hi marty

From a purely logic perspective I am convinced you are absolutely correct!

The tricky thing is that cameras for men, like clothes for women, usually fulfills other functions than covering or taking nice pictures in general.

A slightly fat middle aged guy like myself with more and more grey hair get some self realization and identity through these things. That triggers some basic human instincts that has nothing to do with logic value for money. Its about touching, the feeling, and values beyond money. I can feel genuine happiness through holding a high quality retro product in my hands. Because then I am today what I could not afford to be in the 70's-80's when I was full of hormons wanting to impress the girls with a wealth I did not have.

I think this is what much of the retro style is about today. Guys who can afford in a modern package what they could not afford in their younger days.

I am convinced that a high end mft in a retro package will work out well. Not for the IQ, but for me living my life...

Oh, and by the way. Did I say that I work a lot with marketing and market positioning...?

Br

Marcus

;)

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Canon 5D mk2
Sigma 12-24 HSM EX
Canon 50 f/1,2L
Canon 85 f/1,2L
Canon 100 macro IS f/2,8L
Canon 24-105 IS f/4L
Canon 70-200 IS f/2,8L
Canon 70-300 IS f/4-5.6 L
Canon EF 2x II Extender
Canon EF 25 II Extension tube
Canon Speedlite 580
Canon MT-24EX
Canon BG-E6

Canon S95

Olympus E-PL2
mZuiko 9-18
mZuiko 14-42 II
mZuiko 40-150
mZuiko 75-300
vf2
http://www.flickr.com/photos/marcusaxlund/
 
The concept of a small high quality camera is very compelling. I know I'd love to own one. This question really is about whether such a product would be a commercial success.

Right now M43 is providing entry level DSLR performance, at a slightly higher cost.

Right now M43 has some pretty good lenses, at a much higher cost than their 4/3 versions. And those more expensive lenses very often aren't as high quality as the 4/3 versions.

Right now, we are paying a very high price premium for smaller and lighter cameras that are more portable and convenient. And we aren't getting much more than convenience for the extra money.

There are rumors/demands/desires for an upscale weathersealed pro camera. And Olympus has said that this will eventually come.

So, what will happen when Olympus or Panasonic "beefs up" a M43 camera to a pro grade spec?

We can assume that a pro grade cameras will have:
  • better image quality, perhaps a new sensor with more resolution
  • a magnesium alloy weather sealed body
  • a built in high quality EVF
  • faster continuous shooting rate
  • more high end features
  • a much better built in flash
  • high grade fast prime and zoom lenses, also weather sealed
I dont agree with the flash. And shooting wise, it depends on the body type.. if its a rangefinder type body, i dont think people wil care about continuous shooting, fast AF, etc... its the wrong body type to begin with to shoot that type of stuff.

There are other factors, like more external controls that really challenges the designers in trying to keep the body small.
What will this camera cost, and how much will it weigh?

Will they sell very many of them if it costs more than a Canon 7D, but delivers less?
No and no.
The assumption behind this design is that "everyone wants a pro grade mini camera." And there is no doubt that this is true for some people.
Given NEX and GF sales, this is true.
But I suspect that the number of actual buyers (as opposed to window shoppers) will be so small that this will become a high end niche product for the Leica X1/Fuji X100 market.

The bottom line is that the price will be very high, and the quality just be "very good," and not anything comparable with high end cameras that cost less. The size and weight advantage will shrink due to the magnesium body, weather sealing, and added features. The price premium for "smaller" will grow.
This is also a moving target. A pro-spec m43 will be competing with the D400 and 7D2.
We might end up with something that lacks the image quality of a Nikon D5100, but sells for three or four times it's price. And is almost as big and heavy. And lacks the lens selection.
This would be the Oly E5.
It all comes back to that assumption.

What if only a small percentage of M43 users are willing to pay a very high premium for a pro grade camera, and the rest just wanted a nice P&S upgrade, or a good DSLR companion camera? Where is the market for this camera?

Considering the pricing of M43 we know this new system won't be cheap. A Panasonic GH2 with a kit lens costs $1300 today. A pro version with a pro lens would cost a lot more. Perhaps twice as much.

Could this camera compete with a cheaper Pentax K5 that will have the same pro build, more features, better image quality, and be only slightly larger and heavier? (I guess that would depend on how large and how heavy a pro grade M43 camera needs to be).

When you read this forum, you get the sense that the most important feature people want is "smaller and lighter cameras." And that they are willing to compromise on image quality and features to get this. And this is probably true for many people.

But is it true for professional photographers too? The people who will spend a lot for their gear because they need the best. These are the same people who don't mind carrying around a 2 pound Nikon D3s, or a 3 pound Leica S2, or a 6 pound view camera if that is the tool they need. Are these people willing to compromise on image quality for portability?
Good point and often lost on this forum. Despite all the talk about ppl dumping their FF gear for m43 on this forum, its just not a factor at all.
Simply put, when a M43 camera costs more than an Olympus E5, then it is a poor choice for a high end user. You end up paying more and getting less. And you don't even have lenses to go with your camera, and the camera may not even be sufficiently smaller or lighter.

My own view, and I am certain that many will disagree, is that "pro grade M43" is a mistake. If anything, M43 should move in the other direction, to capture more of the mass market. The next generation should get smaller, lighter and cheaper.... and not bigger, heavier and more expensive.

The killer product would be a smaller and lighter EPL3 with a $350 list price. With a few small standard grade prime lenses. Everyone would want that camera in their bag. You couldn't make them fast enough. A camera like that would make it hard for Canon to sell many G12s.

OK, that's just my view. Feel free to call me a troll now. It won't hurt my feelings.

I just feel M43 needs to move directly and aggressively into the mass market, and not become a high end niche product. Designed for people who say they want it, but will never spend that much money for it.
The mass market is also getting crowded. Sony NEX is still outselling m43 and they are not stopping anytime soon.

I think the biggest loser in all of this will be Oly.
 
The concept of a small high quality camera is very compelling. I know I'd love to own one. This question really is about whether such a product would be a commercial success.
Olympus is the only one of the two m43 companies that has floated the idea of a high end m43 camera. I use the term high end because it is hard to see reasons why professional photographers would abandon full frame, medium format and view cameras when these will always deliver superior image quality compared to smaller sensored instruments. Olympus is in deep financial doodoo at present, at least their camera division is. Olympus has taken a radical step by choosing a European to head their business in Japan, and he has already announced cost cutting measures. I would not be in the least surprised if Olympus decides to go down the same road as Panasonic and abandon its dSLR business altogether to focus on point and shoot as well as m43 systems.

The only Olympus camera I have ever used regularly is an Olympus 35RC film camera. In my younger days this camera went with me when rock climbing and even once went with me on a raft down the Grand Canyon. It was not waterproof and it had a good (if not wide enough or fast enough) Zuiko lens. It was not a professional camera in its day but it was high end (as my Yorkshire grandmother would have said, it was built like a brick privy); it still works well today although I no longer shoot film, mainly for environmental reasons.

If I was to offer advice to Olympus today, it would be to "stick to your knitting", or in plainer speech to focus on what you are good at, which is making optical devices. Perhaps the biggest disappointment for all m43 users so far is that Olympus has been slow (in our perception) to launch high quality and fairly priced lenses for all m43 cameras. Although I shoot with Panasonic cameras (I prefer the accuracy of their colours to the oversaturated jpgs that Olympus features), I would love to use high quality m.Zuiko lenses on my Panasonic G bodies. I use an Olympus FL36 R flash (it was cheaper than the identical Panasonic device), and will almost certainly buy a m.Zuiko 12mm f2.0 if Olympus ever get round to making it. We are told that Canikon make most of their money selling lenses rather than bodies, so Olympus should be able to make higher margins developing and selling m.Zuiko lenses than yet another camera body.

One thing that Japanese companies are much better at than European and North American ones is taking the long view rather than being short-termists. In the long view I think Olympus will be better served in terms of financial returns if its camera division concentrates on lenses rather than on camera bodies. Who knows, they may even cross-license Panasonic's OIS in lens systems with their IBIS. There would be few cries of monopolistic practices since there is already competition from Sony and Samsung in the compact system camera market worldwide.
 
The Olympus RC certainly was a great camera.

I think a digital M43 version, with interchangeable lenses, might give some serious competition to the FujiX100 and Leica X1. But it would need much higher build quality, controls and features than any current M43 camera. It wouldn't even have to be that small, since the other cameras in this group are hardly shirt pocket cams.

It certainly would be a big player in that niche, and could be the perfect street shooter. Especially if priced no higher than the Fuji.....

I would also love to see a budget model based on the Olympus XA clamshell styling.

If you're going to go retro... then go all the way.
--
Marty
http://www.fluidr.com/photos/marty4650/sets/72157606210120132
http://www.flickr.com/photos/marty4650/sets/72157606210120132/show/
my blog: http://marty4650.blogspot.com/
Olympus E-30
Olympus E-P1

 
I think this is a powerful marketing concept.

It's absolutely no coincidence that the modern Leica M9 looks very similar to my 54 year old Leica M3. And those new retro Thunderbirds sold pretty well too for a while.

Sometimes we get enamored with new technology then swing back to older designs, with the new technology stuffed in them. I remember the fist digital watch... the Pulsar... was all the rage with those red LED numbers on a black face. This was an extremely expensive luxury watch at the time!



Within a few years the entire high end watch market swung back to analog designs... with digital movements.

--
Marty
http://www.fluidr.com/photos/marty4650/sets/72157606210120132
http://www.flickr.com/photos/marty4650/sets/72157606210120132/show/
my blog: http://marty4650.blogspot.com/
Olympus E-30
Olympus E-P1

 

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